Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 11

Saint Barbara France 16/17th Century Sculpture Wood Religious Old master Art

1550-1650

About the Item

High relief panel depicting 'Saint Barbara' Southern France, 16th-17th century Polychrome carved wood with traces of gilding 64 x 32 cm. (good condition, with minor missing and cracks, scattered retouches) This wooden high relief made between the sixteenth and seventeenth centuries depicts Saint Barbara, elegantly dressed in a red gown covered by a cloak with gold borders and tied around the neck by a jeweled choker embellished with pearls, the same ones we find placed in her hair to keep it gathered. The Saint, portrayed full-length in a solemn pose, shows her iconographic attributes: with her left hand she holds the palm of martyrdom, then the sword, the weapon with which she was killed, and of course the tower where she was locked up, painted on the right, the most common and significant symbol. The quality of the carving is very good, particularly in the draperies of the dress, which descend richly over the figure, increasing its royalty, giving the work great merit and character. Regarding the provenance and style of the carving, we can place this high relief in the sculptural production of Northern France, where Spanish inflections are present, with a language that, still archaic, is full of expressive force and inspired by the principles of Italian Renaissance Mannerism. Consider that the 16th century saw a dense network of cultural exchanges between France, Italy and Spain; in particular, Italian artists came to France, called by aristocratic patrons because of the prestige now recognized for Renaissance art, especially Tuscan, but also Spanish artists. In particular, the stylistic models of the work refer to the sculpture that developed in that territorial air between southern France to the Pyrenees and the Catalan region, an area where many workshops of master sculptors were active. The excellent state of preservation of the wooden support, with some missings and small color falls, allow its quality to be fully appreciated, with still traces of the polychromy and gilding. ADDITIONAL INFORMATION: The pair of works is sold accompanied by a certificate of authenticity and descriptive iconographic card. We take care of and organize the transportation of the purchased works, both for Italy and abroad, through professional and insured carriers. You can also see the sculptures in the gallery in Riva del Garda, we will be glad to welcome you to show you our collection of works. Please contact us, without obligation, for any additional information.
  • Attributed to:
    Southern France, 16th-17th century
  • Creation Year:
    1550-1650
  • Dimensions:
    Height: 25.2 in (64 cm)Width: 12.6 in (32 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Riva del Garda, IT
  • Reference Number:
    1stDibs: LU988113279122
More From This SellerView All
  • Venetian Blackmoor Sculpture Venice 18th Century Wood
    Located in Riva del Garda, IT
    Antique Venetian Blackmoor sculpture Venice, early 18th century Carved, lacquered and gilded wood Height 155 cm. Good overall condition, old repainting Original wooden sculpture d...
    Category

    18th Century Old Masters Sculptures

    Materials

    Wood

  • Pair Bas-reliefs Spring Autumn Flemish Sculptor 17th Century Wood
    Located in Riva del Garda, IT
    Antichità Castelbarco SRLS is proud to present: Flemish sculptor of the 17th century Pair of bas-relief panels depicting the Allegory of Spring and the Allegory of Autumn Oak wood ...
    Category

    17th Century Old Masters Sculptures

    Materials

    Wood

  • Virgin And Child Franco-catalan Sculptor 13th-14th Century Wood Spanish
    Located in Riva del Garda, IT
    Virgin and Child Franco-Spanish sculptor from the Catalan/Pyrenean area Late Middle Ages, 13th-14th century Carved oak, flat back Height: 67 cm Fascinating and rare wooden sculpt...
    Category

    15th Century and Earlier Old Masters Sculptures

    Materials

    Wood

  • Wooden Sculptures Roman Soldiers Rome 18th Century Italy Art Gold
    Located in Riva del Garda, IT
    Wooden sculptures depicting a pair of full-length Roman soldiers Rome, 18th century Carved and gilded wood (walnut?) Dimensions: Maximum height (at lance) 62 cm./ Maximum width: 28 ...
    Category

    18th Century Old Masters Sculptures

    Materials

    Gold

  • Pair Sculptures Winged Angels Wood Tuscany 17/18th Century Old master Gold Art
    Located in Riva del Garda, IT
    Pair of sculptures depicting two winged angels in carved wood Tuscany, late 17th century Carved, gilded and polychrome wood Dimensions: Height 64 cm - ...
    Category

    17th Century Old Masters Sculptures

    Materials

    Wood

  • Pair Carved Gilded Mirrors Gold Wood Venice 18th Century Italy Quality Baroque
    Located in Riva del Garda, IT
    Pair of carved and gilded mirror cabinets 'in the manner of Sansovino' Venetian (or Tuscan) carver active in the 18th century Carved and gilded wood Total frame measurements: 86 x 6...
    Category

    18th Century Old Masters Sculptures

    Materials

    Gold

You May Also Like
  • 17th Century Flemish Sculpture of a Religious Figure
    Located in Rochester, NY
    Antique carving of a saint or martyr. 17th century Flemish hardwood carving. Wonderful wear and rich color.
    Category

