Pigment Sculptures

Sacandaga River Confluence NY State slate/pigmented and sealed steel 12.5" (height) x 22" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are ...

Contemporary, Porcelain, Sculpture, Pigment, B2Y Spectrum Loop Dispersion Kyle began his studies at Southern Illinois University Edwardsville (SIUE). Following undergraduate, he rec...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

A central figure in the California Light and Space movement, Laddie John Dill has been crafting light and earthy materials like concrete, glass, sand, and metal into luminous sculptu...

Whispers of the Deep: Intertwined Desires stands among Hiro Ando’s most daring sculptural explorations, where Japanese heritage encounters the contemporary sensibility of the Nippon ...

Katherine Jackson lives and works in Brooklyn. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...

Series: Origin of Desire Mari Ito was born in Tokyo, Japan in 1980. She majored in Nihonga, Japanese-style painting made with traditional practices, techniques and materials. She mo...

"Sisyphean Circle (twirl IV)" by John Van Alstine Granite, galvanized and powder-coated steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of st...

"Sisyphean Circle Beijing Series XXXII" by John Van Alstine Slate, pigmented steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and met...

"RIVER LANDSCAPE (tailfin)" by John Van Alstine Slate, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and meta...

Lunge 9-22 (Red Tail) NY State slate/pigmented and sealed steel 23" (height) x 26" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central...

Donald Martiny’s signature work is composed of dispersed pigment on aluminum. He creates immediately frozen brushstrokes that are made from his own movements. They are defined by the...

Sagitta (Link) granite and galvanized and powder-coated steel 42.5" (height) x 37" (width) x 12" (depth) Stone and metal, usually granite or slate, and found object steel are centra...

Pyxis Bronze and Red Pigment 13" x 14" x 9" Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interaction of these materials is a ma...

"SISYPHEAN CIRCLE 12-18" by John Van Alstine Slate, Pigmented & Sealed Steel Stone, Metal, Sculpture, Abstract, Contemporary, Outdoor, Industrial, Industry, Nature, Orange, Red, Cir...

"PORTALS AND PASSAGES 4-20" by John Van Alstine Bronze, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and met...

With Light Glyphs, Casper Brindle presents two new bodies of work, each involving dramatic investigations into light, color and perspective. The results are poetic, sensual and spat...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. On the most basic level the work is ...

slate/pigmented and sealed steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. O...

slate, pigmented and sealed steel Stone and metal, usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a major focus. ...

"Sisyphean Circle (tefillin)" by John Van Alstine Slate and Powder-Coated, Galvanized Steel Stone, Metal, Sculpture, Abstract, Contemporary, Outdoor, Industrial, Industry, Nature, R...

This half-shield from New Guinea is carved wood, embellished with vegetable pigment. It features an abstracted face with other designs. The shield is 31" x 9" x 4".

Lisa Bartleson is a Northern California - based mixed-media artist whose work is inspired by the Light and Space movement from the 1960’s and 1970’s. Her work has a luminous quality ...

In Trilogy Urbancat, Sumocat, Robotcat Blu: Azure Chronicles, Hiro Ando orchestrates a striking encounter between feline icons and chromatic minimalism. Bringing together Urbancat, S...

Artist Commentary: Bad Moon Ascending is a result of a lyric in the CCR song "Bad Moon Rising", the impact of the Covid-19 pandemic, and my sculptural pursuits of my "Event" series. Keywords: abstract, welded metal Artist Biography: Fred Klingelhofer, a primarily self-taught artist, grew up in a Chicago south side neighborhood. He received a BS degree in physics from Roosevelt University and worked as an engineer for 30 years. During those years he enrolled in art workshops and classes at a nearby community college completing courses in figure drawing, 2D and 3D design, ceramics, sculpting the figure, welding and metal sculpture. His focus has been on creating sculpture since 2006. Fred has exhibited his sculpture in a number of group exhibitions with Chicago Sculpture International, Art Prize (Grand Rapids, Michigan), Sculpture in the Park (St Charles, Illinois), Sculpture Walk Sioux Falls...

