Conceptual Art

This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cub...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism an...

The painting is being offered with a work and authenticity certificate

Collage by Torea Frey created using found papers from vintage dictionaries and thesauruses, graphite powder, and matte medium. Torea is a writer,...

The photograph Toshio Shibata, #189 Yunotani Village, Nigata Prefecture, 1989 by Japanese photographer Toshio Shibata is signed (on recto) by the photographer. The 13" x 19" print is numbered on recto (front of photo). Available: 87/100; 52/100. Printed in 2005, the photograph is from a portfolio of masters of Japanese photography...

“Sartaj Gill, Saturday September 6, 2003, 10:45-11:45 pm (TV)” is a digital pigment print by American artist Matthew Pillsbury (b.1973), dated 2003, edition 3/3. The black-and-white ...

UV print of digital photograph on silver leaf on paper Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started in 201...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

This masterful photograph by renowned architectural photographer Reinhard Görner captures the timeless elegance of the George Peabody Library in Baltimore. Known as the 'cathedral of...

Original. Part of Candy Wrapper Collage series in Pop Art style. Natural wood frame. Inside a dog's dream. About the Artist: Benjamin received her Bachelor’s Degree in Fine Arts from the American University in Washington D.C. and her Master’s Degree in Art Education from New York University. In addition she received an Associate’s Degree in Textile Design from the Fashion Institute of Technology and studied at The Art Student’s League, The Parson’s School of Design and The New School. Benjamin taught art for 34 years. While on sabbatical from teaching she studied textile design. For the next 15 years she continued to teach, as well as freelance as a textile designer in both home furnishings and the apparel markets. In the mid 90’s her focus turned towards computer graphics, and as an art educator, she incorporated this into her curriculum. She was awarded for a “successful practice in crossing the digital divide through art and technology” by the United States Department of Education. Her early works were oils and acrylics. During the late 60’s her interest was in pure abstraction. Pop Art and the human figure began to interest her in the early 70’s. Gradually, Benjamin was drawn to experimenting with mixed media. In the 80’s there was the influence of a career in textile design that moved her towards a more decorative style. In the 90’s, she became involved in the teaching of computer graphics. This was to have a profound influence in aiding and developing a more recent “POP” style. She began to incorporate into her paintings, torn pieces of digital printouts of her subjects. “The part of me that is the “digital artist” became very inspired by the use of the computer as a tool with which I could manipulate my subject and its color energy. The “fine artist” in me was then able to incorporate these concepts into a new image on my canvas. Having always had an interest in mixed media, my current work is now a combination of both POP and Collage. Since 2008 I have been creating a body of work dubbed “Candy Wrapper Collage”. A juried show’s theme, “gluttony”, challenged me to ultimately explore my POP figures through a new medium….candy wrappers! Razor blades are my new paintbrushes and candy wrappers are my new paints. Utilizing torn, cut and expired candy wrappers and their packaging, I render my subjects in diverse and colorful forms. I create representational images of celebrities and pop-culture objects...

The painting is being offered with a work and authenticity certificate

Flora 3, 2015 - Summer Spring Seasonal Goldenrod Flowers Frozen in Ice Print Flora 3 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited ...

Mark Wallinger It's the Thought that Counts, 2001 Mixed media Christmas cracker, colored paper/ cardboard and ribbon with snap Plate signed by Mark W...

This masterful photograph by renowned architectural photographer Reinhard Görner captures the timeless elegance of the George Peabody Library in Baltimore. Known as the 'cathedral of...

Flora 2, 2015 - Seasonal Floral Arrangement with Daisy and Snapdragon Print Flora 2 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited E...

"Garment of Hope," a poignant masterpiece crafted by the skilled hands of artist John Ali, invites viewers into a world where innocence and resilience converge. This evocative artwor...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 7-5-64 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 18 x 11,7 cm (7 1/8 x 4 5/8 in.) Unique Print only Tichý, pra...

Concerning the Potez 63 by Robert Andrew Parker, American (1927–2024) Date: circa 1979 Lithograph, signed and numbered in pencil Edition of 250, AP Image Size: 16.5 x 17 inches Size:...

This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cub...

Museum quality fine art print of an alternative shot from the cover shoot for Aladdin Sane by David Bowie from the official Duffy Archive. This official Duffy Archive print is avail...

Mixed Media. Female centric. About the Artist: Cabell Molina is a contemporary artist transplanted from California to the east. Where Cabell has proved herself exceptional is ...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

"Untitled 1.18" Still Life Photography 16' x 24' in Ed of 15 by García De Marina Signed and numbered by the artist Comes with COA issued by the artist Not framed. Ships rolled in tu...

Artist: Chryssa, Greek (1933 - 2013) Title: Chinatown Portfolio II, Image 9 Year: circa 1978 Medium: Serigraph, signed and numbered in pencil Edition Size: 150 Size: 40 in. x 30.5 ...

