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Ifpda International Fine Print Dealers Association Figurative Prints

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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"Crossing the River: Chasing"
Located in Lyons, CO
Color lithograph, Edition 30. Known for paintings based on historical Chinese photographs, Hung Liu's subjects over the years have been prostitutes, refugees, street performers, s...
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

DEATH OF THE FIRST BORN - Proof - Magnificent Large Scale Mezzotint
By John Martin
Located in Santa Monica, CA
JOHN MARTIN (1789 – 1854) DEATH OF THE FIRST BORN, Dedicated to His Majesty King Louise Philippe, King of the French, as a Tribute of the Artist’s Grateful...
Category

1830s Old Masters Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Mezzotint

'A Very Funny Story, Mongols' — Mid-Century Woodblock Print
By Paul Jacoulet
Located in Myrtle Beach, SC
Paul Jacoulet, 'Une Histoire très Drôle, Mongols', color woodblock print, 1949. A fine impression, with fresh colors, on the artist's handmade, personally watermarked Japan paper, in...
Category

1940s Showa Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

‘LE REPOSE du MODELE' - Rare First State
By Henri Matisse
Located in Santa Monica, CA
HENRI MATISSE (French 1869-1954) LE REPOSE du MODELE 1922 . (Duthuit 416) Original lithograph, FIRST STATE, on Chine volant paper BEFORE image was reduced at the left edge. An uns...
Category

1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

City Scene II — Mid-Century Modernism, Precisionism
By Bernard Brussel-Smith
Located in Myrtle Beach, SC
Bernard Brussel-Smith, 'City Scene II', wood engraving, 1949, artist's proof, edition 100. Signed, titled, and annotated 'A.P.' in pencil. A superb, richly-inked impression, on whit...
Category

1940s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

'Viel Gluck 1923' — New Year's Greeting - German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Viel Gluck 1923 Wunscht Karl Michel', etching, 1923, edition not stated but small. Signed, dated, and numbered 'op. 136' in pencil. Signed in the image, lower right. A...
Category

1920s Expressionist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

Circus Girl With Plumed Hat
By Yasuo Kuniyoshi
Located in Santa Monica, CA
YASUO KUNIYOSHI (1893 -1957) CIRCUS GIRL WITH PLUMED HAT, 1933 (D.L60) Lithograph, signed in pencil and annotated 25P (edition of 25). Image 12 5/8 x 9 3/8 inches. Full margins w...
Category

1930s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

'Varietesoubrette, Schwalbennest' also Dancer — 1920s German Expressionism
Located in Myrtle Beach, SC
Martel Schwichtenberg (1896-1945), 'Varietésoubrette, Schwalbennest (Variety Soubrette, Swallow’s Nest), drypoint, 1922. Signed in pencil. A fine, richly-inked impression; the full sheet of cream wove paper, with wide margins (3 3/4 to 5 1/4 inches), in excellent condition. Image size 7 3/16 x 4 5/16 inches; sheet size 16 3/8 x 12 1/8 inches. Archivally matted to museum standards, unframed. Published in Die Schaffenden...
Category

1920s Bauhaus Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint

'Church with Star' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with Star (Kirche mit Stern)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W265. Annotated 'W 265' (Feininger catalogue number) and inventory no. '2808' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 3/8 x 2 3/8 inches; sheet size 10 1/16 x 7 1/16 inches. Archivally sleeved, unmatted. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category

1930s Bauhaus Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

'Mending Nets' — Cape Ann Regionalism, Rockport
Located in Myrtle Beach, SC
Christian Dull, 'Mending Nets', aquatint, c. 1930, edition 50. Signed and numbered '50/-' in pencil. A fine impression, on cream laid paper, the full sheet with margins (1/2 to 1 1/2...
Category

1920s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Aquatint

'Feast of Passover' — American Expressionism
By Max Weber
Located in Myrtle Beach, SC
Max Weber, Untitled 'Feast of Passover', woodcut, 1920, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 30. Signed in pencil...
Category

1920s Expressionist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

Evening, Port of Genoa
By Sir Muirhead Bone
Located in Storrs, CT
Evening, Port of Genoa. 1915. Drypoint. Dodgson 337.i/v. 7 5/8 x 9 15/16 (sheet 9 1/8 x 14). Edition of 45 in five states. An exceptionally rich impression with drypoint burr, printe...
Category

