Expressionist Art

Jean Jansem (1920-2013) Baladin, 1983 Lithographie sur papier Arches, justifiée et numérotée 27/100 Signée en bas à droite 20 x 15 cm / 36 x 27 cm Bibliographie: Catalogue raisonné...

Karl Michel, 'Der Gartner' (The Gardener), woodcut, c. 1925. Signed, titled, and numbered '15/50' in pencil. Signed in the block, lower left and right. A fine, richly-inked impression on buff wove paper, with full margins (1 1/2 to 2 3/4 inches), in excellent condition. Matted to museum standards, unframed. Scarce. Image size 5 1/4 x 3 7/8 inches (133 x 98 mm); sheet size 10 x 7 3/4 inches (254 x 198 mm). ABOUT THE ARTIST Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919 - 1933). In 1920, his work was featured in the influential German graphic design magazine Das Plakat...

"MOULIN ROUGE. PARIS"- original expressionist acrylic canvas painting - 1997 RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi...

In this piece, I've captured the tender essence of blooms, imbuing the canvas with a sense of serenity and timeless beauty. Each stroke embodies the dance between light and shadow, c...

Artist: George Grosz, German (1893 - 1959) Title: Sex Scene in Red Shoes (Erotic) Year: circa 1940 Medium: Watercolor, Pen and Ink on Paper, signed Size: 17...

'Maggie with Helmet' 2012 Oil on canvas Verso: Hand signed and dated on canvas. Dimensions: 24" h x 20" w. Frame: 25.5" h 21.5" w Provenance: Property of a Southampton, NY collection Richard Butler (Post-war and Contemporary artist) studied painting at the Epsom School of Art and Design (now University for the Creative Arts). In school he was exposed to radical developments taking hold in the artworld including Andy Warhol, Jasper Johns, David Hockney and Francis Bacon and the emerging British pop art of Richard Hamilton and Peter Blake. He later turning to silkscreen printmaking. But like many famous rockers, from Keith Richards and Roger Waters to Tupac Shakur and Lady Gaga, Butler began making music in art school, and art was a passion that never went away. Shortly after graduating from the art school, in 1977, Richard Butler became a founder and singer/songwriter for the British post-punk / new wave rock and roll band "The Psychedelic Furs". Quickly gaining commercial success, his musical career kept him away from painting throughout the 80s and the 90s. In early 2000s, Richard Butler returned to painting and started exhibiting his art in the U.S. and Europe. He prefers to call himself a painter who sings, rather than a singer who paints. He was influenced by Anselm Kiefer and Francesco Clemente and became friends with Julian Schnabel. With his daughter, Maggie Mozart Butler, as his muse, he produces expressionistic portraits of pensive female subjects, who serve as ciphers for himself. As he describes, “In a way I think all of my paintings are self-portraits in that, though the face I am painting may not be my own, the feeling I get back from the painting is certainly an important element of my own psyche.” His work is a sort of dark moody expressionism with nods towards Lucien Freud. He lives and works in Connecticut. He has had solo exhibitions in New York City, Miami and Florence, Italy. One of his works, Girl with a Map, has been used as a CD's cover art. Selected Solo Exhibitions 2020 Richard Butler: Amnesiac Hostess, Waltman Ortega Fine Art, Miami, Florida, USA 2017 101/EXHIBIT, La Peer Drive, West Hollywood, Los Angeles, California, USA 2015 naturalhistory ,Freight+Volume (Allen St.) ,Lower East Side, New York, USA Selected Group Exhibitions 2025 Summer Sale, Galerie Olivier Waltman, Paris Saint-Germain, 6e, Paris, France The Rhythm. Vibratory Shock of Being, Galerie Olivier Waltman, Paris Marais...

Lithograph on vélin paper. Paper Size: 8 x 6 inches, image; 15 x 11 inches, overall. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Marc Chagall, The Jerusal...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, and Julien Cain. Chagall Lithogr...

