Bride Sculptures

Carved Moose Antler

Ceramic sculpture "White Way". With this work I am talking about the state of a woman when she is connected to the natural source of her power, when she is light at heart. In this case, a woman's actions are filled with favorable energy. I have depicted this energy in the form of a white band that she weaves with her hands.

 The work is made of white white clay with fine chamotte. The figure has a matte rough surface of cream color with white engobe flecks. The white band is tied with polyester thread. It is attached to the figure with a thin wire. - Sve Gri...

Viva la LVII (Long Live the '57) by Gary Alsum Bronze 6.5" x 12.5" x 6" ed/75, number 1 in stock Shipping price includes the custom packing necessary for fine art. A new body of wor...

Ernest Rancoulet (Bordeaux 1842 - Bordeaux 1905) Signature on reverse side ‘Rancoulet’ Pair of bronze candlesticks depicting winged cupids ‘Allegory of Autumn and Spring’ Gilt bron...

Patinated bronze figural statue depicting Zephyrus, god of the west wind, as he embraces his bride Flora. The couple are seen draped in flowers as if they have just married. Flore et...

'Illeagle' is a humorous and playful ceramic sculpture by the American artist Bill Reid. Reid is known for his animal sculptures based around word play, and indeed, this sculpture is...

Standing angel with banner Flemish Around 1450/60 Sandstone 60 x 21 x 15 cm This museum figurine shows a standing angel with a banner in his right hand and a small box in his left. The youthful, ageless figure wears a coat held together with a triangular, floral brooch in front of the chest over a long robe. The angel’s gaze is directed forward, his head tilted slightly to the left. The elongated face is sculpted: the large almond-shaped eyes with accentuated upper and lower eyelids are alertly open and sharp eyebrows lead directly into the root of the nose. The straight nose above the pronounced mouth completes the idealized oval face of the angel and his calm, internalized facial expression. What is particularly remarkable, however, is the magnificent curls, which are only partially tamed by a simple headband. As if puffed up by the wind, the hair, which is sometimes streaked in parallel, sometimes wildly twisted and richly curled, stands out dynamically from the ears. The tilted head with these sideways protruding waves of hair thus conveys an immediate impression of movement. The physicality of the sculpture is expressed particularly through this organic, lifelike movement of the loosened hair. The lively overall impression of the figure is further enhanced by the multiple rolled banners that the angel presents to the viewer. The outstretched palm of the right hand appears both intimate and confidential as well as mystically revealing. This banderole winds in gentle curves in front of the figure’s body, throws a fold over the second attribute in the angel’s left hand and falls downwards in a loose manner. The volute-shaped rolled up end of the banner clearly shows the fine texture of the banner and at the same time draws the viewer’s attention to the small cube-shaped box that the angel is holding in its slender, long-limbed fingers. The cube is decorated with a Gothic quatrefoil motif, which is often seen in the architectural tracery of windows, but was also often used to decorate caskets and other small treasures. The sweeping gestures in the presentation of the attributes suggest three-dimensionality, in contrast to the tubular folds at the base of the neck and the intricate draperies in flat and multiple overlapping garment sections. The soft curves of the folds give the impression that the clothing is made of a heavy fabric that falls diagonally down the front and is laid in several bowl folds under the right hand. Overall, the sculptural work testifies to the highest artistic skill, which emphasizes the virtuosity of sculpture in its precious and representative overall impression. The memorable characteristics recognizable here can be seen in comparable pictorial works from Utrecht around the middle of the 15th century, when sculptural art – especially stone sculpture – was characterized by a remarkably high quality. Particularly noteworthy is the accentuated Utrecht head type with an elongated oval face, almond-shaped eyes with heavy lids and dense, vividly protruding tufts of hair framing the head. For example, the figure is comparable to a capital of an angel on the east side of the rood screen of the Joriskerk in Amersfoort (province of Utrecht) from the second quarter of the 15th century. Not only the physiognomy and hair, which in the comparative example stand somewhat more horizontally to one side, but also the garment puff above the girdle are similar. Even more related motifs, such as the cleverly placed bowl folds, can be found on the limestone figure...

