Conceptual Art

The photograph measures 50 x 50 cm. It is printed on matte Hahnehmühle paper. The dimension of time for María Moldes (Pontevedra, 1974) is used as a weapon of resistance against wha...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for comm...

The photograph measures 40 x 40 cm. It is printed on matte Hahnehmühle paper. The dimension of time for María Moldes (Pontevedra, 1974) is used as a weapon of resistance against wha...

Morgan Library II New York 50 x 62.4 inches ed. of 10 $6000 60 x 74.9 inches ed. of 7 $9000 70 x 87.5 inches ed. of 5 $11000 signed and numbered on label, verso Paper is trimmed...

Reinhard Görner’s Leda with Swan unveils an intimate and evocative perspective on Correggio’s 16th-century masterpiece, capturing the painter’s exquisite handling of light, texture, ...

G_XI, 2019 White ink on black cardboard (signed) 39 3/8 H x 27 9/6 W in. 100 H x 70 W cm Alina Aldea's drawings, project all the possible forms which appear to rapidly disappear, w...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Ray Johnson "Valentine" Double sided collage 6 1/2 x 4 1/4 inches Once described as New York’s “most famous unknown artist,” Ray Johnson was a renowned maker of meticulous collages...

30 Cents Singapore Orchid Purple, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcards from Afar' have been given a twenty-first century pop art lease of life. The fine detailed tapestry of the original small postage stamp has been brought to life, made unique by the franking stamp and Heidler & Heeps specialist darkroom process. This artwork is a limited edition of 25 gloss photographic c-print, dry-mounted to aluminium, presented in a museum board white window mount and a choice of black or white box frame fitted with anti-reflective UV70% glass. It is signed and numbered on reverse accompanied by a certificate of authenticity. This artwork is available in other sizes. Be sure to look at Heidler & Heeps other artworks listed on 1stDibs as they are great paired for interior design projects. Following on from the hugely successful ‘Vinyl Collection’, Natasha Heidler & Richard Heeps have collaborated again, drawing from the childhood past time of stamp collecting...

Heidler’s seductive images are a playful collection of contradictions. Ghostly outlines collide with vibrant colours. Their black backgrounds give them the appearance of neon signs l...

How often are we held back from deciding by the many limiting beliefs and frameworks instilled in us from birth by our immediate environment and society? These limiting beliefs are a...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

This series by the multidisciplinary artist TUSET (1997, A Coruña, Spain) titled "Land paintings (or what painting is not)", is a series of paintings that the artist had buried in th...

Shusaku Arakawa Untitled 3 from "No!" Says the Signified, 1973 Lithograph and Silkscreen on Arches Paper with Deckled Edges Hand signed and dated on the lower right front Artist's Pr...

Genichiro Inokuma, Japanese (1902 - 1993) - Exhibition Poster, Year: 1968, Medium: Poster, with pen drawing, signed and dated in the plate, Size: ...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mic...

Further to Fly is a series of Wet Plate Collodion Photograms that continues in my practice of using drawings on mylar layered with light-sensitive materials in the darkroom to create...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

This work is the result of an artistic residence outside his 'study'.The artist worked on a different ecosystem, a house of vernacular architecture built in 1913 in the department of...

James Coignard, French (1925 - 2008) - Habitat, Portfolio: Song of the Broad-Axe, Year: 1982, Medium: Hand Colored Etching with Collage on hand-made Moulin de Larroque paper, sign...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authen...

Takako Saito Make 300 Holes with Any Implement: This Is My Gift , 1965 Wood box containing wood frame with paper and stamped ink 3 3/8 × 3 3/8 × 1 1/4 Takako Saito is a Japanese ar...

Playfl monkeys climb exotic colored plants clowning as only monkeys do. Monkey Time - Animal Painting - Oil on Canvas By Marc Zimmerman Marc Zimmerman creates playful paintings, ...

In an abstract forest meadow exotic animals contentedly graze. The trees are lush with inventive surreal flowers and leaves. Landscape in Blue - Animal Paintings - Conceptual Art By...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

Takako Saito Secret Santa , 1965 Stamped inscribed in pen recipients name Wood construction 1 1/2 x 1 1/4 x 1 1/4 inches Takako Saito is a Japanese artist closely associated with F...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. The ...

"Do not judge me by my success, judge me by how many times I fell and got back up again." I can do all things through Christ which strengtheneth me. “The peasantry ceased, they ceas...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authen...

