Ifpda International Fine Print Dealers Association Figurative Prints
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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The Pool of London.
By William Lionel Wyllie
Located in Storrs, CT
The Pool of London. c. 1915. Etching and drypoint. 7 7/8 x 15 7/8 (sheet 11 x 14 7/8 x 21 1/4). A rich impression with drypoint burr printed on the full sheet of simili-Japan paper. ...
Category
1910s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint, Etching
$1,500 Sale Price
23% Off
The Thames and the Tower of London
By William Lionel Wyllie
Located in Storrs, CT
The Thames and the Tower of London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 10 1/4 x 17 1/4). Mat line; otherwise fine condition. A rich impr...
Category
1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint, Etching
$975 Sale Price
22% Off
ISRAEL (1951 Mexican Homage Poster)
By Fanny Rabel
Located in Santa Monica, CA
FANNY RABEL (1922 – 2008) and ALBERTO BELTRAN (B. 1923
ISRAEL - 2 Conferencias por Vocente Lombardo 1951 (P.134)
Linocut in 3...
Category
1950s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Linocut
The Butterfly.
By Edmund Blampied
Located in Storrs, CT
Edmund Blampied, R.E. The Butterfly. 1928-29. Drypoint. Appleby 133. 9 5/8 x 7 7/8). Etching (sheet 15 1/4 x 10 3/16)on 100. A rich impression printed on cream-colored laid 'F.J.He...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint, Etching
$1,200 Sale Price
40% Off
Le Beguin (Anaïs)
By Gerald Leslie Brockhurst
Located in Storrs, CT
Le Beguin (Anaïs). 1922. Etching. Fletcher catalog 33 state iii./iv (before cancellation). 5 1/2 x 4 5/16 (sheet 11 1/2 x 8 13/16). Edition 76. Illustrated: Print Collector's Quarter...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
'Fantasia Americana, 1880' — Mid-Century American Surrealism
By Lawrence Kupferman
Located in Myrtle Beach, SC
Lawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Archivally matted to museum standards, unframed.
Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches.
Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University).
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint, Etching
The Academy of Plato Plato and His Disciples
By Salvator Rosa
Located in Fairlawn, OH
The Academy of Plato
Plato and His Disciples
Etching and drypoint
c. 1662, printed c. 1710
Signed in the plate lower left
Inscribed lower left: 'In villa ab Academo attributa sua[m]...
Category
1660s Old Masters Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
Rue Furstenberg
By James Abbott McNeill Whistler
Located in Storrs, CT
Rue Furstenberg. 1894. Lithograph. Way 59; Levy 90; Tedeschi, Stratis and Spink catalog 97. Only state. 8 7/8 x 6 1/4 (sheet 14 1/4 x 8 7/8). A fine ...
Category
Late 19th Century Impressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
$5,500 Sale Price
26% Off
'George Washington Bridge (Under Construction)' — 1920s New York City
By Otto Kuhler
Located in Myrtle Beach, SC
Otto Kuhler, 'George Washington Bridge' (under construction) also titled 'The Cables That Hold it All', etching, 1928, edition unknown. An uns...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
‘LE REPOSE du MODELE' - Rare First State
By Henri Matisse
Located in Santa Monica, CA
HENRI MATISSE (French 1869-1954)
LE REPOSE du MODELE 1922 . (Duthuit 416)
Original lithograph, FIRST STATE, on Chine volant paper BEFORE image was reduced at the left edge. An uns...
Category
1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Sortie de Theatre a Londres
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Sortie de Theatre a Londres, etching and drypoint, 1911, signed in pencil lower left [also signed and dated in the plate upper right]. Reference: Laboureur 104, third state (of 3). Published for La Societe des amis de l’eau-forte, with the blindstamp with the inscription: Circle Librairie Estampes. From an edition in the third state of 109; there were also 5 impressions of the first state and five of the second state. In excellent condition, the full sheet with deckle edges bottom and sides, 6 3/4 x 14; a remarque lower left 2 x 3 1/2, the sheet 12 3/4 x 19 3/4 inches.
