Expressionist Art

After Gustav Klimt, Max Eisler #30, Brautzug; multi-color collotype after unfinished 1917/18 painting in oil on canvas. Painted in the last months of Klimt’s life, The Bride was one...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Josue M Pierre ...

"Fantasy with Flowers" (series of 200+ pictures)   paper 58x41cm  On the paper acrylic, oil pastel, felt-tip pen, ink, gold leaf, pencils, silver,mixed media. Flowers are a smile of ...

A beautiful large 1950's French expressionist oil on canvas depicting locals taking an afternoon stroll, by Paris painter André Beaucé. Excellent quality ...

Dancers Georges Rouault, French (1871–1958) Date: 1936 Woodcut, initialed in the stone Size: 3 x 2 in. (7.62 x 5.08 cm) Frame Size: 9.5 x 8.25 inches

"Subject matter to me is a vehicle for me to explore how I observe life. My urban influences are an assembly of varied fabrics stitched together to form a tapestry. It is not to re...

The Horse Race French expressionist artist, mid 20th century signed oil on artist paper, unframed artist paper: 20 x 25.5 inches provenance: private collection, France condition: ov...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Eli...

The painting "Onigele Yii" depicts a striking black African woman wearing a vibrant Ankara head tie, known as gele, in the Yoruba language. Rendered with oil on canvas, the artwork c...

This exquisite lithograph by Marc Chagall (1887–1985), titled Les Amoureux au Gris (The Lovers in Gray), from the album Chagall, originates from the 1957 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1957. This intimate and poetic composition reveals Chagall’s enduring fascination with love as both a personal and universal theme. Les Amoureux au Gris presents two lovers tenderly united against a soft, monochromatic background, their forms gently intertwined in a suspended moment of emotion and serenity. The subdued palette of grays enhances the dreamlike atmosphere, evoking nostalgia and the quiet beauty of devotion. Through its delicate tonal harmonies and lyrical symbolism, the work exemplifies Chagall’s belief that love transcends time, space, and circumstance—a central tenet that defines his artistic legacy. Executed as a lithograph on velin paper, this work measures 9.06 x 7.875 inches (23.01 x 20 cm). Unsigned and unnumbered as issued. The edition reflects the extraordinary craftsmanship of the Mourlot Freres atelier, renowned for its close collaboration with Chagall and for achieving unmatched brilliance and subtlety in color lithography. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Les Amoureux au Gris (The Lovers in Gray), from Chagall, 1957 Medium: Lithograph on velin paper Dimensions: 9.06 x 7.875 inches (23.01 x 20 cm) Inscription: Unsigned and unnumbered as issued Date: 1957 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Chagall, Marc, and Julien Cain. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustration 194. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 34. Condition: Well preserved, consistent with age and medium Provenance: From the album Chagall, published by Maeght Editeur, Paris, 1957 Notes: Excerpted from the album (translated from French), This album was printed by Drager Freres in Montrouge on behalf of Maeght Editeur, 13, Rue de Teheran, Paris VIII. The original color lithographs were drawn by Mourlot Freres. The photographs of the works printed are of Y. Hervochon, M. Routhier, Draeger. Copyright 1957. About the Publication: The 1957 album Chagall, published by Maeght Editeur, Paris, and printed by Mourlot Freres, stands among the most celebrated collaborations between Marc Chagall and the great Parisian ateliers of the mid-20th century. The album features a series of color lithographs that capture Chagall’s poetic world of memory, faith, and love through luminous tones and expressive line. Each lithograph embodies the artist’s mastery of the medium, where the transparency of pigment and fluidity of form fuse into a language of visual music. Guided by the technical expertise of Mourlot Freres, these works convey Chagall’s painterly spontaneity and emotional depth with remarkable fidelity. The Maeght album remains a touchstone in modern printmaking, symbolizing the creative dialogue between artist, publisher, and master printer that defined the golden age of the French art book. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Les Amoureux...

After Gustav Klimt, Max Eisler Plate #27, Madchen im Profile; grey-toned monochrome collotype after the 1916 painting in oil on canvas. Original destroyed by fire May 1945. GUSTAV K...