This work is the result of an artistic residence outside his 'study'.The artist worked on a different ecosystem, a house of vernacular architecture built in 1913 in the department of...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Liberty Mosiac, from the Heidler & Heeps American Stamp Collection, these historic postage stamps are given a twenty-first century pop art lease of life. This artwork is a limited e...

Genichiro Inokuma, Japanese (1902 - 1993) - Subterranean II, Year: 1970, Medium: Gouache, Graphite and Collage on board, signed and dated in pencil...

Mati Klarwein, German (1932 - 2002) - Tennis Balls, Year: 1978, Medium: Lithograph, signed and numbered in pencil, Edition: H.C. 23, Image Size: 23 x 23 inches, Size: 25 x 25 i...

Unexpected materials, found and manufactured, perch precariously on torn edges and bifurcated sheets of large paper. Here, fluid calligraphic lines are posed against the veracity of ...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

"Extraordinary Woman" by Michael Adetula is a captivating artwork that celebrates the unique beauty and personality of a young woman who exudes confidence and charm. At first glance,...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Greg's witty and charming oil painting on aluminium comes framed in a floater frame which adds 1.75 inches all the way around. "Greg Decker is a visionary painter. His work epitomise...

Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box Gil Scullion’s conceptual text-based work has been featured in exhibi...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Fred Langford Edwards turns what seems like documentary research (analogue photographs of curious objects that the artist finds on the beach) into an art of wonder. In this extensive...

Paper Collage My work is mainly abstract, I would say abstract expressionism. I love painting with oils, they give me many possibilities I do no find in other media. When working ...

The work is on 1 paper. Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be...

This artwork is a limited edition of 25, gloss photographic print, dry-mounted to aluminium, presented in a museum board white window mount and a choice of black or white box frame. ...

'±ÍÃ' - 2010 - 21.5 cm x 27cm, Edition of 10 plus 2 Artist Proofs, Archival Print, based on a Polaroid 809, Signed, embossed stamp and artist certificate. Not mounted. Xulong Zhang Short Bio: He has been engaged in fashion portrait photography for 30 years and loves Polaroid photography. In 2000, he began to develop Polaroid photography and traveled to 34 countries for photography. Vita: 1999 Has won the title “Ten Elites” in the 3rd China Portrait Photography...

Genichiro Inokuma, Japanese (1902 - 1993) - Subterranean, Year: 1970, Medium: Woodblock, signed and numbered in pencil, Edition: EA, Size: 6.5 x ...

Fred Langford Edwards turns what seems like documentary research (analogue photographs of curious objects that the artist finds on the beach) into an art of wonder. In this extensive...

Genichiro Inokuma, Japanese (1902 - 1993) - Subterranean III, Year: 1970, Medium: Graphite, gouache and collage on board, signed and dated lower le...

large scale conceptual environmental still life photographs playing with viewer's perspective creating individual letters from found objects spelling the word HOPE H-O-P-E by Christian Stoll Incredible details in this body of work: focusing in on this epic photograph work, you will find yourself lost in the artwork's details. Reminiscent of the appropriation artwork of Vik Muniz, Christian Stoll arranges everyday objects to spell letters of the alphabet. Only at close inspection does the viewer realize he/she is looking at an actual photograph, created in camera rather than with digital manipulation. _________________________ Artwork can be installed vertically or horizontally and across multiple walls 4 individual photographs individual artwork size 24 x 24 inches (61 x 61cm) horizontal artwork...

Fred Langford Edwards turns what seems like documentary research (analogue photographs of curious objects that the artist finds on the beach) into an art of wonder. In this extensive...

This work is the result of an artistic residence outside his "study”.The artist worked on a different ecosystem, a house of vernacular architecture built in 1913 in the department of...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Showing a body that is hidden is the aesthetic apology for the insane judgment that the artist himself has taken as an excuse for not being 'pointed at' or rather as self-pointing. T...

Painting by French artist Christian Zeimert (b.1934 – 2020). Signed in lower right corner and titled on reverse "Gentilly". Zeimert's painted slow and meticulously. It took him se...

Wallace Putnam, American (1899 - 1989) - Migration, Year: circa 1987, Medium: Etching, signed, dated and numbered in pencil, Edition: 5/16, Image Size: 12 x 11.75 inches, Size: ...

"Bimbo" by Aba Linus is an exquisite portrayal of timeless elegance and grace. The centerpiece of this enchanting artwork is a young woman, adorned with a stylish hat perched atop he...