Conceptual Art

This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cub...

George Peabody Library Baltimore 62.5 x 50 inches ed. of 10 $6,000 74.9 x 60 inches ed. of 7 $9,000 87.3 x 70 inches ed. of 5 $11,000 signed...

C-type print/Diasec

'Untitled' 2015 - Edition of 10 plus 2 Artist Proofs, 21.5 x 27cm. Archival Print, based on an 8x10" Polaroid Negative Scanning. Signed, embossed stamp and artist certificate. Not mounted. Short Bio: Xulong Zhang has been engaged in fashion portrait photography for 30 years and loves the Polaroid medium and began to working with Polaroid photography in 2000. He traveled to 34 countries for his Polaroid projects.. Vita: 1999 Has won the title “Ten Elites” in the 3rd China Portrait Photography. 2000 Named the World Chinese Artist, known as “The Prince of Album” 2001 September, CCTV special report on “Zhang Xulong’s Body Art Photography” gained strong feedback from the community. 2002 January, published “Strategies for Commercial Portrait Photograph” by Zhejiang Photography Publishing. 2002 February, launched the concept of “Tang Yun” and greatly accepted by the market. His idea has spread across whole China’s photography industry. 2002 July, launched the concept of “Picasso’s scene backdrop” for kids photography and shocking the whole industry. 2002 August, published “Ms.Tang’s Body Art Portrait Album”, the first female body photography in China, by People’s Arts Publishing 2002 September, a personal exhibition entitled “seeing memory” in the ancient city of Shanxi Province, the 2nd session of the Pingyao International Photography Festival. In December of 2002, he was invited to give lectures in Malaysia and auction off the “Fruitful Achievements” exhibition in Kuala Lumpur, donating all money to the Kuala Lumpur Charitable aid for nursing homes and orphanages, won the "goodwill ambassador" title of honor in Kuala Lumpur. 2003 February-March, held the exhibition of “White Valentines” at Beijing International Trade and Exhibition Centre. December 2003, pioneered the new concept of "Royal Wedding", and completed the album of “Invasion 2004” wedding photography books published by Jilin art press. In December 2003 was awarded the 2003 annual contribution of the Chinese human body photography. 2003 Published “China Portrait Culture”. 2004 January, published Body Art & Portrait album “Chun Hua Qiu Shi”. 2004 March, held the exhibition of “Body Art & Portrait photography” in Chengdu. 2004 May, featured on a special report of “Match En China” in Paris. 2004 September, Pingyao international photography festival held entitled "the ambiguity of ancient legacy" xu-long Zhang body art exhibition 2005 August. 2005 August, accept the German star weekly "Der Stern" special report of “China nude” photography...

'Untitled' 2014 - 8.5cm x 8.5cm. Edition of 10 plus 2 Artist Proofs. Archival Print, based on a Polaroid SX-70 B&W Negative Scanning. Signed, embossed stamp and artist certificate. Not mounted. Short Bio: Xulong Zhang has been engaged in fashion portrait photography for 30 years and loves Polaroid photography. In 2000, he began to develop Polaroid photography and traveled to 34 countries for his photography. Vita: 1999 Has won the title “Ten Elites” in the 3rd China Portrait Photography. 2000 Named the World Chinese Artist, known as “The Prince of Album” 2001 September, CCTV special report on “Zhang Xulong’s Body Art Photography” gained strong feedback from the community. 2002 January, published “Strategies for Commercial Portrait Photograph” by Zhejiang Photography Publishing. 2002 February, launched the concept of “Tang Yun” and greatly accepted by the market. His idea has spread across whole China’s photography industry. 2002 July, launched the concept of “Picasso’s scene backdrop” for kids photography and shocking the whole industry. 2002 August, published “Ms.Tang’s Body Art Portrait Album”, the first female body photography in China, by People’s Arts Publishing 2002 September, a personal exhibition entitled “seeing memory” in the ancient city of Shanxi Province, the 2nd session of the Pingyao International Photography Festival. In December of 2002, he was invited to give lectures in Malaysia and auction off the “Fruitful Achievements” exhibition in Kuala Lumpur, donating all money to the Kuala Lumpur Charitable aid for nursing homes and orphanages, won the "goodwill ambassador" title of honor in Kuala Lumpur. 2003 February-March, held the exhibition of “White Valentines” at Beijing International Trade and Exhibition Centre. December 2003, pioneered the new concept of "Royal Wedding", and completed the album of “Invasion 2004” wedding photography books published by Jilin art press. In December 2003 was awarded the 2003 annual contribution of the Chinese human body photography. 2003 Published “China Portrait Culture”. 2004 January, published Body Art & Portrait album “Chun Hua Qiu Shi”. 2004 March, held the exhibition of “Body Art & Portrait photography” in Chengdu. 2004 May, featured on a special report of “Match En China” in Paris. 2004 September, Pingyao international photography festival held entitled "the ambiguity of ancient legacy" xu-long Zhang body art exhibition 2005 August. 2005 August, accept the German star weekly "Der Stern" special report of “China nude” photography...

