Ifpda International Fine Print Dealers Association Figurative Prints
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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LES PETITS HALEURS
By Jacques Villon
Located in Portland, ME
Villon, Jacques. LES PETITS HALEURS. GP 176. Etching and Aquatint, 1907. Edition of 50 on Arches laid paper, signed and numbered in pencil, 5 3/4 x 7 3/4 inch...
Category
Early 1900s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching, Aquatint
PKZ [Man Tipping His Hat].
By Franco Barberis
Located in New York, NY
Barberis, Franco. PKZ [Man Tipping His Hat]. 1953, Color lithograph, 50 1/2 x 35 1/2”
On Linen. Ref: American Poster Renaissance, p. 41
As a graphic designer, Barberis was initial...
Category
1940s Art Deco Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
![PKZ [Man Tipping His Hat].](https://a.1stdibscdn.com/franco-barberis-prints-works-on-paper-pkz-man-tipping-his-hat-for-sale/a_2922/1610721000093/Barberis_PKZtippinghat_53_master.jpg?width=240 "man tipping hat")
Coquette
By Victor Max Ninon
Located in Fairlawn, OH
Coquette
Pochoir (silk screen) printed in colors, c. 1923-1925
Signed by the artist in pencil lower right; numbered in ink on the image, (see photo)
Edition: 250 (100/250) in pencil in image (see photo)
Image size: 10-1/2 x 12-3/4"
The artist won a gold medal in Paris in 1925 for his porchoirs
Victor Max Ninon (Vittorio Accornero de Testa, Italian, 1896-1982)
Biography
Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators.
In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli .
In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia.
In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous.
His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino Buzzati...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Stencil
SEATED NUDE IN A CHEMISE
By Richard Diebenkorn
Located in Portland, ME
Diebenkorn, Richard. SEATED WOMAN IN A CHEMISE. Liithograph, 1965. Edition of 100, initialed and numbered 88/100 in ink. Printed on BFK Rives paper, and published by Original Press, ...
Category
1960s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Bellhop
By Roberto Juarez
Located in New York, NY
Many places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that seem...
Category
Late 20th Century Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Stencil
$960 Sale Price
20% Off
La Persane
By Henri Matisse
Located in London, GB
Henri Matisse
La Persane
1929
Lithograph on Arches Velin paper, Edition of 50
Paper size: 63 x 44.5 cms (24 3/4 x 17 1/2 ins)
Image size: 44.8 x 29 cms (1...
Category
1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Keresan Dancers
By Gene Kloss
Located in Fairlawn, OH
Keresan Dancers
Etching & drypoint, 1962
Signed lower right (see photo)
Inscribed lower left: "Artist's Proof Keresan Dancers"
Depicts Keresan speaking peoples at Sam Felipe Pueblo
Contemporary Puebloans are customarily described as belonging to either the eastern or the western division. The eastern Pueblo villages are in New Mexico along the Rio Grande and comprise groups who speak Tanoan and Keresan languages. Tanoan languages such as Tewa are distantly related to Uto-Aztecan, but Keresan has no known affinities. The western Pueblo villages include the Hopi villages of northern Arizona and the Zuni, Acoma, and Laguna villages, all in western New Mexico.
Born Alice Glasier in Oakland, CA, Kloss grew up amid the worldly bustle of the San Francisco Bay Area. She attended the University of California at Berkeley, graduating with honors in art in 1924. She discovered her talents in intaglio printmaking during a senior-year course in figurative drawing. The professor, Perham Nahl, held up a print from Kloss’ first plate, still damp from the printing process, and announced that she was destined to become a printmaker.
In 1925, Gene married Phillips Kloss, a poet and composer who became her creative partner for life. The match was uncanny, for in her own way Gene, too, was a poet and a composer. Like poetry, her artworks capture a moment in time; like music, her compositions sing with aesthetic harmony. Although she was largely self-taught, Kloss was a printmaking virtuoso.
On their honeymoon the Klosses traveled east from California, camping along the way. They spent two week is Taos Canyon – with a portable printing press cemented to a rock near their campsite – where Gene learned to appreciate the wealth of artistic subject matter in New Mexico. The landscape, the cultures, and the immense sky left an indelible impression on the couple, who returned every summer until they made Taos their permanent home 20 years later.
