Bride Sculptures

A large-scale bronze high relief with a depiction of a young undressed woman and two old men. The scene takes place in an architectural setting inspired by antiquity, with a suggeste...

Masquerade, a traditional yet playful composition by Fortunato Galli, reflects the realism and intricacy that defined Italian sculpture at the end of the 19th century. Magnificently ...

This is an Pino Daeni Large original giclee embellished “flight of femininity” . In excellent condition measures 52x39x2.

King Louis XIV, one of France's greatest monarchs, sits confidently astride a prancing steed in this bronze equestrian statue. The extraordinary work is a reduction of the portrait of the Sun King by François Girardon, one of the most noted and influential sculptors of the period. Looking back to the great masterpieces of antiquity, Girardon took his inspiration from the seminal ancient Roman marble of Marcus Aurelius, now in the Musei Capitoline (Rome). Louis XIV is thus portrayed here as a conquering Roman hero, his costume adorned with many neoclassical motifs, hand outstretched in a gesture of command. The result is an imposing royal portrait of power and absolute authority that pays homage to one of the most important sovereigns in French history. It was in 1685, at the very height of his rule, when Louis XIV commissioned the monumental bronze of himself from the great Girardon. As sculptor to the king, Girardon was a key figure in the decoration of the gardens at the Château de Versailles, and he was later commissioned to complete several important royal...

Her poetic porcelain plates examine and reimagine the history of art in a way that values ​​women not only in body, but in wholeness, power, and love. Focusing on the narrative quali...

La Posada by François-Rupert CARABIN (1862-1932) A bronze group with a silvered patina Signed on the base "R. Carabin" Old cast Numbered "5" France circa 1901 height 24 cm length ...

Frederick Hart is America's greatest figurative sculptor. Not only did he create works of great beauty and gravitas, he was singularly responsible for restoring to American public mo...

This figurative ceramic and bronze bust sculpture highlights a fragmented surface that evokes repair, continuity and embodied memory. Part of the Xentes series by Spanish sculptor Óscar Aldonza...

HIPPOLYTE FRANÇOIS MOREAU French, (1832-1927) Two Beauties Patinated bronze; Signed, The base inscribed H.MOREAU, surmounted on a green marble base. ...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

Cold Painted Austrian Bronze Table Lamp and Sculpture of a lounging Arab man. Signed with one of Zach's pseudonyms "K. Salat" Size: 16 1/2 inches high Artist Bio: Bruno Zach (6 Ma...

Finely carved female figural marble statue by C. Dazzi  A full length white marble statue of a young woman in a dynamic dress admiring her engagement ring. Resting on a pink marble vase...

A. BATACCHI Italian, (XIX-XX) Nymph Italian Carrara marble. H 10.50 in. x W 17 in. x D 31.50 in. Signed A. Battachi, Florence in verso. Note: Batacchi was active in Flore...

Glazed ceramic black and red

Tears of a Mother, sculpture by Troy Williams, wood, steel, abstract, figure Our mother is sad and tired. The forest's song is gone, replaced with digital steel. Heartbroken, Mother...

Pair of monkey candelabras by Christophe FRATIN (1801-1864) Bronze with nuanced dark brown patina signed "Fratin" on the foot old period cas...

Meet the Teddy Art Collector — a bold piece inspired by the spirit of high fashion and iconic luxury. Where art meets style, this unique collectible blends creativity, fashion, and e...

Woman with roses Albert-Ernest CARRIER-BELLEUSE (1824-1887) Bust sculpted in white Carrara marble signed "Carrier-Belleuse" France circa 1870 total height 65 cm width 29 cm depth ...