Provenance: unknown collector’s mark verso (GOE in oval)
A fine rich impression, printed in dark brown ink on cream laid paper with the Arches watermark.
The small remarque lower left is actually another print printed on a separate plate; it shows a man running after a London horse...
Category
1910s Naturalistic Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint
'The Sixth Avenue Spur, New York City '— American Expressionism
By Frederick K. Detwiller
Located in Myrtle Beach, SC
Frederick K. Detwiller, 'The Sixth Avenue Spur, New York City', lithograph, 1924, edition 20. Signed, dated, titled, and annotated 'Lith 20' in pencil. Inscribed 'To my Friend Herbert L. Jones' in pencil. Signed and dated, in the stone, lower right; initialed and dated '1927' in the stone, lower left. A fine, richly-inked impression, on cream wove paper, with margins (7/8 to 1 1/4 inches); slight toning in the top left sheet edge, otherwise in good condition. Scarce.
Image size 20 1/2 x 14 inches (521 x 356 mm); sheet size 22 1/2 x 16 inches (572 x 406 mm). Archivally matted to museum standards, unframed.
ABOUT THE IMAGE
The Sixth Avenue El was constructed in the late 1870s by the Gilbert Elevated Railway and reorganized as the Metropolitan Elevated Railway. By 1878, it was running from Rector Street to 58th Street. Soon after that, it was taken over by the Manhattan Railway Company, with three other Manhattan elevated train lines. The company built a connection, the ‘spur’ by which it turned west on 53rd Street to merge with the 9th Avenue El—paralleling the present-day route of the 6th Avenue subway.
The Sixth Avenue El served the “Ladies Mile” shops (including the Siegel-Cooper emporium, whose building now houses Bed...
Category
1920s Ashcan School Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Hotel du Pacha Noir (before lettering).
By Jules-Alexandre Grün
Located in New York, NY
Hotel Pachenoir, 1900. Color lithograph. On Linen 51 x36. ( Image Size: 48 x33 3/4.)
Jules-Alexandre Grünwas a French post-impressionist painter, poster artist, and illustrator. ......
Category
Early 1900s Art Nouveau Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Reading
By James Abbott McNeill Whistler
Located in Fairlawn, OH
Reading
Lithograph, 1879 and 1887
Signed in the stone with the Butterfly (see photo)
A proof laid paper printed before the edition of 100 impressions printed for Art Notes
Watermark:...
Category
1870s American Impressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Personne Seule Etendue
By Maurice Pasternak
Located in New Orleans, LA
Maurice Pasternak has created a surreal landscape that includes traditional images of a sun-filled sky, dark shadows cast on water and through leafy trees all under the guise of thre...
Category
Late 20th Century Surrealist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Mezzotint
TOD UND FRAU (DEATH AND WOMAN)
By Käthe Kollwitz
Located in Portland, ME
Kollwitz, Kathe. TOD UND FRAU (DEATH AND WOMAN). Knesebeck 107, State VII; Klipstein 103. Line etching, drypoint, sandpaper, soft ground with imprint of granulated tone paper and Zie...
Category
1910s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint, Etching
America's Mom II (Small Leticia)
By Sedrick Huckaby
Located in Fairlawn, OH
America's Mom II (Small Leticia)
Lithograph, 2016
Signed and numbered in pencil by the artist
Series: America's Family II (Four images)
Edition: 40, of which 20 were retained by the ...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Tamas The Power of Bad
By Willy Pogany
Located in Santa Monica, CA
WILLY POGANY (1882 - 1955)
TAMAS THE POWER OF BAD, c. 1940.
Etching, signed and titled and numbered 50 in pencil. Image 12 x 9 inches. Sheet 14 7/8 x 10 3/4 inches. Generally goo...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
September Morn - In Celebration of Pride Month
By Joseph Hirsch
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
Three women strolling on a beach. This impression is one of the rare impressions p...
Category
1960s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Fifth Avenue Critics.
