Horse Art

A charming oil painting depicting two brown horses inside of a stable, with details of the wooden structure and the hay on top of the floor. Done in a highly impressionistic manner w...

Working Horses is an original oil painting on canvas realized by Alessandro Lupo in 1913. Hand signed and dated lower right. Good conditions, slightly stretched canvas, slight mark...

This is a framed original painting. Biography Creating paintings inspired by western movies and by Remington and Russell, he is a native of the West, having been born and raised in rural Colorado. He studied art at Baylor University in Waco, Texas; at the California Institute of the Arts in Valencia, and at the University of Colorado, Boulder where he earned a Master's Degree in 1979. For two decades he worked as curator at the Yellowstone Art Museum in Billings, Montana, before leaving in 1999 to begin work as a full-time painter and independent curator. His work is in the collections of the Buffalo Bill Historical Center in Cody, Wyoming; the Art Museum of Missoula; and the Yellowstone Art Museum; the Federal Reserve Bank in Helena, Montana; and the Deaconness Medical Center in Billings, Montana. Artist Statement For a long time, the images in my paintings have been identifiably, even iconically, western-stagecoaches and false-front main streets, poker games and gun battles, cowboys, Indians, cavalry troopers and horses, all suspended in a choreographed matrix of dancing paint. Distinct from the traditional western genre-which inventories the minutia of cowboy gear or tells sentimental stories of rangeland romance-my paintings embody something more elemental and timeless, animated and abstract. The images tend to be stark, graphic, and charged with painterly energy. Though they are derived from fugitive television images, the paintings, as paintings, are still, silent and non-ephemeral. They register the technological transfer of primal shadows onto the electroluminescent screens of our collective consciousness, a shimmering blur of perception and memory transposed in an interchange of gesture and description, painted marks simultaneously arresting and embodying movement. I've always liked what a painter friend, Marc Vischer, wrote in 1988 about an early group of my western paintings. Now, I'm fourteen years closer to actualizing my vision for this work, and his astute remarks seem more pertinent today than they did then. He wrote in part, "For McConnell, a searing light emanates from a new desert: that of television. And from that most desolate backdrop, he salvages fragments from a movie world that spoke of honor in a land that was lawless. In a romantic sense, McConnell's works are a visual seance. Figures, like specters distorted through intense heat waves, are captured from their eternity of 24 frames a second. Their shapes and shadows are brought back into a radically different world and given substance and texture. It is an impossible attempt to freeze them, to arrest the present's ceaseless molestation of the past, to close off the continuum. Sometimes this is done darkly and thickly as an emphatic gesture of permanence. In other works a few light strokes quickly applied suggest the ephemeral nature of film and perhaps the fleeting nature of our own lives." I have been examining new imagery in my paintings, drawing subjects from Mexican graphic novelas, modern women and men of romance and mystery from the mid-20th century, motorcycles and airplanes. The end titles of movies, stated in several languages, have inspired me to begin a new series of cross-media translations in both acrylic and watercolor. My paintings have long begun where the movies have left off. The elements of water and light co-mingle in some pieces from this series and in others which take the viewpoint of a swimmer, watching other swimmers from the wet side of this aqueous membrane, looking up toward the light. My arrival in Montana in 1982 brought me into intimate contact with some of the most storied places of the historic West and also gave me the opportunity to study the paintings of two of the most influential codifiers of western imagery, Frederic Remington and Charlie Russell...

Paper Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Image Size: 16 x 28 inches ( 40.64 x 71.12 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Advertisement poster for the 1983 Lamborghini Countach...

A charming coastal scene depicting a farmer and two shire horses overlooking the sea. The artist captures the composition in a soft palette and loose brushstrokes, evoking a sense of...

These 4 oil on canvas paintings are in a set of 4 for $8000.00. “Friends of Friends” explores a playful world where dreams and reality meld together to create surreal moments. Wh...

English School, circa 1950's The Riding Lesson oil on board, unframed 17 x 20 inches private collection, England The painting is in overall very good and sound condition. There is a...

Original British vintage poster: Historic Carlisle - Gateway to Scotland. Artist: Maurice Greiffenhagen. Horizontal size 39" x 48.75". Archival linen-backed original stone lithograph; ready to frame. In very good to excellent condition. Original, 1925 horizontal travel by train stone lithograph. Historic Carlisle ~ 800 years of Civic Independence. See Britain by train. British Railways. Published by British Railways (London Midland Region) LM 16657. Probably the most famous British railway poster of the 1920s. The LMS commissioned designs from 16 leading Royal Academicians in 1924, of which this was by far the most popular. A British Royal seal...

