Conceptual Art

Robert Booth is a Western New York visionary conceptual sculpture artist known for his haunting and thought-provoking creations. His work takes viewers on a journey into the shadows ...

This striking conceptual abstract oil painting is by British artist Penelope Ellis. It was painted in 1962. A superb image and ahead of the conceptual ideas of the swinging sixties a...

Joseph Beuys Blatt auf Karteikarte (from Columbus: In Search of a New Tomorrow), 1992 Color silkscreen on vellum parchment paper, held in original portfolio sleeve Signed by Eva Beuys, the Executor of the Beuys estate, in blue ink on the reverse and annotated P.P.; and bears publisher's blind stamp 30 × 22 3/4 inches Held in the original, removable portfolio sleeve (see photograph) Originally published by Domberger in collaboration with Artists Unlimited for Nature to support the conservation of the tropical rainforest. The text says: 1000 Stk. hh DIN A4 EVP 33,00 M This is one of five Printers Proofs aside from the regular edition of 100, signed by Eva Beuys, the Executor of the Beuys estate, and annotated PP on the front, with the publisher's blind stamp, from the original portfolio Columbus: In Search of a New Tomorrow, housed in the rarely seen original protective sleeve. The portfolio was created to raise funds to help save the rainforest. “Before the world is changed it would perhaps be more appropriate not to destroy it” - Paul Claudel This color silkscreen signed and annotated on the reverse by the artist's widow is Joseph Beuys contribution to the portfolio, "Columbus: in Search of a New Tomorrow" - to raise funds and awareness about saving the Rainforest. 35 artist from around the world were invited to contribute mainly silkscreens, but also photography, literature, drama and music. This ambitious project was sponsored by His Majesty King Juan Carlos of Spain and Mr. Hoet, manager of “documenta IX”. Besides Beuys, other artists who participated in this portfolio are: Kenny Scharf, Max Bill, Sandro Chia, Eduardo Chillida, Joe Cocker, Christo, Hanne Darboven...

Daniel Buren Blue, from 1000 Placements, 1977 Rubber stamp lithograph Numbered on the back of the artwork, hidden behind the frame Limited Edition of 250 Frame Included: elegantly fr...

The focal point of the artwork, the man's free-flowing dreadlocks, serves as a potent symbol of individuality and cultural diversity. In many cultures, dreadlocks have deep-rooted historical and spiritual significance, representing a unique connection to heritage, self-expression, and identity. By emphasizing the man's hair in the portrait, Adetula calls attention to the fact that discrimination often arises from superficial judgments based on appearance, whether it be hairstyles, clothing choices, or language differences. The artwork's title, "I Need Some Love," conveys a heartfelt plea for compassion and understanding. It reminds us that discrimination and prejudice have no place in a harmonious and inclusive society. Adetula's creation urges us to break free from these harmful mindsets and cultivate a culture of empathy and acceptance toward one another. The message of the artwork resonates strongly with the call to let love prevail, irrespective of one's origin or outward appearance. Discrimination, whether conscious or unconscious, hinders our collective progress as a society. It erects barriers between individuals and communities, fostering mistrust and animosity. Adetula's artwork encourages us to dismantle these barriers and build bridges instead. Embracing diversity enriches our lives, broadens our perspectives, and fosters a climate of respect and unity. The man's free-flowing dreadlocks symbolize the beauty of embracing cultural differences and recognizing the uniqueness that each individual brings to the table. Moreover, "I Need Some Love" emphasizes the power of love as a transformative force. The artwork reminds us that by approaching others with love, compassion, and understanding, we can create an environment where everyone feels valued, respected, and heard. Correcting people with love, rather than judgment or hostility, allows us to foster meaningful connections and open up constructive dialogues, thereby nurturing a culture of growth and understanding. The man depicted in the artwork is a poignant reminder that every person deserves happiness and love, irrespective of their appearance, background, or language. Embracing diversity not only enhances our interpersonal relationships but also contributes to the betterment of society as a whole. When we treat one another with kindness and empathy, we foster a sense of belonging and acceptance that empowers individuals to thrive and contribute positively to their communities. In conclusion, "I Need Some Love" by Michael Adetula...

