Conceptual Art

An innate and atypical landscape artist, Eric Pérez is an intellectual who paints. He knows and loves Mexican and world history, from which he derives his contemporary context. His p...

Barbara Kruger (1945, American) Untitled (2Kiss), 2024 Medium: Screenprint on mirrored polished steel Dimensions: 30 x 30 cm Edition of 300 + 10 APs: Artist stamp, numbered Condition...

Christo (American-Bulgarian, b. 1935) Corridor Store Front (from Monuments), 1968 Medium: Collage (two-part screenprint on Bristol board, with mounted transparent plastic sheet, with...

I cannot anticipate an element that would define a new line. I have not encountered one yet. Each painter has a spectrum of ideas they stick to. I am largely a figural painter. I pai...

I cannot anticipate an element that would define a new line. I have not encountered one yet. Each painter has a spectrum of ideas they stick to. I am largely a figural painter. I pai...

I cannot anticipate an element that would define a new line. I have not encountered one yet. Each painter has a spectrum of ideas they stick to. I am largely a figural painter. I pai...

I cannot anticipate an element that would define a new line. I have not encountered one yet. Each painter has a spectrum of ideas they stick to. I am largely a figural painter. I pai...

Artist: Yoshikuni Iida, Japanese (1923 - 2006) Title: Melancholy - Yuutsuna Year: 1973 Medium: Acrylic on Canvas, signed and dated verso Size: 39.5 x 79 in. (100.33 x 200.66 cm)

An innate and atypical landscape artist, Eric Pérez is an intellectual who paints. He knows and loves Mexican and world history, from which he derives his contemporary context. His p...

Medaglia d'Oro (foaled April 11, 1999) is an American Thoroughbred racehorse who won several major stakes races including the 2002 Travers Stakes and the 2003 Whitney Handicap. He also finished second in the 2002 Belmont Stakes, the Breeders' Cup Classic in both 2002 and 2003, and the 2004 Dubai World Cup. Since retiring to stud, he has become an excellent stallion whose progeny include 2009 Horse of the Year Rachel Alexandra, two-time champion filly Songbird and two-time Hong Kong Horse of the Year Golden Sixty. Medaglia d'Oro - 'Whiskers' by John Reardon...

"Chromatic Explosion n. 5" - Dynamic Abstract Composition by Corrado Ferrante A captivating burst of energy radiates from this vibrant abstract work by Italian artist Corrado Ferran...

The photograph is available in three sizes. The print is proposed as a face-mount; it is mounted to acrylic at the front and Dibond at the back. It is ready to hang with a metal bracket on the wall. "Amour is Pink," a tranquil photograph by Anne Valverde, features the serene expanse of a beach at dusk, with the word 'amour'—French for love—spelled out in an understated neon script along the wet sand. The image is steeped in a quiet poignancy, where the vastness of the ocean meets the warmth of the sky, wrapping the scene in a gentle embrace. The sky is a canvas of soft pastels, where the blush of pink clouds hints at the sun's recent departure below the horizon. This celestial spectacle is mirrored by the ocean's surface, creating a symmetry that is both calming and introspective. The neon text 'amour' adds a layer of romanticism to the scene, its reflection on the wet sand doubling its presence, as if to emphasize the strength and depth of the sentiment it represents. Valverde's choice to place the text in such a setting invites contemplation on the nature of love itself—vast, enduring, and reflective of our own feelings. The beach, with its smooth sand and receding tide, suggests a place where emotions can be openly expressed and contemplated, while the encroaching night speaks to the intimacy and quietude that love often craves. "Amour is Pink" is a visual ode to the heart's landscape, where love is as expansive as the sea and as beautifully nuanced as the evening sky. It's a reminder that love, in its many forms, is a fundamental and beautiful part of the human experience, always worthy of reflection and appreciation. Since 2015, Valverde has been working on a neon light installation project in several countries, which she materialises through photography. The DREAM ART PROJECT Her portfolio “City Icons” in 2008 brought her work to public attention. A series about Iconic Monuments from Major cities like Paris, New York, Hong Kong, London, Dubaï… Writing with Neon brings together two passions for Anne Valverde: light and words thus incorporating her main medium of expression: Photography. Valverde brings artificial light to areas where electricity is absent, creating a dissonance in the landscape and an unexpected and dreamlike light, creating a new message, independent from preexisting signs and words. Valverde’s first message is "dream", as she invites the viewer to go past reality and reflect on open spaces for escape in a complex and tormented world. Some themes are recurring: an amused gaze on social media omnipresence, hyper-connectivity or even office language shortcuts. This contemplation of the natural landscape suddenly opens up to a perspective on social evolution. By inserting neon lights in her photographs, she initiates a return...

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Artist: Barry Le Va, American (b. 1941) Title: III from Plazas in Transition: Foundations of Fragmented Perspectives Year: 1981 Medium: Etching with Aquatint on grey BFK Rives, si...