Pigmented Satin Lacquer on maple Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NYC, Texas Contempor...

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

Emerging from a history of innovative West Coast artists, who pioneered the Finish Fetish and Light and Space movements, Casper Brindle has mastered the industrial materials at his d...

Modern collection of realistically rendered tupperware cups made out of beeswax and pigment by California artist George Stoll. The piece features a set of...

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

Sea Cactus (2022) is a small contemporary abstract sculpture, featuring a concrete triangular prism, with weathered details to create a rugged effect. Expertly balanced on the tip of the triangular prism is a dark ball...

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between painting, sculpture, and drawing. My aim is to produ...

“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between painting, sculpture, and drawing. My aim is to produ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

Wall sculpture “It has long been known that the Earth is round, but it is only now in the space age that it is really seen to be so. The stunning pictures of the blue planet floatin...

Artist Brad Rude was born in Montana and has lived in Walla Walla, Washington most of his life. His journeys through his grandfather's folk art studio left...

With Light Glyphs, Casper Brindle presents two new bodies of work, each involving dramatic investigations into light, color and perspective. The results are poetic, sensual and spat...

"Voyageur en Bateaux" is a sculptural wall piece featuring hues of brown and blue. Corrina is inspired by the work of Louise Bourgeois, Louise Nevelson, Albert Paley, Lee Bontecou. ...

Contemporary Abstract Sculpture Platonic Flower, 2022 Engineered concrete & pigment 7’’, 9’’, 10’’ About The Artist Miguel A Otero Fuentes is a Puerto Rico-born USA migrant, a univ...

“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between painting, sculpture, and drawing. My aim is to produ...

“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between painting, sculpture, and drawing. My aim is to produ...

“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between painting, sculpture, and drawing. My aim is to produ...

This four panel composition has a rich blue and violet tones in the pigmented wax, which compliments the warmth of the tones of the embedded packaging material beneath the surface. ...

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

Dry pigment and acrylic medium on treated raw canvas stretched over wood and PVC armatures. Dimensions listed are for piece as shown -- note that dimensions are variable depending o...

"Ascension (red reamer)" by John Van Alstine Granite, red pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and m...

Dusty Rose Sage (2022), terracotta concrete abstract face sculpture, metal wire Biomorphic and earthy yet industrial style wall sculpture, she...

Whitewashed Sage (2022), gray and white concrete abstract face sculpture, metal wire, earthy Biomorphic and earthy yet industrial style wall sculpture, shelf sculpture or tabletop s...

Marbled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy Biomorphic and earthy yet industrial style wall sculpture, shel...

Speckled Sage (2022), gray concrete abstract face sculpture, metal wire, earthy Biomorphic and earthy yet industrial style wall sculpture, she...

Biomorphic and earthy yet industrial style wall sculpture, shelf sculpture or tabletop sculpture. Abstracted face sculpture made with concrete, pigment and wire. The piece is smoot...

Biomorphic and earthy yet industrial style wall or tabletop sculpture. Abstract wire form with corrugated hydrocal plaster form. The piece is smooth and...

There are two Little Oil installations available with 6 sculptures each on top of LED light boxes. Katherine Jackson has been working with glass and light together for many years, Recently, she's been making glass castings of vintage oil cans, and displaying them -- singly, in small groupings, or in vitrines -- on light boxes. So far she has created about 90, each one unique. The series is called Little Oil, alluding to Big Oil, and sometimes Small Oils, as in oil painting. But “oil” can mean many things. It has been a source of light (sometimes from unconscionable sources) since ancient times as well as a source of eternal light in many faith traditions. Set atop lightboxes, where each work glows from within, these pieces can simply seem like vessels of light itself. At times, they appear to me to transcend their relation to oil altogether, appearing anthropomorphic or creaturely, even biological. These days, I think of them as archeological artifacts, relics of a past, oil-based, civilization. Necropolis is a print of a painting inspired by a map of the necropolis where the terra cotta soldiers...