“Crossroads, c. 1940” by Sol Wilson (Polish-American, 1896-1974). This expressive painting by Wilson depicts a moody village crossroads rendered with his signature textured brushwor...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Josue M Pierre ...

This exquisite silkscreen by Faith Ringgold (1930–2024), titled Montgomery Bus Boycott, from the folio Letter from Birmingham City Jail, originates from the 2007 edition published by...

Expressionist floral on a grand scale! This large and colourful modern oil painting on canvas is by French artist Colette Chasseigneaux (1925-2017). A gorgeous array of colour, but ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity About Artist Emma...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

This modern colorful artwork "Gorgeous cactus flowers" is full of vivid colors which are my tools of expression. I explore the beauty of these beautiful pink blooming cactus flower...

This original oil painting, "Pansies", is a vibrant still life that captures the beauty of a floral bouquet. The artist's passion is evident in every brushstroke, as light dances acr...

This exquisite etching by Marc Chagall (1887–1985), titled Repas dans le traktir (Meal at the Inn), originates from the celebrated folio Nicolas Gogol, Les Ames mortes, Eaux-fortes o...

This exquisite lithograph by Marc Chagall (1887–1985), titled Moise II (Moses II), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litte...

'Landscape', oil on canvas, by Charles Kvapil (1928). The artist, Kvapil, has scores of tremendous artworks which depict scenes in nature such as this one. Here, a bit of Mediterrane...

Artist: Karl Schmidt-Rottluff (German, 1884-1976) Title: "Männlicher Kopf von vorn, nach rechts gewandt (Male Head Facing Right)" Portfolio: Das Spiel Christa vom Schmerz der Schönhe...

Antoine Bouvard, called Marc Aldine (L'Isere 1875 - Paris 1957) Signed 'Bouvard' lower right View of Venice with the Grand Canal (link) oil on canvas 60 x 86 cm Framed 70 x 96 cm. Very good condition We present an evocative view of Venice with a glimpse of the fascinating Grand Canal, signed by the famous French Vedutist Antoine Bouvard, also known by his pseudonym, Marc Aldine. Considered one of the most talented illustrators of the lagoon city who worked there in the first part of the 20th century, he became one of the most acclaimed vedutists of that period, with a success that led him to exhibit throughout France and Italy as well as in numerous European galleries...

Dalvin Byron's "Untitled 2" is an intimate 14 x 18 inch oil painting on canvas glowing with deep phthalo greens, burnt sienna, and yellow ochre, dissolving into cool and watery blue-...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. In the heart of the 21st century, two young individuals proudly stand in their neon-hued attire a testament to their Igbo...

"Lion" depicts the majestic presence and serene strength of the lion, a symbol of power and dignity. An expressive palette and textural brushstrokes...