Medaglia d'Oro (foaled April 11, 1999) is an American Thoroughbred racehorse who won several major stakes races including the 2002 Travers Stakes and the 2003 Whitney Handicap. He also finished second in the 2002 Belmont Stakes, the Breeders' Cup Classic in both 2002 and 2003, and the 2004 Dubai World Cup. Since retiring to stud, he has become an excellent stallion whose progeny include 2009 Horse of the Year Rachel Alexandra, two-time champion filly Songbird and two-time Hong Kong Horse of the Year Golden Sixty. Medaglia d'Oro - 'Whiskers' by John Reardon...

Marina Abramović & Ulay Sun and the Moon (Hand Signed Poster), 1987 Offset Lithograph Poster Uniquely iigned in ink pen on the front) by BOTH Marina Abramovic and Ulay 25.5 x 19 inches Unframed Extremely uncommon and historic hand signed vintage offset lithograph poster published on the occasion of Marina Abramovic' "Sun and Moon" performance in the late 1980s at the University Art Gallery in San Diego, California by Marina Abramovic and Ulay. The performance artwork took place earlier in their careers. This exhibition poster depicts Marina mysteriously cloaked in a white hooded garment during a live performance. The print was published in an unknown limited edition; the work is uniquely signed by Marina Abramovic. A rare, historic poster...

Marina Abramović Untitled hourglass drawing, 1992 Drawing done in black marker, hand signed and annotated and held inside the softback catalogue for the artist's 1992 Beaux Arts exhi...

In a world where the weight of challenges can often feel overwhelming, art has the extraordinary power to reflect the human experience and serve as a source of inspiration and hope. "Against All Odds...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Ella and May - 2023 16 original Polaroids, mixed media. 50x50cm installed. Signed in front. "The Beef S...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Sui - 2023 16 original Polaroids, mixed media. 50x50cm installed. Signed in front. "The Beef Sisters" i...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Sophie - 2023 16 original Polaroids, mixed media. 50x50cm installed. Signed in front. "The Beef Sisters...

Signed by the artist, Edition 16/75 COA provided Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual artist, performance artist, earth artist, sculpto...

MARC GONZ   THE HIDDEN GAZE     When confronted with the universe of Marc Gonz, we discover creations that seem to be the result of a working session of a hyperactive action painter ...

Dennis Oppenheim Dennis Oppenheim: Selected Works 1967-90 : And the Mind Grew Fingers (with handwritten signed letter laid in separately), 1992 Softback book with separate hand signed letter...

Referencing the H.G. Wells book written in 1929, ‘The Outline of History,’ which demarcates the atlas through colonization over recorded events. The work responds to the book and ide...

Mark Wallinger It's the Thought that Counts, 2001 Mixed media Christmas cracker, colored paper/ cardboard and ribbon with snap Plate signed by Mark W...

"Through Traveling You're Able To Understand The World & Find Endless Inspiration" - Lixian Cai Lixian began to travel outside of China, documenting each ...

Outsized modernist oil on stretched canvas by Southern California artist Anthony Aguilar. An arresting pattern: op meets conceptual. Non-directional. ...

A lonely-looking wide-eyed boxer peers out a car window in anticipation that his owner will return. On closer examination, this is not a photograph of a real Boxer but a cut out of...

The paper of the work is not yellowed, there is a applied yellowed primer under the drawing Krzysztof Gliszczyński is Professor for painting o...

“I am an Artist for justice and peace, my works are influenced greatly by world conflicts, 9-11, violence and revenge in repeated disasters of war.” In artistic creation, there are...