Wonderful oil on panel circa 1920 by French impressionist painter Andre Devambez. The work depicts a soldier leading his horse along a dirt track during...

Work on canvas Plaster and gilded wood frame 89.5 x 105 x 7 cm

Country Scene - Emilio Pergola Italia 2006 - Oil on canvas cm.50x130 The painting by E. Pergola is a painting inspired by the rural realism works of Julien Dupré French painter. Dupret was one of the main exponents of French realism...

This painting is dedicated to courage, strength, and beauty. Man and horse, interaction, love. Powerful and restrained color. • Linen canvas, high-quality oil paints. • Two coats of protective gloss varnish were applied to protect the painting from UV rays and dust. • Signed and dated by the artist on the back. • Includes a certificate of authenticity signed by the artist. • Shipping rolled in a tube. Please do not hesitate to contact me! Thank you for visiting my art! Best regards! Andrei Sitsko

Listing includes free shipping for unframed prints in the continental U.S. and a 14 day return policy. Jim Krantz Epic Western No. 38, 2020 40 x 60 inch chromogenic print Edition 5 of 7 Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions. If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images...

"How to capture the past, present and future at the same time; this is at the center of my work as an artist and as a father, son, friend and lover. As we navigating our daily lives,...

The Donkey is an original etching artwork realized after Charles Coleman (1807, Yorkshire - 1874, Roma) in 1992. Signed on the plate. The rare edition...

Serge LASSUS (1933-) Horses : Riders in Winter, 1983 Original Lithograph Handsigned in pencil Numbered / 600 (the number you can see can be different) On Vellum 56 x 76 cm (c. 22 x ...

Don Giovanni (1955) Limited Estate Stamped - Giant (Photo by Slim Aarons) Don Giovanni, the son of Prince Aldobrandini rides his favourite Shetland pon...

The Vraic Season (No 1). 1936. Etching. Appleby 181. 12 x 14 1/4 (sheet 15 1/4 x 20). Edition 125 for The American College Society of Print Collectors (alternatively titled Seaweed H...

Medium: original etching. Printed in 1946 at the atelier Quesneville on BFK Rives paper and published in a limited edition of 300 for the "Alternance"...

"White Horse" is a signed photograph For millions of years, early humans evolved alongside all other wildlife in a completely analog world, sharing the same natural environments in ...

Medium: Lithograph on vélin paper Year: 1952 Paper Size: 12.125 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the album, The Circus by Toulouse-Lautrec, 1...

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Style: Classic Figurative Year: 2010 Title: Archangel Gabriel Size: 12"...

The Close of Day by Paul Flaubert (1928-1994) signed oil on canvas, unframed canvas: 18.5 x 22 inches provenance: private collection, France condition: very good and sound condition ...

"Titans" Windswept and beautifully unkempt, these three stallions band together and assess their territory. These limited edition archival prints are carefully inspected, signed, a...

Frederick Lester Sexton White Horse Signed lower right Oil on canvas 25 x 30 inches Provenance Part of a Collection received from the Lyme Art Association. Frederick Lester Sexton received a lot of reviews and exhibitions in the 1920s, 1930s, and 1940s, when he was at the height of his career. Because it captured the personal view of many people's wish to ignore national issues and simply live their lives in their homes, his work was favorably welcomed. The rise of modernist styles like Abstract Expressionism, which started to take over the American art scene in the 1950s, also contributed to Sexton's fall in popularity. As collectors and regular spectators discover once more that realism is a valid component of American art because it speaks directly and clearly to the beauty they perceive in their surroundings, many artists, like Sexton, are experiencing a renaissance. Cheshire, Connecticut, was the birthplace of Frederick Sexton in 1889. His father, J. Frederick Sexton, was the Rector of St. Peter's Church in Cheshire and a well-known Episcopal clergyman. The mother, Mary Louise Lester, was an amateur painter and came from a pretty well-known Hartford family. Frederick was killed in an open-hearth fire when he was eighteen months old. His right hand was badly burned and was never to be opened again. The father kept the family together after his mother passed away when he was nineteen. Sexton's mother taught him art, and he went to public schools in New Haven. He received the prestigious Winchester Prize for a year of study in Spain while attending the Yale School of Fine Art, where he studied under Augustus Tack...

Two white horses in a glacial pool of water nuzzling together Signs of affection in one of the most extreme places on Earth Set against Iceland’s ic...