Standing angel with banner Flemish Around 1450/60 Sandstone 60 x 21 x 15 cm This museum figurine shows a standing angel with a banner in his right hand and a small box in his left. The youthful, ageless figure wears a coat held together with a triangular, floral brooch in front of the chest over a long robe. The angel’s gaze is directed forward, his head tilted slightly to the left. The elongated face is sculpted: the large almond-shaped eyes with accentuated upper and lower eyelids are alertly open and sharp eyebrows lead directly into the root of the nose. The straight nose above the pronounced mouth completes the idealized oval face of the angel and his calm, internalized facial expression. What is particularly remarkable, however, is the magnificent curls, which are only partially tamed by a simple headband. As if puffed up by the wind, the hair, which is sometimes streaked in parallel, sometimes wildly twisted and richly curled, stands out dynamically from the ears. The tilted head with these sideways protruding waves of hair thus conveys an immediate impression of movement. The physicality of the sculpture is expressed particularly through this organic, lifelike movement of the loosened hair. The lively overall impression of the figure is further enhanced by the multiple rolled banners that the angel presents to the viewer. The outstretched palm of the right hand appears both intimate and confidential as well as mystically revealing. This banderole winds in gentle curves in front of the figure’s body, throws a fold over the second attribute in the angel’s left hand and falls downwards in a loose manner. The volute-shaped rolled up end of the banner clearly shows the fine texture of the banner and at the same time draws the viewer’s attention to the small cube-shaped box that the angel is holding in its slender, long-limbed fingers. The cube is decorated with a Gothic quatrefoil motif, which is often seen in the architectural tracery of windows, but was also often used to decorate caskets and other small treasures. The sweeping gestures in the presentation of the attributes suggest three-dimensionality, in contrast to the tubular folds at the base of the neck and the intricate draperies in flat and multiple overlapping garment sections. The soft curves of the folds give the impression that the clothing is made of a heavy fabric that falls diagonally down the front and is laid in several bowl folds under the right hand. Overall, the sculptural work testifies to the highest artistic skill, which emphasizes the virtuosity of sculpture in its precious and representative overall impression. The memorable characteristics recognizable here can be seen in comparable pictorial works from Utrecht around the middle of the 15th century, when sculptural art – especially stone sculpture – was characterized by a remarkably high quality. Particularly noteworthy is the accentuated Utrecht head type with an elongated oval face, almond-shaped eyes with heavy lids and dense, vividly protruding tufts of hair framing the head. For example, the figure is comparable to a capital of an angel on the east side of the rood screen of the Joriskerk in Amersfoort (province of Utrecht) from the second quarter of the 15th century. Not only the physiognomy and hair, which in the comparative example stand somewhat more horizontally to one side, but also the garment puff above the girdle are similar. Even more related motifs, such as the cleverly placed bowl folds, can be found on the limestone figure...

Seated Japanese Amida Nyorai Buddha Polychrome porcelain Japan, Meiji era, early 20th century Satsuma Kilns 11 1/2 x 6 1/3 x 6 1/3 inches ...

"Transcendent" Dimensions: 19" x 11" x 9" Medium: Clear Acrylic Resin Edition 96/350 Frederick Hart's 1991 “Transcendent” lucite sculpture is imbued with a truly sublime presence. Female and male figures emerging from the Lucite seem to appear and disappear within the work. This ghostly effect is created through Hart’s unique process of embedment, which involves casting one acrylic work within another. It is a technique the artist patented in 1982, marking the end of a decade of constant experimentation and progression and the beginning of a period of precise refinement. Consistent with his unique poetic vision, the inner, emotional, intellectual, and spiritual forces dominate the work. Imbued with a distinct sense of grace, this piece is a testament to Hart’s remarkable technical abilities and devotion to the craft. Frederick Hart's "Transcendent" is signed by the artist and includes a gallery certificate of authenticity. It is from an edition of 350 (+ 60 AP) and the current gallery retail price for the piece is over $40,000. About Frederick Hart As one of America’s greatest representational artists, Frederick Hart left a lasting and unique mark in the world of modern sculpture. Born in Atlanta, Georgia in 1943, he studied at the University of South Carolina and after protesting alongside black students during the Civil rights movement, he moved to Washington D.C. to continue his studies at the Corcoran School of Art. Fascinated with the human figure and the classical approach, he started developing his career in 1966 as a stone carver apprentice at the National Cathedral in Washington D.C. Leaving the Cathedral in 1971, Hart started his own studio practice but had little success in the first years. In 1974, he was awarded the project by the Cathedral to create a contemporary interpretation of The Creation, an event that would change his life. Soon, Hart’s career took a turn for the better, and in the upcoming decades, he rose to national prominence, becoming a government art advisor in 1985 and receiving the prestigious Henry Hering...