    17th Century Old Masters Figurative Sculptures

    Materials

    Wood

  • Late 15th-century Old Master Burgundian Netherlands carved walnut figure
    Located in Wilton Manors, FL
    Beautiful late 15th-century Burgundian Netherlandish portrait of a woman. Carved walnut. Original polychrome has been removed with traces at base and lower portions of figure. Minor ...
    Category

    15th Century and Earlier Old Masters Figurative Sculptures

    Materials

    Walnut

  • Italian master - 18th century figure sculpture - Virgin Pity - Carved Wood Paint
    Located in Varmo, IT
    Carved and painted wooden sculpture - Pietà - Italy, 18th century. 13 x 7 x h 22.5 cm. Entirely made of carved and polychrome painted wood. Condition report: Good state of conserv...
    Category

    Mid-18th Century Old Masters Figurative Sculptures

    Materials

    Wood, Paint

  • Sailboat Out At Sea - Landscape Scene by Jeffrey Nelson Hudson Valley Inlay
    Located in Soquel, CA
    Sailboat Out At Sea - Landscape Scene by Jeffrey Nelson Hudson River Inlay Landscape Scene by Jeffrey Nelson (American, b. 1959-). A sailboat sails across the sea as three birds fly...
    Category

    21st Century and Contemporary American Impressionist Figurative Sculptures

    Materials

    Wood, Wood Panel

  • TRIO AMIGOS (Original and One Of A Kind Disney Sculpture)
    By Mauro Oliveira
    Located in LOS ANGELES, CA
    **ANNUAL SUPER SALE UNTIL MAY 15TH ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* TRIO AMIGOS is the collectors' Toy/Disney pieces mus...
    Category

    21st Century and Contemporary Pop Art Figurative Sculptures

    Materials

    Glass, Resin, Wood, Glitter, Acrylic, Wood Panel, Plastic

  • Eighteenth-century Grand Tour marble bust of Faustina the Younger
    Located in London, GB
    Signed and dated: ‘F. Harwood Fecit 1764’ Collections: Probably commissioned by Alexander Gordon, 4th Duke of Gordon (1743-1827); Probably by descent at Gordon Castle, Banffshire to c.1948; Possibly acquired by Bert Crowther of Syon Lodge, Middlesex; Jacques Hollander (1940-2004); Christie’s, 5 December 2013, lot 101; Private collection; Sotheby’s, 2 July 2019, lot 106 Literature: John Preston Neale, Views of the seats of noblemen and gentlemen, in England, Wales and Scotland, London, 1822, vol.I, unpaginated. This marble copy of an ancient bust in the Musei Capitolini usually identified as Faustina the Younger, the daughter of Antoninus Pius and future wife of Marcus Aurelius, was made in Florence by Francis Harwood in 1764. Harwood was one of the most prolific suppliers of decorative marbles for the Grand Tour market and this finely worked example demonstrates the quality of luxury goods available to travellers to Italy. So often anonymous, this unusually signed and dated example, raises questions about the status of marble copies in the period and of sculptors such as Harwood who are known principally for ornamental work. Harwood’s origins remain obscure. He is documented living in Palazzo Zuccari with Joshua Reynolds and the Irish sculptor Simon Vierpyl at Easter 1752, he had certainly settled permanently in Florence by the following year, when he is recorded working with Joseph Wilton. He was admitted to the Florentine Academy on 12 January 1755 (as pittore Inglese, although he was described as scultore in the matriculation account). After Wilson returned to England in 1755 Harwood appears to have worked in a studio near SS. Annunziata with Giovanni Battista Piamontini who had made life-size copies of The Wrestlers and The Listening Slave for Joseph Leeson in 1754. In 1758 both sculptors were contracted to make a statue and a trophy to complete the decoration of the Porta San Gallo, Harwood completing a statue of Equality, installed the following year. By 1760 Harwood was on the brink of his most productive period as a sculptor, producing copies of celebrated antiquities for the ever-increasing audience of Grand Tour travellers and for the domestic market in London. In 1761 Harwood met the young architect James Adam who was in Italy specifically to make contact with suppliers for Robert Adam’s burgeoning practice back in Britain. The Adams offered a remarkably cohesive design package to their clients, encompassing not just architecture, but fixtures, fittings and furniture as well. Harwood was able to supply the brothers with marbles for their new interiors. At Syon, for example, Harwood produced a full-size copy of Michelangelo’s Bacchus for the new dining room the Adams had designed for Hugh Smythson, 1st Duke of Northumberland. Harwood seems to have also specialised in producing sets of library busts. In 1758 Charles Compton, 7th Earl of Northampton, a distinguished traveller commissioned a set of busts which remain in situ at Castle Ashby in Northamptonshire. It is perhaps no coincidence that the Adam brothers were producing designs for new interiors at Castle Ashby at this date. The set included representations of: Cicero, Julius Caesar, Marcus Aurelius, Faustina the Younger, Sappho, Seneca and Homer. Each of these busts Harwood seems to have replicated for multiple patrons, another Adam patron, Thomas Dundas...
    Category

    18th Century Old Masters Figurative Sculptures

    Materials

    Marble

Recently Viewed

View All