Silkscreen on vélin paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Poems of Léopold Sédar Senghor, 1996. Published by The Limited Editions Club, New York; printed by Studio Heinrici, Ltd., New York, under the direction of Alexander Heinrici, New York, 1996. Excerpted from the album, CC examples of this album have been printed by Daniel Keleher at Wild Carrot Letterpress. This edition was designed and set in Bodoni types by Dan Cart and Julia Ferrari at Golgonooza Letter Foundry. The silkscreen prints were made by Alexander Heinrici at Studio Heinrici. LOIS MAILOU JONES (1905-1998) was an African American artist and educator, often associated with the Harlem Renaissance. Jones was raised in Boston by working-class parents who emphasized the importance of education and hard work. After graduating from Boston’s School of the Museum of Fine Arts, Jones began designing textiles for several New York firms. She left in 1928 to take a teaching position at Palmer Memorial Institute in North Carolina. At Palmer, Jones founded the art department, coached basketball, taught folk dancing, and played the piano for Sunday services. Two years later, she was recruited by Howard University in Washington, D.C., to join its art department. From 1930–77, Jones trained several generations of African American artists, including David Driskell, Elizabeth Catlett, and Sylvia Snowden...

Expressionist Landscape signed gouache painting on artist paper painting: 9.75 x 12.75 inches provenance: private collection, England condition: very good and sound condition Descr...

ARTIST: G.C.Neale (mid 20th Century) Spanish / English School TITLE: "Two Suspicious Men At Night" MEDIUM: oil on canvas SIZE: 95cm x 80cm inc frame NOTES: This original oil paint...

'Notre Dame de Paris II', gouache on paper, by Lucien Génin (circa 1930s). One of two paintings of Notre Dame by this artist held by our gallery, it is also an absolutely charming and now, historic depiction from the 1930s, of the most famous cathedral in France. This version uses more exaggerated brushstrokes with strong colours attesting to its expressionist roots. Notre Dame is one of the most widely recognised symbols of the city of Paris and the French nation. As the cathedral of the Archdiocese of Paris, Notre-Dame contains the cathedra of the Archbishop of Paris. Approximately 12 million people visit Notre-Dame annually, making it the most visited monument in the city. While undergoing renovation and restoration, the roof of Notre-Dame caught fire on the evening of 15 April 2019. Burning for around 15 hours, the cathedral sustained serious damage. The government of France hopes the reconstruction can be completed by Spring 2024, in time for the opening of the 2024 Summer Olympics in Paris. Unlike the actual cathedral, this artwork is in good condition, is newly framed and glazed and signed by the artist in the lower right hand corner. Upon request a video may be provided. About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...

This modern colorful artwork "Gorgeous cactus flowers" is full of vivid colors which are my tools of expression. I explore the beauty of these beautiful pink blooming cactus flower...

Framed 20.5 x 18 image 14.5 x 12 Heinz Hugo Erich Elsas, (German-Brazilian 1925-1994) later known as Harry Elsas. Muralist, writer, designer best known as a painter. Born in 1925 in Stuttgart, Germany, 1n 1936 At the age of 14 he moved with his family to Sao Paulo, Brazil fleeing from World War II and of the persecution of the Jews. A self taught artist he was influenced by the Flemish artists, his work reveals remarkable influence of Brueghel and Hieronymus Bosch. He worked in the workshop of Portinari, participating in the Tiradentes mural. His work went through a post-Expressionist phase, culminating in the adoption of cubism and is characterized by the habit of creating a three-dimensional structure before painting a picture. In 1945, he was working with Lasar Segall...

Oil on canvas by Paul Collomb (1921-2010), France, 1960s. The beautiful view. Measurements : with frame: 54.5x41.2 cm - 21.5x16.2 inches, without frame: 46x33 cm - 18.1x13 inches, fo...

Large oil on canvas Paris, France street scene with house and tree. Hand signed Framed Dimensions 41 x 48.5 Canvas is 40 X 32 inches Henri Maurice D'Anty, listed French artist, Henry d'Anty 1910-1998 Born 1910 in Belleville France. Died in December 4 1998. Educated at the Académie de la Grande Chaumière and the Académie Julian Paris. Painter of the school of Paris. ((painter of de l'Ecole de Paris et Peintre Témoin de son Temps) He participated in numerous exhibitions and was rewarded number of prizes for his work in France and abroad D'Anty was born in Belleville, and it was here that he came to know the picturesque architectural quality of small sloping streets, sometimes broken by flights of steps, like those of Montmartre. Afterwards he moved to Saint Maurice, where he came under the spell of the banks of the Marne with its blue green reflections, the heavy river barges, sail boats, and the lock with its large dark mass, which all made their impressions, as did a later visit in northern France, long before he thought seriously about painting. But in both eye and mind, he was already storing secret visions and emotions. During a holiday in Brittany, he discovered an entirely new awareness of colors, or rather of colors of the enchanting, subtle tones which make up the varied atmospheres of the Breton scene. He is linked to both post impressionism and expressionism. He was part of the Ecole de Paris (School of Paris) and showed with Francois Arnal, Franz Priking, Isis Kischka, Roland Dubuc, Bernard Maurice Quentin, Michel Patrix, Roger Bezombes, Lucien Joseph Fontanarosa, Bernard Buffet, Jean Marzelle, Maurice Blond, Isaac Antcher, Francis Bott, Jean Jansem, Alfred Charles Weber...