Painted by Constantine Guys (French, 1802-1892) circa 1875 and stamped verso with Certification of Authenticity. A painter and illustrator in colorful watercolor and wash, Constanti...

Monogrammed by hand Publisher: Griffelkunst Hamburg Condition: in mint condition Size: 11.5 × 8.6 on 15.4 × 12.5 inches Thorsten Brinkmann was born in Herne, Germany in 1971. He studied Visual Communication at Kunsthochschule Kassel and Fine Arts at Hochschule für Bildende Künste, Hamburg. Brinkmann is known internationally for his unconventional photographic portraits and still lifes, featured recently in T: The New York Times Style Magazine article, “Witty Photos That Play With Centuries-Old Artistic Tradition” (September 2015). Brinkmann has had solo exhibitions in Belgium, Germany, and Mexico. His work is represented in museums throughout Europe and was included in Beyond Borders, The Fifth Beaufort Triennial, Belgium (2015); and Dress Codes: The Third ICP Triennial of Photography and Video, International Center for Photography, New York (2009). Following his 2012 residency at The Andy Warhol Museum, Pittsburgh, Pennsylvania, Brinkmann undertook La Hütte Royal, a yearlong installation project of transforming a dilapidated house in the Troy Hill area of Pittsburgh into a permanent artwork. A self-proclaimed serialsammler (“serial collector”), Thorsten Brinkmann keeps whatever catches his eye as he sifts through the broken and discarded items sitting in purgatory on thrift store shelves...

Two horses swim underwater in this breathtaking black and white image Underwater image of two horses swimming in unison Created comple...

Wright BARKER 1864 - 1941 Canvas Size: 27 x 40" (69 x 102cm) Outside Frame Size: 33 x 46" (84 x 117cm) Oil on Canvas Free Shipping Exhibited : 1885 - 1935 He was a figure and animal painter who was based originally in Bradford, where he lived until 1885, when he moved to Edwinstowe, near Mansfield, Nottingham. In 1901 he moved to Hampstead and then back north to Harrogate where he stayed until his death. In his later years he became a picture dealer, but in his will he referred to himself as ‘animal painter’. Barker became a member of the Royal Society of British Artists in 1896. Although he called himself an animal painter he is also known to have painted ‘Roman Maidens...

Medium: original lithograph. This impression was printed in 1901 and published in Paris by the Revue de l'Art ancien et moderne. Image size: 7 5/8 x 5 1/8 inches (195 x 130 mm). Sign...

Medium: lithograph (after the colored pencil drawing). Printed in Paris in 1952 by Mourlot Freres in an edition of 1500. The total sheet (including margins) measures 11 3/4 x 9 1/8 i...

Signed lower right, 'Dusso' for Leon D'Usseau, Jr. (American, 1918-1991) and painted circa 1965. A substantial, Modernist oil showing a mare and foal frolicking in a deep chestnut landscape interspersed with foliage and areas of bright color. Born in Los Angeles, Leon D'Usseau began training under the guidance of his father, who was among the earliest fine-art film directors to work in Hollywood. At the age of twelve, Leon was drawing seriously and, at fifteen, received a working scholarship at Chouinard School of Art where he studied under Merrill Gage and Alexander Archipenko. At this early age, he was also employed by Chouinard to teach a line-drawing class. Adopting the anglicized brush-name of Dusso, he exhibited widely and with success including at the Los Angeles County Museum of Art (1937-40), the California Palace Legion of Honor (1941), the Metropolitan Museum of Art (1942), the Laguna Festival of Arts, Los Angeles Artists Association (1945), the California Watercolor Society (1946) and the Audubon Association (1945). Leon Dusso...

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Classic Figurative Year: 2002 Title: Pegasus Size: 17" x 25" ...

Utopia - Signed limited edition archival pigment print, 2016 - Edition of 10 Aida FOLCH ( Spanish actress) and Utopie ,Barcelona Tribute to Jean Rochefort ( French actor) This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes ( Image size , the white margin is not counted): 40 x 27 cm / 15,75 x 10,63". - Edition of 10 60 x 40 cm / 23,62 x 15,75" - Edition of 5 Laurent Campus is an Italian freelance producer and photographer. In addition to an academic training in international trade, he has forged a solid musical, pictorial and cinematographic culture which led him gradually and naturally to the photography he has been practicing for more than twenty years full-time professionally. Its customers are brands that have supported the film industry for many years ( L'Oréal, Renault, DIOR, GENERAL MOTORS, FranckProvost, FranceTV, Canal +, EPSON, CANON, FESTIVAL DE CANNES, HFPA, VUELING, CARL F. BUCHERER , IWC, ParisMatch,…) as artists (filmmakers, actors, musicians) or producers and distributors. He has gravitated for more than 20 years at the heart of French and international cinema. Cinema photographer and reporter, making of : “Cannes Film Festival official” photographer "Official Golden Globes ceremony” photographer SONY Spain Photo...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

A superb watercolour showing figures with a horse crossing a stream, with sheep beyond. Titled to the reverse 'The Ride Home'. Well presented in a moder...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the...