Embark on a visual journey into the heart of Italian architectural grandeur with Reinhard Görner's 2022 photograph, Sala dei Fiumi I. This breathtaking image captures the impressive "Hall of the Rivers" within the Ducal Palace of Mantua, a historic complex recognized as the sixth largest palace in Europe. Built between the 14th and the 17th century by the noble Gonzaga family, the Ducal Palace of Mantua serves as a testament to Italy's rich architectural heritage and royal history. The palace complex, featuring an impressive assortment of more than 500 rooms, corridors, galleries, inner courts, and extensive gardens, spans an area of approximately 34,000 m2. While the palace is widely recognized for Mantegna's frescos in the Camera degli Sposi (Wedding Room), the Sala dei Fiumi offers its unique allure. Created during the Habsburg rule in Mantua, this hall showcases distinctive wall paintings where the rivers of the Mantuan territory are anthropomorphized as giants. Reinhard Görner's photograph is more than a visual delight; it's a historical journey into Italy's cultural past. Ideal for art enthusiasts, history lovers, and those with a keen eye for architectural beauty, this piece promises to enhance any collection. Allow the grandeur of the Palazzo Ducale di Mantova and the majesty of the Sala dei Fiumi to resonate within your space with this stunning image. signed and numbered on label, verso Reinhard Görner records cultural and industrial heritage through his series of photographs depicting contemporary and historical architecture, landscapes, parks, and plants. Best known for his photographs of libraries and reading rooms from around the world—in works such as George Peabody Library II, Baltimore (2017) and Riggs Library I, Washington DC (2017)—Görner captures the atmosphere of absolute silence and concentration the spaces embody while also revealing their almost cathedral-like sense of grandeur. Görner’s images have a vivid sense of depth and dimension that convey an impression of intimacy, as in Isaac Newton, Cambridge (2017), or monumentality via his precise and skilful use of framing and perspective. Reinhard Görner, with his large format photographs orchestrates the monumentality of rooms. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles...

Lawrence Weiner The Kitchen Poster (Hand signed by Lawrence Weiner), 2017 Offset lithograph poster Signed by the artist on lower right front with blac...

Paper Collage

Bernd and Hilla Becher Trier-Ehrang, D, 1982/2009 2009 Gelatin Silverprint 24 × 18 cm (9.4 × 7.1 in) Signed and numbered Edition of 100 In mint condition PLEASE NOTE: Images of edit...

Barbara Rosenthal’s Conceptual Photography is a concrete manifestation of complex inner stresses from external realities of all kinds: physical, familial, political, religious, time, space and relentless travel. Rosenthal begins by shooting surreal photographs in a kind of trance-state. She believes that the resultant images, and the Conceptual Distortions created from them, reveal elements of both her particular personality and psychological states, and reach the same in the viewers’ own. In artist’s own words: “I gave myself a camera and promised not to interfere.” During this decade of relentless exhibition and travel, Rosenthal has been shooting several hundred rolls of color and BW 35mm film with analog Olympus OM...

Barbara Rosenthal’s Conceptual Photography is a concrete manifestation of complex inner stresses from external realities of all kinds: physical, familial, political, religious, time, space and relentless travel. Rosenthal begins by shooting surreal photographs in a kind of trance-state. She believes that the resultant images, and the Conceptual Distortions created from them, reveal elements of both her particular personality and psychological states, and reach the same in the viewers’ own. In artist’s own words: “I gave myself a camera and promised not to interfere.” During this decade of relentless exhibition and travel, Rosenthal has been shooting several hundred rolls of color and BW 35mm film with analog Olympus OM...

Paper Collage Cecilia studied Social Studies and Literature at Universidad Catolica del Peru, Drawing with Cristina Galvez, and Watercolors with Juan P...

Paper Collage Cecilia studied Social Studies and Literature at Universidad Catolica del Peru, Drawing with Cristina Galvez, and Watercolors with Juan ...

3D multiple, 1966, published by The Something Else Press, New York, a wooden box with plexiglass slipcover, containing one book with 94 pages, ‘Performances Notations 1959/66’ 15 fol...

"Through Traveling You're Able To Understand The World & Find Endless Inspiration" - Lixian Cai Lixian began to travel outside of China, documenting each ...