Unusual 19th century English Staffordshire musical figures crafted in porcelain and hand decorated depicting a female figure with an accordion and a male with a barrel piano.

Peyton Pickenpaugh says of her work… In my work, I explore the hidden histories of women, feminist reinterpretations of myth, and the spiritual resonance of materiality. Through lay...

Pair of Angels, Tuscan Sculptures with Cornucopias from the 1600s hand-carved from stone pine wood, lacquered and gilded from Central Italy, from a private villa in Siena; they are...

Portrait of Albert Dubarry by Léon-Ernest DRIVIER (1878-1951) Bronze with a nuanced greenish dark brown patina signed "Drivier" cast by "Montagutelli, Paris, cire perdue" (with the ...

Aimé-Jules Dalou (1838-1902) was one of only a handful of leading late-nineteenth century French Sculptors, whose reputation was perhaps second only to his contemporaries, Henri Chapu (1833-1891) and Marius Jean Antonin Mercié (1845-1916). Dalou was hugely influential and was a founding member of the Société des Artistes Français and later a founder of the Société Nationale des Beaux-Arts. He was officially rewarded with the highest rank of the Légion d'Honneur two years before his death, with the inauguration of the Triumph of the Republic, in 1899. He started his artistic training in 1852 at the Petite Ecole after being encouraged to do so by Jean-Baptiste Carpeaux, where he studied drawing and modelling. Carpeaux continued to support Dalou throughout his career and influenced his sculpture greatly. Dalou began employment in the field of decorative sculpture working for two companies in Paris, Lefèvre and Favière goldsmiths. During this time he contributed towards the architectural features of Hôtel de la Païva, the then home of the infamous French courtesan Esther Lachmann known as La Païva. Dalou's unique approach lay in his broad range of subject, painterly and sculptural source material, though which he absorbed an impressive spectrum of inspiration. The work of an eighteenth-century sculptor, Louis-François Roubiliac, played a significant role in Dalou's artistic development, whose sculptures he studied whilst in London. Dalou's work includes friezes, maquettes, reliefs, and individual bronze figures. He is known for Baroque-inspired allegorical group compositions, as much as for his depictions of the French rural labouring classes. Dalou encouraged students of art to free themselves from the constraints of established traditions, with his style and teachings thought to have awakened a new generation of young British sculptors whose work was later aligned to the New Sculpture movement. This rough plaster model was kept in the studio of Alfred Drury...

A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...

"Mother and Child" by Frederick Hart is an acrylic figurative sculpture of a woman and her baby numbered 43/150. Inspired by the birth of his own child, Frederick Hart masterfully ce...

Book Sculpture, signed Alexander Korzer-Robinson Robert Robinson is an American artist born in 1960 who lives and works in London, UK. He creates 3-D media artworks using comic bo...

Powerful Dolls is a luminous artwork by Kumikaho Oshima from the series Luminous Transactions : Barbie Chronicles in Currency Boxes, where the artist presents a dense accumulation of...

Opposing pair of lifesize Majolica or glazed terra cotta eagles. Executed with fine detail right down to the talons. Perched on mountainous bases these birds bring a formidable attit...

KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove ...

Antique Polychrome Wood Carving Igbo Nigeria Africa, Staff decorated with two figures, mounted as a finial on the shaft terminating in a triang...

Stainless steel

"Girl with Mini Dress" is a small, free-standing bronze sculpture of a young woman with a white dress. Edition 18, signed, numbered and dated on the bottom. The sculptress Susanne ...

Book Sculpture, signed Alexander Korzer-Robinson, The Quiver, 1882 Robert Robinson is an American artist born in 1960 who lives and works in London, UK. He creates 3-D media artwor...

