Expressionist Art

Nakedness of Truth is an original painting by Abifola Olorunlana. Olorunlana created Nakedness of Truth with Acrylic on a 36W by 48H inches primed canvas. Nakedness of Truth was made over a painting Abifola Olorunlana did and didn't like (an underlying painting depicting four figures fetching water from a river and gossiping about someone they didn't like). The Nakedness of Truth is a painting that advocates for people who belong to the LGBTQ community and salutes their unity in making the movement impactful globally. For years many have stayed reclusive about their true identity due to religious beliefs, societal constructs, and government laws which have left many depressed till their last days, many were even killed for courageously coming out to state their true identity. This is depicted in the painting: dark yellow eyes sticking out of the woods to portray a sense of public rejection, yet my subject boldly stands out of the green woods and leaves to express courage, strength, and power. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Olorunlana Abifola (b. 1999) is an emerging visual artist from Nigeria whose works of art cut across mix-media and contemporary art paintings which includes portrait paintings of Black people...

"Gazing Through Ankara" is a captivating series of paintings that celebrates the beauty, diversity, and individuality of black African women through the exploration of eyewear and An...

In this painting, I sought to capture the serene yet vibrant essence of autumn by a tranquil pond. The rich, golden hues of the trees, the reflective quality of the water, and the su...

“Grizzly Stare II” - Original Figurative Expressionist Painting (2013) This striking painting of the Grizzly Bear’s amber brown eye is penetrating, drawing the viewer’s eye to that ...

Mid-century lyrical surrealist abstract watercolour on paper by French artist Jean Clerté, signed and dated bottom right. Presented in mid-century frame. Jean Clerté , born in 1930 in Saint-Savin-sur-Gartempe in Vienne, is a French painter, engraver, draftsman, watercolourist and sculptor . This work is a great example of his more humorous and expressive work influenced by Alechinsky from the late 1960s onwards. There is a light playfulness and yet the watercolours are more vivid than his previous palette. Jean Clerté works in series. His sequential narrations testify both to a youthful spontaneity and to a perfect mastery in the distribution of forms and images on the painted surface. The narration is not only an accumulation of juxtaposed fragments and symbols, it forms a whole, it takes on and gives meaning. In general, we can say of Clerté that he practices an “eco-art” that feeds on primary hungers: the feeling of being united with nature, the vegetable, the mineral, the aquatic. In his colourful canvases, his inks, his boxes, his objects, like a shaman on the path of his dreams, the painter Clerté mounts an assault on beasts and demons, elves and gnomes. From the Poitevin marshes to the tropical forests emerges a fauna caught in the meanders of a design that marvels at the appearance of these grotesque idols. Jean Clerté began to draw and paint at a very young age, and at the age of 15 he enrolled at the École des Beaux-Arts in Poitiers. Then in 1949, curious about the capital, he moved to Paris. Having very few financial resources, he could not continue his studies at first, worked as a model to survive, and met other artists; he was then admitted to the studio of Ossip Zadkine and, from 1952, he was also able to study engraving at Atelier 17 of Stanley William Hayter, an English engraver and printer living in Paris associated in the 1930s with surrealism. At the end of the 1960s, he worked alongside Pierre Alechinsky, founding member of the Cobra movement, engraving Alechinsky's originals, benefiting from his advice, and discovering acrylic as a medium. From 1976, Jean Clerté became associate professor at Hayter. Clerté had taught previously, in 1971 at the Salzburg Summer University and in 1972 he gave courses at the Paris-Sorbonne University . In 1981, he was appointed professor at the School of Decorative Arts , where he had Maïlys Seydoux-Dumas as a student and, from 1983 to 1988, he was Alechinsky's assistant professor at the Paris School of Fine Arts. His first works are part of the current of lyrical abstraction, and are nourished by impressions of nature (landscape motifs, e.g. forest fires, waterscapes), then around 1968, encouraged by Alechinsky, he rejects abstraction, and his work becomes more figurative with expressive and humorous elements. From this period his colours are more subdued, often with pastel tones, he works on series. Jean Clerté has created a world in a space where drawing, painting, objects participate in a playful figuration. From his drawings were born sculptures and sometimes mobiles (Le Moulin à dessin). If it is the artist who makes astonishing, polychrome, whimsical “toys”, it is the painter who appeals to adults through his caustic and satirical humour. His first exhibitions in France took place at the Galerie Massol , then at the Galerie Pascal...