By John French Sloan
Located in Storrs, CT
Fifth Avenue Critics. 1909. Etching. Morse 128.x/xi. 6 x 8 (sheet 9 3/4 x 12 1/4). Edition 100 in this state (few proofs in earlier states, and a large unsigned edition printed for t...
Category
Early 1900s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
$2,400 Sale Price
20% Off
Marble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi
By Giovanni Battista Piranesi
Located in Fairlawn, OH
Marble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Ba...
Category
1770s Old Masters Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
Le monocycle (Performer on a Unicycle)
By Bernard Buffet
Located in Fairlawn, OH
Le monocycle (Performer on a Unicycle)
Color lithograph, 1968
Signed and numbered in pencil lower left corner
From the portfolio "Mon Cirque" (My Circus)
Edition: 120 (12/120)
Refere...
Category
1960s French School Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Lola De Valence
By Édouard Manet
Located in Fairlawn, OH
Lola De Valence
Etching, 1862
Signed in the plate lower left: “Ed Manet”
Printed on chine collee paper, without watermark
From the first edition, published by Cadart and Luquet, Paris, before the removal of the inscription “ Ed. Manet sculpt”
From the 1863 edition, before the 1874 Portfolio, 1890 Portolio. 1894 Dumont edition and the Strolin edition of 100 in 1905
Pencil inscription with title below the plate in the lower margin
Conditiono: Excellent
Image size: 10 7/8 x 6 7/8 inches
Plate size: 18 3/4 x 13 inches
Reference: Harris-Manet 33 iii/III
Guerin-Manet 23 vi/VIII
The painting that this etching is inspired by is in the collection of the Musee d'Orsay, Paris.
"Lola de Valence is a painting by the painter Édouard Manet in 1862 . The canvas represents a dancer dressed intraditional Spanish clothes...
Category
1860s Impressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
Racamadour (French Church Series #10) — Lyrical Realism
By John Taylor Arms
Located in Myrtle Beach, SC
'Rocamadour' (French Church Series # 10), etching, 1927, edition 50, Fletcher 186. Signed, dated, and annotated 'First State' in pencil. Titled and dated 'Rocamadour 1926' in the plate, bottom right. A superb, finely detailed impression, in dark brown ink, on buff laid Japan paper, with full margins (1 to 1 7/8 inches), in excellent condition.
Image size 13 3/4 x 10 inches (349 x 254 mm); sheet size 15 3/4 x 13 5/8 inches (400 x 346 mm). Matted to museum standards, unframed.
Literature: illustrated in Dorothy Noyes Arms, 'Churches of France', The Macmillan Company, 1929.
Impressions of this work are in the permanent collections of the Blanton Museum of Art, Chrysler Museum of Art, Cleveland Museum of Art, Davis Museum (Wellesley), McNay Art Museum, Metropolitan Museum of Art, Rhode Island School of Design Museum, and the Whitney Museum of Art.
ABOUT THE SUBJECT
Rocamadour is a small clifftop village in south-central France. It is known for the Cité Réligieuse complex of religious buildings, accessed via the Grand Escalier staircase. It includes the Chapelle Notre-Dame, with its Black Madonna statue, and the Romanesque-Gothic Basilica of St-Sauveur.
ABOUT THE ARTIST
“John Taylor Arms will live on and on and future generations centuries from now will marvel at his work... . As a friend and as a man, he fully matched his superb work.” —John Winkler, printmaker
Born in Washington, D.C. in 1887, John Taylor Arms attended the Lawrenceville School and began the study of law at Princeton University. In 1907, he transferred to the Massachusetts Institute of Technology and took up the study of architecture. Arms evolved his unique drafting style, with its highly realistic, precise detail and exquisitely rendered effects of light, from his experience and practice as an architectural student. He graduated in 1911 and completed a master’s degree the following year. He then worked as a draftsman with the well-known Carrere and Hastings Company in New York.
In 1913 Arms was given a hobbyist’s etching set, and he began to dabble with copperplate and acid. In 1915, after copying a handful of prints by Jongkind and other Etching Revivalists, Arms created his first original etching. His early experiments were picturesque views of European villages, reflecting the influence of Whistler. He inked and printed several of these plates in color in the manner of Charles Mielatz...