A beautiful modern expressionist painting depicting a white lily flower. This work though unsigned is clearly by the hand of a very talented artist. The work comes in an artist mad...

"By the Canal" Limited Edition Lithograph on Archival Paper Vibrant lithograph of a red-headed woman near a canal by Michael Leu (Taiwanese, b. 1950). The woman is holding a bouquet of tulips. Nearby, a bicycle is parked alongside the canal. There is a bridge over the canal, connecting to a small town in the distance. This piece is whimsical, bold, and expressive. Numbered "31/198" in the lower left corner. Signed and dated "Michal Leu 95" in the lower right corner. Presented in a black aluminum frame with a white mat. Frame size: 32.75"H x 27.25"W Image size: 24"H x 19"W Born in Taipei, Taiwan, Michael Leu (b. 1950) studied fine art and design in his home town in the late 1960s and learned printmaking techniques at Otis Parsons...

'The Port of Le Havre', pencil on art paper, by French artist Fred Pailhès (circa 1950s). Le Havre was only a fishing village until 1517, when Francis I h...

Leigh Ann Van Fossan's "Sands of Celia" is an original acrylic painting featuring peaceful blue waters lapping a sandy beach. Van Fossan was born in Vail, Colorado, and began oil p...

Alberto Giacometti, Swiss (1901 - 1966) - Cover from Derriere Le Miroir no. 127, Year: 1961, Medium: Lithograph, Edition: ~2500, Size: 15 x 11 in. (38.1 x 27.94 cm), Publisher: ...

Pastel, Pencil, petal flowers, Color and Ink on Paper. The base of this drawing is Fabriano paper of 120g /m2. I use natural dyes of flowers, herbs, leaves, bark of trees as the fir...

Lithograph on vélin paper. Paper Size: 12.4 x 19.3 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, ...

The artwork titled "Aláàárù Ajé" (Carrier of Wealth) features a lady with a head made of a Sekere, a traditional Yoruba percussion instrument made from dried gourds covered with beads. The lady is depicted wearing a blue dress with intricate details and patterns. Ayandare Adeniran, Ayanmuyiwa behind this intriguing piece of art has managed to capture the essence of the Yoruba culture, which is renowned for its rich cultural heritage and traditional beliefs. The use of the Sekere in the artwork is symbolic of the Yoruba people's deep-rooted love for music and the arts, which are considered an integral part of their daily lives. The lady in the artwork, with her head made of Sekere, is a representation of the Yoruba deity, Oshun, who is revered as the goddess of love, fertility, and prosperity. According to Yoruba mythology, Oshun is believed to be the owner of the Sekere and is often depicted carrying it around during festive celebrations and ceremonies. The blue dress worn by the lady in the artwork is also significant in Yoruba culture as it represents wealth, royalty, and nobility. The intricate details and patterns on the dress are a testament to the artist's attention to detail and skill, which are essential in Yoruba art. Overall, the artwork "Aláàárù Ajé" (Carrier of Wealth) is a beautiful representation of Yoruba culture, tradition, and mythology. The artist's use of the Sekere and the blue dress is a nod to the Yoruba people's love for music, art, and fashion, which are essential elements of their identity. The artwork is a reminder of the rich cultural heritage of the Yoruba people and the importance of preserving it for future generations. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Ayandare Adeniran, Ayanmuyiwa (born 1991) is an Artist who hails from Ogbomosho, Oyo state, Nigeria. At his early stage of life, his artistic talents sprang up and his parent helped in developing them by providing him with what they understood he needed by buying drawing books, crayons, and watercolors among others to help his creative skills. After his primary and secondary education, he received a Nigeria Certificate on Education (NCE) from a prestigious college; the Federal College of Education (SPECIAL), Oyo, where he studied Fine and Applied Arts. Musa Ibrahim was the first practicing Artist who helped Ayandare in his Artistic career which was during a compulsory Industrial Training program for students in the Fine Arts department. After College, yawning for knowledge and flare for artistic work dragged him to Arowolo Wasiu, a metal sculptor who trained him in sculpting metal. A thirst for one's zeal can only be quenched by following the path thus making him proceed to TOPE FATUNMBI...

