Horse Art

"Legend" This wild horse's mane stands out among the rest of the 500 horses on Sable Island. It is the grandest and most regal of them all. The print series Discovering the Horses...

This piece, "Chester", is a 22x32 equine oil painting on canvas by artist Marie Channer. Featured is a portrait of a dark brown horse in the warm light of stable, illuminating the bo...

The Half Way Hotel English artist, late 19th century (double sided painting with a hunting scene to the reverse). oil painting on board, unframed board: 13 x 10.75 inches provenance...

"Dance of the Sea" This dark horse swimming appears drawn in charcoal - a chiaroscuro effect - while the water's lightness complements and heightens the dr...

Palm Springs Rodeo 1970 by Slim Aarons Slim Aarons Limited Estate Edition Spectators watch from the stand as a contestant rides a bucking horse at the Palm Springs Mounted Police ...

Gary Niblett (Born 1943) New Mexico Artist Image Size: 24 x 36 Frame Size: 38 x 50 Medium: Oil "A Fine Welcome" Nocturnal Western Biography Gary Niblett (Born 1943) Born and raised in Carlsbad, New Mexico and living with his wife, Monika in Santa Fe, Gary Niblett is a painter, primarily with oil, of western scenes especially Navajo and Pueblo Indians, cowboys on horses in landscape, and frontier genre. He has also done paintings from his travels such as Streets of Warsaw and Women of Golondrinas, and during these travels exhibited work in Moscow, Taiwan, Beijing and the Royal Watercolor Society in London. From birth, Niblett grew up with the American West as a part of his daily life. Recognizing his talent, local ranchers paid him to do portraits of his horses. After high school graduation, he attended the Art Center School of Design* in California and then spent eight years in Los Angeles with Hanna-Barbera* animation studios as a background and animation artist. There he met his wife, Monika, and they married in 1970. Deciding to focus on western art, Niblett left commercial art in 1973. He and his wife, Monica, returned to New Mexico where they live in an adobe style home. In New Mexico, he has received much attention for the quality of his painting. In 1990, he was named "Distinguished Calendar Artist" for New Mexico Magazine, and one of his oil paintings is in the collection of the New Mexico state capitol building. He has also been featured in magazines such as International Fine Art Collector, Time, Saturday Review and New Mexico Magazine. In 1976, Niblett was voted into the Cowboy Artists of America...

19th Century English School oil painting on copper, framed framed: 18 x 14 inches board: 13 x 8 inches provenance: from a collection in Derbyshir...

Simple curved lines of this horse against a black backdrop⁠ highlight its beauty The stark contrast between this horse's white coat and the dark backdrop allow the details of its be...

David Pryor Adickes born January 1927, Huntsville, Texas) is a modernist sculptor and painter. His most famous work is the 67-foot tall A Tribute ...

Brigitte Auber is a black and white vintage photo, realized in 1960s. The photo depicts the actress, Brigitte Auber, in the Winter Circus in Paris, during the show with the horses ....

Medium: Lithograph on vélin paper Year: 1952 Paper Size: 12.125 x 9.25 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the album, The Circus by Toulouse...

Afternoon ride is a pair of, 13 x 9 inches each, equestrian paintings by Pennsylvania painter James N Hess. One is signed in the lower left, one is signed in the lower right. Animal...

Selected from Phillip's acclaimed series, The Horses of Deep Hollow Ranch. Working with a vintage Mamiya handed to him by a stranger in NYC, Graybill creates contemporary photographic compositions in a style that is reminiscent of the Pictorial School from the early 1900’s. Artist: Phillip Graybill Title: Silver Edition: Signed and numbered in the margin, archival pigment prints on 100% cotton rag paper, remastered and printed at FATHOM Los Angeles Phillip Graybill is from Atlanta, Georgia. He moved to NYC in 1996 where he lived for 20 years and now splits his time between NYC and Venice, Ca.  He has exhibited with celebrated artist Julian Schnabel. He has also exhibited alongside such photographic luminaries as Peter Lindbergh and Nigel Barker. Graybill was the primary photographer for the Nine Inch Nails...

This 20th century oil painting of mare and two foals is set in an idyllic landscape with mature old tree, stone well and cottage in the background; by Robert Alexander, signed and da...