Throughout her life, Kloss etched more than 625 copper plates, producing editions ranging from five to 250 prints. She pulled every print in every edition herself, manually cranking the wheel of her geared Sturges press until she finally purchased a motorized one when she was in her 70s. Believing that subject matter dictated technique, she employed etching, drypoint, aquatint, mezzotint, roulette, softground, and a variety of experimental approaches, often combining several techniques on the same plate. She also produced both oil and watercolor paintings.
Kloss’ artworks are filled with drama. Her prints employ striking contrasts of darkness and light, and her subjects are often illuminated by mysterious light sources. Though she was a devout realist, there is also a devout abstraction on Kloss’ work that adds an almost mythical quality.
For six decades Kloss documented the cultures of the region-from images of daily life to those of rarely seen ceremonies. She and her husband shared a profound respect for the land and people, which made them welcome among the Native American and Hispanic communities. Kloss never owned a camera but relied instead on observation and recollection. Her works provide an inside look at the cultures she depicted yet at the same time communicate the awe and freshness of an outsider’s perspective.
Although Kloss is best known for her images of Native American and Penitente scenes, she found artistic inspiration wherever she was. During the early years of their marriage, when she and Phil returned to the Bay Area each winter to care for their aging families, she created images of the California coast. And when the Klosses moved to southwestern Colorado in 1965, she etched the mining towns and mountainous landscapes around her.
In 1970 the Klosses returned to Taos and built a house north of town. Though her artwork continued to grow in popularity, she remained faithful to Taos’ Gallery A, where she insisted that owner Mary Sanchez keep the prices of her work reasonable regardless of its market value. Kloss continued to etch until 1985, when declining health made printmaking too difficult.
From her first exhibition at San Francisco’s exclusive Gump’s in 1937 to her 1972 election to full membership in the National Academy of Design, Kloss experienced a selective fame. She received numerous awards, and though she is not as well known as members of the Taos Society of Artists...
Category
1960s American Realist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint
Descanso (Break)
By Jorge Dumas
Located in Fairlawn, OH
Signed, titled and numbered in pencil
Edition: 250 (5/250)
Signed, titled and numbered in pencil
Published by Circle Gallery Ltd.
Printer: Atelier Dumas, New York
Condition: Very good
Atelier Dumas opened in New York printing own work as well as
those of Peter Max, Agam, Romare Bearden, Dali, Erté, Peter Hurd,
Ting, Karl Appel...
Category
1970s Folk Art Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
STEAMBOAT SUITE PORTFOLIO WITH AN EXTRA MONOTYPE ADDED, 2013
By Katherine Bradford
Located in Portland, ME
Bradford, Katherine (American, born 1942) STEAMBOAT SUITE PORTFOLIO WITH AN EXTRA MONOTYPE ADDED, 2013. Edition of 10, plus 7 Artist's Proofs and Collaborators copies. Of the editio...
Category
2010s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching, Monotype
A Cart Race
By Thomas Rowlandson
Located in Fairlawn, OH
A Cart Race
Hand colored etching & aquatint, 1788
Signed in the plate (see photo)
Published by William Hollande, London
Inscribed in the plate with title, artist's name and publication line 'Rowlandson. 1788./ London. Pubd 1789 by Wm Holland No 50. Oxford Street.'
Reference: M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VI, 1938)
British Museum Satires 7607
Grego, 'Rowlandson', i. 260, Grego II.392
Provenance: Chris Beetles Ltd., London (label), 2003
Jeffrey M. Kaplan, Washington, D.C.
(label)
Fursten zu Oettingen-Wallerstein, Lugt 2715a,
verso (see photo)
Condition: Excellent
Printed on 18th century laid paper
Archival framing by Chris Beetles Ltd., London
Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35
The Metropolitan Museum has an impression: Accession number 59.533.314
Fitzwilliam Museum: Accession number: 34.14-286
Cleveland Museum of Art accession number: 1958.10
Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the church...
Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35
The Metropolitan Museum has an impression: Accession number 59.533.314
Fitzwilliam Museum: Accession number: 34.14-286
Cleveland Museum of Art accession number: 1958.10
Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the clouds of dust which they have raised, with a row of gabled houses (right) inscribed 'St Giles', terminating in a church spire (left), and probably representing Broad St. Giles. The occupants of the carts are Irish costermongers typical of St. Giles. The foremost horse gallops, urged on by the shouts of a standing man brandishing a club. The other occupants, two women and a man, cheer derisively the next cart, whose horse has fallen, one woman falling from it head-first, another lies on the ground. The driver lashes the horse furiously. The third cart, of heavier construction, is starting. The horses are partly obscured by the clouds of dust, but denizens watch from casement windows and a door. Two ragged urchins (right) cheer the race; a dog barks.
"It was said that the amount of copper Thomas Rowlandson etched would sheathe the British Navy. An inveterate gambler, for much of his life Rowlandson had to produce a flood of his comic prints to stay ahead of financial losses.A wealthy uncle and aunt raised Rowlandson after his textile-merchant father went bankrupt. His career developed quickly. He entered London's Royal Academy Schools in 1772, visited Paris in 1774, exhibited at the Royal Academy in 1775, and won a silver medal in 1777. He left school in 1778 to set up in business. Rowlandson's depictions of life in Georgian England exposed human foibles and vanity with sympathy and rollicking humor. During the 1780s he consolidated the delicate style he used for his coarse subjects. He worked mainly in ink and watercolor, his rhythmic compositions, flowing line, and relaxed elegance inspired by French Rococo art...
Category
1780s Romantic Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Aquatint
Flora with her Nymphs, after Giulio Romano
Located in New York, NY
GIULIO BONASONE (1510-1576) AFTER GIULIO ROMANO (CIRCA1499-1546)
Flora with her Nymphs
engraving, circa1531-50, on laid paper, watermark Two crossed Arro...
Category
16th Century Old Masters Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Engraving
The Fair
By James Abbott McNeill Whistler
Located in Storrs, CT
The Fair. 1895-96. Lithograph. Way 92, Levy 144, Tedeschi, Stratis and Spink 135 state ii. Image 9 1/4 x 6 1/2 (sheet 13 x 9 5/8). A fine impression printed on antique cream-laid paper. Way lists 15-lifetime impressions (Goulding printed...
Category
Late 19th Century American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint, Etching
$2,450 Sale Price
30% Off
Portrait de femme en buste, de profil a gauche, un tres large ruban noir du cou
By Paul César Helleu
Located in Fairlawn, OH
Portrait de femme en buste, de profil a gauche, un tres large ruban noir du cou, Mme Marthe Letellier
Drypoint, 1900-1901
Signed in pencil lower left (see photo)
Titled in pencil low...
Category
Early 1900s Impressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint
LE PETIT ENTERREMENT (The Small Funeral)
By Félix Hilaire Buhot
Located in Portland, ME
Buhot, Felix. LE PETIT ENTERREMENT (The Small Funeral). B/G 154. Second state of two. Etching, roulette, aquatint and drypoint printed in blue on tan wove paper, 1880. 3 3/8 x 4 1/2 inches; 86 x 115 mm., (sheet 8 3/8 x 10 3/8 inches; 215 x 264 mm.). Signed with the red owl...
Category
1880s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint, Etching
Le Tasse de The (The Cup of Tea)
By Manuel Robbe
Located in Fairlawn, OH
Le Tasse de The (The Cup of Tea)
Color aquatint and etching, c. 1906
Signed in pencil in the image (see photo)
Edition: c. 100
Reference: Merrill Chase, Volume 1, No. 85
Condition: F...
Category
Early 1900s Art Nouveau Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Aquatint
Ephemera
By Ida Applebroog
Located in New York, NY
Available individually ($2500), and also as a suite of five ($12,000).
Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences (1949). She moved...
Category
Late 20th Century Contemporary Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Aquatint, Photogravure
Tiendelitas
By Emilio Sanchez
Located in New York, NY
Emilio Sanchez (1921-1999) created this color lithograph entitled “TIENDECITAS” in 1967. This impression is signed, titled, and inscribed “21/50” in pencil. The printed image size 15 x 23.13 inches (38 x 58.8 cm) and paper size 20.75 x 29 3/8 inches (53 x 74.5 cm). Printed in an edition of 50. Stamped on verso "Estate of Emilio Sanchez."
“Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category
1960s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
'Two Boys On A Beach, No. 1' — Erotic Realism
By Paul Cadmus
Located in Myrtle Beach, SC
Paul Cadmus, 'Two Boys On A Beach, No. 1', etching, 1938, edition 75, Johnson & Miller 85. Signed in pencil and initialed in the plate in the lower right image corner. Annotated by t...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
On the Kedgwick
By Frank Benson
Located in New York, NY
Frank Benson created the etching "On the Kedgwick" in 1923, in an edition of 150. This impression is the second state of four. There are five known impressions of the second state. It is signed in pencil and inscribed "B-1" and "1 or 5" at the lower left paper edge (pencil). The image size 7 13/16 x 11 7/8" (19.9 x 30.2 cm) and sheet size 15 3/8 x 11 1/2" )29.3 x 39 cm). It is listed in the Frank W. Benson catalogue raisonne by Paff #222.
FRANK W. BENSON (1862-1951)
Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
1920s Impressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
ON LEAVE
By Douglas Gorsline
Located in Portland, ME
Gorsline, Douglas (American, 1913-1985). ON LEAVE. Engraving, 1944. 10 7/8 x 8 1/8 inches (plate), 12 1/2 x 10 inches (sheet). Signed, titled and dated in pencil. Edition size not k...
Category
1940s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Engraving
Couple Under a Tree
By Elyse Ashe Lord
Located in New York, NY
Elyse Ashe Lord (1900-1971), Couple Under a Tree, c. 1930, color etching, soft ground, drypoint; signed lower right in pencil and numbered by the artist lower left. In very good condition, the full sheet, 11 3/4 x 12 1/4, the sheet 17 x 16 inches.
A fine impression, with strong colors and plate tone. Printed on a light laid ivory Japan...
Category
1930s Art Nouveau Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint, Etching
THE NEW FUR
By Douglas Gorsline
Located in Portland, ME
Gorsline, Douglas (American, 1913-1985). THE NEW FUR. Etching, 1939. 5 x 3 1/16 inches (plate), 7 3/4 X 4 1/2 inches (sheet). Signed, titled and dated in penc...
Category
1930s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
Souper a New York
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-, Souper a New York, etching on zinc, 1907, signed in pencil bottom left margin; also annotated “No 11/20 imp” bottom margin. Reference: Sylvain Laboureur ...
Category
Early 1900s French School Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
Feast of Lights: Hanukkah
By Abraham Rattner
Located in Fairlawn, OH
Feast of Lights (Poster)
Signed in the stone
17 color lithograph
Published by Kennedy Galleries
Edition: Unknown edition, signed in the stone
There was also a pencil signed edition o...
Category
1970s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
SUNRISE IS COMING AFTER WHILE
Located in Portland, ME
(Beasley, Phoebe)illus. SUNRISE IS COMING AFTER WHILE by Langston Hughes. Six of Hughes'poems selected by Maya Angelou, each illustrated with a screen ...
Category
1990s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Screen
Inari Kozo Tasaburo- Kabuki
By Utagawa Toyokuni
Located in Fairlawn, OH
Inari Kozo Tasaburo- Kabuki
Color woodcut, c. 1820
Signed: ‘Toyokuni’
Publisher: ‘Yamamoto Heikichi’
Censor: Hama and Magome
Very good impression and color
Sheet/Image size: 15 1/2 x...
Category
1820s Other Art Style Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Woodcut
Le banc de jardin (The Garden Bench)
By James Jacques Joseph Tissot
Located in Fairlawn, OH
Le banc de jardin (The Garden Bench)
Mezzotint and engraving on cream chine collé laid down on ivory wove paper, 1883
Signed in the plate (see photo)
Condition: Brilliant impression...
Category
1880s Impressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Mezzotint
GIRL WITH LUTE
By Louis Schanker
Located in Portland, ME
Schanker, Louis (American 1903-1981). GIRL WITH LUTE. Johnson 18. Linocut in colors, 1938. Edition of 10. Titled, numbered 6/10 and signed in pencil. 5 1/2 x...
Category
1930s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Linocut
NUDE ON STRIPED HAMMOCK.
