Conceptual Art

Rimma Gerlovina and Valeriy Gerlovin Clock, 1987-94 Aluminum sculpture, mixed media and c-print photograph construction, c-print, felt tip marker 13 h × 13 w × 4 d in (30 × 30 × 6 c...

Ray Johnson "Valentine" Double sided collage 6 1/2 x 4 1/4 inches Once described as New York’s “most famous unknown artist,” Ray Johnson was a renowned maker of meticulous collages...

In the paintings of this series , images of antique figures and statues are used to talk about the eternal in modern language , as well as to present antiquity in a modern way .The w...

Artist's book from the first edition of 1994. Limited edition of 1000 copies, numbered 176/1000. Direct interventions by Maria Lai as written in pencil on the last pages. The white t...

Painting made by Peter Kramer with a t-shirt found on Malpica beach, belonging to a ship painter. The painting is made with handmade tissue paper. The measurements are 80 x 80 cm. F...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authen...

From his series SHADOW CARTOONS. Color iris print, hand initialed in pencil, This is not numbered. It is on Somerset watermarked archival paper Paper size is 30 X 22.25, images 22.7...

This contemporary abstract painting de depicting a portrait of two women, titled "Diversity in Unity," was created by French artist Natalya Mougenot. The artwork explores the theme o...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

This work is the result of an artistic residence outside his "study”.The artist worked on a different ecosystem, a house of vernacular architecture built in 1913 in the department of...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful ob...

Dennis Oppenheim Directed Seeding -Wheat, Historic Yvon Lambert Gallery Poster (Hand Signed and Addressed by Dennis Oppenheim), 1969 Offset lithograph poster. Hand signed, inscribed. Postmarked and addressed to Oppenheim's dealer, John Gibson 23 × 16 inches Hand Signed and inscribed by Dennis Oppenheim lower right in blue marker in 2006, hand addressed by Dennis Oppenheim in 1969 in red marker Unframed This is an extremely uncommon vintage poster/mailer announcing the May 20th, 1969 opening reception (Vernissage) for the exhibition of works by American conceptual art pioneer Dennis Oppenheim at the Yvon Lambert Gallery in Paris. The poster is historic in that it was originally mailed to John Gibson, the East 67th Street dealer, who famously gave Dennis Oppenheim his first New York exhibition in 1968, and it is hand addressed to Gibson, bearing the original Paris, France postmark of 1969. It is, exceptionally, hand signed and dedicated by Dennis Oppenheim to a collector who acquired the poster from John Gibson's collection, and then secured Dennis Oppenheim's autograph in 2006, making this an especially valuable collectors item. More information about the project from the Tate Gallery archives, which acquired the work: This work brings together two interventions Oppenheim created on a field owned by farmer Albert Waalken in Finsterwolde, north-eastern Holland, in 1969. It comprises four distinct elements mounted on board: a colour photograph of a wheatfield being sowed by a tractor in parallel curving lines seen from high up; a negative image in black and white of a map of the area of Finsterwolde onto which two sections of text have been collaged; and two black and white aerial photographs of the same field being traversed by a tractor cutting an X into the wheat. The first two elements relate to the action Directed Seeding. For this the field was seeded according to a line plotted by following the road from the village of Finsterwolde, the location of the field, to Nieuweschans, another village where the farmer’s storage silo for wheat was located. Oppenheim reduced this curved line by a factor of six in order to direct the trajectory of seeding. The tractor then carved a series of curved parallel lines on the surface of the field as it dug up earth and scattered seed. From an aerial perspective the patterning of parallel lines may be viewed as a form of line drawing on the landscape. The precise location of the field and the silo are indicated on the map, showing the trajectory of the road. The two sections of text collaged onto the upper portion of the map briefly describe the two interventions. Explaining the action Cancelled Crop, the artist wrote: In September the field was harvested in the form of an X. The grain was isolated in its raw state, further processing was withheld. This project poses an interaction upon media during the early stages of processing. Planting and cultivating my own material is like mining ones own pigment (for paint) – I can direct the later stages of development at will. In this case the material is planted and cultivated for the sole purpose of withholding it from a product-oriented system. Isolating this grain from further processing (production of food stuffs) becomes like stopping raw pigment from becoming an illusionistic force on canvas. The esthetic is in the raw material prior to refinement, and since no organization is imposed through refinement, the material’s destiny is bred with its origin. (Quoted from artist’s statement in Tate acquisition file.) Directed Seeding and Cancelled Crop are two separate works, brought together in several different versions of which Tate’s is one. The collage presents three ways in which human action may marks the land. For the first two, agricultural machinery is used to create straight lines, in the process of harvesting as in the X of Cancelled Crop, or curved lines, during the process of planting seed in the contours photographed for Directed Seeding. The map shows a third (and more ancient) way of marking the land, through the construction of roads. The use of the landscape – natural, industrial or urban – as a canvas on which to act is typical of Oppenheim’s work in the late 1960s and early 1970s. In a related action, Directed Harvest, 1966 (Tate T07590) and Directed Harvest 1968 (Kröller-Müller Museum, Otterlo, Netherlands), the artist caused a field to be harvested in linear patterns which he then had photographed in its progressive stages. In Reverse Processing: Cement Transplant, East River, NY, 1970, 1978 (Tate T07591) Oppenheim drew large crosses on the roofs of barges transporting raw cement that he found moored on the New York East River banks. All these works centre on process as an agent of change and utilise materials, elements and locations on which the artist can have no permanent claim, making them deliberately ephemeral. Such actions as seeding a crop and harvesting it several months later operate within time parameters dependent on the cycles of the seasons rather than the will of man, mixing human processes with those of nature. Oppenheim’s analogy between the prevention of a crop from entering the food chain and the halting of the expressive, ‘illusionistic’ force of paint deconstructs the sophisticated processes of art-making and the food industry to the elemental notion of making simple marks on the environment. In this way, the artist highlights contemporary man’s dependency on complex chains...

