Ifpda International Fine Print Dealers Association Figurative Prints
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Floating Crap Game
By John DePol
Located in Myrtle Beach, SC
John DePol, 'Floating Crap Game, chiaroscuro wood engraving, 1958, edition 145. Signed, titled, numbered 'Ed. 145' and dated '3/1958'. Signed in the block, lower right. A fine, rich ...
Category
Mid-20th Century American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Woodcut
Ludgate Hill
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil.
Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate.
When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint, Etching, Aquatint
$400 Sale Price
20% Off
'Crown of Roses' — Mid-century Modernism
By Mary Van Blarcom
Located in Myrtle Beach, SC
Mary Van Blarcom, 'Crown of Roses', color serigraph, c. 1945, edition not stated but small. Signed in pencil beneath the image, lower left. Titled in pencil, bottom left sheet corner. A rich painterly impression, with fresh colors, on cream laid paper, with full margins (3/8 to 7/8 inch), in excellent condition. Matted to museum standards, unframed.
Image size 8 13/16 x 12 11/16 inches; sheet size 9 1/2 x 8 5/16 inches.
ABOUT THE ARTIST
Painter, printmaker, and craftsperson, Mary Van Blarcom was born in Newark, New Jersey, and studied at Wellesley College. She was a member of the National Serigraph Society, where she served on the board of trustees from 1945 through 1952 and was 1st vice-president from 1949-51. She was also a member of the National Association of Women Artists, the Artists Equity Association, the American Color Print Society, the New Jersey Artists Association (Director), and Artists of Today.
Van Blarcom exhibited actively throughout the 1940s at many prominent art organizations, including Montclair Art Museum, 1941-45 and 1947-51 (prize, 1948); Society of Independent Artists, 1942-44; Artists of Today, 1942-46; Elisabeth Ney Museum, 1943; Northwest Printmakers, 1944, 1946-49; Laguna Beach Art Association, 1945-47, 1949; National Association of Women Artists, 1945-50, (prize, 1946); Library of Congress, 1946-47; Museum of Modern Art Traveling Exhibition, 1945-47; Carnegie Institute, 1947; Serigraph Gallery, 1946, 1951 (solo); American Color Print Society, 1947-52; Newark Museum, 1947-48, 1951; California State Library, 1947, 1949; National Serigraph Society, 1949 (prize), 1950 (prize); University of Chile, 1950; New Jersey State Museum, 1950; Philadelphia Art Alliance, 1951; and the Main Gallery, NY, 1952.
Van Blarcom’s work is represented in the collections of the Newark Public Library, the U.S. Library of Congress; the American Association of University Women; the New York Public Library; Tel-Aviv Museum, Alabama Polytechnic Institute, Princeton Print Club...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Screen
$320 Sale Price
20% Off
'Corner of Steel Plant' — American Modernism / Precisionism
By Louis Lozowick
Located in Myrtle Beach, SC
Louis Lozowick, 'Corner of Steel Plant', lithograph, 1929, edition 25, and 10 printed in 1972; Flint 21. Signed, titled, dated, and numbered 'I/X' in penci...
Category
1920s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
'Little Locomotive' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Little Locomotive (Kleine Lokomotive)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W158. Annotated 'W 158' (Feininger catalogue number) and '1936' in pencil, in the bottom right sheet corner.
A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce.
Image size 2 1/4 x 3 5/16 inches; sheet size 10 x 7 inches. Archivally sleeved, unmatted.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY.
Collections: Cleveland Museum of Art, Museum of Modern Art, Staatliche Museen zu Berlin (East Berlin KK).
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Woodcut
The Dance of Death. 1914-1918
By Percy John Delf Smith, R.D.I.
Located in Storrs, CT
The Dance of Death. 1914-1918. 1921. Portfolio of 7 etchings with drypoint. Sheet: 18 1/2 x 15 1/2. Edition 100. Title page annotated in ink by the arti...