Claude-Lorraine Ferneley Sir Richard Sutton's Most Famous Hunter Hotspur c.1840 24 X 28.5 inches framed A genuinely famous hunter! Even mention in...

This painting by artist Ray Simonini titled "Luna" is a 12x16 farm animal oil painting on canvas featuring a portrait of a white horse against a colorful bright background. Afternoon...

A 19th century oil painting on canvas of a Grey Horse in a Stable. Signed and dated 1890, housed in a gilt frame. The size of the painting being 17" x 21" (43.2 x 53.3cm) whilst overall size is 67 x 56 The painting is in very good condition having had some restoration in the past and a recent clean Albert Clark (1843-1928) British. Albert Clark (October 1843–December 1928), was an English painter. Born in October 1843, Clark was the second Son to acclaimed animal painter, James Clark and his wife, Elizabeth who died when Albert was a child. Living with his father in a small town in Middlesex, South East England, Albert began to learn from James and started creating notable paintings of animals – namely horses – under the 19th century naïve style. At the age of 17, Albert Clark had defined himself as a ‘naïve animal...

This superb Dutch Old Master Golden Age oil painting is attributed to Pieter Bodding van Laer. Painted circa 1635 the composition is a group of travellers who have stopped to rest. I...

Tracy Wall's (Colorado, US based) "Balanced Carriage" is an original, handmade oil painting that depicts an equestrian scene with overtones of green. As an artist, Tracy Wall sheds new light on everyday life, inviting the viewer to see the familiar as if for the very first time. Working with a variety of subjects, Tracy paints interesting viewpoints with compelling value, color, and shapes. Appealing compositions are everywhere, and they make strong impressions from afar even before the subject matter is recognized. She loves to balance representational impressions with more abstracted compositions. Tracy has studied at the Art Students League of Denver under such influential artists as Michelle Torrez, Ken Velastro, Kevin Weckbach, John Lencicki, and Rob Gratiot while also participated in additional workshops from Sally Strand, Carol Marine...

Acrylic, watercolor, crayon & pencils on paper + frame

Artist/ School: Michael Wood, British 20th century, signed Title: A huntsman mounted with four hounds at foot in a landscape Medium: oil painting on can...

A dynamic mid 20th century copy of a lithograph that depicts Englishmen on horseback giving chase with a pack of beagle-type dogs running in the background. by John Frederick Herring...

Guy Allen Grazing Horse Study Gold An etching, aquatint and hand finished gold leaf on 300gsm Somerset paper. Edition Size: 75 Year Completed: 2017 Image Size: H 19.5cm x W 13.5cm Paper Size: 56 x 39 cm Sold Unframed (Please note that in situ images are purely an indication of how a piece may look)Please note the price is for the unframed original etching . Grazing Horse Study Gold is an original etching, engraved onto a copper plate, from which Guy Allen creates an impression of ink onto paper. To create his pieces, Guy Allen marries the traditional technique of etching with timeless subject matter and print making processes, for a more contemporary twist. This etching is a study piece for the large Grazing Horse artwork...

Paper Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Image Size: 15 x 33 inches ( 38.1 x 83.82 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Deta...

A passion for horses, equestrian pursuits, and painting define Brooke Major's life and career. A native of Atlanta, GA, Brooke Major has been living and working as a professional art...

"Horses" is an original china ink drawing on ivory-colorated paper realized by Yves Brayer in 1954. In excellent conditions. This is an original drawing representing two horses. ...

Glynn Williams is a British painter of animal, landscape and other subjects. His work is of the highest quality and his dedication to well observed co...

GEORGE WRIGHT Plough Team horses and a Dog in a Landscape, oil on canvas A fine painting from the renowned equine artist George Wright. This oil on canvas depicts the 2 horse plough ...