Etching with aquatint on watermarked F J Head & Co. cream laid paper, 9 3/4 x 11 1/2 inches (245 x 290 mm), full margins. Signed in pencil, lower margin. Scattered age tone and mat t...

The English Countryside by Anthony Woodward, British contemporary oil painting on canvas: 40 x 50 inches framed: 47 x 57 inches condition: very good provenance: private collection, UK

Etching on Chine collé mounted to cream wove paper, 3 7/8 x 5 7/8 inches (97 x 147 mm), full margins. With a pencil notation in the right margin on the recto (outside of image area),...

Dylan Gordon is a photographer from the Central Coast of California. A childhood spent raising horses, surfing and skating inspired him to tell stories of the people and places he ...

The Wild Ones, 2019

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the l...

Wonderful 18th century English gouache on paper of a 18th century English scene of a man on his horse with his dog in a landscape One of a set of five all framed in Hogarth frames. ...

This striking black-and-white photograph captures two horseback riders in the expansive desert landscape of the American Southwest, likely from the 1960s. The riders, both wearing cl...

Vincent HADDELSEY (1934-2010) Horse : The Race, 1974 Original Lithograph Handsigned in pencil Numbered / 50 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

An atmospheric street scene depicting a cart horse waiting patiently on the cobbled street of an industrial site. Unsigned. On canvas.

THE CORONATION OF HER MAJESTY QUEEN ELIZABETH II, 1953 by Patrick Edward Phillips (British 191907-1976) signed and dated oil painting on canvas, unframed canvas: 26.5 x 27.5 inches p...

The 1954 original exhibition poster after Henri de Toulouse-Lautrec’s iconic work “Le Jockey se rendant au poteau” is a captivating example of how the legacy of a renowned artist was...

Gentle moment of a white Camargue horse looking out of his white stable window A lone white ethereal horse peaks its head out of the stables in Camargu...

Born and raised on the Central Coast of California, Dylan was brought up raising horses, surfing and skating throughout his youth. The pursuit to tell stories came naturally when he began pointing his camera towards what and who he loved most. Now known for his work in the Outdoor and Editorial realms Dylan travels the globe shooting with Top Athletes and brands. Dylan now resides in Ventura...

A lone white horse charges into a snowy tundra as if guided by an internal light Ethereal portrait of a lone white Icelandic horse running Set against Iceland’s iconic backdrop, th...

Horse is an original Etching artwork on paper realized in 1923 after the french painter Henri Farge. The State of preservation is good. The artwork repre...

Duane Bryers, American (1911 - 2012) - Meanwhile Back at the Ranch, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Size: 21 in. x 27.5 in. (53.3...

Ethereal portrait of a white horse against an off-white background A lone Camargue horse with its mane styled by the salt water looks at something out of frame The award-winning pr...

This artwork titled "Dance Upon the Sky" 2013, is an oil painting on canvas by noted American artist Frederick Michael Wood, b.1944. It is signed at the lower right corner by the art...

Evocative oil painting of pioneers traveling by wagon train across the vast western plains by California artist Harry Roerade (American 1908-1987), circa 1...

This is an original vintage signed oil painting on canvas by Russian Artist  V.Vasilyev.  The painting titled "Russian Maslenitsa" vividly captures a spirited moment from the traditional Russian festival of Maslenitsa, which marks the end of winter and the coming of spring.  The artwork features three riders on horseback, energetically racing through a snowy landscape, with the central figure prominently raising his hat in a gesture of excitement or greeting. The horses are ornately decorated, suggesting the festivity of the occasion. In the background, a winter scene is depicted with bare trees and a traditional Russian wooden...

Painted with four hands. Josep Padró Gonzalez (1904-1982) and Pedro Serra Farnés (1890-1974). Oil measurements 47x62 cm. Frame measurements 70x85 cm.