This new series of works by the multidisciplinary artist TUSET (1997, A Coruña) shows us a completely unique dynamic. In these works he uses the concrete of the construction as picto...

Dealer, street photography from Richard Heeps series, The Streets of Hong Kong. Richard's aim for his City series is to represent the fingerprint of a place, in this the street store...

Large format photograph of a billboard signage in California desert landscape, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards cap...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

A solitary figure harvests wheat under a darkening sky, embodying resilience against nature's elements... "It had been raining all morning but the clouds suddenly parted and we had 3...

Komar and Melamid (Vitaly Komar and Alexander Melamid), Russian (1943/5 - ) - Life of Tolstoy, Year: 1986, Medium: Lithograph on BFK Rives, signed, dated and numbered in pencil, Ed...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Les Levine, Irish/American (1935 - ) - Diamond Brooch Series 6, Year: circa 1979, Medium: Color Etching, Signed and Numbered in pencil, Edition: 100, Image Size: 18 x 11.5 inches...

Rebecca Baird, Canadian (1954 - ) - Honor the People and the Sand, Year: 2003, Medium: Monoprint Screenprint with hand coloring, titled in color pencil, Edition: 1/1, Image Size: ...

Komar and Melamid (Vitaly Komar and Alexander Melamid), Russian (1943/5 - ) - Jesus in Motion, Year: 1990, Medium: Screenprint, signed, numbered and dated in pencil, Edition: TP, ...

Shimon Attie (b. 1957) Joachimstrasse, Ecke, Auguststrasse, Berlin, 1994 Edition 3/3 Dye coupler print on Kodak Ektacolor paper 27 x 34 inches (68.6 x 86.4 cm) (image) 34 x 40 inc...

Los Carpinteros (Cuban, 1992-present). Silver gelatin print photograph, large format. From the series "Tuneles Populares" (The People's Tunnels) 1999 Edition 1/5 Provenance: Bliss Fi...

"Upright Impression" by John Ali captures the innocence, resilience, and curiosity of youth through the portrayal of a young girl. In this captivating artwork, the girl stands tall a...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Enduring Echoes portrays a striking and vibrant portrait of a man, set against a bold and contrasting background. The artist uses a rich palette of purples, reds, and oranges, highli...

Black And White Minimal Painting is an original artwork realized by TUSET in 2020. We can frame it in natural wood or black on request. The title of this works is "From the Apollon...

large scale photograph of a billboard signage against ultramarine blue night sky, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards ...

José Sierra painted his body as a tribute to Afro-Colombian and pre-Columbian cultures, documenting the performance in photographs that portray him in erotic and suggestive positions...

Showing a body that is hidden is the aesthetic apology for the insane judgment that the artist himself has taken as an excuse for not being 'pointed at' or rather as self-pointing. T...

This limited edition portrait by Natasha Lelenco, titled Mr. Bucles, is number 15 in a hand-finished series of 20 works based on her acclaimed project The Important Bigwigs (2021). E...

Fred Langford Edwards turns what seems like documentary research (analogue photographs of curious objects that the artist finds on the beach) into an art of wonder. In this extensive...