Nicolas Edward GABE (Paris, 1814 - Paris, 1865) The death of General Négrier on Place de la Bastille on June 25, 1848 Oil on canvas Signed and dated lower right 82 x 101 cm 1849 Nicolas Edward Gabé is a 19th century artist who is still little studied to this day and yet seems to have enjoyed, according to the artistic press of the time, a certain notoriety, in particular for his seascapes. The few bibliographical elements that we have come from the Salon booklets and tell us that the artist was born in Paris in 1814, therefore shortly before the end of the Empire. No elements on his artistic training are mentioned in the booklets, we just know that Gabé exhibited at the Paris Salon from 1835 to 1864 where he first practiced miniature then then approached easel painting, risking himself as well in still life that the seascapes, the landscape, the portrait or the hunting. According to press articles, he also took part in various exhibitions in the provinces such as Boulogne-sur-Mer and Marseille. Notably, Gabé did not exhibit at the Salon his large historical canvases on the revolution of 1848, which today are of obvious documentary and iconographic interest; probably for political reasons which are easily understandable to us today in view of the historical events of then. Gabé died in Paris at the age of 51 on January 4, 1865 with a mention in the January 7, 1865 edition of L'Union des Arts: “The death of Mr. Gabé, painter, well known in the export trade in paintings as well as to the auctioneers' hotel, whose sales it supplied through its numerous navies. “ "On June 25, 1848, in front of the barricades erected in the Bastille by the insurgents of the Red Republic, General Négrier fell to death, while he was uttering words of order and conciliation". Here are the opening lines of the tribute paid by Colonel Borgarelli d´Ison, friend of General Négrier. General Négrier belonged to a family from Maine, brought back by Marshal Lannes from emigration. Born in Le Mans on April 27, 1788, François Marie Casimir de Négrier entered, barely 18, as a volunteer in the 2nd Light Infantry Regiment. He began in 1806 with the campaigns of Prussia and Poland, during which he earned, through his bravery, the rank of sergeant and the decoration of the Legion of Honor. He made the following campaigns in Spain and Portugal, and left, with his regiment, only for the campaign of France, in 1814, after having risen successively, by actions of brilliance and by a serious wound, to the ranks of head of battalion and officer of the Legion of Honor, with which he was provided from October 1813. The Restoration retained his rank in his regiment. After having fought and wounded a second time seriously in Waterloo, Négrier was recalled in 1816 under the second Restoration. He was appointed, in 1825, lieutenant-colonel, then colonel in 1830, brigadier general in 1836, and of division in 1841. From March 1837 he participated in the conquest of Algeria. The Revolution of 1848 found Negrier in possession of the important command of the 16th Military Division in Lille. Quaestor of the Assembly in these times which promised to be troubled, Négrier reviewed the Place de la Concorde on June 23 at around noon various mobile guard battalions. He then took the head of 2,000 men provided by the 10th and 11th legions of the national guard and bivouacked on the Place du Palais until the next day 24. On Sunday 25 at nine o'clock, the Négrier division resumed the fight towards the Saint suburb. -Antoine. The troop gains continual advantages. At around two o'clock the column of Négrier had seized the Pont Marie: it had removed the barricades from the Quai Saint-Paul, the rue de l'Etoile, the rue des Barres...

This evocative oil painting captures the rustic charm of a Middle Eastern rural scene, featuring horse-powered wooden water wheels. The artist skilfully employs a muted colour palett...

Che Leviathan (US based) "Fortification" is an original, handmade oil painting that depicts a brown horse in profile, with thick black mane and a black a...

Two white horses nuzzling against one another Two white horses appear to share an affectionate moment against the minimal, off-white backdrop of Camargue in the South of France The...

The Painted Stallion William Henry Dethlef Koerner (German, American, 1878-1938) Oil on Panel Signed Lower Right Titled Verso 21.5 x 37 inches 26.5 x 42.5 inches with frame Written ...