Category
1910s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint
'Bridges of Florence' — Firenze Impressionism
Located in Myrtle Beach, SC
Alonzo C. Webb, 'Bridges of Florence', etching, 1929, edition 100. Signed and titled in pencil. Signed and dated in the plate, lower left. A superb, richly-inked impression, in warm ...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
The Master Smith
By James Abbott McNeill Whistler
Located in Storrs, CT
The Master Smith. 1895. Lithograph. Way 84; Levy 123; Tedeschi, Stratis and Spink 120.i/ii. 4 1/2 x 5 1/2 (sheet 76 x 5 3/8). Only 15 lifetime impressions (in 2 states) were listed by Way; Goulding printed 38 impressions on 14 December 1903. The stone was erased in 1903. Printed on cream wove proofing paper. Monogrammed with the butterfly in the stone. A fine impression of this extremely rare lithograph.
Tedeschi, Stratis, and Spink write, page 366: As originally transferred to stone, the image includes trial marks made with a pointed crayon to the left of the sitter's shoulder. There is also a smudge at lower right below the image and a small stry mark upper right. Only one impression of this state has been located. Now in the Britigh Museum, London, it once belonged to Thomas Way and is illustrated in the Levy (1975) catalogue.' The impression illustrated above lacks the stray mark on the right, as the sheet is too small to accommodate it.
Tedeschi, Stratis and Spink write, page 366: 'This portrait of George Govier, was drawn ad the master smith conversed with the artist during a break from his work. Govier was born in Lyme Regis...
Category
Late 19th Century Impressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
$5,000 Sale Price
33% Off
Untitled (Portrait of a young woman - wife of the artist)
By Francisco Souto
Located in New Orleans, LA
This is a self portrait of a young woman who is the wife of the artist.
Francisco Souto was born in Venezuela, and received a BFA from Herron School of Art and a MFA from The Ohio ...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Mezzotint
$375 Sale Price
25% Off
'Le maréchal flamand' (The Flemish Blacksmith) — 19th-Century French Romanticism
By Jean Louis Andre Theodore Gericault
Located in Myrtle Beach, SC
Théodore Géricault 'Le maréchal flamand' (The Flemish Blacksmith) from the series ‘Etudes, de chevaux lithographiés,’ lithograph, 1822, 2nd state ...
Category
1820s Romantic Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Mujeres Veracruzans (three seated women from Vera Cruz Mexico in shawls)
By Francisco Dosamantes
Located in New Orleans, LA
Three native Mexican women all similarly dressed in traditional, flowing white dresses covered in dark, fringed shawls raise their heads as if the...
Category
Mid-20th Century Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Circus Girl With Plumed Hat
By Yasuo Kuniyoshi
Located in Santa Monica, CA
YASUO KUNIYOSHI (1893 -1957)
CIRCUS GIRL WITH PLUMED HAT, 1933 (D.L60)
Lithograph, signed in pencil and annotated 25P (edition of 25). Image 12 5/8 x 9 3/8 inches. Full margins w...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
$3,200 Sale Price
20% Off
La Receveuse (Bill Collector) —French Cubism
By Jean-Emile Laboureur
Located in Myrtle Beach, SC
Jean-Emile Laboureur, 'La Receveuse', engraving, 1919, edition 8, first state of two (artist's proof). Laboureur, Godefroy 190.
Signed and numbered '3/8 ép' in pencil. Initialed and...
Category
1910s Cubist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Engraving
Evening, Port of Genoa
By Sir Muirhead Bone
Located in Storrs, CT
Evening, Port of Genoa. 1915. Drypoint. Dodgson 337.i/v. 7 5/8 x 9 15/16 (sheet 9 1/8 x 14). Edition of 45 in five states. An exceptionally rich impression with drypoint burr, printe...