By Philip Pearlstein
Located in Portland, ME
Pearlstein, Philip. NUDE ON STRIPED HAMMOCK. Field 59. Etching with aquatint, 1974. Edition of 100, signed, titled and numbered 59/100 all in pencil. Printed on Copperplate Paper at...
Category
1970s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching, Aquatint
EAST RIVER SWIMMERS
By Cecil Crosley Bell
Located in Portland, ME
Bell, Cecil. EAST RIVER SWIMMERS. Lithograph, 1937. Edition of 20.
Signed and dated by the artist's widow. 10 1/4 x 14 3/4 inches, 260 x
375 mm. (image), 1...
Category
1930s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
'A Wind Is Rising and the Rivers Flow' — Mid-Century American Modernism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
Benton Spruance, 'A Wind is Rising and the Rivers Flow', color lithograph, 1945, edition 40, Fine and Looney 242. Signed, dated, and titled, and annotated 'Ed 40' in pencil. A fine ...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
SUBWAY - THREE PEOPLE
By Reginald Marsh
Located in Portland, ME
Marsh, Reginald. SUBWAY - THREE PEOPLE. S. 149. Etching, 1934. 9 x 7 inches; 228 x 178 mm. Numbered "10b," and signed in pencil "Reginald Marsh (F.M.)" b...
Category
1930s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
Darius II
By Darius Steward
Located in Fairlawn, OH
Signed in pencil lower right
Edition: 3 impressions
Signed, dated and annotated “1 of 3”
Exhibited: Zygote Press, Cleveland, 2016
Tregoning & Co. 2017
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint
Memory and Metaphor, The Art of Romare Bearden
By (after) Romare Bearden
Located in Fairlawn, OH
Original glossy poster, Published for the Studio Museum, Harlem, for the exhibition, April 14 - August 1, 1991.
Note: This poster was created for the national touring exhibition org...
Category
1990s Cubist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
SCREAMING COUPLE
Located in Portland, ME
Dalla Venezia, David (Italian, born 1965). COUPLE SHOUTING. Etching. 1998. Inscribed PdA (Artist's Proof), and signed and dated in pencil. 3 3/8 x 4 1/2 inches, framed to 12 1/3 x 10...
Category
1990s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
L'Aieule (The Grandmother)
By Louis Legrand
Located in Fairlawn, OH
L'Aieule (The Grandmother)
Etching and aquatint printed in colors, 1904
Signed with the red stamp of the publisher, Gustave Pellet, Lugt 1193 and numbered (see photo)
Edition: 100 (81/100)
Reference: Arwas 202 iv/IV
IFF 98
Condition: Excellent, the sheet aged as usual
Image size: 14 1/4 x 18 5/8"
Sheet size: 16 15/16 x 24 1/4"
Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906.
Life
Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops.
Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all."
Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine.
Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891.
In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes).
Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others.
He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur.
Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion.
Books illustrated
de Maupassant, Guy: Cinq Contes Parisiens, 1905.
Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...
Category
Early 1900s Art Nouveau Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Aquatint
Gran Bodega Espanola Urania, Zurich
By Anton Trieb
Located in New York, NY
Trieb, Anton. Gran Bodega Espanola Urania, Zurich Ca 1910.Color lithograph. On Linen.
Anton Trieb was a watercolor painter , draftsman , illustrat...
Category
1910s Art Deco Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
UNTITLED (TWO CONSTRUCTION WORKERS WITH BRICKS
By Albert Abramovitz
Located in Portland, ME
Abramovitz, Albert (American, born Latvia, 1879-1963).
UNTITLED (TWO CONSTRUCTION WORKERS WITH BRICKS).
Linoleum cut on wove paper, c. 1930s.
Si...
Category
1930s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Linocut
Zorn and His Wife
By Anders Zorn
Located in Storrs, CT
Zorn and His Wife. 1890. Etching. Hjert and Hjert catalog 31 state ii. 12 1/2 x 8 3/8 (sheet 23 1/2 x 18). Edition 40-50. A fine impression on simili-Japan paper. Signed in pencil.
...
Category
19th Century Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
BAIGNEUSES
By Henri Fantin-Latour
Located in Santa Monica, CA
HENRI FANTIN-LATOUR (French 1836-1904)
BAIGNEUSES (4e grande planche), 1898 (Hediard 138 II/II)
It’s one of 6 works that formed a suite of images published ...