Category
1920s American Realist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
$720 Sale Price
20% Off
'Girl and Cat' — 1930s Modernism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
'Girl and Cat', lithograph, 1935, edition 33, Fine and Looney 121. Signed, titled, dated, and numbered '5/33' in pencil. A superb, richly-inked impression...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
The Gothic Spirit
By John Taylor Arms
Located in Storrs, CT
The Gothic Spirit (also called A Gargoyle, A Gothic Spirit). 1922. Etching and stipple. Fletcher 120. 11 5/8 x 7 (sheet 15 1/4 x 11 1/4). Gargoyle Series #8. Edition 130. Illustrated...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint, Etching
$2,500 Sale Price
28% Off
English Bar
By Louis Legrand
Located in Storrs, CT
English Bar. 1908. Etching and drypoint. Exsteens catalog 275 state ii. 8 1/8 x 5 5/8 (sheet 17 3/8 x 12 1/4). Series: Les Bars. Edition 65 in this state (total edition 95). Printed ...
Category
Early 1900s Art Nouveau Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint, Etching
$800 Sale Price
54% Off
La Negresse
By Henri Matisse
Located in London, GB
Lithograph in colours based on the cut-out of the same title, 1952
From 'Verve' Magazine Volume IX, Nos 35 & 36: 'Dernières Oeuvres de Matisse 1950-54'
Pr...
Category
1950s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Blind Botanist
By Ben Shahn
Located in New York, NY
This 1963 lithograph, printed in color, is a fine example of Ben Shahn’s long preoccupation with the theme of the blind botanist and illustrates his con...
Category
Late 20th Century Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
En Pension.
By Edmund Blampied
Located in Storrs, CT
En Pension. 1929-30. Drypoint. Appleby 142. 8 1/2 x 12 1/8 (sheet 11 1/2 x 18 5/16). Edition 100. A rich impression printed on cream wove paper with wide margins. Signed in ink. H...
Category
1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint, Etching
London Bridge.
By William Lionel Wyllie
Located in Storrs, CT
London Bridge, London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 9 7/8 x 17 1/4). Mat line; otherwise fine condition. A rich impression with dryp...
Category
1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint, Etching
$975 Sale Price
22% Off
De trace de pas de trace de…
By Roberto Matta
Located in Fairlawn, OH
De trace de pas de trace de…
Color etching with aquatint, 1966
From: Monsour and Matta, Les Damnations, 1966 (11 plates, this one of 7 hors text images)
Edition: 85 portfolios in the...
Category
1960s Surrealist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching, Aquatint
Commencement
By Caroline Durieux
Located in New Orleans, LA
Caroline Durieux's image captures a lone figure in her garden in this southern plantation in Louisiana. "Plantation Garden" is a lithograph created by Durieux in 1946 in an edition of 20. It is signed in pencil.
Durieux shared her feeling about this piece with these reflections.
“The spectrum analysis of satire runs from the red of invective at one end to the violet of the most delicate irony at the other.” David Worcester 16, "The Art of Satire".
The feeling expressed in Plantation Garden is that of a dirge with ironic overtones; it is sad, nostalgic yet satirical. The bent figure of the old lady, the ancient trees, the static moss, all seem to belong to the past; even the lady is old. For contrast, a ray of late afternoon sun lights up the only young note in the picture: perennials in the foreground.
When “we are satirical and we are friendly at the same time, the consciousness of the friendship gives a regretful and tender touch to the satire, and the sting of the satire makes the friendship a trifle humble and sad.” George Santayna 255, "The Sense of Beauty".
This concept of satire mixed with friendship comes closer to humor because there is less censure involved. In "Plantation Garden", the satire is tempered by a feeling of empathy.
Caroline Durieux (American, 1896 – 1989)
Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920).
Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
A Winter - Seeming Summers Night
By June Wayne
Located in Santa Monica, CA
JUNE WAYNE (1918 - 2011)
A WINTER - SEEMING SUMMER'S NIGHT, 1957 From the John Donne Series. (Conway 122, Basket 106: Gilmour 50)
Lithograph signed, title...