This exquisite lithograph after Kathe Kollwitz (1867–1945), titled Selbstbildnis (Self-Portrait), from the folio Kathe Kollwitz, Ten Lithographs, originates from the 1941 edition published by Henry C. Kleemann, New York, and Curt Valentin, New York; printed by Duenewald Printing Corporation, New York. The composition reflects Kollwitz’s profound engagement with themes of identity, introspection, and human vulnerability, rendered with stark emotional intensity and a powerful graphic economy that underscores her enduring social message. Executed as a lithograph on velin paper, this work measures 19 x 16 inches (48.26 x 40.64 cm), overall; 10.5 x 9 inches (26.67 x 22.86 cm), image. Unsigned and unnumbered as issued. Artwork Details: Artist: After Kathe Kollwitz (1867–1945) Title: Selbstbildnis (Self-Portrait), from Kathe Kollwitz, Ten Lithographs Medium: Lithograph on velin paper Dimensions: 19 x 16 inches (48.26 x 40.64 cm), overall; 10.5 x 9 inches (26.67 x 22.86 cm), image Inscription: Unsigned and unnumbered as issued Date: 1941 Publisher: Henry C. Kleemann, New York, and Curt Valentin, New York Printer: Duenewald Printing Corporation, New York Condition: Well preserved, consistent with age and medium Provenance: From the folio Kathe Kollwitz, Ten Lithographs, 1941 About the Publication: Kathe Kollwitz, Ten Lithographs, published in New York in 1941 by Henry C. Kleemann in collaboration with Curt Valentin, represents an important early American presentation of Kollwitz’s graphic work at a time when her reputation was expanding internationally. Issued during the turbulence of the Second World War and following the suppression of her work in Germany under the Nazi regime, the folio played a crucial role in introducing her imagery to a broader audience outside Europe. The publication gathers a selection of her most powerful lithographic compositions, emphasizing her mastery of tonal contrast, expressive line, and psychological depth. Produced with careful attention to print quality by Duenewald Printing Corporation, the edition reflects the continued transmission of European modernist printmaking traditions into the American context, serving both as a document of artistic excellence and as a vehicle for the preservation and dissemination of Kollwitz’s humanistic vision. About the Artist: Kathe Kollwitz (1867–1945) was a German draughtsman, printmaker, and sculptor whose profoundly moving imagery, exceptional technical mastery, and unwavering social conscience established her as one of the most important and influential artists of the twentieth century, widely recognized as a master of modern printmaking and one of the most powerful visual chroniclers of human suffering, war, and social injustice. Born in Konigsberg, East Prussia, into a progressive and intellectually engaged family, Kollwitz was encouraged from an early age to pursue art and developed a deep awareness of social inequality that would shape her entire career, studying in Berlin and Munich at a time when women were largely excluded from formal academies while mastering drawing and graphic techniques with extraordinary discipline. Her breakthrough came with the monumental graphic cycle A Weavers’ Revolt (1893–1897), followed by The Peasants’ War (1901–1908), works that combined complex narrative structure with extraordinary technical command in etching, aquatint, and lithography, establishing her reputation as one of Europe’s leading graphic artists. Throughout her career, Kollwitz remained committed to portraying the lives of workers, mothers, and victims of poverty and conflict with unflinching honesty, creating compositions defined by bold, sculptural line, dense shadow, and unparalleled psychological depth that conveyed grief, resilience, and dignity. Working during a period transformed by the radical innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Kollwitz maintained a resolutely figurative and human-centered approach, aligning more closely with German Expressionism and artists such as Ernst Barlach, Max Liebermann, and Edvard Munch, whose emotional intensity and symbolic treatment of the human figure profoundly shaped her artistic language. Her later work, particularly the woodcut cycle War (1922–1923), stands among the most powerful anti-war statements in the history of art, reflecting both personal tragedy, including the death of her son in World War I, and a universal condemnation of violence and loss. In addition to her prints, Kollwitz created deeply moving sculptures that extended her exploration of grief and maternal protection into three dimensions, reinforcing her status as a multidisciplinary artist of exceptional range. She achieved significant recognition during her lifetime, becoming the first woman elected to the Prussian Academy of Arts, though her work was later condemned by the Nazi regime as degenerate, leading to her forced resignation and the removal of her works from public collections, yet her reputation expanded internationally after World War II and she is now regarded as a central figure in modern art. Her influence has been profound and far-reaching, shaping later artists including Francis Bacon, Anselm Kiefer, Leon Golub, Kiki Smith, and numerous contemporary figurative and socially engaged artists who continue to explore themes of trauma, memory, and human vulnerability. Today her works are held in major museum collections worldwide, including the Kathe Kollwitz Museum in Berlin, the Museum of Modern Art in New York, the British Museum in London, and the Art Institute of Chicago, and remain highly sought after by collectors for their emotional intensity and historical significance. The highest auction record for a work by Kathe Kollwitz is held by her sculpture Mutter mit totem Sohn (Mother with Dead Son), which achieved approximately 1.2 million EUR at auction, confirming her enduring importance. Kathe Kollwitz Selbstbildnis 1941 lithograph German Expressionism social realism print.

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Josue M Pierre ...