Category
1890s French School Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
$650 Sale Price
31% Off
Haiti II
By Rafael Ferrer
Located in Lyons, CO
Color monotype.
Rafael Ferrer depicts the intense life of the Caribbean in his paintings and prints. With hot colors, deep shadows and mysterious relationships among his figures, Fe...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Monotype
WO RO SI IA ZIN Russian Soldier with His Family
Located in Fairlawn, OH
WO RO SI IA ZIN Russian Soldier with His Family
Color woodcut, 1861 2nd month
Signed upper left (see photo)
Titled upper right in black cartouche (see photo)
Format: oban
Style: Yokohama-e
Publisherr: Sagamiya Tokichi (Marks #435) active 1955-1866
Metropolitan Museum of Art in New York, has an impression of this image
RARE
Condition: with usual aging
Image size: 13 7/8 x 9 3/8 inches
Rebecca Salter in her Japanese Popular Prints... on page 18 gives a different take on the situation that Yoshifuji found himself in.
"A giant of the period, however, was Utagawa Kuniyoshi (1797-861). Although best known for warrior prints which reflected the militaristic undercurrents of the time, he was also responsible for some of the most light-heartend and humorous works in this book. His followers in the Utagawa school, Utagawa Yoshitsuya...
Category
1860s Other Art Style Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Woodcut
Becquet
By James Abbott McNeill Whistler
Located in Storrs, CT
J. Becquet, Sculptor (The Fiddler). 1859. Drypoint. Kennedy 52 state iv; Glasgow 62. state i. 10 1/8 x 7 1/2 (sheet 15 5/16 x 9 3/4). Series: "Sixteen Etchings or Scenes on the Thame...
Category
Mid-19th Century American Impressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint, Etching
LYAM 3D
By Kota Ezawa
Located in Berkeley, CA
Kota Ezawa recreates animated sequences from television, cinema, and art history. He uses basic digital drawing and animation software to create slide projections, light boxes, collages, and prints. In the vein of Warhol, his highly stylized facsimiles of familiar and often infamous images emphasize the distance between the viewer and the depicted figures that feature so prominently in America’s collective memory. His work is included in the permanent collections of the Museum of Modern Art, New York, The Metropolitan Museum of Art, New York and the San Francisco Museum of Art, California among others. The artist is represented by the Cheryl Haines Gallery...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
$1,500
DISCUSSION or AT THE BASE OF UNION SQ. WASH STATUE.
By Reginald Marsh
Located in Portland, ME
Marsh, Reginald. DISCUSSION or AT THE BASE OF UNION SQ. WASH
STATUE. Sasowsky 152. Etching, 1934. Signed in pencil. There was
no edition; the number printed is unknown, but likely o...
Category
1930s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
I Know I Manufacture Crises...
By Amy Wilson
Located in New York, NY
Amy Wilson received her BFA from the School of Visual Arts, New York, in 1995 and her MFA from Yale University in 1997. Her drawings explore the tensions between her inner life and t...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
$520 Sale Price
35% Off
'Mazeppa' — 19th-Century French Romanticism
By Jean Louis Andre Theodore Gericault
Located in Myrtle Beach, SC
Théodore Géricault and Eugène Lami, 'Mazeppa' from the series 'Oeuvres de Lord Byron', lithograph, 1823, 2nd state of 3, Delteil 94. Rendered by Thé...
Category
1820s Romantic Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Model Contemplating Sculpture
By Pablo Picasso
Located in New York, NY
Pablo Picasso, Model Contemplating Sculpture, etching, signed in pencil, 1933, a fine impression, published by Vollard, from the Vollard Suite, edition of 310, Bloch 175, Geiser 328...
Category
1930s Cubist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
Merry-Go-Round
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Merry-Go-Round, etching and engraving, 1938, signed in pencil lower right and inscribed Forty Proofs lower left, [also signed in the plate lower left and inscribed SC]. Reference: Sasowsky 179, fourth state (of 4). In good condition, with margins (a paper loss upper right corner well outside of the platemark, stains from prior hinging, notations in pencil lower margin edge). 10 x 8, the sheet 11 1/2 x 9 1/8 inches.