Category
1910s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint
$760 Sale Price
20% Off
'Early Marshes' — Mid-Century Surrealism, Atelier 17
Located in Myrtle Beach, SC
Ian Hugo, 'Early Marshes', from the portfolio 'Ten Engravings'. engraving, 1943, edition 50. Signed, dated, titled, and numbered '37/50' in pencil. A fine impression, with delicate overall plate tone, on cream wove paper, the full sheet with margins (2 5/8 to 7 inches), in excellent condition.
With the blind stamp 'madeleine-claude jobrack EDITIONS', in the bottom right margin. Matted to museum standards, unframed.
Image size 5 x 5 7/8 inches (127 x 149 mm); sheet size 15 x 11 inches (381 x 279 mm).
Ian Hugo originally created "Ten Engravings" in 1945 and the portfolio included a foreword by his partner and collaborator, Anais Nin. In 1978, Hugo republished the portfolio with Madeleine-Claude Jobrack, an American master printmaker who studied under Stanley William Hayter at Atelier 17, Paris, and with Johnny Friedlaender. When Jobrack returned to the States she managed the Robert Blackburn Printmaking Studio in New York before opening her own printing studio, Madeleine-Claude Jobrak Editions.
“The sign of the true artist is one who creates a complete universe, invents new plants, new animals, new figures to transfer to us a new vision of the universe in which dream and reality fuse. Ian Hugo's plants have eyes, the birds have the delicacy of dragonflies, their feathers have the shape of fans. Humor is apparent in every gesture. He uses a fine spider web to give a feeling of flight, speed, lightness. The body of a woman reveals the structure of a leaf, a plant. Wings are moving in a world unified by mythological themes. This is an animated world, humorous and levitating, elusive and decorative, which by its unique forms and shapes gives us the sensation of a rebirth, a liberation from the usual, the familiar, a visit to a new planet.”
—Anais Nin, from the forward to the portfolio ‘Ten Engravings’
ABOUT THE ARTIST
Ian Hugo was born Hugh Parker Guiler in Boston, Massachusetts, on February 15, 1898. His childhood was spent in Puerto Rico—a "tropical paradise," the memory of which stayed with him and surfaced in both his engravings and his films. He attended school in Scotland and graduated from Columbia University where he studied economics and literature.
Hugo was working with the National City Bank when he met and married author Anais Nin in 1923. The couple moved to Paris the following year, where Nin's diary and Guiler's artistic aspirations flowered. Guiler feared his business associates would not understand his interests in art and music, let alone those of his wife, so he began a second, creative life as Ian Hugo. Ian and Anais moved to New York in 1939. The following year he took up engraving and etching, working at Stanley William Hayter’s experimental printmaking workshop Atelier 17, established at the New School for Social Research.
Hugo began producing surreal images often used to illustrate Nin's books. For Nin, his unwavering love and financial support were indispensable—Hugo was the "fixed center, core... my home, my refuge" (Sept. 16, 1937, Nearer the Moon, The Unexpurgated Diary of Anais Nin, 1937-!939). Fictionalized portraits of Higo and Nin appear in Philip Kaufman's 1990 film drama of a literary love triangle, Henry & June.
Inspired by comments that viewers saw motion in his engravings, Hugo took up filmmaking. He asked the avant-garde filmmaker Sasha Hammid for instruction but was told, "Use the camera yourself, make your own mistakes, make your own style." Hugo embarked on an exploration of the film medium as a vehicle to delve into his dreams, his unconscious, and his memories. Without a specific plan, He would collect resonant images, then reorder or superimpose them, seeking a sense of self-connection through the poetic juxtapositions he created. These intuitive explorations resembled the mystical evocations of his engravings, which he described in 1946 as "hieroglyphs of a language in which our unconscious is trying to convey important, urgent messages."
In the underwater world of his film ‘Bells of Atlantis,’ the light originates from the world above the surface; it is otherworldly, out of place, yet essential. In ‘Jazz of Lights,’ the street lights of Times Square become in Nin's words, "an ephemeral flow of sensations." This flow that she also calls "phantasmagorical" had a crucial impact on Stan Brakhage, who said that without Jazz of Lights (1954), "there would have been no Anticipation of the Night" his autobiographical film which ushered in a new era of experimental modernist filmmaking.