Hubert Glansdorff Belgian 1877 – 1963 Signed bottom right Picture Size: 19 x 28" (47 x 70cm) Outside Frame Size: 27 x 36" (67 x 90cm) A rare chance ...

In this Menorah Chaim Hendin takes a personal approach, and turns it into a more anatomical, almost pelvic, looking piece of artwork. The sculpture is rich in texture and the candle ...

Bold print of "Brotherhood" by Kathe Kollwitz (German, 1867-1945). This piece is one of the Lithographic reproductions of the original lithographs, plate 3 from a series of 10, print...

"Nude in Interior - Woman on Top" - original large art by Paula Craioveanu Original, large, unique painting, oil on canvas, 39x27in / 100x70cm . Shipped as it is stretched ready for ...

"Enchantress" is a captivating artwork created by Fatunmbi Anjolaoluwa Grace that showcases the beauty and power of femininity. The piece is a mix...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Eli...

Gregory Block's (US based) "Untitled" (2024) is an original, handmade painting that depicts an expressionist still-life featuring a white rose laying in front of a cup, lightly refle...

This vibrant painting captures the striking beauty and elegant forms of Flamingo flowers. Sweeping brushstrokes and vivid colors bring these flowers to life, highlighting their styli...

Jean Jansem (1920-2013) Le coffre et la lanterne, 1986 Lithographie sur papier Arches Signée en bas à droite et justifiée en bas à gauche 67 x 51 cm / 76 x 54 cm D'une édition à 30...

This is a beautiful expressionist style drawing by Juanjo Saez. Juanjo's pictorial work is an exploration of color, texture, and movement, creating vibrant compositions that capture ...

Frederick Serger Genre: Post Impressionist Subject: Flowers, Poppies Medium: Oil Surface: Panel Frederick Serger (given name Frederick Bedrick Sinaberger) was born in 1889 to a family of Jewish manufacturers in the village of Ivancice near Brno Moravia, a province of Czechoslovakia. Showing artistic talent at a young age, he attended art schools in Brno, Czech, Vienna, Austria and Munich, Germany. During World War I, Serger joined the Austrian Army and served in the Balkans. Once his service ended, he traveled to Paris where he resumed his art training and eagerly joined the Ecole de Paris (School of Paris) artists’ movement. During this period, he was greatly influenced by the Impressionist, Post-Impressionist, and Expressionist movements. While living in Paris, he met and married Helen Spitzer. Serger and his young wife moved from Paris to Scoczow, a city on the Polish-Czech border. They remained in Scoczow for 12 years and he continued to work as an artist, exhibiting in museums in Cracow and Warsaw, Poland. He also showed at the Paris Salon de Tuilleries and the Salon d’Automne. He was part of the generation of expat artists, mostly jewish known as the School of Paris. They created art in the styles of Post-Impressionism, Cubism and Fauvism. The group included artists Marc Chagall, Chaim Soutine, Amedeo Modigliani and Piet Mondrian. Associated French artists included Pierre Bonnard, Henri Matisse, Jean Metzinger and Albert Gleizes. Many École de Paris artists lived in the iconic La Ruche, a complex of studio apartments and other facilities in Montparnasse on the Left Bank, at 2 Passage Dantzig, built by a successful sculptor, Alfred Boucher, who wanted to develop a creative hub where struggling artists could live, work and interact. A significant subset, the Jewish artists, came to be known as the Jewish School of Paris or the School of Montparnasse. The core members were almost all Jews, included Emmanuel Mane-Katz, Abraham Mintchine...