Mixed Media. Female centric. About the Artist: Cabell Molina is a contemporary artist transplanted from California to the east. Where Cabell has proved herself exceptional is ...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday ar...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Photograph of aged tree that is then brought to life through some acrylic touches. Photograph produced by Dye Sublimation - which means archival inks infused into aluminum. Abou...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Last Book of Life. (Photos from a dinner of Richard Nixon’s with Chou En Lai’s various views of Chinese chopsticks) Photograph etchings Printed on Stonehedge black paper Hand signe...

Last Book of Life. (Photos from a dinner of Richard Nixon’s with Chou En Lai’s various views of Chinese chopsticks) Photograph etchings Printed on Stonehedge black paper Hand signe...

Last Book of Life. (Photos from a dinner of Richard Nixon’s with Chou En Lai’s various views of Chinese chopsticks) Photograph etchings Printed on Stonehedge black paper Hand signe...

Last Book of Life. Richard Nixon’s view of Chou En Lai’s chopsticks Photograph etchings Printed on Stonehedge black paper Hand signed, and numbered, by Levine in red pencil along t...

Mark Hilltout has always been drawn to the random, the discarded and the broken. Car dumps fascinate him - he is attracted to the broken edge, not the perfectly straight line. For th...

The celebration of life and death in Yoruba land is deeply connected to the use of Aso Oke, a traditional and cultural wear of the Yorubas. The ones used in Ondo to celebrate the liv...

60 x 90 inches ed. of 10 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of rooms. An active architec...

large scale conceptual environmental still life photographs playing with viewer's perspective creating individual letters from found objects spelling the word HOPE H-O-P-E by Christ...

Obsessive, meticulous, almost monastic, Kramer immerses us in a universe of graphic and sculptural repetitions. His drawings on kraft paper glued with rabbit glue recall both ancient...

Oil on canvas. Dramatic. Female centric. Nighttime. Mysterious. About the artist: “There's a dry ironic twist to Paul’s paintings that give the work — while realistic — a postmodern feeling of reflection, observation and cultural critique. Somewhere between the Cohen Brothers...

Conceptual piece. Commentary on life. Humorous but impactful. Acrylic on canvas. About the artist: Born in Aberdeen, Scotland, Stephen Hall moved to New York in 1978 and began...

2 cool ducks floating. Fun. About the Artist: Jim Molloy is a studio and plein air painter. "I like to try to find and capture the beauty and simplicity of the world around u...

This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cub...

Flora 30, 2015 by Marisa Culatto Flora 30 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited Edition of 6. Culatto's new series 'Flora...

"Self Reflection " In the early 1970's Mitchell Funk was a trailblazer of color photography. In this stunning portrait the photographer merges naturalism and representation with abst...

Dario Villalba - Untitled 2 Date of creation: 1975 Medium: Lithograph and photolithograph on paper Edition: 75 Size: 95 x 68 cm Condition: In mint conditions and not framed Observati...

Dario Villalba - UNTITLED 3 Date of creation: 1975 Medium: Lithograph and photolithograph on Paper Edition: 75 Size: 95 x 68 cm Condition: In mint conditions and never framed Observa...

This bold graphic piece fantastically captures the iconic Italian Olivetti Typewriter. This artwork is a limited edition of 25, lustre photographi...

These are vintage prints from the 1980's. The last photo shows of a label from an accompanying piece (there were three sequence shots in this series) but is not on this piece. They l...

This is an original artwork unframed realized by TUSET in 2020. We can frame it in natural wood or black on request. Dimensions: 65 x 50 cm Original and unique piece 1/1. Includes ...

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″. Mus...

“Bob Dylan I” is a mixed-media work by American artist Meredyth Sparks (b.1972), dated 2007. The work layers a black-and-white photograph of a curly-haired figure seen from behind ag...

Anne Collier produces sparse still lifes of found objects using a technique of re-photography that is informed as much by West Coast conceptual art practices as by product photograph...

How often are we held back from deciding by the many limiting beliefs and frameworks instilled in us from birth by our immediate environment and society? These limiting beliefs are a...

Andrés Nagel - UNTITLED 5 Date of creation: 1991 Medium: Etching and collage on Paper Edition: 75 Size: 98 x 69 cm Condition: In very good conditions and never framed Observations: E...

Dario Villalba - UNTITLED 4 Date of creation: 1975 Medium: Lithograph and photolithograph on paper Edition: 75 Size: 95 x 68 cm Condition: In mint conditions and never framed Observa...

Lucio Pozzi, Italian (1935 - ) - Untitled, Year: 2001, Medium: Pencil and Ink on Paper, signed, Size: 12 x 9 in. (30.48 x 22.86 cm)

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. The thematic expression of this art piece was crafted from the experience of what women especially wives and mothers had to go through to ensure that their homes were sustained. This art piece tends to inform her female audience; most especially intending wives and mothers that what keeps the home is not primarily in the acquisition of degrees and certifications but in having the requisite knowledge and consciously fulfilling their role as home builders. About Artist Oluwatobiloba Amusan...