Category
1950s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
$1,320 Sale Price
20% Off
MATTA - 10 EROTIC ETCHINGS - New School Portfolio
By Roberto Matta
Located in Santa Monica, CA
ROBERTO MATTA (Chilean 1911- 2002)
NEW SCHOOL PORTFOLIO (1943-5) (Sabatier 1-7, 4 prints not recorded by Sabatier)
Portfolio with complete set of 10 etch...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
Mayan Trio
By Francisco Dosamantes
Located in Fairlawn, OH
Mayan Trio
Lithograph, 1950
Signed in pencil lower right (see photo)
Edition 250 for Associated American Artists
Publsihed 1950
Reference: AAA Cat.: 1950‑05; 1958‑01
AAA Index 1087
Condition: Excellent
Image size: 13 x 9 1/2 inches
Francisco Dosamantes (b. October 4, 1911 - d. July 18.1986) was a Mexican artist and educator who is best known for is educational illustrations and graphic work against fascism. He was a founding member of the Taller de Gráfica Popular and the Salón de la Plástica Mexicana.
Life
Francisco Dosamantes was born in Mexico City on October 4, 1911. His father was Daniel Dosamantes who was a builder, interior decorator and painter. He was not registered into the civil registry until he was about twenty years old on March 6, 1939. His mother’s name is not listed on the certificate. As a child, he demonstrated a strong interest in drawing and color, influenced by his father and his uncle Juan. The Mexican Revolution occurred while he was a young child and he stated that he remembered events such as soldiers on horses charging as well as the execution of rural farm workers.
He attended primary and high school in Mexico City but stated that his education was irregular and deficient. He then entered the Escuela Nacional de Artes Plásticas, where he studied for five years. Initially, however, he was disappointed with the inexperience of the young professors and he left for a short time to study on his own. During this time, some of the dissatisfied professors organized the 30 30 group against the academic system of the school and which whom he sympathized. The effort gained the attention of established artists such as Diego Rivera who intervened.
He died on Mexico City on July 18, 1986
Career
After he graduated, he worked with the cultural missions of the Secretaría de Educación Pública in Oaxaca, Michoacán, Guerrero, Colima, Coahuila and Chihuahua (state) from 1932 to 1937 then again from 1941 to 1945. He stated that this experience was vital to his conscience as he worked with rural farm workers and others he stated were worthy of dignity and respect, but victims of deceit and exploitation. When he returned to Mexico City, he gave classes in high schools from 1937 to 1941. In 1945 he founded and directed the Taller Escuela de Dibujo y Pintura “Joaquín Claussell” in Campeche, Campeche.
Dosamantes was a politically and culturally active artist with most of his work and affiliations related to such. He was a member of the Liga de Escritores y Artistas Revolucionarios from 1934 to 1938. He was a founding member of the Taller de Gráfica Popular, serving as administrator in 1940 and remaining a member until his death except for one short hiatus. He created posters for conferences about fascism and Nazism such as Alemania bajo bayonetas (Germany under bayonets) in 1938. In 1940 he became the secretary general of the Sindicato de Maestros de Artes Plásticas. He was also a member of the Sociedad para el Impulso de las Artes Plásticas en 1948, a founding member of the Salón de la Plástica Mexicana in 1949 and a member of the Frente Nacional de Artes Plásticas from 1952.
He painted a number of murals in rural areas of Mexico generally when he was there on cultural missions. His main mural is at the former home of José María Morelos in Carácuaro, Michoacán, but there are a number at various rural schools. These were all painted between 1941 and 1946.
As a book illustrator he mostly worked for the Secretaría de Educación Pública working on books for literacy campaigns.
He exhibited his works, which included engravings, oils, tempuras and lithographs in Mexico and abroad. His first individual exhibition was in 1930 at the Galeria de Arte Moderno in Mexico City. His major exhibitions include the Excelsior Gallery in Mexico City in 1932, various exhibitions in New York, Washington, Philadelphia and Los Angeles in 1937; the Nelson Gallery of Art in Kansas City, Missouri in late 1947, and the Gallery of Mexican Art in...
