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Conceptual Art

CONCEPTUAL STYLE

In 1967, artist Sol LeWitt wrote that in “Conceptual art the idea or concept is the most important aspect of the work.” He was giving a name to an art movement that had emerged in the 1960s in which artists were less focused on their medium being something traditionally “artistic” and instead engaged in using any object, movement, form, action or place to express an idea.

LeWitt’s work was featured alongside an assemblage of notes, drawings and outlines by other artists in “Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art,” a groundbreaking show at New York City’s School of Visual Arts curated by Mel Bochner, another leading exponent of Conceptualism. Building on radical 20th-century statements, like Fountain (1917) by French artist Marcel Duchamp, Conceptual artists around Europe and North and South America were not interested in the commercial art scene and rather directly challenged its systems and values.

Stretching into the 1970s, this movement has also been called Post-Object art and Dematerialized art. Conceptual art reflected a larger era of social and political upheaval. Pieces associated with the style range from Roelof Louw’s Soul City (Pyramid of Oranges) (1967) — a work of installation art that sees fresh oranges stacked into a pyramid from which visitors are allowed to take one orange away — to On Kawara’s “Today” series, which saw the Japanese artist carefully painting a date in white acrylic on canvases consisting of a single color from 1966 to his death in 2014. Artists such as Ed Ruscha, who created the Twentysix Gasoline Stations book — a collection of photos of gas stations that is widely said to be the first modern artists’ book — made photography a major platform for Conceptual art, as did Bruce Nauman, who burned one of Ruscha's books and then photographed it for his own.

Conceptual art’s legacy of questioning artistic authorship, ownership and how to work with complex ideas of space and time had a significant influence on the decades of culture that followed, and it continues to inform art today.

The collection of Conceptual photography, paintings and sculptures on 1stDibs includes artworks by John Baldessari, Jenny Holzer, Lawrence Weiner, Joseph Kosuth and others.

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Style: Conceptual
There are only chickens around
There are only chickens around

There are only chickens around

Located in Zofingen, AG

This painting is an allegory for the modern life of a woman in the context of urbanization and mass culture, or an expression of the contrast between the natural and the artificial, ...

Category

2010s Conceptual Art

Materials

Canvas, Oil

MERCANTILISM
MERCANTILISM

MERCANTILISM

Located in Zofingen, AG

This painting depicts abundance in two dimensions: material abundance, symbolized by golden eggs, and spiritual abundance, because our greatest wealth is our children, the continuati...

Category

2010s Conceptual Art

Materials

Canvas, Oil

Solid Liquid, Conceptual Hand-Blown Glass by Arik Levy
Solid Liquid, Conceptual Hand-Blown Glass by Arik Levy

Solid Liquid, Conceptual Hand-Blown Glass by Arik Levy

Located in Long Island City, NY

Arik Levy, Israeli (1963 - ) - Solid Liquid, Medium: Hand-Blown Colored and Silvered Glass, Size: 27 x 18 x 18 in. (68.58 x 45.72 x 45.72 cm)

Category

2010s Conceptual Art

Materials

Blown Glass

Flora 2, 2015 - Seasonal Floral Arrangement with Daisy and Snapdragon Print

Flora 2, 2015 - Seasonal Floral Arrangement with Daisy and Snapdragon Print

Located in Brighton, GB

Flora 2, 2015 - Seasonal Floral Arrangement with Daisy and Snapdragon Print Flora 2 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited E...

Category

21st Century and Contemporary Conceptual Art

Materials

Giclée, Photographic Paper, Color

Solitude Mood -21st Century Contemporary, Figurative Portrait, Artist, Modern
Solitude Mood -21st Century Contemporary, Figurative Portrait, Artist, Modern

Solitude Mood -21st Century Contemporary, Figurative Portrait, Artist, Modern

Located in Ibadan, Oyo

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mic...

Category

21st Century and Contemporary Conceptual Art

Materials

Canvas, Charcoal, Mixed Media, Acrylic

Harvest
Harvest

Harvest

Located in Zofingen, AG

This painting depicts a wide sky filled with clouds above a brown field, where orange chickens are scattered across the land, improvising as if pecking at the soil. The repetitive mo...