An original painting of Buddhist Monks heading in a line through the forest by well-regarded contemporary artist Bui Van Hoan (1971 - ). The painting measures 38 x 27.5 inches and ...

In this textured oil painting, I've captured the fiery essence of autumn in a melody of reds and oranges. Using strokes brimming with passion, the merge of realism and impressionism ...

In my painting, I captured the vibrant essence of autumn. Through an impressionistic touch, I explored the interplay of light and color, guiding a path lined by golden trees which se...

Bernard Buffet (1928-1999) - Fujita Hotel in Kyoto Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excell...

In this oil painting, I've embraced the essence of a serene moment captured through a dance of delicate brushstrokes and soft, harmonious hues. Inspired by both impressionism and rea...

Pierre AMBROGIANI (1907-1985) Shepperd in the Moutain, 1974 Original Lithograph (Gourdon Workshop) Signed with the artist's stamp On vellum 38 x 28 cm (c. 14.9 x 11 in) Excellent c...

Anyone who went from nothing to greatness needed to trust God to watch over them. As the psalmist looked at the hills through which he travelled, his thoughts rose above the mountain...

"Thy Brother's Keeper" describes a time in every man's life. When he is kept and entrusted with a refiner (a person that keeps them before they become their greatest self). I read th...

A strong modernist oil painting depicted in 1962 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his portraits in countryside landscapes with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. Art measures 21.25 x 25.5 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century, it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. For the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher, he encouraged individual expression. Baxte stated, “No pupil should ever be forced into the imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient's light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...

This painting is a tribute to all Mothers and womanhood as a whole. She is tough, resilient, emotional, fragile, and vulnerable, but still, they remain strong through the different s...

This artwork has been painted in the Expressionist style, with loose brushstrokes depicting a Flemish winter landscape. The painting shows a windmill, houses and partially frozen lak...

Medium: original lithograph. Printed on watermarked wove paper in 1920 for Das Graphische Jahrbuch, published in Darmstadt, Germany. Sheet size: 8 1/4 x 6 1/4 inches (210 x 162 mm). ...

Ocean Lights - Expressionist Composition in Acrylic on Canvas Bold abstract composition by California artist Charles "Dave" Francis (American, 1951-2018). The background of this pie...

In this piece, I've poured my love for the ethereal beauty of nature into every stroke. The gentle hues and soft textures evoke serenity, her tranquil expression and the delicate lavender blooms she cradles symbolizing peace and grace. It's a celebration of nature's elegance, aiming to infuse your space with a sense of calm and inspiration. Italian canvas...

landscape- original figuratif watercolor painting framed of the Spanish artist BENAVENTE SOLIS. Watercolor on paper. Perfect state . During its first exhibition in Paris, the Fren...

Bernard Buffet (1928-1999) - Japanese girl with flowery hairstyle Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 53.5 x 39 cm. Hand signed. The wo...

In creating this piece, I sought to evoke a simple yet profound beauty through the bold, vivid strokes of these cherries set against a muted, textured backdrop. The rich, deep reds o...

KAREL APPEL (1921 - 2006) BLACK FACE, 1969 Lithograph in colors signed in pencil. Edition 26/75, Image: 19 3/4 x 25 1/4, sheet: 22 x 30 inches. Just hint of a mat line Appel was a member of the Cobra art movement

This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, (Variant) 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar Kokoschka, 1886-...

This 11.5" X 10.5" unframed mixed media pastel and ink etching on paper by Josette Simon Gestin is from the artist's series titled "No way back." On the ...