Walter Helbig (1878 Falkenstein - 1968 Ascona), Adoration of the Magi, 1918. Hand-colored linocut, 30 cm x 22.5 cm (depiction), 50 cm x 35 cm (sheet size), signed “W.[alter] Helbig” in pencil lower right, inscribed “Adoration of the Magi” lower left and dated “1918”. Below this a handwritten dedication “with heartfelt Christmas greetings”. - Paper somewhat darkened and with slight creases, thumbtack holes in the corners - The Rider of the Sun - The 'apocalypse' of World War I brought about a return to sacred art. Walter Helbig belonged to the circle of the 'Brücke' and the 'Blauer Reiter'. With his reinterpretation of religious themes in an expressionist formal language, Helbig shaped an avant-garde neo-sacred art. This is symbolically expressed in the silhouette of the rider against the sun-like yellow background. It refers to the awakening initiated by the Blue Riding, which is now linked back to the sacred. The rider and horse "look" at Mary and the Christ Child, who occupy the entire field. Opposite them are the three kings, the eldest of whom kneels before Christ and offers him a gold-filled casket. The expressionist lines give rise to a tower that rises into the "sun", so that the gift has become a Gothic church, expressing the hope that the fallen world will be resurrected in the name of Christ. This dimension of meaning is emphasized by the magical effect of the color scheme. About the artist In 1895, Walter Helbig began studying at the Dresden Academy of Art, where he became friends with the future Brücke artist Otto Müller, with whom he lived in Dresden from 1903 to 1905. While studying in Italy from 1897 to 1899, he met Arnold Böcklin and Adolf von Hildebrand. After completing his studies, he first worked for Otto Gussmann, painting churches. From 1905 to 1909 he worked as a freelance painter in Hamburg. In 1909, through the mediation of Otto Müller, Helbig made the acquaintance of artists from the 'Brücke'. In 1910 he exhibited at the founding exhibition of the Berlin 'Neue Sezession'. In the same year, he moved to Switzerland, where, together with Hans Arp and Oscar Lüthy, he founded the 'Moderne Bund' in Weggis, to which Cuno Amiet and Giovanni Giacometti also belonged. At the second exhibition of the 'Moderne Bund' in Zurich in 1911, Henri Matisse and Robert Delaunay were represented alongside artists from the 'Blauer Reiter'. In 1913, Helbig traveled to Paris with Arp and Lüthy. After the dissolution of the 'Moderne Bund', Helbig was represented at the first Dada exhibition in Zurich in 1914. In 1919, he joined the Berlin 'Novembergruppe'. After the devastation of World War I, Helbig turned increasingly to religious themes in his work. In 1924, like many other artists of his time, he moved to Ascona for financial reasons, where he became a naturalized citizen in 1938. There he founded the artists' association "The Great Bear", to which Marianne von Werefkin...

About the Artwork Inspired by the quiet moments in my studio in Joinville-le-Pont, this piece is a tribute to the "Daily Little Poetry" that surrounds us. I was moved by the way ligh...

There’s the balloon vendor, confident, straightforward and approaching the viewer to make his sale. But there’s also a shadow figure, boldly executed, perhaps a glimpse of the inner ...

Large oil on canvas Paris, France street scene with house and tree. Hand signed Framed Dimensions 41 x 48.5 Canvas is 40 X 32 inches Henri Maurice D'Anty, listed French artist, Henry d'Anty 1910-1998 Born 1910 in Belleville France. Died in December 4 1998. Educated at the Académie de la Grande Chaumière and the Académie Julian Paris. Painter of the school of Paris. ((painter of de l'Ecole de Paris et Peintre Témoin de son Temps) He participated in numerous exhibitions and was rewarded number of prizes for his work in France and abroad D'Anty was born in Belleville, and it was here that he came to know the picturesque architectural quality of small sloping streets, sometimes broken by flights of steps, like those of Montmartre. Afterwards he moved to Saint Maurice, where he came under the spell of the banks of the Marne with its blue green reflections, the heavy river barges, sail boats, and the lock with its large dark mass, which all made their impressions, as did a later visit in northern France, long before he thought seriously about painting. But in both eye and mind, he was already storing secret visions and emotions. During a holiday in Brittany, he discovered an entirely new awareness of colors, or rather of colors of the enchanting, subtle tones which make up the varied atmospheres of the Breton scene. He is linked to both post impressionism and expressionism. He was part of the Ecole de Paris (School of Paris) and showed with Francois Arnal, Franz Priking, Isis Kischka, Roland Dubuc, Bernard Maurice Quentin, Michel Patrix, Roger Bezombes, Lucien Joseph Fontanarosa, Bernard Buffet, Jean Marzelle, Maurice Blond, Isaac Antcher, Francis Bott, Jean Jansem, Alfred Charles Weber...