Category

2010s Conceptual Art

Materials

Canvas, Oil

Best Friend - 21st Century, Contemporary, Figurative, Portrait, Women, Love, Cat
Best Friend - 21st Century, Contemporary, Figurative, Portrait, Women, Love, Cat

Best Friend - 21st Century, Contemporary, Figurative, Portrait, Women, Love, Cat

Located in Ibadan, Oyo

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Category

21st Century and Contemporary Conceptual Art

Materials

Canvas, Mixed Media, Oil, Acrylic

Mandorla - Large Format Charcoal On Paper, Black White Drawing
Mandorla - Large Format Charcoal On Paper, Black White Drawing

Mandorla - Large Format Charcoal On Paper, Black White Drawing

By Krzysztof Gliszczyński

Located in Salzburg, AT

Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be shipped rolled in a tube Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Category

Early 2000s Conceptual Art

Materials

Paper, Charcoal

Souvenirs of Beauty 1 - 21st Century Mixed Media with Oil and Ankara Fabrics
Souvenirs of Beauty 1 - 21st Century Mixed Media with Oil and Ankara Fabrics

Souvenirs of Beauty 1 - 21st Century Mixed Media with Oil and Ankara Fabrics

By Bakare Abubakri-sideeq Babatunde

Located in Ibadan, Oyo

"Souvenirs of Beauty" is a captivating portrayal of a woman steeped in tradition and grace, adorned in a rich green headwrap and matching attire that exudes elegance. Her deep brown ...

Category

21st Century and Contemporary Conceptual Art

Materials

Fabric, Canvas, Mixed Media, Oil, Acrylic

Painting on paper, lyrical abstraction, contemporary, music score
Painting on paper, lyrical abstraction, contemporary, music score

Painting on paper, lyrical abstraction, contemporary, music score

Located in Carballo, ES

Blue Minimal Painting. This is an original artwork realized by TUSET in 2019. We can frame it in natural wood or black on request. The dimensions of the painting are 41 x 29,5 cm. W...

Category

21st Century and Contemporary Conceptual Art

Materials

Ink, Handmade Paper

Flora 30, 2015 - Gin Cocktails Juniper Berries in Ice

Flora 30, 2015 - Gin Cocktails Juniper Berries in Ice

Located in Brighton, GB

Flora 30, 2015 - Gin Cocktails Juniper Berries in Ice by Marisa Culatto Flora 30 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited Edi...

Category

21st Century and Contemporary Conceptual Art

Materials

Photographic Paper, Color, Giclée

Reinhard Görner, Virtue, Bode–Museum, Berlin
Reinhard Görner, Virtue, Bode–Museum, Berlin

Reinhard Görner, Virtue, Bode–Museum, Berlin

By Reinhard Görner

Located in Los Angeles, CA

Virtue, Bode–Museum, Berlin 50 x 62.5 inches ed. of 10 $6,000 60 x 75 inches ed. of 5 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görne...

Category

21st Century and Contemporary Conceptual Art

Materials

Lambda

Garment of Hope
Garment of Hope

Garment of Hope

Located in Ibadan, Oyo

"Garment of Hope," a poignant masterpiece crafted by the skilled hands of artist John Ali, invites viewers into a world where innocence and resilience converge. This evocative artwor...

Category

21st Century and Contemporary Conceptual Art

Materials

Canvas, Acrylic

Back in 10 - large format photograph of conceptual message sign in landscape
Back in 10 - large format photograph of conceptual message sign in landscape

Back in 10 - large format photograph of conceptual message sign in landscape

By Frank Schott

Located in San Francisco, CA

large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West BACK IN 10 by Frank Schott 58 x 77.3...

Category

21st Century and Contemporary Conceptual Art

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Miami Inspired Art Deco Still Life, Studio54, Pastel Tones Disco Lights, Purple
Miami Inspired Art Deco Still Life, Studio54, Pastel Tones Disco Lights, Purple

Miami Inspired Art Deco Still Life, Studio54, Pastel Tones Disco Lights, Purple

By Ryan Rivadeneyra

Located in Barcelona, ES

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects and textures arranged meti...

Category

2010s Conceptual Art

Materials

Photographic Film, Archival Ink, Photographic Paper, C Print, Digital, G...

Drawing 14, Series Drawing - Large Format, Charcoal On Paper Panting
Drawing 14, Series Drawing - Large Format, Charcoal On Paper Panting

Drawing 14, Series Drawing - Large Format, Charcoal On Paper Panting

By Krzysztof Gliszczyński

Located in Salzburg, AT

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Category

Early 2000s Conceptual Art

Materials

Paper, Charcoal

Remember, Science Art Collection by Anastasia Vasilyeva
Remember, Science Art Collection by Anastasia Vasilyeva

Remember, Science Art Collection by Anastasia Vasilyeva

By Anastasia Vasilyeva

Located in Zofingen, AG

This painting was exhibited at the art exhibition in Innsbruck (Contemporary Art Fair 2019), as well as in Marbella (Excellence Art gallery), Florence (Art Expertise), and Madrid (APPA art gallery). "Remember?" is a conceptual science painting...