Arik Levy, Israeli (1963 - ) - Solid Liquid, Medium: Hand-Blown Colored and Silvered Glass, Size: 27 x 18 x 18 in. (68.58 x 45.72 x 45.72 cm)

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

60 x 40 inches ed. of 10 75 x 50 inches ed. of 7 90 x 60 inches ed. of 5 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the m...

Generation A’, 2017, 20 x 24,3 cm, edition 2/10, digital C-Print based on a Polaroid collage with superimposed transparency. Numbered and signed on the back by the artist. A piece f...

'The Sorcerers Apprentice’, 2017, 24 x 20 cm, edition of 2/10, Archival C-Print based on a Polaroid, Numbered and signed on the back by the artist. Not mounted. A piece from T...

'Notre Dame 3' 2010, Edition of 10 plus 2 Artist Proofs, archival Pigment Print, based on a Polaroid 810 transfer process, 27.3x20cm, not mounted, Signed, embossed stamp and artist c...

Notre Dame 12 (Paris) - available Editions 1, 2, 3 of 10 + 2AP. Archival Pigment Print, photographed with a super-large Polaroid 20x24 camera in Paris in 2015, 90x58cm, not mounted. ...

Showing a body that is hidden is the aesthetic apology for the insane judgment that the artist himself has taken as an excuse for not being 'pointed at' or rather as self-pointing. T...

'Notre Dame 7' 2010, Edition of 10 plus 2 Artist Proofs, archival Pigment Print, based on a Polaroid 810 transfer process, 20x27.3cm, not mounted, Signed, embossed stamp and artist c...

The word in Tibetan for lotus is “Pema.” In Buddhism the lotus is a symbol of purity. The lotus is planted and rooted in the mud, but grows up through the water and into the vast sky...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Komar and Melamid (Vitaly Komar and Alexander Melamid), Russian (1943/5 - ) - The Double Revelation / Bouquet IV, Year: 1990, Medium: Screenprint Monoprint, signed, titled and date...

This work is the result of an artistic residence outside his 'study'.The artist worked on a different ecosystem, a house of vernacular architecture built in 1913 in the department of...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects and textures arranged meti...

Four oils on canvas glued on an aluminium plate tinted by acrylique Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to pai...

This was from Muse X publishers. It came in a plastic bag signed Emily Cheng. (the plastic bag is not included) It is on Fuji crystal photo paper. It depicts two Asian faces in a cub...

Aguas Baldias (Orange) by Manuel Piña-Baldoquín is a hand-signed 1997 etching with embossed letterpress that weaves poetic text with visual imagery in a powerful conceptual statement...

Jacob and Wilhelm Grimm Centre Berlin Germany 2019 60 x 75 inches 152.4 x 190,3 cm Edition of 7 signed and numbered on label, verso In Jacob and Wilhelm Grimm Centre, Reinhard Gör...

Jacob and Wilhelm Grimm Centre IV Berlin Germany 2019 50 x 75 inches 127 x 190,5 cm Edition of 7 signed and numbered on label, verso In Jacob and Wilhelm Grimm Centre IV, Reinhard...

Jacob and Wilhelm Grimm Centre Berlin Germany 2019 70 x 87.5 inches 177,8 x 222 cm Edition of 5 signed and numbered on label, verso In Jacob and Wilhelm Grimm Centre, Reinhard Gör...

Joseph Beuys Joseph Beuys, een konfrontatie, 137 Tekeningen 1945-1979, (Hand Signed), 1979 Silkscreen on velincarton (thin board) Catalogue raisonne reference: Weiss-Britsch 75 Boldl...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Anne Collier produces sparse still lifes of found objects using a technique of re-photography that is informed as much by West Coast conceptual art practices as by product photograph...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives and works in Beijing. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Paintin...

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″. Mus...

Peter Saari is an American artist who's work aims to re-invent antiquity through recreating ancient wall paintings and decoration. Provenance: Lamanga Gal...

Evidently, Cherry Kobler was a woman who composed songs and sang them while accompanying herself on the piano. Why she chose a fruity dessert as a stage name is anyone's guess. According to the French files of Columbia Records...

Ugo La Pietra is an Italian artist, architect, designer and philosophy. Since 1960 he created the fundamental of European artistic tendancy as founder of various art groups such as Global Tool, Radical Design...