Magda Andrade (Venezuela, 1912 - Paris, 1984) Tropical Magic. Landscape with Palms and Figures Oil on canvas, approx. 80 × 60 cm Magda Andrade, born in Maracaibo in 1912 under th...

Jean Jansem (1920-2013) Le triomphe de la mort, 2000 Huile sur toile Signée en bas à gauche et à droite 150 x 200 cm Bibliographie: Cette oeuvre est enregistrée dans les archives de l’Association des Amis de Jean Jansem. Figurera dans le catalogue critique de l’oeuvre de Jean Jansem actuellement en préparation par l’association des amis de Jean Jansem Historique: L’indigence d’après-guerre et la difficulté inhérente de trouver les matériaux adéquats et/ou habituels, telles les couleurs, très onéreuses alors, ont poussé les artistes figuratifs de l’après-guerre, en corrélation avec les préoccupations de l’époque, à redéfinir les paradigmes de la représentation. Il n’est plus question de chercher un sens mais bien pour les artistes d'étudier l’objet pour son intérêt formel, sa qualité intrinsèque. Le regard de l’artiste devient analytique et dépeint alors l’objet pour ce qu’il est et non plus pour son pouvoir évocateur ou symbolique. La nature morte n’est plus une invitation sensuelle à la ripaille, la pomme ou la pêche n’évoque aucune envie de croquer, la cruche aucune ivresse, la volaille...

There is no other love that’s as special as the love of a grandma. So warm and fuzzy, so calm and sweet, so cheerful and joyful. You never know the love of a grandparent until you become one. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Oluwaseun Ojebiyi is a promising young Nigerian visual artist who was born in the year 1996 into a family in Oyo state richly endowed with a unique artistic inclination. He is gifted with unusual energy and a future that sparkles with excellence. His works are at once artistic and realistic and laced with active energy with the characteristic of curiosity in figure study. He delivers his works through drawing and painting with mastery usage of charcoal, pastel, Oil paint, and acrylic. His expressive works bring back fond memories of childhood experiences. His works reveal the bond, teamwork, genuine love, selflessness, and other fine qualities in African culture. His palette which contains a variety of colors is a great asset for his delivery, with its rich Shade of hues. Oluwaseun inspiration is divine, He is also inspired by both past and everyday life experiences. Oluwaseun Ojebiyi had an HND in painting from The Polytechnic, Ibadan. He also served an apprenticeship under the renowned international artist Oluwole Omofemi...

In this oil painting, infused with expressionism and realism, I captured the vivid essence and delicate poise of a small bird perched on a branch. The soft, blended background in gre...

Medium: original etching. Printed in 1913 and published in Paris by the Revue de l'art ancien et moderne. Plate size: 4 3/8 x 5 5/8 inches (112 x 143 mm). A rich, dark impression on ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

French Mid Century Large Expressionist oil on canvas of two seated Provencale figures by Jean Arene. The painting is signed and dated bottom left. Painted when Arene was living in ...

Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet...

This exquisite lithograph by Marc Chagall (1887–1985), titled Quai de la Tournelle (Wharf of the Little Tower), from Regards Sur Paris (Views of Paris), originates from the January 2...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Series "The Imaginary traveler nº29" Expressionist corner with flowers and cat. Oil on linen by Chico Montilla. Measurements: (H) 100 x (W) 81 x (D) 2 cm. Framed (H) 112 x (W) 93 ...

Mid Century oil on canvas landscape painting by Franco Hungarian artist Elemer Vagh Weinmann. The painting is signed bottom right and is presented in a custom gilt frame with a white...

Jean Jansem (1920-2013) La petite danseuse, 1990 Lithographie sur papier Arches Justifiée Signée au crayon 50 x 65 cm / 53.5 x 75.5 cm Imprimeur: Mourlot, Paris Editeur: Jansem, Par...

Topiaria. Big format Oil on canvas Beautiful garden by Chico Montilla. Measurements: (H) 130 x (W) 195 x 3 cm. Framed 142 x 207 x 5 cm. Colorful expressionist view of a garden with plants that have been given artistic form through the topiary art...