Category

2010s Conceptual Art

Materials

Oil Pastel, Acrylic, Cotton Canvas

The Farm
The Farm

The Farm

By Greg Decker

Located in Atlanta, GA

Greg's witty and charming oil painting on aluminium comes framed in a floater frame which adds 1.75 inches all the way around. "Greg Decker is a visionary painter. His work epitomise...

Category

2010s Conceptual Art

Materials

Metal

Boschereccia Palazzo, Hercolani, Bologna

Boschereccia Palazzo, Hercolani, Bologna

By Reinhard Görner

Located in Los Angeles, CA

Boschereccia Palazzo Hercolani, Bologna, Italy 2022 50 x 62.5 inches ed. of 10 $6,000 60 x 75 inches ed. of 7 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on labe...

Category

2010s Conceptual Art

Materials

Lambda, C Print

Post Conceptual Digital Artist Oil Painting Screenprint Diptych Joseph Nechvatal
Post Conceptual Digital Artist Oil Painting Screenprint Diptych Joseph Nechvatal

Post Conceptual Digital Artist Oil Painting Screenprint Diptych Joseph Nechvatal

Located in Surfside, FL

Joseph Nechvatal The Oedipal God of Oil Paint and Destruction, Diptych Oil and screenprint on two canvases, 1985, both signed 'Joseph Nechvatal', titled and dated on the reverse, with label from Brooke Alexander, NY. Joseph James Nechvatal (born 15 January 1951) is a post-conceptual digital artist and art theoretician who creates computer-assisted paintings and computer animations, often using custom-created computer viruses. Joseph Nechvatal was born in Chicago. He studied fine art and philosophy at Southern Illinois University Carbondale, Cornell University and Columbia University, where he studied with Arthur Danto while serving as the archivist to the minimalist composer La Monte Young. From 1979, he exhibited his work in New York City, primarily at Galerie Richard, Brooke Alexander Gallery and Universal Concepts Unlimited. He has also solo exhibited in Berlin, Paris, Chicago, Cologne, Atlanta, Los Angeles, Aalst, Belgium, Youngstown, Senouillac, Lund, Toulouse, Turin, Arles and Munich. His work in the early 1980s chiefly consisted of post minimalist gray graphite drawings that were often photo mechanically enlarged. During that period he was associated with the artist group Colab and helped establish the non-profit cultural space ABC No Rio. In 1983 he co-founded the avant-garde electronic art music audio project Tellus Audio Cassette...

Category

1980s Conceptual Art

Materials

Canvas, Oil, Screen

Flora 33, 2015 - Maple Helicopter Seeds Photography

Flora 33, 2015 - Maple Helicopter Seeds Photography

Located in Brighton, GB

Flora 33, 2015 - Maple Helicopter Seeds Photography by Marisa Culatto Flora 33 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited Editi...

Category

21st Century and Contemporary Conceptual Art

Materials

Photographic Paper, Color, Giclée

Flora 11, 2015 - Summertime Wildflower Meadow Grasses Frozen in Ice Color Print

Flora 11, 2015 - Summertime Wildflower Meadow Grasses Frozen in Ice Color Print

Located in Brighton, GB

Flora 11, 2015 - Summertime Wildflower Meadow Grasses Frozen in Ice Color Print Flora 11 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limi...

Category

21st Century and Contemporary Conceptual Art

Materials

Photographic Paper, Color, Giclée

Deborah
Deborah

Deborah

Located in Ibadan, Oyo

"Do not judge me by my success, judge me by how many times I fell and got back up again." I can do all things through Christ which strengtheneth me. “The peasantry ceased, they ceas...

Category

21st Century and Contemporary Conceptual Art

Materials

Canvas, Acrylic

Goodfellas

Goodfellas

Located in Denver, CO

"Goodfellas" is comprised of 3 individual white statues that are meant to be presented as a trio. They are part of a limited edition of 25 of which this is number 9. Each individual ...

Category

21st Century and Contemporary Conceptual Art

Materials

Polyurethane

Face to Face
Face to Face

Face to Face

Located in Ibadan, Oyo

"Face to Face" by Aba Linus is a thought-provoking and enigmatic artwork that presents a powerful visual representation of human connection and communication. In this piece, two youn...

Category

21st Century and Contemporary Conceptual Art

Materials

Canvas, Acrylic

Flora 34, 2015 - Passion Flower Photograph Lavender Photograph Cocktail Ice

Flora 34, 2015 - Passion Flower Photograph Lavender Photograph Cocktail Ice

Located in Brighton, GB

Flora 34, 2015 - Passion Flower Photograph Lavender Photograph Cocktail Ice by Marisa Culatto Flora 34 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size o...