MAX PECHSTEIN (1881 -1955) DER SCHATTEN II 1918 (Knupp 79, Fecher 143 I/ii) Rich drypoint, signed and annotated, FIRST STATE. Image: 8 1/4 x 6 inches on japan paper; 15 x 11 1/4 i...

Igbo Amaka (Igbo is Beautiful) is an original painting by Omoyemi Ogedengbe. Omoyemi created White Cape with Oil and Acrylic on a 36W by 42H inches p...

A. Rio .Original gouache paper painting . AGUSTIN RIO ( Barceona 1923 – Barcelona 1997) Formed in Llotja i al Cercle Artístic de Sant Lluc He appeared individually in 1953 in the ...

Music Piano - original expressionist acrylic canvas painting. framed Original work by RAVENTOS. Musical abstract composition. Perfect state .RAVENTÓS Mª Assumpció – (San Sadurní d’A...

Jean-Louis Mendrisse is a self-taught painter born in 1955 in Clermont-Ferrand. Art, family affairs Jean-Louis Mendrisse studied the deal with his famous sculptor father, Jean Mos...

Body in the Field #2, 2022 coloured pencils on canvas 25 H x 16 W cm Signed on reverse Zsolt Berszán embodies in his works the dissolution of the human body through the prism of t...

Medium: original etching. Printed on laid paper in 1919 for Genius. Plate size: 9 1/2 x 7 1/2 inches (240 x 190mm). This etching is from GENIUS: Zeitschrift fur Werdende und Alte Kun...

Work on cardboard Molded frame in plaster and gilded wood 50 x 63 x 6 cm

Bit of a mystery oil on masonite. Painting is marked "Germany" on reverse stretcher. It is a powerful expressionistic landscape scene. It measures 7 inches high by 7 wide. The frame ...

"In my creation, I pour my soul into the vibrant dance of sunflowers under an evocative sky. Each stroke is a symphony of colors, blending impressionistic warmth with a touch of real...

The Spanish landscape is a metaphor for a bright, sunny atmosphere, lush greenery, creative space, beauty and aesthetics. This is exactly what an art school should be - in a building...

The fog has lifted and revealed the secret of Oberhaverbeck near the Turmberg and this unique natural landscape in the Lunenburg Heath. The photo by Edeltraud Woydeck is inspiration...

Barcelona. original acrylic painting Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós expanded her studies in etching and lithography at the Friedl...

In this oil painting, I unleashed my passion for nature's vibrant dance, capturing the vivid hues and dynamic textures of blooming flowers in a lively composition. My brushstrokes br...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Josue M...

"Ingosi" is an abstracted collage portrait of an artist holding the symbolic tool of his work - his paintbrush. Ordinarily the view of an artwork is as seen by the artist, this rever...

Black And White Minimal Painting is an original artwork realized by TUSET in 2020. We can frame it in natural wood on request. The title of this works is "From the Apollonian picto...

"In this piece, I've embraced the raw, emotive power of the sea, capturing its dynamic essence with vibrant oil hues. Merging expressionism and impressionism, I sought to infuse real...

Knife painting Work on canvas, mounted on panel. Panel support dimensions: 40 x 61 x 0.5 cm

This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, (Variant) 1967 is an original color lithograph on Japan paper by renown Austrian expressionist art...

Oil on wood sold with frame Total size with frame 46x54 cm Signed and dated William GOLIASCH is a Swiss artist born in 1922 and died in 1986. His works have been sold at public auct...

Oil on canvas sold with frame Total size with frame 70x82 cm Signed and dated William GOLIASCH is a Swiss artist born in 1922 and died in 1986. His works have been sold at public au...

Medium: original soft ground etching. Signed in pencil and annotated "Artist's Proof". Printed in 1967 for the Dreigroschen Film portfolio and published by Touchstone Publishers. Thi...

A rare, very poetic figurative work by Eric Scholz, dating from the 1980s. Scholz was a Hungarian artist who trained at the Academy of Fine Arts in Budapest. He was awarded the pre...