Sara trained under Ken Hughes, a pupil of Henry Moore, at Bath Academy of Art. There she achieved a first class honours degree in Sculpture and was awarded the Henry Moore Foundation...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 24" tall. Traditional Wayang Golek plays can be comp...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 27" tall. Traditional Wayang Golek plays can be compared to European and North America: most performances revolve around Kings, Queens, Princes and Princesses who fight against evil, mystical, beings to (usually) end happily. Three-dimensional Indonesian puppets...

This wooden finial figure was carved from wood by an unknown Indonesian artist. This figure stands on a carved decorative base, also created in Indonesia. The sculpture is a red and ...

La Mystérieuse was inspired by Erté’s design for a wedding gown published in Harper’s Bazar in 1923. Erté wrote, “The name comes from the effect of mystery of this exquisite outfit. The dress was designed to be in white crêpe embroidered with geometric designs in silver and adorned with snow-white ermine...

An elegant cast metal sculpture by acclaimed American artist Eric James Bransby (1916–2020), Rotation is a dynamic celebration of movement, rhythm, and classical form. The compositio...

Ivy Naté uses universally recognizable objects in non-traditional ways. She creates both large-scale installations and smaller works. Yet, each express Ivy’s captivation with raw hum...

Monumental, Art Nouveau, Bronze Sculpture – Anonymous (20th Century) “Woman with Two Borzoi Dogs” 6 feet 7 inches high x 3 feet 3 inches wide x 2 feet 5 inches wide Medium: Silvered, patinaed and painted bronze Provenance: Maxwell House...

ÉMILE CORIOLAN HIPPOLYTE GUILLEMIN French, (1841-1907) Pair of Female Gypsies Both signed ‘Ele Guillemin’. 22 1/2 ...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Levesque Isabelle was born in 1954 in Antananarivo. She attended the school of fine arts of Brest (France) and practiced sculpture since 1997. She made her first official exhibition ...

This very finely carved statue is of a swimmer just leaning over to dive into an unseen pool. Signed P. Barzanti, Florence for Pietro Barzanti (1825-1895) of Florence, Italy. Barzani was a well known sculptor known for classical works in marble which is reflected in this figure's very delicate facial features and the skill shown in the carving of her hair and the cloth of her bathing costume...

Damien Hirst (b.1965) Abacus - The Dream is Dead 2007 silver 14.5 x 14 x 21 cm incised, titled and numbered ‘Abacus Damien Hirst The Dream is dead 2/12’ (on the verso) edition 2/12 Price: $85,000 USD Provenance: White Cube, London Private collection, New York Sale: Christie’s London, 29 June 2011, lot 114 Private collection, London (acquired at the above sale) Notes: ‘I remember I was thinking that there were four important things in life: religion, love, art and science. At their best, they’re all just tools to help you find a path through the darkness. None of them really work that well, but they help. Of them all, science seems to be the one right now. Like religion, it provides the glimmer of hope that maybe it will be all right in the end.’ (D. Hirst, quoted in conversation with S. O’Hagan in New Religion Damien Hirst, exh. cat., British Council, London, 2006, p. 5) Born in 1965 in Bristol, Hirst grew up in Leeds and subsequently went to Goldsmith's College in London. Between 1988 and 1990 he curated a series of exhibitions of work by his contemporaries including the highly acclaimed group shows Freeze, Modern Medicine and Gambler. In his own work Hirst has continually challenged the boundaries between art, science, the media and popular culture. A 12-foot tiger shark, a cow and her calf sawn in two, pharmaceutical bottles...

Costantino Barbella (Chieti 1852 - Rome 1925), Love Song Bronze sculpture 41 x 35 x 21 cm signed at bottom, on black marble base. Provenance: Private Collection, Rome.

Young girl from Bou-Saada by Louis-Ernest BARRIAS (1841-1905) Bronze sculpture with a nuanced dual patina with blue enamelled jewels Signed on the base " E. Barrias " Cast by " Suss...

Bronze

Tropical Totem is a vibrant sculptural homage to the totem pole, brought to life through layers of handworked fabric and embellishment. Block-printed with lush florals and detailed w...