Category

21st Century and Contemporary Conceptual Art

Materials

Photographic Paper, Color, Giclée

Flora 31, 2015 - Harvest Photography Hay Farm Grass

Flora 31, 2015 - Harvest Photography Hay Farm Grass

Located in Brighton, GB

Flora 31, 2015 - Harvest Photography Hay Farm Grass by Marisa Culatto Flora 31 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited Editi...

Category

21st Century and Contemporary Conceptual Art

Materials

Photographic Paper, Color, Giclée

Flora 19, 2015 - Chinese Lantern Portrait Photography

Flora 19, 2015 - Chinese Lantern Portrait Photography

Located in Brighton, GB

Flora 19, 2015 - Chinese Lantern Portrait Photography by Marisa Culatto Flora 19 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited Edi...

Category

21st Century and Contemporary Conceptual Art

Materials

Photographic Paper, Color, Giclée

Flora 32, 2015 - Garden Herbs and Flowers

Flora 32, 2015 - Garden Herbs and Flowers

Located in Brighton, GB

Flora 32, 2015 - Garden Herbs and Flowers by Marisa Culatto Flora 32 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited Edition of 6. ...

Category

21st Century and Contemporary Conceptual Art

Materials

Photographic Paper, Color, Giclée

LeWitt, Composition, Ficciones (after)
LeWitt, Composition, Ficciones (after)

LeWitt, Composition, Ficciones (after)

By Sol LeWitt

Located in Southampton, NY

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Category

1980s Conceptual Art

Materials

Screen

Los Americanos
Los Americanos

Los Americanos

Located in Mexico City, CDMX

He refers to the history of art, particularly to pop culture and the social circumstances of its local environment as well as its universal confrontation. Humor and irony with a crit...

Category

2010s Conceptual Art

Materials

Cotton, Photographic Paper

Flora 35, 2015 - Wildflower Photography Purple Thistles in Garden

Flora 35, 2015 - Wildflower Photography Purple Thistles in Garden

Located in Brighton, GB

Flora 35, 2015 - Wildflower Photography Purple Thistles in Garden by Marisa Culatto Flora 35 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from ...

Category

21st Century and Contemporary Conceptual Art

Materials

Photographic Paper, Color, Giclée

Moving Flag
Moving Flag

Moving Flag

By David Datuna

Located in Indianapolis, IN

David Datuna (1974-2022) Moving Flag (2013) Mixed media construction with collage, paint, and acrylic glasses lenses. Size: 32 x 57 x 9.5 in (81.3 x 144.8 x 24.1 cm) Hand signed on ...

Category

21st Century and Contemporary Conceptual Art

Materials

Mixed Media, Paint, Acrylic Polymer

Flora 15, 2015 - Yellow Snapdragon Star Flower Portrait

Flora 15, 2015 - Yellow Snapdragon Star Flower Portrait

Located in Brighton, GB

Flora 15, 2015 - Yellow Snapdragon Star Flower Portrait by Marisa Culatto Flora 11 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited ...

Category

21st Century and Contemporary Conceptual Art

Materials

Photographic Paper, Color, Giclée

Flora 13, 2015 - Green Beetle Photography Natural Environment Portrait

Flora 13, 2015 - Green Beetle Photography Natural Environment Portrait

Located in Brighton, GB

Flora 13, 2015 - Green Beetle Photography Natural Environment Portrait by Marisa Culatto Flora 14 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only f...

Category

21st Century and Contemporary Conceptual Art

Materials

Photographic Paper, Color, Giclée

Singapore Stamp Collection, 30c Singapore Orchid Pink - Floral color photo
Singapore Stamp Collection, 30c Singapore Orchid Pink - Floral color photo

Singapore Stamp Collection, 30c Singapore Orchid Pink - Floral color photo

By Heidler & Heeps

Located in Cambridge, GB

30 Cents Singapore Orchid Pink, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcards...

Category

2010s Conceptual Art

Materials

Photographic Paper, C Print, Color, Silver Gelatin

Set of 2 paintings / Natural pigment on canvas, pine wood, conceptual
Set of 2 paintings / Natural pigment on canvas, pine wood, conceptual

Set of 2 paintings / Natural pigment on canvas, pine wood, conceptual

Located in Carballo, ES

This series by the multidisciplinary artist TUSET (1997, A Coruña, Spain) titled "Land paintings (or what painting is not)", is a series of paintings that the artist had buried in th...

Category

21st Century and Contemporary Conceptual Art

Materials

Organic Material, Varnish, Canvas, Wood

Conceptual art for sale on 1stDibs.

Find a wide variety of authentic Conceptual art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, red and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Reinhard Görner, Kojun, Jose Sierra, and xulong zhang. Frequently made by artists working with Paper, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Conceptual art, so small editions measuring 1 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $45 and tops out at $500,000, while the average work sells for $2,465.