Very fine original oil painting by the highly regarded Suffolk School artist, Edward Robert Smythe (1810-1899). The painting is signed to the lower left and is a very fine example of this important artists work. Painted in oils on canvas, the artist has captured a traveller resting beside her camp, with a small fire burning to the right and her horse standing to the left. With the frame, the painting measures 16 by 18 inches. The painting comes to us from a private collection of Suffolk School paintings, housed in Suffolk, England, where we understand it has resided for many years. Born at Berners Street, Ipswich in 1810, son of James Smyth (1780-1863) and his wife Sarah Harriet née Skitter; James, who was an accountant with the bank Bacon, Cobbold, Durningham & Cobbold in Tavern Street, Ipswich added a final 'e' to his surname. Edward attended the school of Robert Burcham Clamp and had a liking for a military career but his love of art took his fancy. Elected a member of the Ipswich Society of Professional and Amateur Artists on 1 March 1832 and attended his first meeting on 18 November the same year and was probably working under Henry Davy [q.v.] and where he met many local artist members. In his younger days he had a studio in the Old Shire Hall, Ipswich where he painted with such artists as Samuel Read [q.v.], Walter Hagreen [q.v.], Frederick Russel [q.v.] and Robert Burrows [q.v.]. About 1840 he moved to Norwich to study the Norwich School of painting where he became acquainted with Robert Ladbrooke’s son, Frederick [q.v.] and is said to have worked with John Sell Cotman [1782-1842] but returned to Ipswich some five years later, taking a house in Bramford Road. He married at Ipswich in 1848, Ellen Bowman of Ipswich and where his first child Edward Robert, jun. was born the following year. In 1851, giving his age as 32, is living at Elmswell, Suffolk with his 24 year old wife Ellen and son but later that year moved to 3 Angel Hill, Bury St Edmund’s, where he kept company with his friend Fred Ladbrooke. By 1861, still at Angel Hill, they had further children born at Bury St Edmund’s, Francis (Frank) Rowland 1852, Ellen Kate 1854 and Mary Emily 1856, their daughter Louisa Jane, died at Angel Hill, Bury St Edmund’s on 7 April 1861, aged 3 years and 7 months. He exhibited at the Suffolk Fine Arts Association at the New Lecture Hall of the Mechanics' Institution, Ipswich in August 1850 several oil paintings including 'Chapel Viaduct, Colne Valley', 'A Group of Animals', 'A Sketch Ploughing', 'Ponies and a Dog' and 'A Landscape' and a watercolour 'The Ruling Passion strong in Death' and was also a member and exhibitor at the Ipswich Art Club 1886-1898. He also exhibited five works at the Royal Academey including 'View in the Colne Valley at Chappel, Essex' and exhibited five works at the British Institution including 'Pony and Boy' and 'The Village Blacksmith'. In 1865 Edward was living at 98 Risbygate Street, Bury St Edmund’s, and his wife died at 69 Risbygate Street, Bury St Edmund’s in 1879, aged 52. By 1891 he had moved in with his married daughter Ellen Kate, who had married at St Matthew’s church Ipswich on 10 May 1886, George Robert Chilvers, a tobacco manufacturer, at Burlington Lodge, 30 Burlington Road, Ipswich where he died on 5 July 1899, aged 88, and buried in Ipswich cemetery three days later. Five of his painting were on show at the Centenary exhibition of the Ipswich Art Club in 1974 a pastel 'Crossing the Stream...

Artist: Alexander Litvinov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Cardboard Style: Classic Figurative Year: 2002 Title: Pegasus Size: 17" x 25" ...

Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...

Thomas Burford (British, c. 1710-1779) Hare coursing outside a country house Oil on canvas Property of a gentleman From the collection of Peter Roe Dimensions: (Frame) 12.5 in. (H)...

A pair of old master paintings by August Querfurt (1696-1761). Oil on panel, one signed with initials in the lower left. Two scenes depicting hawking parties from the 18th century. I...

Oil on canvas 60.3 x 73 cm.; 23 3/4 x 28 3/4 inches Signed lower right

A striking image from the 1960s capturing two horseback riders overlooking the expansive desert landscape of Big Bend National Park, Texas. The riders, dressed in traditional Western...

The majesty and power of a horse as it rears up is captured in this dynamic bronze statuette by Canadian sculptor, Richard Tosczak. His work begins with a quickly sketched pen and ink single drawing of each piece which is then formed in clay and finally cast in bronze. This expressive sculpture is highly textured and finished in an elegant green patina. Number three in a series of twelve. “The horses came as a result of drawings I made in Holland when my son was trialing with a couple of football clubs. Every day we would pass by these beautiful Friesian horses...

Hubertus van Hove (The Hague, 1814 - Antwerp, 1865) - Signed H Van Hove and dated 1839 (bottom left) - Coastal landscape with the beach of Scheveningen Oil on panel 62 x 80 cm. - F...