Fred Langford Edwards turns what seems like documentary research (analogue photographs of curious objects that the artist finds on the beach) into an art of wonder. In this extensive...

This enigmatic lithograph titled “Dramma in Nove Versi” (Drama in Nine Verses) presents a Conceptual Art exploration of text and visual poetry through Textual Art practices. The comp...

This thought-provoking 1996 etching by Mel Chin exemplifies Contemporary Conceptual Art’s engagement with environmental themes and ecological awareness. Chin’s intricate composition ...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Sayeed Momoh is...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

José Sierra painted his body as a tribute to Afro-Colombian and pre-Columbian cultures, documenting the performance in photographs that portray him in erotic and suggestive positions...

Mixed media on wooden panels realized by Marisa Busanel in 1970s. Painted wood panel with applied sculptural dress element in lead or lead-like metal, polychrome surface with incise...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

Lucio Pozzi, Italian (1935 - ) - Untitled, Year: 2001, Medium: Pencil and Ink on Paper, signed, Size: 12 x 9 in. (30.48 x 22.86 cm)

Marzia Gugliotta, Venezuelan - Purple Forest, Year: 2025, Medium: Mixed Media on Canvas, Size: 24 x 48 in. (60.96 x 121.92 cm), Frame Size: 34 x 56 inches

Marzia Gugliotta, Venezuelan - Earth Whispers, Year: 2025, Medium: Mixed Media on Canvas, Size: 24 x 36 in. (60.96 x 91.44 cm), Frame Size: 30 x 40 inches

Allen Ruppersberg, American (1944 - ) - Untitled (Some Men Still Believe...), Year: 1978, Medium: Lithograph on Arches, signed, numbered and dated in pencil, Edition: 26/46, Image...

Chuck Connelly, American (1955 - 2025) - Building Spire, Year: 1985, Medium: Etching on Arches, signed, numbered and dated in pencil, Edition: 2/20, Image Size: 5.75 x 7.75 inch...

Kim Tschang-yeul, Korean (1929 - 2021) - Silence, Year: 1970, Medium: Etching on Arches, signed and numbered in pencil, Edition: 60/90, Size: 30 x 22 in. (76.2 x 55.88 cm), Publi...

Katherine Winckler, American (1898 - 1976) - Feet of Vishnu in Madurai, Year: 1993, Medium: Etching on Rives de Lin, signed, titled, numbered and dated in pencil, Edition: AP, Ima...

Marta Maria Perez Bravo, Cuban (1959 - ) - Oddun para 1997, Year: 1997, Medium: Lithograph on Rives, signed, titled. numbered and dated in pencil, Edition: BAT, Image Size: 13.5 ...

Peter Nadin, British/American (1954 - ) - State of Mind, Year: 1985, Medium: Etching on Arches, signed, numbered and dated in pencil, Edition: 20, Image Size: 4 x 5 inches, Size:...

Mel Chin, American (1951 - ) - Revival Ramp, Year: 1996, Medium: Etching, Engraving, Photoetching and Lithograph on Arches, signed, titled, numbered and dated in pencil, Edition: ...

Mel Chin, American (1951 - ) - Revival Ramp (Yellow), Year: 1996, Medium: Etching, Engraving, Photoetching and Lithograph on Arches, signed, numbered and dated in pencil, Edition: ...

Mel Chin, American (1951 - ) - Revival Ramp (B&W), Year: 1996, Medium: Etching, Engraving, Photoetching and Lithograph on Arches, signed, numbered and dated in pencil, Edition:...

Rib Bloomfield, English (1948 - ) - Go, Year: circa 1990, Medium: Screenprint, signed, titled and numbered in pencil, Edition: 103/110, Image Size: 32.5 x 30 inches, Size: 37.75...

Grisha Bruskin, Russian (1945 - ) - Strela, Portfolio: Lexica, Year: 1992, Medium: Etching with Aquatint, signed, numbered and dated in pencil, Edition: 24, Image Size: 9 x 7.5 ...

Komar and Melamid (Vitaly Komar and Alexander Melamid), Russian (1943/5 - ) - The Double Revelation / Car I, Year: 1990, Medium: Screenprint Monoprint, signed, titled and dated in ...

Grisha Bruskin, Russian (1945 - ) - Anghel, Portfolio: Lexica, Year: 1992, Medium: Etching with Aquatint, signed, titled, numbered and dated in pencil, Edition: 22/24, Image Size...

Grisha Bruskin, Russian (1945 - ) - Litza, Portfolio: Lexica, Year: 1992, Medium: Etching with Aquatint, signed, titled, numbered and dated in pencil, Edition: 23/24, Image Size:...