From his show Hashish at Michael Steinberg Gallery (bearing their label verso) Reviewed by Roberta Smith in the New York Times. Abstract Expressionism meets graffiti photography. Cy Twombly in cyberspace. Existential physics. The trajectories of car bombs. These phrases came to mind at the show of Dennis Balk's new work, made during the last three years while he lived in Bahrain and traveled primarily in the Middle East. The show is dominated by black-on-white gestural drawings on canvas from Mr. Balk's Faith Thumbnail series. Full of graphic and even painterly nuance, they turn out to have been made completely on the computer. In a smaller room, the Exhausted and Ideographic series features gaudy, vertiginous digital mixes of colorful photographs. Originally a performance artist, he became known in the art world in the early 1990s for improvisational diagrams that brought different historical narratives into collision. One work in his solo debut at American Fine Arts in SoHo in 1992 charted the lives of Ho Chi Minh and Abraham Lincoln -- both fathers of their countries in different ways -- across white paper napkins. His 2003 exhibition at that gallery was titled ''Particles + Waves With Plausibility,'' as is a recent book of his work. Dennis Balk is an educator, visual artist, writer, media designer and playwright based primarily in New York. Balk has an MFA Degree from California Institute of the Arts. Throughout the 90s and 00s he was an Art Director and media designer for television, outdoor, print and emerging tech and social/ media at; Arnell/ Bickford Associates, Frankfurt Gipps Balkind, Foote Cone & Belding and McCann Erickson, New York. At Amster Yard, the conceptual agency within McCann Worldwide, Balk was involved in concepting high-profile campaigns that ran both domestically and internationally. As an interactive and exhibition designer, Balk has designed significant exhibition work for; Princeton University (The Firestone Library), The National Building Museum (Washington DC), The Jewish Museum (New York) and The United States Holocaust Memorial Museum (Washington DC) in conjunction with the offices of James Ingo Freed. Balk has taught and lectured at a variety of Universities, most recently; UCLA in the Department of New Genres, the Università IUAV di Venezia, Yale University, Otis College of Art and Design- Public Practice MFA and as Coordinator of the Department of Fine Arts/ Computer Graphics at the New York Institute of Technology, Bahrain Campus. Since the late 80s his art work has addressed, in multiple formats (including several productions of his plays), the conditions of narrative and the narrative aspects of historicizing the present. His work has been exhibited internationally and reviewed extensively including; Artforum, Filosofia e Questioni Pubbliche, Bookforum, Art in America, Paper Magazine and The New York Times. While in New York, his primary gallery representation was with the seminal gallery, American Fine Arts. In February 2009, INOVA at the University of Wisconsin-Milwaukee presented the early work survey titled, “Dennis Balk - Early Work 1890-2090”. His recent publications include; “Dennis Balk/1890-2090” (2010-channel 171), “Dennis Balk The Arabian Gulf” (2010-channel 171), “ash” (2009-channel 171), “Colin de Land, American Fine Arts” (2008-powerhouse books), and “particles + waves with plausibility” (2006-powerhouse books). SELECTED BIBLIOGRAPHY 2011 Jack Bankowsky, Rosetta Brooks, Ingrid Schaffner, Nicholas Frank, Christina Valentine, Dennis Balk, Jennifer Bolande...

Embark on a visual journey into the heart of Italian architectural grandeur with Reinhard Görner's 2022 photograph, Sala dei Fiumi I. This breathtaking image captures the impressive "Hall of the Rivers" within the Ducal Palace of Mantua, a historic complex recognized as the sixth largest palace in Europe. Built between the 14th and the 17th century by the noble Gonzaga family, the Ducal Palace of Mantua serves as a testament to Italy's rich architectural heritage and royal history. The palace complex, featuring an impressive assortment of more than 500 rooms, corridors, galleries, inner courts, and extensive gardens, spans an area of approximately 34,000 m2. While the palace is widely recognized for Mantegna's frescos in the Camera degli Sposi (Wedding Room), the Sala dei Fiumi offers its unique allure. Created during the Habsburg rule in Mantua, this hall showcases distinctive wall paintings where the rivers of the Mantuan territory are anthropomorphized as giants. Reinhard Görner's photograph is more than a visual delight; it's a historical journey into Italy's cultural past. Ideal for art enthusiasts, history lovers, and those with a keen eye for architectural beauty, this piece promises to enhance any collection. Allow the grandeur of the Palazzo Ducale di Mantova and the majesty of the Sala dei Fiumi to resonate within your space with this stunning image. signed and numbered on label, verso Reinhard Görner records cultural and industrial heritage through his series of photographs depicting contemporary and historical architecture, landscapes, parks, and plants. Best known for his photographs of libraries and reading rooms from around the world—in works such as George Peabody Library II, Baltimore (2017) and Riggs Library I, Washington DC (2017)—Görner captures the atmosphere of absolute silence and concentration the spaces embody while also revealing their almost cathedral-like sense of grandeur. Görner’s images have a vivid sense of depth and dimension that convey an impression of intimacy, as in Isaac Newton, Cambridge (2017), or monumentality via his precise and skilful use of framing and perspective. Reinhard Görner, with his large format photographs orchestrates the monumentality of rooms. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles...