This exquisite lithograph by Marc Chagall (1887–1985), titled David et Bethsabee (David and Bathsheba), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revu...

“Thus wrote I, since my One Love was torn from me. I cannot work: I cannot think: I seek distraction here: I seek distraction there: but this is all my truth, that I Who love have lo...

Title: Bullfighting Scene Artist: José María Tuser Vázquez (1919-1986) Technique: Oil on canvas Dimensions: 16.1 x 13 inches (unframed) Date: c. 1950-1960 Condition: Good Provenance:...

Interior With Red Flowers On The Table Large oil on canvas, signed lower right, title on verso. Born in 1952, Jean-Pierre Mocci arrived in Provence at the age of 8. Self-taught artist, he was interested in the visual arts from a very young age. Participating in many craft fairs, he exhibits paintings and art crafts. He is a complete artist who can be described as a "jack of all trades": oil paintings, watercolors, sculptures, bronzes and ceramics. But it is by painting his adopted Provence that Jean Pierre Mocci...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Profil et l'Enfant Rouge (The Profile and the Red Child), from Chagall Lithographe I (Chagall Lithographer I), origin...

This exquisite lithograph by Marc Chagall (1887–1985), titled Daphnis et Chloe (Daphnis and Chloe), from the album XXe Siecle, Nouvelle serie, XXIIe Annee, No. 14, Juin 1960, originates from the 1960 edition published by Societe Internationale d'Art XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1960. Daphnis et Chloe reflects Chagall’s poetic fusion of love, mythology, and dreamlike imagery, inspired by the ancient Greek pastoral romance and reimagined through his luminous color harmonies and floating forms. The work embodies Chagall’s timeless exploration of passion, innocence, and the spiritual beauty of nature, rendered in his signature chromatic radiance and lyricism. Executed as a lithograph on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Daphnis et Chloe (Daphnis and Chloe), from the album XXe Siecle, Nouvelle serie, XXIIe Annee, No. 14, Juin 1960 Medium: Lithograph on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1960 Publisher: Societe Internationale d'Art XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Mourlot, Fernand, and Marc Chagall. Chagall Lithographe, Volume II, 1957–1962. Chagall Lithographe, Sauret, 1963, illustration 227 Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Nouvelle serie, XXIIe Annee, No. 14, Juin 1960, published by Societe Internationale d'Art XXe Siecle, Paris; printed by Mourlot Freres, Paris, 1960 About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. The 1960 issue, XXe Siecle, Nouvelle serie, No. 14, showcased Daphnis et Chloe, one of Chagall’s most celebrated lithographic subjects, coinciding with his work on the monumental suite of lithographs inspired by the same pastoral tale, published by Teriade. Through this publication, San Lazzaro further cemented Chagall’s reputation as the modern poet of color and love, uniting myth, nature, and emotion in visual form. Today, XXe Siecle remains an essential record of 20th-century modernism, celebrated for its seamless integration of fine art, literature, and design. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Daphnis...

Gerard Morot-Sir (French, 1931 – 2003) Graphica Ink on paper Signed and dated ‘ Morot-Sir, 59’ (lower left) 12.1/2 x 9.5/8in. (31.7 x 24.5cm.) Newly framed in a limed wood frame in a...

"Refreshing Gelato Grid" is an abstract painting by Spanish artist Natalia Roman. It is a beautiful series of rhythmic brushstrokes combined with subtle tones and unique shapes that is both classy and fresh. The use of vivid colors on a white background reminds the beautiful vintage beach cabins...

Signed lower right

"Music Room with Harp" Oil on canvas. Part of Interior series. Large original, one-of-a-kind, painting 100x70cm / 40x27.5in Shipped stretched and framed. 1st dibs covers up to $200 o...

THE PROJECT: INDEPENDENT PAVILION VENICE 2026 This work is a cornerstone of the "In Minor Keys: The Turquoise Silence" series — a large-scale artistic manifesto created specifically ...

Medium: original lithograph. Printed in 1920 on smooth wove paper for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edit...

"Mother and Daughter" Expressionist Portrait in Oil on Cardstock Mid Century expressionist portrait by unknown artist Jane W. Grace (American, 20th C...