Category
1950s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
'The Visitor' — Surrealist Fantasy
Located in Myrtle Beach, SC
Zena Kavin, 'The Visitor', lithograph, c. 1935, edition 20. Signed, titled, and numbered '9/20' in pencil. A fine, richly-inked impression, on cream wove paper, with full margins (7/...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Portrait of James McBey.
By Walter Tittle
Located in Storrs, CT
James McBey. 1931. Drypoint. 8 7/8 x 5 7/8 (sheet 11 1/2 x 9 ). An extremely rich impression with drypoint burr, printed by the artist on cream wove paper. Signed in the plate lower ...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint, Etching
THE RUG WEAVER
By Gustave Baumann
Located in Santa Monica, CA
GUSTAVE BAUMANN (1881 – 1971)
THE RUG WEAVER, 1910 (Chamberlain 26)
Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown...
Category
1910s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Woodcut
Crossing the River: Leaping
Located in Lyons, CO
Color lithograph, Edition 30.
Hung Liu grew up in China and came of age during the Chinese Cultural Revolution. She spent four years in the countryside as a laborer, studied paint...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Shunga: Twelve Signs of the Zodiac - Goat
Located in Fairlawn, OH
Shunga: Twelve Signs of the Zodiac - Goat
Color woodcut with gauffrage (embossing)
Unsigned (as usual)
Format: Shikishiban
Publisher: Privately produced
Unusually well preserved with the fugitive blue still intact
Image size: 5-1/8 x 5-3/4"
Sheet size: 5 3/8 x 6 1/4"
From Wikipedia, the free encyclopedia
In this Japanese name, the surname is Isoda.
Isoda Koryūsai (礒田 湖龍斎, 1735–1790) was a Japanese ukiyo-e print designer and painter active from 1769 to 1790.
Life and career
Koryūsai was born in 1735 and worked as a samurai in the service of the Tsuchiya clan. He became a masterless rōnin after the death of the head of the clan and moved to Edo (modern Tokyo) where he settled near Ryōgoku Bridge in the Yagenbori area. He became a print designer there under the art name Haruhiro in 1769, at first making samurai-themed designs. The ukiyo-e print master Harunobu died in 1770, and about that time Koryūsai began making prints in a similar style of life in the pleasure districts.
Koryūsai was a prolific designer of individual prints and print series,[1] most of which appeared between 1769 and 1881.
In 1782, Koryūsai applied for and received the Buddhist honour hokkyō ("Bridge of the Law") from the imperial court and thereafter used the title as part of his signature. His output slowed from this time, though he continued to design prints until his death in 1790.
Works
Koryūsai created a total of 2,500 known designs, or an average of four a week. According to art historian Allen Hockley, "Koryūsai may ... have been the most productive artist of the eighteenth century".
The series Models for Fashion: New Designs as Fresh Young Leaves (Hinagata wakana no hatsumoyō, 1776–1781) ran for 140 prints, the longest known ukiyo-e print series of beauties. He designed at least 350 hashira-e pillar prints, numerous kachō-e bird-and-flower prints, a great number of shunga erotic prints, and others. Ninety of his nikuhitsu-ga paintings are known, making him one of the most productive painters of the period.
Legacy
Despite Koryūsai's productivity and popularity—both in his time and amongst later collectors—his work has attracted little scholarship. The first ukiyo-e histories written in the West in the 19th century elevated certain artists as exemplars; Koryūsai's work came to be seen as too indebted to Harunobu, who died in 1770, and inferior to that of Kiyonaga, whose peak period came in the 1880s. An example is Woldemar von Seidlitz's Geschichte des japanischen Farbenholzschnittes ("History of Japanese colour prints", 1897), the most popular of the early ukiyo-e histories, which paints Koryūsai as a successor to Harunobu and a rival of Kiyonaga in the 1770s who slipped into mediocrity and imitation of his rival by the end of the decade.[5] Interest lay mainly in the details of Koryūsai's life—a samurai who received court honours was unusual in the proletarian world of ukiyo-e. In 2021, contemporary woodblock printmaker David Bull...