Paper Collage

"Through Traveling You're Able To Understand The World & Find Endless Inspiration" - Lixian Cai Lixian began to travel outside of China, documenting each ...

a monochromatic photographic homage to artist Ed Ruscha from a series of iconic Americana roadside billboard signs and conceptual signage BILLBOARD by Frank Schott 48 x 76 inches...

Paper Collage

Dennis Hopper, (American, 1936-2010) Mixed media sculpture "Outmolding Older Concepts (Wilhold Up the Mirror)", 1961, photo and assemblage, Ace gallery and Easy Rider Production labels verso 27"h x 40"w x 5"d. There is broken mirror glued into the wooden collage box with the ceramic head that is attached to the front. I assume that is how it was made. Provenance: Estate of Pentti Kouri, NYC; Ace Gallery, Los Angeles; Exhibited MOCA, Los Angeles, 2010 From a 1997 interview with Hopper where he references this piece "Right now it's very intense. I had a show that travelled Germany, about 15 different museums. Sunday we go to Denmark; I'm showing the early assemblage I did in 1961 which was the signal for conceptual art. I'm just two days there, then I'm going to Venice to meet Julian Schnabel - Count Volpe's given us a place to paint in Giudecca. Then I'm going to Documenta in Germany to hang another show, then I go back to LA on the 21st and start a film on the 23rd." Notes/Literature: Dr. Pentti Kouri(1949-2009) was a Finnish economist and venture capitalist with partner George Soros. He built his prestigious art collection with the goal of opening a private art foundation focused on his interests in Minimalism, Arte Povera, Conceptual and Text-based art. He was a member of the Board of Trustees of Dia Art Foundation, and on the boards of Tate, London and the Guggenheim Museum, New York. In addition, a portion of his collection forms the core of the Kiasma Museum of Contemporary Art in Helsinki, Finland Hopper made his film debut alongside James Dean in 1955's Rebel Without a Cause. Both lost souls from dysfunctional households, they gravitated to each other, smoked dope and took joy rides. When Dean died, Hopper saw himself as the natural inheritor of his rebellious mantle and, revelling in his nickname of "Dennis the Menace", gave it to Hollywood with both barrels; so they dropped him. Dennis didn't make another Hollywood movie for seven years. Frustrated by the deliberate stifling of his film career, Dennis turned to art and photography for creative stimulus, beginning with abstract subjects such as landscapes. His cutting-edge conceptual art became established round the world, with exhibitions in major cities. At home in the dining room stood one particularly interesting work, a white plastic box, eight feet long, that had an aluminium shaft sticking out of it, and two very large balls. It was called The Perpetual Erection Machine. Before Tracy Emin and Damien Hirst, there was Dennis. In 1961, Hopper took part in an international photography competition in Australia with a contribution of five abstract photos, which he called Pieces. He won first place. Soon after, Hopper married Hayward, daughter of the film producer Leland Hayward, whose credits include The Sound of Music and South Pacific. The wedding party of Hopper and Hayward was held in August at the apartment of actress Jane Fonda, a childhood friend of Hayward, who introduced Hopper to her younger brother Peter Fonda. Their daughter Marin was born in 1961, and they moved to Bel Air, California. Soon afterward the famous Bel Air fire destroyed their home, including approximately three-hundred Abstract Expressionist works and hundreds of pages of poetry that Hopper had begun in the mid-1950s. Hopper and his actor friends Dean Stockwell and Russ Tamblyn were close to many artists in California, especially assemblage artists Edward Kienholz...