The title for this work was inspired by the ruminations of Charles Manson in the 2010 publication Charles Manson NOW. “When you come to prison and you stay the fifteen years, all the dogs of the world are dead when you come back out, there is no dog that was a live when you were out last time. The three dog...

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″. Mus...

The Terminator by Tytler Stout Silkscreed Print Arnold Schwarzenegger “I’ve found it works best to do stuff for movies you’re a fan of, movies that have stood the test of time, that are considered classics, stuff that inspires you,” Stout told io9 over email. “My movie fandom starts mainly in the 1980s since that was my childhood. Terminator is 1984, so it’s towards the beginning of that era, early Arnie, Lance Henriksen, Michael Biehn, James Cameron. Just seemed a more logical choice than, say, Terms of Endearment. Which will be [my] next poster. Part of our Debra Winger...

“Opic” is a chromogenic print and screenprint by American artist Shannon Ebner (b.1971), dated 2007, edition 2/3. The large horizontal work depicts a grid of blue and silver tiles ov...

Anne Collier produces sparse still lifes of found objects using a technique of re-photography that is informed as much by West Coast conceptual art practices as by product photograph...

Unexpected materials, found and manufactured, perch precariously on torn edges and bifurcated sheets of large paper. Here, fluid calligraphic lines are posed against the veracity of ...

Signed by the artist, Edition 16/75 COA provided Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual artist, performance artist, earth artist, sculpto...

Further to Fly is a series of Wet Plate Collodion Photograms that continues in my practice of using drawings on mylar layered with light-sensitive materials in the darkroom to create...

Reinhard Görner Toreno Biblioteca del Senado, Madrid 2017 50 x 59.7 inches ed. of 10 $6,000 60 x 71.7 inches ed. of 7 $9,000 70 x 83.6 inches ed. of 5 $11,000 signed and numbered...

Mouse and Chair (Color) Donald Saff, American (1937) Date: circa 1980 Aquatint Etching, signed and numbered in pencil Edition of 50 Image Size: 23.5 x 18.5 inches Size: 39 in. x 27.5...

Words are like color they reflect mood sentiment feelings temperament . For Ray Johnson they were the elements by which his work could be made and come into existence. Whether fragm...

Fresh Paintings 274 by Niko Luoma (1970) Date: 2004 Chromogenic Print with Diasec, signed in pen on verso Edition of 1/3, 2 AP's Size: 39.25 x 49.25 in. (99.7 x 125.1 cm)

George Peabody Library Baltimore 62.5 x 50 inches ed. of 10 $6,000 74.9 x 60 inches ed. of 7 $9,000 87.3 x 70 inches ed. of 5 $11,000 signed...

Genre: Contemporary Subject: Nature Medium: Ink, Sandblasted Glass, Surface: Paper Country: United States Dimensions: 20" x 20" Dimensions w/Frame: 21" x 21" x 2" KEN APTEKAR (b.19...

How often are we held back from deciding by the many limiting beliefs and frameworks instilled in us from birth by our immediate environment and society? These limiting beliefs are a...

Grisha Bruskin, Russian (1945 - ) - Anghel, Portfolio: Lexica, Year: 1992, Medium: Etching with Aquatint, signed, titled, numbered and dated in pencil, Edition: 22/24, Image Size...

Phillips Exeter Academy Library 60 x 50 inches ed. of 10 $6000 70 x 58.5 inches ed. of 7 $9000 80 x 66.8 inches ed. of 5 $11000 signed and ...

Published by Art Unlimited in Amsterdam in 1990, this work is part of a collaborative celebration of Van Gogh's 100th anniversary, featuring original designs from several renowned ar...

Sally Gall photographs the natural world, using her keen eye for composition to create abstractions of familiar subjects. “For forty years I have photographed the beauty and mystery...

60 x 61.3 inches ed. of 7 $9000 70 x 71.6 inches ed. of 5 $11,000

Further to Fly is a series of Wet Plate Collodion Photograms that continues in my practice of using drawings on mylar layered with light-sensitive materials in the darkroom to create imagined landscapes. The illustrations used in the series are based on reference shots I took in Palm Springs...

Grisha Bruskin, Russian (1945 - ) - Litza II, Portfolio: Lexica, Year: 1992, Medium: Etching with Aquatint, signed, numbered and dated in pencil, Edition: WP, Image Size: 9 x 7....

Mark Wallinger It's the Thought that Counts, 2001 Mixed media Christmas cracker, colored paper/ cardboard and ribbon with snap Plate signed by Mark W...

