Conceptual Art

James Coignard, French (1925 - 2008) - Elaboration Partielle, Portfolio: Song of the Broad-Axe, Year: 1982, Medium: Hand Colored Etching with Collage on hand-made Moulin de Larroq...

An innate and atypical landscape artist, Eric Pérez is an intellectual who paints. He knows and loves Mexican and world history, from which he derives his contemporary context. His p...

John Petrey’s Shaman is a striking mixed-media sculpture that merges mythology, ritual, and contemporary artistry. The figure wears a robe of richly patterned patchwork, assembled fr...

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Morgan Library II New York 50 x 62.4 inches ed. of 10 $6,000 60 x 74.9 inches ed. of 7 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trim...

Lucio Pozzi, Italian (1935 - ) - Untitled, Year: 2001, Medium: Pencil and Ink on Paper, signed, Size: 12 x 9 in. (30.48 x 22.86 cm)

The painting is being offered with a work and authenticity certificate

The painting is being offered with a work and authenticity certificate

James Spanfeller (20th century) mixed media on board drawing. Signed lower right This artwork appeared on page 68 of the August 1970 issue of Playboy Magazine, illustrating the fict...

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The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Voodoo Altar: Feast for the Loa This work represents a convergence of religion, craft, and design, as well as the need for individual artistic expression. It is a visual feast as muc...

“Sartaj Gill, Saturday September 6, 2003, 10:45-11:45 pm (TV)” is a digital pigment print by American artist Matthew Pillsbury (b.1973), dated 2003, edition 3/3. The black-and-white ...

“Cell Phone Chargers” is an ultrachrome pigmented inkjet print by American artist Chris Jordan (b. 1963), dated 2004, edition 9/9. The photograph depicts a dense mass of black cell p...

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Jenny Holzer's menacing "Truisms" first appeared in 1983 when the artist was invited to participate in a group show exploring the themes and dialogue from George Orwell's "1984". O...

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large scale photograph of a billboard signage against ultramarine blue night sky, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards ...

38"x28" signed by the artist, David Kramer. (oil, acrylic, enamel, pencil on gessoed paper) In this conceptual work on paper, the title: "Paved with Gold" counters the text which ov...

"Self Reflection " In the early 1970's Mitchell Funk was a trailblazer of color photography. In this stunning portrait the photographer merges naturalism and representation with abst...

The work is on 1 paper. Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be...

The painting is being offered with a work and authenticity certificate

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

The painting is being offered with a work and authenticity certificate

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Reinhard Görner captures the monumentality of the Beinecke Rare Book & Manuscript Library, Yale's principal repository for literary archives, early manuscripts, and rare books...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Sally Gall photographs the natural world, using her keen eye for composition to create abstractions of familiar subjects. “For forty years I have photographed the beauty and mystery...

Anne Collier produces sparse still lifes of found objects using a technique of re-photography that is informed as much by West Coast conceptual art practices as by product photograph...