Original collotype lithograph of Gustav Kilmt’s Seated woman with shawl, published in the 1922 Handzeichnungen portfolio by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwork is presented in archival rag mat and arrives accompanied by a certificate of authenticity. Klimt’s mastery of depth is most evident in the gentleness of his linework. Without the aid of shadow or the subtlety of values, the gestures of line allow the viewer a sense of a three-dimensional person or object. The meticulous lithographic process used to create Klimt’s Handzeichnungen portfolio ensures exceptionally crisp markings bearing a strong resemblance to the original sketches. This series showcases the quintessence behind Klimt’s signature visual style. This artwork arrives accompanied by a certificate of authenticity. Century Guild has curated collections of Gustav Klimt’s printed...

After Gustav Klimt, Max Eisler #1, Die Freundinnen II; multi-color collotype after 1916/17 painting in oil on canvas which was destroyed by fire in May 1945 at Immendorf Castle Lower Austria. Eisler’s choice to begin his 1931 portfolio of works by Klimt with Girlfriends II was both bold and prescient. Just 14 years later, the painting was tragically destroyed in a fire. With such a loss, this rare and exquisite image is all the more valuable by virtue of having been made in color. In works from his late period, Klimt continued his fascination with exploring female dynamics and their various forms of love. Girlfriends II is a fine example of how space, color and ornament play a noticeable role in the evolution of his symbolic language. Wide swaths of space in the background as well as the two female forms create the structure. Klimt’s strong brushstrokes show a painterly quality and a new move toward abstraction which feels very far away from his earlier work. Nor should Klimt’s economy of line be overlooked. His draughtsmanship is what infuses the female bodies with movement, emotion and a profundity of life. Both women confront the viewer’s gaze unselfconsciously, as if they are modern-day Viennese women stepping out of a Klimtesque ukiyo-e print. Characteristic of this late period, Klimt uses ornament...

The Bolshevik Era (1917-1921) was a life and death struggle for the Bolsheviks and their ideology. The propaganda poster was everywhere, as the Bolsheviks struggled to win the Civil War against the Whites and fought the Poles over control of the Ukraine and parts of modern day Belarus. The early Soviet poster - an incredible 3600 designs - was remarkable for its revolutionary fervor and biting wit. Powerful visual symbols were invented, like the red star and hammer and sickle. These four posters are as follows: 1." May 1st All Russian Subbotnik " is a Russian poster promoting the first all Russian Subbotnik held on May 1st, 1920 in which Vladimir Lenin was in attendance. "Subbotnik" were weekend days of unpaid, volunteer community service work following the October Revolution which eventually became obligatory. By Russian artist Dmitry Moor 2. " Anniversary of Vsevobuch--Develop and Learn to Defend Freedom"    celebrates the second anniversary of the implementation of universal military training and says ‘2nd Anniversary of Vsevobuch, Develop and Learn How To Defend Freedom. Artist unknown 3." Devil Doll "    The Devil Doll' (January 1920) shows a soldier pointing his bayonet at a looming monster in the first panel. However, in the second it turns out to be the weak and insignificant enemies of the state behind a pathetic mask and cloak.  Russian artist Dmitri Moor 4. " Forward to defend the Ural"    ’By Russian artist A. Petroff ( pseudonym for Alexander Aspit ) from the ´´Plakate der Russichen Revolution 1917 - 1929´´ Dmitry Moor was a Russian graphic artist, poster designer and cartoonist, also known as D. Moor ("Д. Моор"). During the 1900s and 1910s he was a comic pioneer, making satirical comics ridiculing the Czarist regime and censorship. Under the Soviet regime he became one of the most celebrated propaganda artists. Both during the First and the Second World War he ridiculed the German army. In his work Moor often made use of sequential illustrated narratives or comics. He was the house cartoonist of magazines like Budilnik and later Bezbozhnik. Alexander Petrovich Apsit was born in Riga on 25th March, 1880. He moved to Saint Petersburg in 1894 and attended art school and became a student of Lew Dmitriew-Kawkaski. Aspit worked for various Russian magazines and on the outbreak of the First World War was employed by the government to design war posters. After the Bolshevik Revolution Apsit was commissioned by the State Publishing House to design revolutionary posters.

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Dan...

This framed oil on linen painting, 'Riflessi A Tiburon,' by Marco Sassone, an American-Italian painter, is measured at 30 x 24 inches in a horizontal format. Sassone paints an Expres...

A beautiful large 1950's French expressionist oil on canvas depicting locals taking an afternoon stroll, by Paris painter André Beaucé. Excellent quality ...