There are some triangles cruising through my head. These triangles are memories, thoughts and ideas. Some oft them are bright, some are dark. Some triangles have left my head. Not al...

Eiferman invite’s you to immerse yourself in a world where transformed shapes, lines, and colors are all crafted out of nature's detritus. The inspiration for her drawings come from ...

Exceptional example of mid-century conceptual art constructed of wood and finished in flat black. Sculpture for the wall. Dimensional; unique presentation from each side and angle. N...

This painting was exhibited at the art exhibition in Innsbruck (Contemporary Art Fair 2019), as well as in Marbella (Excellence Art gallery), Florence (Art Expertise), and Madrid (APPA art gallery). "Remember?" is a conceptual science painting...

Paper Collage

Engraving Intervened

The focal point of the artwork, the man's free-flowing dreadlocks, serves as a potent symbol of individuality and cultural diversity. In many cultures, dreadlocks have deep-rooted historical and spiritual significance, representing a unique connection to heritage, self-expression, and identity. By emphasizing the man's hair in the portrait, Adetula calls attention to the fact that discrimination often arises from superficial judgments based on appearance, whether it be hairstyles, clothing choices, or language differences. The artwork's title, "I Need Some Love," conveys a heartfelt plea for compassion and understanding. It reminds us that discrimination and prejudice have no place in a harmonious and inclusive society. Adetula's creation urges us to break free from these harmful mindsets and cultivate a culture of empathy and acceptance toward one another. The message of the artwork resonates strongly with the call to let love prevail, irrespective of one's origin or outward appearance. Discrimination, whether conscious or unconscious, hinders our collective progress as a society. It erects barriers between individuals and communities, fostering mistrust and animosity. Adetula's artwork encourages us to dismantle these barriers and build bridges instead. Embracing diversity enriches our lives, broadens our perspectives, and fosters a climate of respect and unity. The man's free-flowing dreadlocks symbolize the beauty of embracing cultural differences and recognizing the uniqueness that each individual brings to the table. Moreover, "I Need Some Love" emphasizes the power of love as a transformative force. The artwork reminds us that by approaching others with love, compassion, and understanding, we can create an environment where everyone feels valued, respected, and heard. Correcting people with love, rather than judgment or hostility, allows us to foster meaningful connections and open up constructive dialogues, thereby nurturing a culture of growth and understanding. The man depicted in the artwork is a poignant reminder that every person deserves happiness and love, irrespective of their appearance, background, or language. Embracing diversity not only enhances our interpersonal relationships but also contributes to the betterment of society as a whole. When we treat one another with kindness and empathy, we foster a sense of belonging and acceptance that empowers individuals to thrive and contribute positively to their communities. In conclusion, "I Need Some Love" by Michael Adetula...