Hugo lived the last two decades of his life in a New York apartment high above street level. In the evenings, surrounded by an electrically illuminated man...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Engraving
Phantasy
By Carl Hoeckner
Located in Santa Monica, CA
CARL HOECKNER (1883 – 1972)
PHANTASY c 1935 Lithograph edition unknown, but rare. Slight glue stain
upper margin. 10 ½” x 15 ¾” ...
Category
1930s Surrealist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
$750 Sale Price
23% Off
'Viel Gluck 1923' — New Year's Greeting - German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Viel Gluck 1923 Wunscht Karl Michel', etching, 1923, edition not stated but small. Signed, dated, and numbered 'op. 136' in pencil. Signed in the image, lower right. A...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
'de Young Mansion' – San Francisco' — California WPA, Woman Artist
Located in Myrtle Beach, SC
Marguerite Redman Dorgeloh, 'de Young Mansion – San Francisco', lithograph, c. 1937, edition 25. Signed and titled in pencil. A fine, richly-inked impr...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
'Ex Libris Verein' — 1920s German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Ex Libris Verein' (New Year's Ex Libris Club Announcement), etching, 1924. Signed, dated, and numbered 'op. 167' in pencil. Signed and dated in...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
Night Time, Dieppe.
By Edmund Blampied
Located in Storrs, CT
Night Time, Dieppe. 1926-27. Drypoint. Appleby 123. 7 7/8 x 11/ Edition 100. A fine impression printed on cream laid paper with full margins. Signed in penc...
Category
1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint, Etching
$975 Sale Price
22% Off
Reflection
By Ivan Valtchev
Located in New Orleans, LA
"Reflection" is an etching created in an edition of 50. This is impression #15.
Ivan Valtchev, who was born in Germany, an internationally acclaimed scu...
Category
1990s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
$113 Sale Price
24% Off
Reflections
By John DePol
Located in Myrtle Beach, SC
John DePol, 'Reflections', chiaroscuro wood engraving, 1979, edition 160 in 1983. Signed, dated and titled in pencil. Signed in the block, lower right. A superb impression, on cream ...
Category
1970s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Woodcut
END OF THE DAY
By Robert Gwathmey
Located in Portland, ME
Gwathmey, Robert (American, 1903-1988). END OF THE DAY. Williams 4.
Screenprint in colors, 1944.
Edition size not known. Signed in ink, lower right, within the image.
12 1/4 x 14 ...
Category
1940s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Screen
New Rochelle - Before the Wind
By Werner Drewes
Located in Myrtle Beach, SC
'New Rochelle - Before the Wind', drypoint, 1931, edition 30 (only a few impressions printed), Rose l.163. Signed, dated '1932' and numbered '1 – XXX' in ...
Category
1930s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint
WEEDING
By William C. Bowlen
Located in Portland, ME
Bowlen, W. C. WEEDING. Etching, 1927. Edition of 30. 5 x 6 13/16 inches. Signed in pencil and inscribed with the title, edition size, and date.
William C. Bowlen (American 1868-?) w...
Category
1920s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
North River Front (Hudson River)
By John DePol
Located in Myrtle Beach, SC
John DePol, 'North River Front', chiaroscuro wood engraving, 1953, edition not stated. Signed, dated, and titled in pencil. Signed in the block, lower left...
Category
Mid-20th Century American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Woodcut
'Church with House and Tree' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with House and Tree (Kirche mit Haus und Baum)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W290 V. Inscribed 'J. F. note paper', in pencil, in the artist’s hand; with the Feininger estate stamp and catalog no. 'W 859' in pencil. Annotated 'W.290 V state 3609' in pencil, in the bottom right sheet corner.
A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce.
Image size 2 3/8 x 2 3/4 inches; sheet size 10 x 7 5/16 inches. Archivally sleeved, unmatted.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; NY, NY.