Dennis Hopper, (American, 1936-2010) Mixed media sculpture "Outmolding Older Concepts (Wilhold Up the Mirror)", 1961, photo and assemblage, Ace gallery and Easy Rider Production labels verso 27"h x 40"w x 5"d. There is broken mirror glued into the wooden collage box with the ceramic head that is attached to the front. I assume that is how it was made. Provenance: Estate of Pentti Kouri, NYC; Ace Gallery, Los Angeles; Exhibited MOCA, Los Angeles, 2010 From a 1997 interview with Hopper where he references this piece "Right now it's very intense. I had a show that travelled Germany, about 15 different museums. Sunday we go to Denmark; I'm showing the early assemblage I did in 1961 which was the signal for conceptual art. I'm just two days there, then I'm going to Venice to meet Julian Schnabel - Count Volpe's given us a place to paint in Giudecca. Then I'm going to Documenta in Germany to hang another show, then I go back to LA on the 21st and start a film on the 23rd." Notes/Literature: Dr. Pentti Kouri(1949-2009) was a Finnish economist and venture capitalist with partner George Soros. He built his prestigious art collection with the goal of opening a private art foundation focused on his interests in Minimalism, Arte Povera, Conceptual and Text-based art. He was a member of the Board of Trustees of Dia Art Foundation, and on the boards of Tate, London and the Guggenheim Museum, New York. In addition, a portion of his collection forms the core of the Kiasma Museum of Contemporary Art in Helsinki, Finland Hopper made his film debut alongside James Dean in 1955's Rebel Without a Cause. Both lost souls from dysfunctional households, they gravitated to each other, smoked dope and took joy rides. When Dean died, Hopper saw himself as the natural inheritor of his rebellious mantle and, revelling in his nickname of "Dennis the Menace", gave it to Hollywood with both barrels; so they dropped him. Dennis didn't make another Hollywood movie for seven years. Frustrated by the deliberate stifling of his film career, Dennis turned to art and photography for creative stimulus, beginning with abstract subjects such as landscapes. His cutting-edge conceptual art became established round the world, with exhibitions in major cities. At home in the dining room stood one particularly interesting work, a white plastic box, eight feet long, that had an aluminium shaft sticking out of it, and two very large balls. It was called The Perpetual Erection Machine. Before Tracy Emin and Damien Hirst, there was Dennis. In 1961, Hopper took part in an international photography competition in Australia with a contribution of five abstract photos, which he called Pieces. He won first place. Soon after, Hopper married Hayward, daughter of the film producer Leland Hayward, whose credits include The Sound of Music and South Pacific. The wedding party of Hopper and Hayward was held in August at the apartment of actress Jane Fonda, a childhood friend of Hayward, who introduced Hopper to her younger brother Peter Fonda. Their daughter Marin was born in 1961, and they moved to Bel Air, California. Soon afterward the famous Bel Air fire destroyed their home, including approximately three-hundred Abstract Expressionist works and hundreds of pages of poetry that Hopper had begun in the mid-1950s. Hopper and his actor friends Dean Stockwell and Russ Tamblyn were close to many artists in California, especially assemblage artists Edward Kienholz, Wallace Berman, and George Herms, and artist/filmmaker Bruce Conner. As Hopper was denied work in film, he turned increasingly to his own artistic investigations. He started assembling objects with photographs (photo-assemblages) and conceptually questioning the relationships between “reality,” “illusion,” and “representation,” sometimes working under the guidance of Kienholz. “I was recording objects -in a photograph- and using the object the way it functioned, and then affixing the object itself to the record of the object, and using light and recreating the light of the real object, recreating the light in the gallery and having the record of the way it looked using natural light and raw canvas.” Hopper became a key figure in the L.A. art scene in the early 1960s, and his black-and-white photographs of artist friends were used occasionally for posters and announcements for the Ferus Gallery or for the covers of the magazine Artforum. In 1963, Henry Geldzahler, curator of twentieth-century art at the Museum of Modern Art, New York, introduced Hopper to Andy Warhol. Coincidentally, the meeting occurred on the very day Warhol introduced the young British artist David Hockney to Geldzahler. A few months later, Warhol mounted An Exhibition by Andy Warhol at Ferus Gallery in L.A., showing his silkscreen paintings of Elvis...

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Joseph Beuys Joseph Beuys, een konfrontatie, 137 Tekeningen 1945-1979, (Hand Signed), 1979 Silkscreen on velincarton (thin board) Catalogue raisonne reference: Weiss-Britsch 75 Boldl...

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'To The Slow Graceful Dance' Original Artwork. Unframed _________________________ A breeze in the theatre, a dance begins, costumes rising to the rhythm of the birdsong choir. The p...

Komar and Melamid (Vitaly Komar and Alexander Melamid), Russian (1943/5 - ) - Peace II, Year: 1986, Medium: Monoprint Screenprint with hand coloring on BFK Rives, signed, numbered,...

Artist: Chryssa, Greek (1933 - 2013) Title: Chinese Characters (Tan on Silver) Medium: Screenprint, signed and numbered in pencil Edition: 125 Paper ...

Born in 1958. At his first personal exhibition (greeted by "Le Matin"), he is still a high school student. At the workshops of the Ecole des Beaux-Arts in Paris, he prefers the pers...