Category
1770s Other Art Style Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Woodcut
Becquet
By James Abbott McNeill Whistler
Located in Storrs, CT
J. Becquet, Sculptor (The Fiddler). 1859. Drypoint. Kennedy 52 state iv; Glasgow 62. state i. 10 1/8 x 7 1/2 (sheet 15 5/16 x 9 3/4). Series: "Sixteen Etchings or Scenes on the Thame...
Category
Mid-19th Century American Impressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint, Etching
A la Corrida
Located in Fairlawn, OH
A la Corrida
Color aquatint, c. 1900
Signed "Osterlind" lower right in red pencil
Annotated: "No. 96" in pencil lower left
Edition: about 100
Published by Sagot, Paris: their blindst...
Category
Early 1900s Impressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Aquatint
The Last Dynasty: Empress
Located in Lyons, CO
Color lithograph, Edition 30.
Known for paintings based on historical Chinese photographs, Hung Liu's subjects over the years have been prostitutes, refugees, street performers, s...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Turn-about
By Rudy O. Pozzatti
Located in Fairlawn, OH
Turn- about
Color Aluminum plate lithograph from three plates
Signed, titled, and numbered in pencil by the artist
"Bon-a-tirer" impression (BAT)
This is the finished example that the artist approved as the model for the edition.
Published at Lakeside Studio with the master printer Jack Lemon.
Condition: Very good, one ink stain in the large margin, from printing
Image size: 18 3 /4 x 23 1/4" 47.63 x 59.06cm
Sheet size: 22 x 29 7/8"
"Painter and printmaker Rudolph Otto "Rudy" Pozzatti was born in Telluride, Colorado, on January 14, 1925. Upon graduation from high school, he received a scholarship to attend the University of Colorado in Boulder where he enrolled as an art major. In 1943, his studies were interrupted by his induction into the U. S. Army. After his discharge in 1946, he re-enrolled in the University of Colorado where he studied under Wendell Black...
Category
1970s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
STEAMBOAT SUITE PORTFOLIO WITH AN EXTRA MONOTYPE ADDED, 2013
By Katherine Bradford
Located in Portland, ME
Bradford, Katherine (American, born 1942) STEAMBOAT SUITE PORTFOLIO WITH AN EXTRA MONOTYPE ADDED, 2013. Edition of 10, plus 7 Artist's Proofs and Collaborators copies. Of the editio...
Category
2010s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching, Monotype
Night Time, Dieppe.
By Edmund Blampied
Located in Storrs, CT
Night Time, Dieppe. 1926-27. Drypoint. Appleby 123. 7 7/8 x 11/ Edition 100. A fine impression printed on cream laid paper with full margins. Signed in penc...
Category
1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint, Etching
$975 Sale Price
22% Off
Untitled
By Mikulas Kravjansky
Located in Fairlawn, OH
Signed and dated '99 in white
Category
1990s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Mixed Media
'Forest Woman' — Mid-Century Surrealism, Atelier 17
Located in Myrtle Beach, SC
Ian Hugo, 'Forest Woman', engraving, 1945, edition 50. Signed, dated, titled, and numbered '5/50' in pencil. With the blind stamp 'madeleine-claude jobrack E...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Engraving
'Erinnerung (Remembrance)' — Turn-of-the Century Romanticism
By Max Klinger
Located in Myrtle Beach, SC
Max Klinger, 'Erinnerung' (Remembrance), original etching with aquatint, 1896. A fine, richly inked impression on off-white, wove paper, with full margins (1 3/4 to 3 1/8 inches), in...
Category
1890s Post-Impressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching, Aquatint
Wake on the Ferry.