In this artwork, I've poured my soul into capturing the essence of a rustic Italian landscape, where the vibrant poppy fields dance under the sun's warm embrace. The path meanders, i...

"This work is inspired by the wonderful time of the year when it is warm and everything is in bloom. Beautiful garden with a meadow of fragrant summer flowers. A path leading to a co...

Canvas size 81x100 cm. Frame size 94x113 cm. Alvar Suñol Alvar Suñol Munoz-Ramos, commonly known as Alvar, was born in 1935 in Montgat, Spain, a Catalan fishing village on the Medit...

This original, unframed oil on board requires a frame to hang. Created by Sandra Pratt in 2024, it measures 6 x 8 inches (15.24 x 20.32 cm) and captures a serene winter landscape in ...

KATHE KOLLWITZ (1867-1945) HAMBURGER KNIEPPE, 1901) (K.58 IIIb) Soft Ground Etching, Plate 9 ¾ x 8 ¼ sheet 10 ½ x 13 ¾. With the von de Becke blind stamp in the lower right. Prin...

A contemporary Abstract Expressionist acrylic on canvas by French artist, Christian Manoury. Signed to the back of the canvas. This artwork captures a minimalist aesthetic with its ...

Dimensions: (Frame) H 28.5" x W 35.5" (Painting) H 22" x W 30" Miguel Ángel Aybar Llauca, an artist specializing in expressionist painting, was born in Huancavelica and lives in the city of Ica where he began drawing from a very young age, drawing from its beautiful valleys and customs. In 1970 he began his studies in Drawing, Painting and Sculpture at the Regional School of Ica. He is a graduate of the National Superior Autonomous School of Fine Arts of Peru (1971-1976) with honorable mention, forming the promotion "Juan Manuel Ugarte Eléspuru". "Iqueño Expressionism" is the title of the exhibition that will be available to the public from May 25 to June 13 in the "Paracas" Room of the "Adolfo Bermúdez Jenkins" Regional Museum of Ica. Av. Ayabaca block 8°. Miguel Angel Aybar is a painter who characterizes expressionism in Ica without a doubt. His songs speak of longing, and secret friendships with the hurango, the palm tree of Huacachina or the silent and still sand of Ica. His work is primarily characterized by color. The contrasts between the intense dark contrasted with the radiance of reds, oranges, yellows or greens, achieve a positive effect on the observer. Its warm tones reach high levels like an Ica sun at noon. However, among those quasi Servulian colors , Andean prints maintain their presence. Hats, ponchos or skirts hidden from a root bound by blood or memories. The perfect textures of his works give him the seal, the personality that characterizes a curdled and experienced Aybar who no longer needs to dialogue with the brush; they just flow, hand and brush. When entering the exhibition hall, you do not need to read the signature, he is an Aybar. There is no room for confusion. Although there are not a few artists from Ica who use these boiling tones, and I translate it as a tribute to that Sérvulo that touches you in the depths of your being, if you are an artist and you live in Ica, you want to be possessed by the ghost of the disturbing Sérvulo Gutiérrez turned legend. Servulus still catches the spectator being absorbed, as if observing a volcano, fearing that it might erupt, but with an inexplicable delight that he stops you next to him and captures you. However, Aybar no longer needs Servulo's shadow, he has gained an important space in the artistic world of Ica. He is an artist and a close friend of poets and musicians. Painter recognized by the Ica society and deserving of all the medals and recognitions by the different institutions. He not only paints with mastery, as Alberto Dávila predicted, when he said that his maturity would give him the position that corresponds to him. He now sings in public to the delight of his closest friends. Ica recognizes him as a son and has given him the place that corresponds to this remarkable painter whom I congratulate. DATA ABOUT THE ARTIST Miguel Angel Aybar Yauca, was born in 1952 in Huancavelica. He has lived in Ica since he was very young; he began his art studies at the Ica Regional School of Fine Arts. He later moved to Lima to study at the National Autonomous School of Fine Arts of Peru from where he graduated in 1976. His teacher Alberto Dávila described him as: a restless, imaginative young man with a sober and dramatic color. His forms acquire poise and great eloquence . Aybar also had the painter Carlos Aitor Castillo...

In this oil painting, I captured the essence of serenity and growth. Embracing the harmonious dance of light and shadow, I portrayed the irises with an impressionistic touch, evoking...