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Edition 1/1 Signed, titled, dated and numbered in pencil on print margin by Delilah Montoya Collotype print, 10 x 8 in. Delilah Montoya was born in Texas to a Latina mother and an Anglo father. Her mother raised her in Nebraska until she relocated to New Mexico...

AI WEIWEI - CEDAR (I) Date of creation: 2023 Medium: Cast aluminium Edition: 50 + 2 A/P Size: 20 x 15.8 x 14.4 cm Condition: In mint conditions, brand new and never displayed ABOUT...

Jenny Holzer's menacing "Truisms" first appeared in 1983 when the artist was invited to participate in a group show exploring the themes and dialogue from George Orwell's "1984". O...

Peenemunde 1943—During World War II, German rocketeers developed Vergeltungswaffen or "V" weapons at the German rocket facility Peenemunde, built in 1937. The first civilian employee...

This artwork presents a stylized figure set against a striking, abstract backdrop. Dominating the canvas, the central figure is adorned in a voluminous, deep blue skirt, evoking a re...

Voodoo Altar: Feast for the Loa This work represents a convergence of religion, craft, and design, as well as the need for individual artistic expression. It is a visual feast as muc...

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This artwork showcases a striking figure, central to the composition, with a stark, matte black complexion contrasting sharply against vibrant hues. The character's blue bobbed hair ...

In the compositions, the gaze is attracted by an interplay of harmonious balances between full and empty spaces, which compel the regarding to an observation dynamic approach in orde...

James Spanfeller (20th century) mixed media on board drawing. Signed lower right This artwork appeared on page 68 of the August 1970 issue of Playboy Magazine, illustrating the fict...

1970s Tano Festa Signed and Dated Drawing Important work in marker on cardboard by the great Roman artist Tano Festa, one of the major exponents, together with Mario Schifano, of th...

In the compositions, the gaze is attracted by an interplay of harmonious balances between full and empty spaces, which compel the regarding to an observation dynamic approach in orde...

the painting is being offered with a work and authenticity certificate

Dennis Oppenheim Directed Seeding -Wheat, Historic Yvon Lambert Gallery Poster (Hand Signed and Addressed by Dennis Oppenheim), 1969 Offset lithograph poster. Hand signed, inscribed. Postmarked and addressed to Oppenheim's dealer, John Gibson 23 × 16 inches Hand Signed and inscribed by Dennis Oppenheim lower right in blue marker in 2006, hand addressed by Dennis Oppenheim in 1969 in red marker Unframed This is an extremely uncommon vintage poster/mailer announcing the May 20th, 1969 opening reception (Vernissage) for the exhibition of works by American conceptual art pioneer Dennis Oppenheim at the Yvon Lambert Gallery in Paris. The poster is historic in that it was originally mailed to John Gibson, the East 67th Street dealer, who famously gave Dennis Oppenheim his first New York exhibition in 1968, and it is hand addressed to Gibson, bearing the original Paris, France postmark of 1969. It is, exceptionally, hand signed and dedicated by Dennis Oppenheim to a collector who acquired the poster from John Gibson's collection, and then secured Dennis Oppenheim's autograph in 2006, making this an especially valuable collectors item. More information about the project from the Tate Gallery archives, which acquired the work: This work brings together two interventions Oppenheim created on a field owned by farmer Albert Waalken in Finsterwolde, north-eastern Holland, in 1969. It comprises four distinct elements mounted on board: a colour photograph of a wheatfield being sowed by a tractor in parallel curving lines seen from high up; a negative image in black and white of a map of the area of Finsterwolde onto which two sections of text have been collaged; and two black and white aerial photographs of the same field being traversed by a tractor cutting an X into the wheat. The first two elements relate to the action Directed Seeding. For this the field was seeded according to a line plotted by following the road from the village of Finsterwolde, the location of the field, to Nieuweschans, another village where the farmer’s storage silo for wheat was located. Oppenheim reduced this curved line by a factor of six in order to direct the trajectory of seeding. The tractor then carved a series of curved parallel lines on the surface of the field as it dug up earth and scattered seed. From an aerial perspective the patterning of parallel lines may be viewed as a form of line drawing on the landscape. The precise location of the field and the silo are indicated on the map, showing the trajectory of the road. The two sections of text collaged onto the upper portion of the map briefly describe the two interventions. Explaining the action Cancelled Crop, the artist wrote: In September the field was harvested in the form of an X. The grain was isolated in its raw state, further processing was withheld. This project poses an interaction upon media during the early stages of processing. Planting and cultivating my own material is like mining ones own pigment (for paint) – I can direct the later stages of development at will. In this case the material is planted and cultivated for the sole purpose of withholding it from a product-oriented system. Isolating this grain from further processing (production of food stuffs) becomes like stopping raw pigment from becoming an illusionistic force on canvas. The esthetic is in the raw material prior to refinement, and since no organization is imposed through refinement, the material’s destiny is bred with its origin. (Quoted from artist’s statement in Tate acquisition file.) Directed Seeding and Cancelled Crop are two separate works, brought together in several different versions of which Tate’s is one. The collage presents three ways in which human action may marks the land. For the first two, agricultural machinery is used to create straight lines, in the process of harvesting as in the X of Cancelled Crop, or curved lines, during the process of planting seed in the contours photographed for Directed Seeding. The map shows a third (and more ancient) way of marking the land, through the construction of roads. The use of the landscape – natural, industrial or urban – as a canvas on which to act is typical of Oppenheim’s work in the late 1960s and early 1970s. In a related action, Directed Harvest, 1966 (Tate T07590) and Directed Harvest 1968 (Kröller-Müller Museum, Otterlo, Netherlands), the artist caused a field to be harvested in linear patterns which he then had photographed in its progressive stages. In Reverse Processing: Cement Transplant, East River, NY, 1970, 1978 (Tate T07591) Oppenheim drew large crosses on the roofs of barges transporting raw cement that he found moored on the New York East River banks. All these works centre on process as an agent of change and utilise materials, elements and locations on which the artist can have no permanent claim, making them deliberately ephemeral. Such actions as seeding a crop and harvesting it several months later operate within time parameters dependent on the cycles of the seasons rather than the will of man, mixing human processes with those of nature. Oppenheim’s analogy between the prevention of a crop from entering the food chain and the halting of the expressive, ‘illusionistic’ force of paint deconstructs the sophisticated processes of art-making and the food industry to the elemental notion of making simple marks on the environment. In this way, the artist highlights contemporary man’s dependency on complex chains...

