Jose Sierra

#18 From El Envuelto Divino Series. Limited edition photograph

2021

#1, 2020 by Jose Sierra From "La Piedra Sustituta" Series Image size: 16 in. H x 24 in. W Edition of 10 + 2AP Unframed Additional sizes are available. All Prices are quoted as "ini...

#10, 2020 by Jose Sierra From "La Piedra Sustituta" Series Image size: 40 in. H x 23.02 in. W Edition of 10 + 2AP Unframed Additional sizes are available. All Prices are quoted as ...

Five Points/ Coca Cola Sign, 2019 by Ying Chen From the series "Lost In Transition". Archival pigment print Image size: 80 in. H x 60 in. W Edition of 5 + 1AP Unframed The artwork ...

Hunter Street/Martin Luther King JR. Drive, 2019 by Ying Chen From the series "Lost In Transition". Archival pigment print Image size: 80 in. H x 60 in. W Edition of 5 + 1AP Unframed...

Atlanta Skyline, 2019 by Ying Chen From the series "Lost In Transition". Archival pigment print Image size: 80 in. H x 60 in. W Edition of 5 + 1AP Unfr...

Alabama Street, 2019 by Ying Chen From the series "Lost In Transition". Archival pigment print Image size: 80 in. H x 60 in. W Edition of 5 + 1AP Unframed The artwork employs collage to fuse the ornate features of traditional architecture with stark modernist geometry. This duality within the piece highlights the city's journey through time, symbolizing the transformation from its historic roots to its contemporary identity. The interplay of shapes and the layering of eras challenge the viewer to consider the narrative of change and continuity in the city's evolution, emphasizing that in the midst of progress, fragments of the past persist, creating a rich tapestry of history and modernity. _____________ Ying Chen was born in Tokyo, Japan, to Chinese parents living in Japan. She grew up and spent her early childhood in Japan until the age of seven, then spent her youth in China. Now Chen has graduated from SCAD with her bachelor's degree and is currently enrolled in the SCAD graduate photo department. Since 2018, her focus has been on photo collages. Using a collection of photos...

LETTER H by Christian Stoll large scale conceptual photography playing with viewer's perspective incredible details in this body of work, a series of environmental stills playing w...

Sofia Borges Theater, or Eye, 2014 Pigment print on cotton paper mounted on Sintra Edition 1 of 5 + 1 AP Size 1: 47 ¼ x 74 inches (120 x 188 cm) Size 2: 150 x 235 cm Edition of 3 + 1 AP (⅓ printed in Brazil) Sofia Borges makes haunting, large-format photographs of archival objects and illustrations such as museum dioramas, taxidermy animals, Cold War-era ephemera, and archaic medical drawings...

Humorous subject matter. Face mounted Plexi. Aluminum Braced. Archival Print. ABOUT THE ARTIST Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.” “I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.” Martin Scorsese. Phil’s work is represented in MOMA, The Museum of the Moving Image, and The George Eastman Museum of Photography. His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...

50 x 52 inches ed. of 10 $6,000 60 x 62.4 inches ed. of 7 $9,000 70 x 72.8 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format pho...

Reinhard Görner Colored Columns New Museum, Berlin 62.5 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 5 $9,000 87.5 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photographs orchestrates the monumentality of rooms. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles’s ceremonial rooms have an edge on Renaissance paintings; here even a sense of world history arises within the viewer – one which continues to exert an influence today". Horst Klöver Paper is trimmed to the image: actual image size listed Internal: The Neues Museum...

New Museum, Berlin 62.5 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 5 $9,000 87.5 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with ...