By John French Sloan
Located in Storrs, CT
Wake on the Ferry. 1949. Etching. Morse catalog 313. state v. 5 x 7 (sheet 8 3/4 x 11 7/8). Edition of 350: 200 for the Art Students League and 150 for the artist. A fine impression ...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
$1,750 Sale Price
22% Off
Betsy. [Girl in Cowboy Boots and Hat]
By Pascal Bastia
Located in New York, NY
Betsy, [Girl in Cowboy Boots and Hat]. Color lithograph. On Linen.
Excellent composer Pascal Bastia is also a talented writer who wrote most of the lyrics and librettos of his operettas . Author -songwriter, has been interpreted by the greatest : Jean Sablon, Josephine Baker, Luc Barney ... He is also the author of music and film scripts...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
![Betsy. [Girl in Cowboy Boots and Hat]](https://a.1stdibscdn.com/archivesE/upload/a_2922/1488828051954/Bastia_Betsy_27_master.jpg?width=240 "pascal bastia")
Magic Hour, Autumn
By John DePol
Located in Myrtle Beach, SC
John DePol, 'Magic Hour, Autumn', chiaroscuro wood engraving, 1981, edition 160 in 1983. Signed, dated and titled in pencil. Signed in the block, lower right. A superb impression, on...
Category
Mid-20th Century American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Woodcut
Vin Rouge (Red Wine)
By Edmund Blampied
Located in Storrs, CT
1932. Drypoint. Appleby 167. 9 1/4 x 11 5/8 (sheet 11 3/8 x 17 15/16). Edition 100 #48. Mat line, well outside the image; otherwise excellent condition. A rich impression with drypo...
Category
1930s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint
$1,750 Sale Price
30% Off
Untitled (Profile of an African Woman)
By Boris Lovet-Lorski
Located in Myrtle Beach, SC
Boris Lovet-Lorski, 'Untitled (Profile of a Black Woman)', lithograph, edition 250, 1929. Signed and numbered 14 in pencil. Number 14 of Volume 2, a series of 10 lithographs publishe...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
The Wrath of Elihu: 'I Am Young, And Ye Are Very Old, Wherefore I Was Afraid.'
By William Blake
Located in Storrs, CT
The Wrath of Elihu. 'I Am Young, And Ye Are Very Old, Wherefore I Was Afraid'. 1823-25. Engraving. .Binyon catalog 117 state ii, Bindman catalog 632. Image 7 7/8 x 5 15/16; plate 8 ...
Category
Early 19th Century Romantic Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Engraving
'Dark Vessel' — Mid-Century Modern
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Dark Vessel', color serigraph, 1952, edition 50, Ryan 51. Signed, dated, and titled in pencil. A superb impression, with fresh colors, on c...
Category
Mid-20th Century American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Screen
$600 Sale Price
20% Off
NO OLVIDEMOS A JULIUS Y ETHEL ROSENBERG
By Ángel Bracho
Located in Santa Monica, CA
ANGEL BRACHO (b. 1911 -)
NO OLVIDEMOS A JULIUS Y ETHEL ROSENBERG…….1953 (P. 151)
Linocut and letterpress 36 13/16 x 26 9/16” Some ...
Category
1950s Other Art Style Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Linocut
The Death of Lazarus
By Hieronymus Wierix
Located in Fairlawn, OH
The Death of Lazarus
Engraving, 1593
Feria VI. Post Domin IIII
From: Evangelicae Historiae Imagines, Plate 76
Condition: Excellent
Sheet size: 9 7/8 x 6 1/8 inches
Reference: Referen...
Category
16th Century Old Masters Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Engraving
Below Stairs.
By Edmund Blampied
Located in Storrs, CT
Below Stairs. 1930-31. Drypoint. Appleby 143. 10 1/4 x 7 3/4 (sheet 15 3/4 x 10 1/8). Edition 100, #31. A very rich, tonal impression on cream-colored laid paper. Unobtrusive soiling in the top left- and lower-left hand margins, just below the platemark; and light mat line just outside the platemark. . Signed and numbered in ink. Housed in a 20 x 16-inch archival mat, suitable for framing. A charming discussion between the chef and a scullery maid in a "Downtown Abbey...
Category
1930s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint, Etching
$975 Sale Price
56% Off