This 22.44" x 7.87" x 5.91" figurative sculpture by Armenia-based artist ArmanH was created using materials such as bronze, glass and ceramic. The artist has placed a fragile piece o...

The condition is rubbing and abrasions along rim, with discoloring across face, scattered minor dents, flakes to pigments, and with changes in metal consistent with age particularly ...

Madonna, Mary Mother of God South Germany, circa 1760 Linden wood, painted Dimensions: 69 x 32 x 21 cm Painting damaged in places Authenticity guaranteed in writing

Her poetic porcelain plates examine and reimagine the history of art in a way that values ​​women not only in body, but in wholeness, power, and love. Focusing on the narrative quali...

Bronze sculpture with green patina on a marble base. Incised Salvador Dali signature on sculpture verso. Stamp numbered 224/350 on sculpture verso. Size: 10.2 x 3.5 x 4.3 inches (...

Small Candoglia marble altar, Lombard area of Renaissance period, early 16th century. The plaque depicts in the center a woman lying on a bed with a crown on her head, a palm branc...

ÉTIENNE HENRY DUMAIGE French, 1830-1888 Egyptian Princess Signed 'H. DUMAIGE' on the cloak. 23 1/2 x 13 1/2 x 9 inches A Fine Patinated Bronze Group D...

Painted Terracotta sculpture realized by Sirio Pellegrini in 1960s. Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his chil...

Martha Pettigrew (b. 1950), Coastal Spirits, Patinated Bronze. In good condition measures 52 inches 73 lb pounds. Only 20 made

Marble sculpture realized by Sirio Pellegrini in 1960s. Very Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his childhood y...

Her poetic porcelain plates examine and reimagine the history of art in a way that values ​​women not only in body, but in wholeness, power, and love. Focusing on the narrative quali...

French centerpiece from the first half of the 20th century. Finely chiseled terracotta object with masks (faces with different expressions, see photo) and figures of lateral cherubs ...

A limited edition bronze sculpture designed by Erte, famous for his elegant Art Deco fashion sketches. This run of 500 sculptures titled “Les Bijoux de Perles” were produced during t...

Italian sculpture dated 1981. Capodimonte ceramic artwork signed B. Merli depicting a romantic subject, a couple of lovers. Sculpture signed on the base with a production stamp attri...

Janus. Pair of bronze sculptures. Edition by Artcurial. Numbered 27/250 and 28/250. He was born Henri Étienne-Martin 4 February 1913 in Loriol, Drôme, France. He attended the Ecole des Beaux Arts de Lyon from 1929 to 1933, where he met Marcel Michaud. Martin moved to Paris in 1934, working at the studio of Charles Malfray at the Académie Ranson where he came into contact with such painters as Roger Bissière, Jean Le Moal, Jean Bertholle, Alfred Manessier, Zelman, Véra Pagava...

Junghans (1956, Recklinghausen) creates abstract sculptures in stone, wood and bronze, mostly torsos and primal portraits, in a primitive, cubic and expressionistic imagery. He also ...

This captivating sculpture presents a figure in graceful motion, exuding an ethereal sense of freedom and elegance. The artwork is meticulously crafted from stone and bronze, combini...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Rigoletto Year: 1988 Medium: Bronze Edition: 345/375 Numbered, 37 AP Size: 8 x 7 inches Condition: Excellent Inscription: Incised w...