In this painting, I've unleashed a vibrant fusion of reds to capture the raw and wild essence of a zebra. The intense hues symbolize vitality and passion, while the expressive stroke...

Artist: Alice Neel (1900-1984) Title: The Family Year: 1982 Medium: Lithograph on Arches paper Edition: 57/175, plus proofs Size: 31.25 x 27 inches Condition: Excellent Inscription: ...

This 19.625" x 15.625" oil on canvas painting is by American artist, Jim Riley. The painting presents a frontal, half-length portrait of a figure with wavy brown hair and a calm, int...

Carl Hofer (German, 1875 – 1955) Das Modell (The artist’s model) Black crayon on paper Signed with monogram ‘CH’ (lower right) 18 x 14.1/8 in. (45.8 x 36 cm.) Provenance: These works come from the artist’s second wife Elizabeth and from then by descent. Carl Hofer was a German expressionist painter and the director of the Berlin Academy of Fine Arts. One of the most important painters of the Expressionist movement, his work was among those that was considered degenerate art by the Nazis. He studied in Karlsruhe under Hans Thoma. He first visited Paris in 1899 making acquaintance with Julius Meier-Graefe. In 1902 he studied in Stuttgardt and became friends with the sculptor Hermann Haller...

After Gustav Klimt, Max Eisler #17, Aus dem Stoclet-Fries: Die Umarmung; multi-color collotype after the cartoon for the 1910-1911 mosaic frieze on the east wall of the dining hall o...

In this piece, I've melded acrylic and oil to capture the frailty yet resilience of nature, through a burst of textured strokes embodying both expressionism and impressionism. The ey...

Aronson, David 1923- David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work. In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts. included in the catalog Contemporary Religious Imagery in American Art Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others. Selected Awards 1990, Certificate of Merit, National Academy of Design 1976, Purchase Prize, National Academy of Design 1976, Joseph Isidore Gold Medal, National Academy of Design 1976, Purchase Prize in Drawing, Albrecht Art Museum 1975, Isaac N. Maynard Prize for Painting, National Academy of Design 1973, Samuel F. B. Morse Gold Medal, National Academy of Design 1967, Purchase Prize, National Academy of Fine Arts 1967, Adolph and Clara Obrig Prize, National Academy of Design 1963, Gold Medal, Art Directors Club of Philadelphia 1961, 62, 63, Purchase Prize, National Institute of Arts and Letters 1960, John Siimon Guggenheim Fellowship 1958, Grant in Art, National Institute of Arts and Letters 1954, First Prize, Tupperware Annual Art Fund Award 1954, Grand Prize, Third Annual Boston Arts Festival 1953, Second Prize, Second Annual Boston Arts Festival 1952, Grand Prize, First Annual Boston Arts Festival 1946, Traveling Fellowship, School of the Museum of Fine Arts 1946, Purchase Prize, Virginia Museum of Fine Arts 1944, First Popular Prize, Institute of Contemporary Art 1944, First Judge's Prize, Institute of Contemporary Art Selected Public Collections Art Institute of Chicago Virginia Museum of Fine Arts Bryn Mawr College Brandeis University Tupperware Museum, Orlando, Florida DeCordova Museum Museum of Modern Art Print Collection, New York Atlanta University Atlanta Art...

"Nude in Venice" - original large art by Paula Craioveanu Original, large, unique painting, oil on canvas, 55x40in / 140x102cm. Shipped rolled in a tube. Check 1stDibs code FREESHIP...

Antoine Bouvard, called Marc Aldine (L'Isere 1875 - Paris 1957) Signed 'Bouvard' lower right View of Venice with the Grand Canal (link) oil on canvas 60 x 86 cm Framed 70 x 96 cm. Very good condition We present an evocative view of Venice with a glimpse of the fascinating Grand Canal, signed by the famous French Vedutist Antoine Bouvard, also known by his pseudonym, Marc Aldine. Considered one of the most talented illustrators of the lagoon city who worked there in the first part of the 20th century, he became one of the most acclaimed vedutists of that period, with a success that led him to exhibit throughout France and Italy as well as in numerous European galleries...

In crafting this painting, I sought to capture the tranquility and ephemeral beauty of nature. Each brushstroke is a tender embrace of the lilies' delicate dance on the water's refle...