A very good impression, printed in black on a wove paper with a partial FRANCE watermark.
Sasowsky notes that Marsh printed 15 impressions of this state (and only one or two of the prior states), and considered only 10 of the 15 valuable. His notation “Forty Proofs” is therefore surely an expression of a hoped-for edition size, as opposed to an actual edition size. We have found this quite often the case with Marsh prints – he indicates an edition size but the actual number of impressions printed is considerably smaller.
There is an eerie, almost ominous note in this, as in several of Marsh’s merry-go-round prints...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Engraving, Etching
Repos sur la banquette
By Henri Matisse
Located in London, GB
Henri Matisse
Repos sur la banquette
1929
Lithograph on Arches Velin paper, Edition of 50
Paper size: 49.5 x 65.5 cms (19 1/2 x 25 3/4 ins)
Image size: 44.5 x 54.5 cms (17 1/2 x 21 1...
Category
1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Le Cafe du Commerce
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Le Cafe du Commerce, etching, 1913, signed in pencil lower left and numbered lower right 28/35 [also with the signature and d...
Category
1910s Cubist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
INVITATION TO THE LINDY HOP
By Douglas Gorsline
Located in Portland, ME
Gorsline, Douglas (American, 1913-1985). INVITATION TO THE LINDY HOP. Engraving, 1942. 7 3/8 x 6 1/8 inches (plate), 8 1/2 x 7 3/8 inches (sheet). Signed, ti...
Category
1940s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Engraving
PKZ [Hand putting Rose into lapel of Suit].
By Hermann Blaser
Located in New York, NY
Blazer, Hermann. PKZ [Hand putting Rose into lapel of Suit]. 1936, Color lithograph. On Linen.
Blazer was a Graphic Designer who designed posters for the PKZ
Dept. store in Swit...
Category
1930s Art Deco Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
![PKZ [Hand putting Rose into lapel of Suit].](https://a.1stdibscdn.com/archivesE/upload/a_2922/1483896420966/Blaser_PKZ_manwrose_master.jpg?width=240 "hermann blaser")
The Hold Up, First State
By George Wesley Bellows
Located in Fairlawn, OH
Signed in pencil by the artist lower right
Titled "Hold Up" by the artist in pencil.
Signed by the printer Bolton Brown lower left.
Edition: 42 in this state
Note: In The Hold Up, se...
Category
1920s American Realist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Program for Theatre Libre Boubouroche Valet De Coeur.
By Henri Gabriel Ibels
Located in New York, NY
Program for Theatre Libre Boubouroche Valet De Coeur. Sixth program for Le Theatre Libre, four-color lithograph, 1892-1893.
Ref: The Color Revolution 101: Artistes et Theatre d' Ava...
Category
Late 19th Century Art Nouveau Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Deluvium
By Miho Morinoue
Located in Lyons, CO
Lithograph/diptych. Edition 25.
Miho Morinoue is an acclaimed dancer and a visual artist. As a member of the Complexions Contemporary Ballet Company she performed extensively in the...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
SNAPSHOT
By Antonio Frasconi
Located in Portland, ME
Frasconi, Antonio. SNAPSHOT. Cleveland 165. Woodcut in colors, 1950. Edition of 10. Titled, inscribed "Ed 4/10" and signed and dated in pencil. 22 1/4 x 14 15/16 inches in an oval fo...
Category
1950s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Woodcut
Le Devoir
By Henri Gabriel Ibels
Located in New York, NY
Ibels, Henri-Gabriel.."Le Devoir", fouth programme for Le Theatre Libre.
four-color lithograph, 1892-1893. 9 1/2 x 12 1/2".
Ref: Artistes et Theatre d' Avant-Gardes,
Programmes ...
Category
Late 19th Century Art Nouveau Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Untitled (Frankenstein)
By Kerry James Marshall
Located in Berkeley, CA
Hardground Etching
Category
2010s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
EXPRESS STOP
By Douglas Gorsline
Located in Portland, ME
Gorsline, Douglas (American, 1913-1985). EXPRESS STOP. Etching, 1948. 6 3/8 x 5 3/4 inches (plate). Signed in pencil. Published by Associated American Artists In excellent condition....
Category
1940s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Engraving
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