Panel B - Brutality of Creation (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 6 + 2 AP - Edition 1/6 This new series titled Neuros...

Panel B - Brutality of Creation (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 6 + 2 AP - Edition 1/6 This new series titled Neuros...

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Eduardo Costa is one of the key figures in global conceptual art. He was born in Buenos Aires in 1940. He graduated in Literature and Art at the University of Buenos Aires in 1965 where he took courses with Jorge Luis Borges in the late fifties. His practice developed into Conceptual POP with the Fashion Fictions Series, 1966-to the present. He is also credited with creating Conceptual Geometry which he showed internationally starting in 1995 at the Elga Wimmer Gallery, NY, and in 2001 at Cecilia de Torres LTD., NY. With Cecilia de Torres he exhibited a fully developed edition of his Volumetric Paintings, which use painting to such a volume that it stands by itself without any cloth or other support.Eduardo Costa lived twenty-five years in New York and over four years in Rio de Janeiro where he met almost daily with Hélio Oiticica, Lygia Pape...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

This piece captures the moment where emotion becomes stronger than ego. The running figure carries two contrasting elements (a skating machine symbolizing movement, escape, and the f...

Gordon James Ramsay; (born 8 November 1966) is a British celebrity chef, restaurateur, television presenter, and writer. His restaurant group, Gordon Ramsay Restaurants, was founded ...

#murano #glass Barry Wolfryd (1952) Barry Wolfryd, born in Los Angeles and a naturalized Mexican, has spent most of his artistic career in Mexico, where he has lived for the past 35 ...

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Robert Smithson Movie Treatment for Spiral Jetty, Dwan Gallery Poster, 1970 Offset lithograph poster 38 × 22 inches Unframed Rare, historic poster feature...

Set of 2 Blue Minimal Paintings. This is an original artwork realized by TUSET in 2019. We can frame it in natural wood or black on request. The dimensions of each painting are 41 x...

Hand-carved eucalyptus wood sculpture by the artist Álvaro de la Vega (1954, Lugo, Spain) in 20006. It is part of a series of sculptures of bodies and animals made with chisel and ha...

The painting is being offered with a work and authenticity certificate

the painting is being offered with a work and authenticity certificate

large scale photograph of iconic American vintage car with crimson red sheetmetal paint and custom logo tag Marshall by Frank Schott 25 x 40 inches (64 x 102cm) signed edition of ...

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

Hand-carved eucalyptus wood sculpture by the artist Álvaro de la Vega (1954, Lugo, Spain) in 20006. It is part of a series of sculptures of bodies and animals made with chisel and ha...

The painting is being offered with a work and authenticity certificate

This large scale conceptual text based painting by New York artist, David Kramer, features, in bold type the phase: "... I AM STILL WAITING FOR MY...

The painting is being offered with a work and authenticity certificate

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 7-3-11 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 22,9 x 17,1 cm (9 x 6 3/4 in.) Unique Print only Tichý, pract...

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38"x28" signed by the artist, David Kramer. (oil, acrylic, enamel, pencil on gessoed paper) In this conceptual work on paper, the title: "Paved with Gold" counters the text which ov...

In this work, Corrado Ferrante stages a poetic short circuit between surface and depth. The wall—compact, rough, almost silent—is pierced by an irregular tear that reveals pages of t...

Braco D. Slobodan "Braco" Dimitrijević (born 18 June 1948) is a Paris-based Bosnian and Yugoslavian conceptual artist. His works deal mainly with history and the individual's place ...

This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cub...

30 Cents Singapore Orchid Pink, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcards...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism an...