Giorgio de Chirico (Volos, Greece 1888 - Rome 1978), The Archaeologists Bronze sculpture 28 x 22 x 18.5 cm signed on the right side, specimen 7/9, dry punch of Fonderia Cavallari - ...

Artist: Nili Carasso, Israeli (1951 - ) Title: She and He Medium: Bronze Sculpture, signature inscribed Edition: 12 Size: 14.5 x 7 x 6 in. (36.83 x 17.78 x 15.24 cm) Base Size: 2 x ...

Artist: (Garo) Karapet Balakeseryan Medium: Cream Alabaster, Natural Stone, All one piece of work, One of a Kind Year: 2024 Style: Classic, Impressionism, Title: Roses, Size: 11...

Christopher Wade Adams’ smoky blue wall relief reads as a living form suspended between bloom and mutation. Layered, scalloped planes radiate from a dense central core, unfolding lik...

Artist Statement I absolutely love working with clay. Creating forms with a chunk of moist earth is a tangible way to cultivate beauty and delight. Through my work, I hope to touch ...

Pagan Christian, 2006-2007 Concrete, glass 26 H × 15 7/10 W × 19 7/10 D in. 66 H × 40 W × 50 D cm Unique The idea of fragment emerged in the concrete sculpture format offers a clear view of the post-modern condition. The employment of mixed materials, apparently difficult to associate, such as concrete and colored glass beads, recall the images from the ancient Roman fragments...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

Artist: (Garo) Karapet Balakeseryan Medium: Hydro Stone, Dust Marble, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Standing Nude, Size: 32" x 15'' x 10'' in...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 28" tall. Traditional Wayang Golek plays can be compared to European and North America: most performances revolve around Kings, Queens, Princes and Princesses who fight against evil, mystical, beings to (usually) end happily. Three-dimensional Indonesian puppets...

Melanie Sherman Vase with Patterns (Hand-Painted, Gold Luster, Asian Imagery) Hand Built & Painted Vase Year: 2024 Porcelain, Glaze, China Paint, Gold & Platinum Luster Fired: Electr...

Artist: (Garo) Karapet Balakeseryan Medium: Hydro Stone, Dust Marble, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Hope, Size: 27" x 10'' inch, (68x25cm), ...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

Gothic Virgin and Child - Eastern France. Mid-14th century. Carved in the round from walnut, this work relates to the output of workshops in eastern France in the mid-14th century. S...

Peyton Pickenpaugh says of her work… In my work, I explore the hidden histories of women, feminist reinterpretations of myth, and the spiritual resonance of materiality. Through lay...

This is a Bill Mack original sculpture “” signed and numbered. In excellent shape. Buyer must cover any additional shipping expense. measures 55x37

Mystery Artist Untitled, 20th century Bronze with wood and acrylic mounting Overall: 19 1/4 x 7 1/4 x 1 1/8 in. Bronze plate: 17 5/8 x 5 3/4 in. Numbered lower left: 7/30 Initialed l...

La Pensee, by Henri Michel Antoine Chapu (French, 1833 - 1891) Fine patinated bronze bas relief mounted to variegated rouge marble, depicting a seating woman. Cast H. Chapu on rig...

Cold painted bronze sculpture. Incised Erte signature with stamped numbered edition, foundry and date. Edition 280/375. Size: 18.25 x 8 x 7.5 inches. Published by Fine Art Acquisi...

Depicting Leda draping a floral swag over the Swan, adjacent to a quiver of arrows and contemplating cherub. With '433' and '136' incised to the underside with cobalt Meissen mark un...

Maeve Eichelberger is a Colorado native, capturing both urban and rural lifestyles in her artwork. Passionate about collage, Maeve specializes in a new form of 3 dimensional collage....

Woman wearing a diadem Presumed portrait of the Countess of Cassagne by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Sculpture in bronze with a nuanced dark brown patina signed on the...