Playfl monkeys climb exotic colored plants clowning as only monkeys do. Monkey Time - Animal Painting - Oil on Canvas By Marc Zimmerman Marc Zimmerman creates playful paintings, ...

Photograph of aged tree that is then brought to life through some acrylic touches. Photograph produced by Dye Sublimation - which means archival inks infused into aluminum. Abou...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday ar...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives and works in Beijing. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Paintin...

2 cool ducks floating. Fun. About the Artist: Jim Molloy is a studio and plein air painter. "I like to try to find and capture the beauty and simplicity of the world around u...

Morgan Library II New York 50 x 62.4 inches ed. of 10 $6,000 60 x 74.9 inches ed. of 7 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trim...

This is an original artwork unframed realized by TUSET in 2020. We can frame it in natural wood or black on request. Dimensions: 65 x 50 cm Original and unique piece 1/1. Includes ...

Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Sheep Portfolio 1 Year: 1981 Medium: Screenprint and Etching, signed in pencil Edition: 65, AP 5 Size: 33.5 x 31 in. (85.09 x...

Fun Dog sculpture from great sculptor. Comes with fun "dog poop" About the Artist: Will Kurtz was born in Flint, Michigan and received his Bachelor of Landscape Architecture ...

In the captivating artwork titled "Comfort Zone," artist John Ali masterfully captures the essence of introspection and the complex interplay between identity and personal space. The...

Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Sheep Portfolio 5 Year: 1981 Medium: Screenprint and Etching, signed in pencil Edition: 65, AP 5 Size: 33.5 x 31 in. (85.09 x...

Oil on canvas. Dramatic. Female centric. Nighttime. Mysterious. About the artist: “There's a dry ironic twist to Paul’s paintings that give the work — while realistic — a postmodern feeling of reflection, observation and cultural critique. Somewhere between the Cohen Brothers...

Mel Bochner Amazing, 2019-2022 Signed and dated on front in graphite Etching in 18 colors 36 x 27 1/2 in 91.4 x 69.8 cm Edition of 30 plus 5 AP, 5 PP, 4 HC; this is 2/30 Provenance:...

Dimensions are for the photograph, but this listing is to provide a framing option via 1stibs. Lead time is 4 weeks for framing, as with all high quality custom framing. Final framed...

Tacita Dean (British, born 1965) Aerial View of Teignmouth Electron, Cayman Brac 16th of September 1998, 2000 Medium: Gelatin silver print on paper Dimensions: 21 x 26 cm (8 1/4 x 10...

Evidently, Cherry Kobler was a woman who composed songs and sang them while accompanying herself on the piano. Why she chose a fruity dessert as a stage name is anyone's guess. According to the French files of Columbia Records...

Artist: Chryssa, Greek (1933 - 2013) Title: Chinatown Portfolio II, Image 9 Year: circa 1978 Medium: Serigraph, signed and numbered in pencil Edition Size: 150 Size: 40 in. x 30.5 ...

This captivating artwork presents a textured portrayal of a teddy bear exuding warmth and nostalgia. The bear is centrally positioned, wearing a vintage-style, striped cardigan, enha...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

This captivating painting features a charming teddy bear, exuding nostalgia and warmth. Painted with expressive, bold brushstrokes, the bear's textured fur radiates a sense of cozine...

30 Cents Singapore Orchid Green, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcards from Afar' have been given a twenty-first century pop art lease of life. The fine detailed tapestry of the original small postage stamp has been brought to life, made unique by the franking stamp and Heidler & Heeps specialist darkroom process. This artwork is a limited edition of 25 gloss photographic c-print, dry-mounted to aluminium, presented in a museum board white window mount and a choice of black or white box frame fitted with anti-reflective UV70% glass. It is signed and numbered on reverse accompanied by a certificate of authenticity. This artwork is available in other sizes. Be sure to look at Heidler & Heeps other artworks listed on 1stDibs as they are great paired for interior design projects. Following on from the hugely successful ‘Vinyl Collection’, Natasha Heidler & Richard Heeps have collaborated again, drawing from the childhood past time of stamp collecting...