Mid Century figurative landscape of a cowboy on his horse at sundown titled "Head Em Home" by Stanley M. Long (American, 1892-1972). Signed “Stanley M. Long” in bottom right corner. Displayed in a simple wood frame and off-white mat with glass. Image size: 22.75”H x 30.25”L. Frame is 1.5" deep. Stanley M. Long was a watercolorist who was born in Oakland, CA on May 4, 1892. He spent his childhood on a ranch in Napa where he broke wild horses. He began sketching when quite young and at age 15 enrolled at the San Francisco Institute of Art. He continued at the California College of Arts and Crafts, where he was awarded a scholarship for further study at Académie Julian in Paris. Long served in the camouflage corps in both world wars. Long taught art in San Francisco at Mission High School and for 17 years at Polytechnic High School. His western illustrations were featured in Sunset Magazine and the Los Angeles Times. Having worked with horses all his life, they were to become the main theme of his paintings. Member: Society of Western Artists, Napa Valley Art...

Giclee limited edition print by worldwidely established Polish artist Rafal Olbinski. Figurative surrealistic print with man standing on the road. The road is transforming into a bir...

Gordon Coutts (1868-1937) Scottland & California Artist Image Size: 30 x 40 Frame Size: 45 x 50 Medium: Oil Circa 1920s "Scouting" Indian Biography Gordon Coutts (1868-1937) Born...

Picture of the opening of the temporary Diet building is an original artwork realized in the 1890s by Ginko Adachi (born 1853; active c. 1870 – 1908). Sheet dimensions: 22 x 48 cm. ...

A Chinese, Tang Dynasty, Sancai-glazed, three colors of brown, green and creamy, sculpture of a horse with a cut fur blanket. This Chinese, Tang Dynasty (618-907 AD), glazed earthenw...

Portrait of A Prize Winning Shire Horse, 19th Century WILLIAM ALBERT CLARK (1860-1843) Large 19th Century English portrait of a prize winning shire horse, oil on canvas by William ...

To see our other hunting prints and paintings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Charles "Snaffles" Johnson Pa...

Gudrun Sibbons (1925- ) German-born British Artist. Oil Painting of Family Picnic by the River with Horse & Dog. Oil on Board, Signed. Framed in a high ...

Work on paper Ed: 63/75

Jaguar Standing Bronze Sculpture Wildlife Wild Animal Realisme Contemporary Chris Tap (1973, Amsterdam) attended university where he studied ...

Eugen Osswald German, 1879-1960 La Course Oil on canvas 14 by 16 ¾ in, w/ frame 22 ½ by 25 ⅜ in Signed Eugen Osswald lower left

An enchanting 19th century watercolor with figures before a castle in a river landscape. Circle of Samuel Prout (1783-1852) Figures before a castle in a river landscape Watercolour ...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

Soulmates," a poignant work by Rudolf Kosow, tenderly illustrates the profound bond shared between a dog and a human. In this intimate portrayal, the dog's gaze is imbued with an emotional depth that transcends the boundaries between species. Its eyes, rendered with striking clarity, convey a world of understanding and companionship. The lady, is nestled against the dog's face in a pose that suggests a mutual trust and shared existence. This closeness speaks to a relationship that goes beyond the conventional pet-owner dynamic, hinting at a deeper, spiritual connection—a true meeting of souls. In Kosow's vision, the concept of soulmates expands, encompassing the idea that our most understanding and compassionate partners may not be human at all. The painting's title, "Soulmates," encapsulates the notion that kindred spirits are connected not by words, but by the heart and soul, through gestures of love and moments of silent understanding. With "Soulmates," Kosow invites us to contemplate the essence of connection and the forms it can take. It's a celebration of the unspoken bond that animals and humans can share, an acknowledgment that the purest forms of love and understanding sometimes require no language. This piece serves as a beautiful reminder of the loyalty, comfort, and unconditional acceptance that define the most precious of life's relationships. keywords; painting on canvas, surrealist painting, animal vs human, americana, nature, man, man vs nature, surrealism, giant animal...

Antoine Blanchard French, 1910-1988 Quai Du Louvre, Paris Oil on canvas 13 by 18 in, w/ frame 21 ¾ by 26 in Signed lower left Antoine Blanchard is the pseudonym under which the Fre...

To see our other views of London and our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller". Julian Trevelyan (1910-19...