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public. Still, he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Woodcut
Wheelbarrow Race
By Edmund Blampied
Located in Storrs, CT
1925-26. Drypoint. Appleby 114. 8 9/16 x 12 (sheet 12 x 17). Edition 100, #10. An excellent impression with burr, printed with plate tone on the full sheet of 'VGI' laid paper with ...
Category
1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint, Etching
The Loop II (the artist's memories of days at Chicago's Art Institute)
By Richard Gilbert
Located in New Orleans, LA
The Loop II was created in a small edition of 15. The Loop is a vibrant area featuring eclectic eateries, shops, theaters and parks. Comprised mostly of high-rises, it’s also home to the 108-story Willis Tower. The iconic “Cloud Gate...
Category
1990s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
La Casa Stregata (The Haunted House)
By Paolo Ciampini
Located in New Orleans, LA
This impression is signed and numbered #1 from an edition of 50
Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa...
Category
1990s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
$375 Sale Price
42% Off
Die Bettler (The Beggars)
By Max Beckmann
Located in Fairlawn, OH
Die Bettler (The Beggars)
Lithograph, 1922
Signed in pencil lower right (see photo)
From: Berliner Reise Series, Plate 7
Printed on wove paper
Edition: 100...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
The Loop VI (the artist's memories of days at Chicago's Art Institute)
By Richard Gilbert
Located in New Orleans, LA
The Loop VI was created in a small edition of 15. The Loop is a vibrant area featuring eclectic eateries, shops, theaters and parks. Comprised mostly of high-rises, it’s also home to the 108-story Willis Tower. The iconic “Cloud Gate...
Category
1990s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
Lion Brewery
By James McBey
Located in Storrs, CT
Lion Brewery. 1914. Etching. Hardie 149. 11 1/2 x 8 1/8 (sheet 13 5/8 x 10 1/8). Edition 50, #7. Illustrated: Salaman, Modern Masters of Etching. A fine impression of this scarce pri...
Category
1910s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
'Venice, Maria della Salute' — Serenissima Impressionism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Venice, Maria della Salute', etching, c. 1930. Signed and titled in pencil. A superb, richly-inked impression, with skillfully wiped plate tone, on cream wove paper, ...
Category
1930s Realist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
'Humming Birds and Orchids' — Vintage White Line Color Woodcut
Located in Myrtle Beach, SC
Wuanita Smith, 'Humming Birds and Orchids', white-line color woodcut, circa 1930, edition 50. Signed and titled in pencil. Annotated '50 edition', 'no 5'...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Woodcut
Brigahoe Towing Into Scarborough Harbor
By Nelson Dawson
Located in New Orleans, LA
This impression is signed and annotated as etched and printed by the artist. It is numbered No. 11
Nelson Ethelred Dawson (1859–1941) was an English artist and member of the Arts a...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
$124 Sale Price
36% Off
'Feast of Passover' — American Expressionism
By Max Weber
Located in Myrtle Beach, SC
Max Weber, Untitled 'Feast of Passover', woodcut, 1920, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 30. Signed in pencil...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Woodcut
'Varietesoubrette, Schwalbennest' also Dancer — 1920s German Expressionism
Located in Myrtle Beach, SC
Martel Schwichtenberg (1896-1945), 'Varietésoubrette, Schwalbennest (Variety Soubrette, Swallow’s Nest), drypoint, 1922. Signed in pencil. A fine, richly-inked impression; the full sheet of cream wove paper, with wide margins (3 3/4 to 5 1/4 inches), in excellent condition. Image size 7 3/16 x 4 5/16 inches; sheet size 16 3/8 x 12 1/8 inches. Archivally matted to museum standards, unframed.
Published in Die Schaffenden...
Category
1920s Bauhaus Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint
'Dark Vessel' — Mid-Century Modern
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Dark Vessel', color serigraph, 1952, edition 50, Ryan 51. Signed, dated, and titled in pencil. A superb impression, with fresh colors, on c...