Bronze

L'alsacienne Or Bretonne aux Rameau silver overlay patina by Leo Laporte Blairsy (French, 1867-1923). Depicting a woman in robe holding a garnet of flowers with a L'alsacienne or Bre...

For more than two decades, artist John Petrey has created dynamic sculptures from everyday materials and objects—tin, bottle caps, aluminum cans, plastic forks, yardsticks, and the l...

The eagle holds great significance for Egyptians, Greeks, and Romans as the bird of Jupiter, the King of Gods. It is also viewed as the symbol of strength, courage, and immortality. ...

Artist Commentary: Worked with a model for the initial photoshoot. While perusing through the images I had just taken I selected this particular one and said to the model "you look v...

“Making sculpture is a very complex matter. A word added to a form, ultimately helping to better define it. And ultimately helping to understand the whole.” Ugo Riva is probably the most eminent and affirmed artist represented by the Frilli Gallery...

Acrylic on hand-carved African mahogany Signed, titled, and dated, verso This artwork is offered by ClampArt, located in New York City. Philip Campbell writes: “August 2016 we trav...

‘I have created characters since I was a child. I studied painting at the Ecole des Beaux Arts de Paris, but now I have a preference for sculpture. I do not have an intellectual proc...

hand-painted metal with oil paint on metal armature text by Tom Sleigh: BLUEPRINT - 2007 I had a blueprint of history in my head — it was a history of the martyrs of love, the fool...

Capturing a climactic moment from Shakespeare’s famed tragedy, this exquisite marble sculpture was created by acclaimed Italian sculptor Fausto Biggi in t...

‘I have created characters since I was a child. I studied painting at the Ecole des Beaux Arts de Paris, but now I have a preference for sculpture. I do not have an intellectual proc...

Questa piccola terracotta raffigura una scena mitologica, probabilmente una scena da un baccanale o un "ratto". Si vede infatti un centauro al centro sollevare una ninfa nuda, i due ...

A unique wall piece that is a great gift for any avid gardener or lover of horticulture. Sit Hamo Thornycroft would become one of the youngest members of the Royal Academy, achieve the Medal of Honour at the Paris Exhibition in 1900, and be knighted in 1917. Working in a transitional style between that of the neo-classicists of his parent’s generation and the Modernist style of the 20th century, Thornycroft carved out a niche as a figurative sculptor and noted modeler of public monuments in and around London. Toogoods and Sons, Ltd, established in the early nineteenth century, had, by the turn of the century, grown to become the largest seed company...

Dancer with platform shoes by Agathon LÉONARD (1841–1923) Sculpture made in gilded bronze Signed on the dress "A. Léonard Sclp" Cast by " Susse Frères éditeurs Paris " (with the fo...

"Alexandria 1" Mixed Media Wood Sculpture 39" x 18" inch by Alfons Louis Wooden work with elements of Bronze, Glass, and Iron. ABOUT THE ARTIST Born in Cairo 1959- Graduated from faculty of fine art (painting) Alexandria. In 1982 – Member of plastic art Egypt, member of Atelier Alexandria And member of Alexandria Work shop center...

The iconic spraycan is ‘super-sized’ into a statement piece combining his traditional imagery with cutting edge techniques and materials. The cans, only 10 of each worldwide, are ...

The iconic spraycan is ‘super-sized’ into a statement piece combining his traditional imagery with cutting edge techniques and materials. The cans, only 10 of each worldwide, are ...

printed fabric, thread, sequins and ink ARTIST STATEMENT: ICONS I work on an intimate scale, creating delicate, hand-stitched images of imposing, dazzling, iconic women. They are ...

Adriana Marmorek RENDEZVOUS BLOWN, 2020 blown glass, bronze 1.97 x 9.45 x 6.5 in. 5 x 24 x 16.5 cm.

Sara trained under Ken Hughes, a pupil of Henry Moore, at Bath Academy of Art. There she achieved a first class honours degree in Sculpture and was awarded the Henry Moore Foundation...

This larger than life gold gilded bronze of a sea man with oars will decorate any area and be a great conversation piece. The composition and casting detail are amazing. This is the ...