Paper Collage

Paper Collage

Paper Collage

From his show Hashish at Michael Steinberg Gallery (bearing their label verso) Reviewed by Roberta Smith in the New York Times. Abstract Expressionism meets graffiti photography. Cy Twombly in cyberspace. Existential physics. The trajectories of car bombs. These phrases came to mind at the show of Dennis Balk's new work, made during the last three years while he lived in Bahrain and traveled primarily in the Middle East. The show is dominated by black-on-white gestural drawings on canvas from Mr. Balk's Faith Thumbnail series. Full of graphic and even painterly nuance, they turn out to have been made completely on the computer. In a smaller room, the Exhausted and Ideographic series features gaudy, vertiginous digital mixes of colorful photographs. Originally a performance artist, he became known in the art world in the early 1990s for improvisational diagrams that brought different historical narratives into collision. One work in his solo debut at American Fine Arts in SoHo in 1992 charted the lives of Ho Chi Minh and Abraham Lincoln -- both fathers of their countries in different ways -- across white paper napkins. His 2003 exhibition at that gallery was titled ''Particles + Waves With Plausibility,'' as is a recent book of his work. Dennis Balk is an educator, visual artist, writer, media designer and playwright based primarily in New York. Balk has an MFA Degree from California Institute of the Arts. Throughout the 90s and 00s he was an Art Director and media designer for television, outdoor, print and emerging tech and social/ media at; Arnell/ Bickford Associates, Frankfurt Gipps Balkind, Foote Cone & Belding and McCann Erickson, New York. At Amster Yard, the conceptual agency within McCann Worldwide, Balk was involved in concepting high-profile campaigns that ran both domestically and internationally. As an interactive and exhibition designer, Balk has designed significant exhibition work for; Princeton University (The Firestone Library), The National Building Museum (Washington DC), The Jewish Museum (New York) and The United States Holocaust Memorial Museum (Washington DC) in conjunction with the offices of James Ingo Freed. Balk has taught and lectured at a variety of Universities, most recently; UCLA in the Department of New Genres, the Università IUAV di Venezia, Yale University, Otis College of Art and Design- Public Practice MFA and as Coordinator of the Department of Fine Arts/ Computer Graphics at the New York Institute of Technology, Bahrain Campus. Since the late 80s his art work has addressed, in multiple formats (including several productions of his plays), the conditions of narrative and the narrative aspects of historicizing the present. His work has been exhibited internationally and reviewed extensively including; Artforum, Filosofia e Questioni Pubbliche, Bookforum, Art in America, Paper Magazine and The New York Times. While in New York, his primary gallery representation was with the seminal gallery, American Fine Arts. In February 2009, INOVA at the University of Wisconsin-Milwaukee presented the early work survey titled, “Dennis Balk - Early Work 1890-2090”. His recent publications include; “Dennis Balk/1890-2090” (2010-channel 171), “Dennis Balk The Arabian Gulf” (2010-channel 171), “ash” (2009-channel 171), “Colin de Land, American Fine Arts” (2008-powerhouse books), and “particles + waves with plausibility” (2006-powerhouse books). SELECTED BIBLIOGRAPHY 2011 Jack Bankowsky, Rosetta Brooks, Ingrid Schaffner, Nicholas Frank, Christina Valentine, Dennis Balk, Jennifer Bolande...

Genre: Contemporary Subject: Landscape Medium: Photograph Country: France 16 X 22.5 without frame Animalia, Insect Butterfly Photograph Élisabe...

The painting is being offered with a work and authenticity certificate

A black woman showcasing the beauty in the African headgear The headgear is used mostly by African women for special occasions. This woke shows the richness in the artist's backgrou...

Genre: Contemporary Subject: Landscape Medium: Photograph Country: France 16 X 22.5 without frame Animalia, Insect Butterfly Photograph Élisabeth Montagnier was born in Algeria. S...

Hand-dyed ghost gear netting*, muslin, adhesive, foam, paint, pins, reclaimed copper flashing Recovered Ghost Gear Data: Retrieval Coordinates: 42° 10ʹN 69°52ʹW Retrieval Vessel: F/V Donna Marie (Groundfish Trawler/Scallop Dragger out of Provincetown) Water Depth: approx. 100 fathoms/183 meters/600 feet Source: pre-Magnuson-Stevens Act* foreign, most likely Russian, fishing net 'I am a multidisciplinary artist with a focus on ecofeminism using fiber and mixed media constructions. My materials include hand-dyed commercially fished line and ghost gear, recycled and antique textiles, fabric printed with cyanotype emulsions and found objects. I change the existing surface of recognizable animals by creating a veneer of unexpected color and imagery. This forces the viewer to consider the shape more carefully by visually exploring its new topography. The creation process can be likened to painting with fiber (that has been tinted with hand-mixed dyes) on a three-dimensional canvas. Intense work is spent creating the eyes and ears to convey the emotion of each animal. I look to the work of Joan Mitchell and The Quilters of Gee’s Bend...

A ripped muscleman strikes the pose with an admiring female bystander who holds an oversized pair of prank sunglasses. In reality, the muscleman is a 5-inch cut-out, and the girl is ...

Hans Haacke "If Elections Were Held Today" from the Castelli Sonnabend Collection, 1973 Silkscreen in portfolio sleeve of Crane's bond paper No. 1. Stamped and numbered. Unframed in ...

This large format 20 x 24 Polaroid photograph is a self portrait of the photographer David Chack. This is a one-of-a- kind, " instant" color photograph. The process uses a multi-laye...