Category
Mid-20th Century American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Screen
$600 Sale Price
20% Off
'Skyline from Jersey Heights' — 1930s Modernism
By Adriaan Lubbers
Located in Myrtle Beach, SC
Adriaan Lubbers, 'Skyline from Jersey Heights', lithograph, 1930, edition 25. Signed, titled, and numbered '4/XXV' in pencil. Dated 'Paris 1930' in pencil. A fine impression, on crea...
Category
1930s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Femme
By Aristide Maillol
Located in Santa Monica, CA
ARISTIDE MAILLOL (1861-1944)
FEMME ASSISE /
(WOMAN SEATED IN PROFILE, RIGHT, ONE LEG BENT. ONE LEG RAISED), 1926 (Gueirn 321)
Etching signed with “M” monogram in pencil. Image 9 x 9...
Category
1920s French School Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
El Vergonzoso (Plate 54) (Los Caprichos Series)
By Francisco Goya
Located in London, GB
Francisco Jose Goya Y Lucientes
El Vergonzoso (Plate 54)
(Los Caprichos Series)
1799
Etching with aquatint
31.5 x 20.5 cms (12.4 x 8.1 ins)
Category
Late 18th Century Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
Nude sunning on Floor (out of the shadows) - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
A signed Certificate of Authority will be included with all photographs. A nude m...
Category
2010s Photorealist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Photographic Paper, Digital
'Commuters' — Early 20th-Century Modernism
By George Josimovich
Located in Myrtle Beach, SC
George Josimovich, 'Commuters', linocut, 1922-23, edition 20. Signed, dated '22, titled, and annotated '9/20' in pencil. Initialed in the block 'G.J....
Category
1920s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Linocut
Xylon 21 Naoko Matsubara USA
Located in Fairlawn, OH
Xylon 21 Naoko Matsubara USA
Woodcuts, two which are printed in color, 1970
2 of the 5 woodcuts signed in pencil (see photos)
Five original woodcuts, two of which are signed in penci...
Category
1970s Abstract Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Woodcut
Dans les Cendres (In the embers)
By Albert Besnard
Located in Storrs, CT
Dans les Cendres (In the embers). 1887. Delteil catalog 67 state iii. State after the plate was cut down and a second figure eliminated (the two earlier states are of the greatest rarity). Etching, drypoint and roulette. 16 3/4 x 12 1/8 (sheet 19 1/2 x 14). Edition 50. Illustrated: Print Collector's Quarterly 9 (1921): 254. A very rich impression with plate tone and drypoint burr, printed on simili-japon. Provenance: Frederick Keppel & Co. This is one of the artist's most striking images. Signed in pencil. Housed in 25 x 20-inch archival mat, suitable for framing.
Paul Albert Besnard, was an impressionist painter. In 1866, the seventeen-year-old son of artist parents began his studies at the École des Beaux-Arts Paris. In 1874, Besnard won the important Prix de Rome, with which the academy distinguished young talent. A portion of the scholarship is a stay of several years in Rome. Besnard married Charlotte Dubray, a sculptress, during this time in Rome. The couple lived in England, where Besnard exhibited at the Royal Academy London, between 1881 and 1884. He became involved with English portrait painting during this period, which had a lasting influence on his work.
In the years that followed, Besnard broke with the academic tradition. In 1886, he presented the portrait of Madame Roger Jourdain...
Category
Late 19th Century Impressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint, Etching
$1,250 Sale Price
37% Off
Duet — Cellist and Pianist, 1930s Lithograph
Located in Myrtle Beach, SC
Herschel Levit 'Duet', lithograph, c. 1937. Signed in pencil. A fine, richly inked impression, on cream wove paper, with full margins (1 1/2 x 2 inches)...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
$600 Sale Price
20% Off
Untitled (Mother and Child)
By Maurice Denis
Located in Myrtle Beach, SC
Maurice Denis, Untitled (Mother and Child), lithograph, 1897, edition not stated. Signed in the stone, lower right. Annotated in linotype 'MAURICE DENIS, ORIGINAL LITHOGRAPHIE PAN III' in the lower left sheet corner. A fine, atmospheric impression, in warm, dark gray ink, on buff wove paper, with full margins (2 1/2 to 1 3/4 inches); a small discoloration in the bottom left sheet corner, otherwise in good condition. Image size 8 5/8 x 6 7/8 inches; sheet size 13 7/8 x 10 5/8 inches. As published in 'Pan', the leading German magazine of the period devoted to art and literature. Matted to museum standards, unframed.