Severn Vale Sunrise is an Original Painting by Eleanor Woolley. Severn Vale Landscape is inspired by the impressive landscape of the Severn Vale, as it rolls away from the Cotswold h...

The Bolshevik Era (1917-1921) was a life and death struggle for the Bolsheviks and their ideology. The propaganda poster was everywhere, as the Bolsheviks struggled to win the Civil War against the Whites and fought the Poles over control of the Ukraine and parts of modern day Belarus. The early Soviet poster - an incredible 3600 designs - was remarkable for its revolutionary fervor and biting wit. Powerful visual symbols were invented, like the red star and hammer and sickle. These four posters are as follows: 1." May 1st All Russian Subbotnik " is a Russian poster promoting the first all Russian Subbotnik held on May 1st, 1920 in which Vladimir Lenin was in attendance. "Subbotnik" were weekend days of unpaid, volunteer community service work following the October Revolution which eventually became obligatory. By Russian artist Dmitry Moor 2. " Anniversary of Vsevobuch--Develop and Learn to Defend Freedom"    celebrates the second anniversary of the implementation of universal military training and says ‘2nd Anniversary of Vsevobuch, Develop and Learn How To Defend Freedom. Artist unknown 3." Devil Doll "    The Devil Doll' (January 1920) shows a soldier pointing his bayonet at a looming monster in the first panel. However, in the second it turns out to be the weak and insignificant enemies of the state behind a pathetic mask and cloak.  Russian artist Dmitri Moor 4. " Forward to defend the Ural"    ’By Russian artist A. Petroff ( pseudonym for Alexander Aspit ) from the ´´Plakate der Russichen Revolution 1917 - 1929´´ Dmitry Moor was a Russian graphic artist, poster designer and cartoonist, also known as D. Moor ("Д. Моор"). During the 1900s and 1910s he was a comic pioneer, making satirical comics ridiculing the Czarist regime and censorship. Under the Soviet regime he became one of the most celebrated propaganda artists. Both during the First and the Second World War he ridiculed the German army. In his work Moor often made use of sequential illustrated narratives or comics. He was the house cartoonist of magazines like Budilnik and later Bezbozhnik. Alexander Petrovich Apsit was born in Riga on 25th March, 1880. He moved to Saint Petersburg in 1894 and attended art school and became a student of Lew Dmitriew-Kawkaski. Aspit worked for various Russian magazines and on the outbreak of the First World War was employed by the government to design war posters. After the Bolshevik Revolution Apsit was commissioned by the State Publishing House to design revolutionary posters.

Shipping Procedure Ships in a well-protected tube This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About ...

Shipping Procedure Ships in a well-protected tube This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About ...

Shipping Procedure Ships in a well-protected tube This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About ...

Jean Jansem (1920-2013) La soupière bleue, 1990, Lithographie sur papier Japon Signée en bas à droite et justifiée en bas à gauche 50 x 65 cm / 54 x 76 cm Edition à 120 exemplaires sur Arches plus 30 épreuves d'artiste. Ce rare exemplaire d'une édition à 30 épreuves sur papier Japon numérotées en chiffre romain. Bibliographie: Imprimeur: Mourlot, Paris Editeur: Galerie 10, Paris Bibliographie: Jansem Lithographe, 1984-1993, Flora Jansem, Paris, n. 50, reproduit p. 56, référencé p. 109. "Ma première lithographie date de 1954. Elle représente un enfant en haillons portant deux seaux d'eau, d'après un croquis rapporté de Cordoue lors de mon voyage en Espagne en 1952. Je l'exécutai sur pierre, au pinceau et à l'encre lithographique. Je fus déçu du résultat et n'en tirai qu'un essai et une épreuve. Quatre ans plus tard, je réalisai une dizaine de nouvelles lithographies, toujours sur pierre, la plupart en noir. Au lieu d'employer l'encre et le crayon...

Shipping Procedure Ships in a well-protected tube This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About ...