Dennis Oppenheim Directed Seeding -Wheat, Historic Yvon Lambert Gallery Poster (Hand Signed and Addressed by Dennis Oppenheim), 1969 Offset lithograph poster. Hand signed, inscribed. Postmarked and addressed to Oppenheim's dealer, John Gibson 23 × 16 inches Hand Signed and inscribed by Dennis Oppenheim lower right in blue marker in 2006, hand addressed by Dennis Oppenheim in 1969 in red marker Unframed This is an extremely uncommon vintage poster/mailer announcing the May 20th, 1969 opening reception (Vernissage) for the exhibition of works by American conceptual art pioneer Dennis Oppenheim at the Yvon Lambert Gallery in Paris. The poster is historic in that it was originally mailed to John Gibson, the East 67th Street dealer, who famously gave Dennis Oppenheim his first New York exhibition in 1968, and it is hand addressed to Gibson, bearing the original Paris, France postmark of 1969. It is, exceptionally, hand signed and dedicated by Dennis Oppenheim to a collector who acquired the poster from John Gibson's collection, and then secured Dennis Oppenheim's autograph in 2006, making this an especially valuable collectors item. More information about the project from the Tate Gallery archives, which acquired the work: This work brings together two interventions Oppenheim created on a field owned by farmer Albert Waalken in Finsterwolde, north-eastern Holland, in 1969. It comprises four distinct elements mounted on board: a colour photograph of a wheatfield being sowed by a tractor in parallel curving lines seen from high up; a negative image in black and white of a map of the area of Finsterwolde onto which two sections of text have been collaged; and two black and white aerial photographs of the same field being traversed by a tractor cutting an X into the wheat. The first two elements relate to the action Directed Seeding. For this the field was seeded according to a line plotted by following the road from the village of Finsterwolde, the location of the field, to Nieuweschans, another village where the farmer’s storage silo for wheat was located. Oppenheim reduced this curved line by a factor of six in order to direct the trajectory of seeding. The tractor then carved a series of curved parallel lines on the surface of the field as it dug up earth and scattered seed. From an aerial perspective the patterning of parallel lines may be viewed as a form of line drawing on the landscape. The precise location of the field and the silo are indicated on the map, showing the trajectory of the road. The two sections of text collaged onto the upper portion of the map briefly describe the two interventions. Explaining the action Cancelled Crop, the artist wrote: In September the field was harvested in the form of an X. The grain was isolated in its raw state, further processing was withheld. This project poses an interaction upon media during the early stages of processing. Planting and cultivating my own material is like mining ones own pigment (for paint) – I can direct the later stages of development at will. In this case the material is planted and cultivated for the sole purpose of withholding it from a product-oriented system. Isolating this grain from further processing (production of food stuffs) becomes like stopping raw pigment from becoming an illusionistic force on canvas. The esthetic is in the raw material prior to refinement, and since no organization is imposed through refinement, the material’s destiny is bred with its origin. (Quoted from artist’s statement in Tate acquisition file.) Directed Seeding and Cancelled Crop are two separate works, brought together in several different versions of which Tate’s is one. The collage presents three ways in which human action may marks the land. For the first two, agricultural machinery is used to create straight lines, in the process of harvesting as in the X of Cancelled Crop, or curved lines, during the process of planting seed in the contours photographed for Directed Seeding. The map shows a third (and more ancient) way of marking the land, through the construction of roads. The use of the landscape – natural, industrial or urban – as a canvas on which to act is typical of Oppenheim’s work in the late 1960s and early 1970s. In a related action, Directed Harvest, 1966 (Tate T07590) and Directed Harvest 1968 (Kröller-Müller Museum, Otterlo, Netherlands), the artist caused a field to be harvested in linear patterns which he then had photographed in its progressive stages. In Reverse Processing: Cement Transplant, East River, NY, 1970, 1978 (Tate T07591) Oppenheim drew large crosses on the roofs of barges transporting raw cement that he found moored on the New York East River banks. All these works centre on process as an agent of change and utilise materials, elements and locations on which the artist can have no permanent claim, making them deliberately ephemeral. Such actions as seeding a crop and harvesting it several months later operate within time parameters dependent on the cycles of the seasons rather than the will of man, mixing human processes with those of nature. Oppenheim’s analogy between the prevention of a crop from entering the food chain and the halting of the expressive, ‘illusionistic’ force of paint deconstructs the sophisticated processes of art-making and the food industry to the elemental notion of making simple marks on the environment. In this way, the artist highlights contemporary man’s dependency on complex chains...

Braunschweig 1, Laser cut archival pigment ink print, signed, numbered, framed Ideas of home and dislocation have always been compelling to me as the child of immigrant parents who...

Museum quality fine art print of an alternative shot from the cover shoot for Aladdin Sane by David Bowie from the official Duffy Archive. This official Duffy Archive print is avail...

"Apple of Eden (small)" continues the series of human duality exploration. The outer and inner, form and essence—rarely identical. This version introduces a different texture and col...