Collection: Los Angeles County Museum of Art.
Reproduced: German Expressionist Prints...
Category
1890s Symbolist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
'Le Paradis Terrestre' (Paradise on Earth) — French Symbolism
By Edouard Goerg
Located in Myrtle Beach, SC
Edouard Goerg, 'Le Paradis Terrestre' (Paradise on Earth), etching, 1931, edition 40. Signed, titled, and numbered '3/40' in pencil. A fine richly-inked impression, on heavy, cream w...
Category
1930s Symbolist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, ...
By Georges Rouault
Located in Fairlawn, OH
En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, the taste of bitterness)
Aquatint, drypoint, roulette and burnishing over heliogravure, 1922
Unsigned as ...
Category
1920s French School Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Aquatint
'Eyes for the Night' — Mid-Century American Surrealism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
Benton Spruance, 'Eyes for the Night', color lithograph, 1948, edition 35, Fine and Looney 261. Signed, dated, and titled, and annotated 'Ed 35' in pencil. A fine impression with fresh colors, on cream wove paper; the full sheet with margins (1 to 1 3/8 inches), in excellent condition. Printed by master lithographer Theodore Cuno. Archivally matted to museum standards, unframed.
Image size 19 x 13 inches; sheet size 21 1/8 x 15 1/4 inches.
Selected by the artist for his retrospective exhibition 'Benton Spruance: Lithographs...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
'Bedrock' — Construction of the New Yorker Hotel
By Otto Kuhler
Located in Myrtle Beach, SC
Otto Kuhler, 'Bedrock', etching, 1928, edition 25, Kennedy 29. Signed and titled in pencil. A superb, richly-inked impression in brown/black ink, with skilfully wiped plate tone; on ...
Category
1920s American Realist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
Tanks & Trees — Mid-century American Surrealism
Located in Myrtle Beach, SC
Karl Eugene Fortess, 'Tanks & Trees', lithograph, c. 1940, edition 100. Signed, titled, and numbered '100/P' in pencil. Inscribed 'For Usui - K.' in the bottom left margin. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/2 to 2 1/2 inches); a slight crease across the top right sheet corner, well away from the image; otherwise in excellent condition. Image size 13 1/8 x 10 inches; sheet size 17 3/8 x 13 3/16 inches. Matted to museum standards, unframed.
Provenance: Estate of Francis Pratt.
Francis and her husband Bumpei Usui...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
'Girl and Cat' — 1930s American Modernism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
'Girl and Cat', lithograph, 1935, edition 33, Fine and Looney 121. Signed, titled, dated, and numbered '5/33' in pencil. A superb, richly-inked impression...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
La Cardeuse (Woman Carding Wool)
By Jean François Millet
Located in Storrs, CT
La Cardeuse (Woman Carding Wool). c. 1858. Etching. Delteil, Melot 15. only state. 10 x 7 (sheet 12 3/8 x 9 1/2). Illustrated: Print Collector's Quarterly 25 (1938): 146; Keppel, The...
Category
1850s Barbizon School Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
$2,400 Sale Price
20% Off
WE’RE OVER THR MOUNTAIN (Wir sind überm Berg)
By Andreas Paul Weber
Located in Santa Monica, CA
ANDREAS PAUL WEBER (German 1893 – 1980)
WE’RE OVER THR MOUNTAIN (Wir sind überm Berg) (A68, D2718)
Lithograph over tinted ground, signed in pencil and in monogram in the stone. Image, 14 ½ x 19 1/4. Large full sheet with watermark and deckle edge, 24 ½ x 19 ¼. In very good condition.
The A. Paul Weber Museum was inaugurated in Ratzeburg in 1973. Andreas Paul Weber died on 9 November 1980. This important German lithographer, draughtsman and painter bequeathed a comprehensive œuvre, in which critical satirical works figure prominently.
THE WEBER MUSEUM HAS ADDITIONAL INFORMATION AND A BIOGRAPHY
The following is a biography taken from the prominent German auction house KETTERER /KUNST:
Andreas Paul Weber attended secondary modern school in Arnstadt between 1903 and 1910 before briefly attending the School for the Decorative and Applied Arts in Erfurt. In 1908 Weber joined the 'Jungwandervogel', a movement which sought to develop a new, modern lifestyle based on walking and living close to nature. At the same time Andreas Paul Weber began experimenting with lithography and worked as a commercial artist. When the first world war broke out, Weber served as a railway engineer on the Eastern Front, where he worked for the army as a draughtsman from 1916. After the war Andreas Paul Weber illustrated numerous books, including Till Eulenspiegel, Reineke Fuchs and the critical contemporary work Der Zeitgenosse by Hjalmar Kutzleb, which were Weber's first successes. In 1925 Weber founded the 'Clan-Presse' ['Clan Press'], where he and his son Christian printed...
Category
1940s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Madame Carmencita, Plate 9
By Georges Rouault
Located in Fairlawn, OH
Madame Carmencita, Plate 9
From: Cirque de l'etoile filante (Circus of the Shooting Star), 1934-1936 (published 1938)
Signed with the artist's initials and dated, lower right of plat...
Category
1930s French School Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Aquatint
Endless Day
By John DePol
Located in Myrtle Beach, SC
John DePol, 'Endless Day', chiaroscuro wood engraving, 1979, edition 160 in 1983. Signed, dated, and titled in pencil. Signed in the block, lower right. A superb impression, on off-w...
Category
1970s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Woodcut
Studio Interior No. 1 — 1930s Masterwork
By Armin Landeck
Located in Myrtle Beach, SC
Armin Landeck, 'Studio Interior No. 1', 1935, drypoint, edition 100, Kraeft 56. Signed in pencil. Signed in the plate, lower right. A fine, richly-inked impression, on cream laid pap...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint
Windsor
By Sir Francis Seymour Haden, R.A.
Located in Storrs, CT
Schneiderman catalog 186 state .xii. 13 1/4 X 17 1/2 (sheet 18 5/8 x 25 5/8). Edition of 50 in this state, published by the Fine Art Society. A fine impression printed on cream wove paper with full margins. Toning in the image, otherwise good condition. Signed in pencil. Housed in a 22 x 28-inch archival mat, suitable for framing.
Born in 1818, Sir Francis Seymour Haden was an etcher, collector and surgeon. He studied at the Derby School, Christ’s Hospital and University College in London. He also studied at the medical schools of the Sorbonne in Paris and at Grenoble. He became a member of the Royal College of Surgeons in 1842 and he was made a fellow in 1857. He was an honorary surgeon to the Department of Science and Art from 1851 to 1867 and in 1847 he settled into a private practice. Haden was a vice-president of the obstetrical society of London and one of the founders of the Royal Hospital for Incurables in 1850.
He was the first President of the Royal Society of Painter-Echers.
In 1858, Haden encouraged James McNeil Whistler to work from nature and consequently, Whistler dedicated his first set of etchings entitled “French Set”, to Haden. The etchings were printed by Auguste Delâtre in Paris and marketed, with some help from Haden, in London. In 1859 Whistler settled in London and often visited Haden’s Sloane Street home. Whistler executed a number of paintings and etchings of domestic scenes within Haden’s home, among them “Reading By Lamplight...
Category
Late 19th Century Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
$760 Sale Price
22% Off
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