1910s Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint

'Little Girl' — American Modernism
By Milton Avery
Located in Myrtle Beach, SC
Milton Avery, 'Little Girl', drypoint, 1936, edition 60, Lunn 11. Signed, dated, and numbered '22/60' in pencil. A superb impression, in warm black ink with delicate overall plate tone, on off-white wove paper, with wide margins (2 5/8 to 4 1/8 inches); hinge stains on the top sheet edge, verso, otherwise in excellent condition. Matted to museum standards, unframed. Image size 8 3/4 x 4 3/4 inches (222 x 121 mm); sheet size 14 7/8 x 13 1/8 inches (378 x 333 mm). Collections: Cantor Arts Center, National Gallery of Art. ABOUT THE ARTIST "I never have any rules to follow; I follow myself." "I paint not by sight but by faith. Faith gives you sight." —Milton Avery 'His is the poetry of sheer loveliness.' —Mark Rothko in his 1965 eulogy to Avery. Milton Avery (1885-1965) is recognized as one of America's foremost modernist artists, renowned for his uniquely expressive style, evocative use of color, and captivating compositions. Growing up in a working-class family in Altmar, New York, Avery's early life was marked by the struggles and realities of rural New York. Despite lacking formal artistic training, he displayed an innate talent for drawing from an early age. In 1905, his family relocated to Hartford, Connecticut, where he worked various odd jobs while developing his artistic skills through self-study and experimentation. In 1915, he enrolled at the Connecticut League of Art Students, where he received formal instruction and began to refine his distinctive style. In 1918, Avery transferred to the School of the Art Society of Hartford and worked in the evenings so that he could paint during the day. He became a member of the Connecticut Academy of Fine Arts in 1924. That summer in Gloucester, Massachusetts, he met the artist Sally Michael...
Category

1930s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint

'Bedrock' — Construction of the New Yorker Hotel
By Otto Kuhler
Located in Myrtle Beach, SC
Otto Kuhler, 'Bedrock', etching, 1928, edition 25, Kennedy 29. Signed and titled in pencil. A superb, richly-inked impression in brown/black ink, with skilfully wiped plate tone; on ...
Category

1920s American Realist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

The Hunchbacked Fiddler (3rd State)
By Adriaen van Ostade
Located in Chicago, IL
The Hunchbacked Fiddler (3rd State), 1654 Etching 266 x 113 mm.; 6 1/2 x 4 7/16 inches Watermark: Fleur-de-lys in a Crowned Shield References: Godefroy 44 III/VI Hollstein 44 III/VI Pelletier, Adrian van Ostade...
Category

17th Century Old Masters Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

La Persane
By Henri Matisse
Located in London, GB
Henri Matisse La Persane 1929 Lithograph on Arches Velin paper, Edition of 50 Paper size: 63 x 44.5 cms (24 3/4 x 17 1/2 ins) Image size: 44.8 x 29 cms (1...
Category

1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

The Black Silk Dress (Anaïs).
By Gerald Leslie Brockhurst
Located in Storrs, CT
The Black Silk Dress. 1927. Etching. Fletcher catalog 58 state .ix (published state). 8 3/4 x 6 1/4 (sheet 14 1/2 x 9 1/8). Edition 76 in this state; total 111 proofs). Exhibited at...
Category

1920s Renaissance Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

'Doctor' from 'In Praise of Folly' — Mid-Century Graphic Modernism
By Lynd Ward
Located in Myrtle Beach, SC
Lynd Ward, 'Doctor' from the series 'Moriae Encomium (In Praise of Folly),' mezzotint, 1943, no edition, proofs only. Signed in pencil. A superb, richly-inked impression, on cream wove paper; the full sheet with margins (1 to 1 3/4 inches) in excellent condition. Matted to museum standards, unframed. Scarce. Image size 7 3/4 x 4 3/4 inches (197 x 121 mm); sheet size 10 11/16 x 8 1/16 inches (271 x 204 mm). Created by the artist for 'Erasmus's Moriae Encomium,' or 'In Praise of Folly,' published by the Limited Editions Club, 1943. A rare, signed, proof impression apart from the Limited Editions Club publication. ABOUT THE ARTIST Lynd Ward is acknowledged as one of America’s foremost wood engravers and book illustrators of the first half of the twentieth century. His innovative use of narrative printmaking as a stand-alone storytelling vehicle was uniquely successful in reaching a broad audience. The powerful psychological intensity of his work, celebrated for its dynamic design, technical precision, and compelling dramatic content, finds resonance in the literature of Poe, Melville, and Hawthorne. Like these classic American writers, Ward was concerned with the themes of man’s inner struggles and the role of the subconscious in determining his destiny. An artist of social conscience during the Great Depression and World War II, he infused his graphic images with his unique brand of social realism, deftly portraying the problems that challenged the ideals of American society. The son of a Methodist preacher, Lynd Ward, moved from Chicago to Massachusetts at an early age. He graduated from the Teachers College of Columbia University, New York, in 1926, where he studied illustration and graphic arts. He married May Yonge McNeer in 1936 and left for Europe for their honeymoon in Eastern Europe. After four months, they settled in Leipzig, where Ward studied at the National Academy of Graphic Arts and Bookmaking. Inspired by Belgian expressionist artist Frans Masereel's graphic novel ‘The Sun,’ and another graphic novel by the German artist Otto Nückel, ‘Destiny,’ he determined to create his own "wordless" novel. Upon his return to America, Ward completed his first book, ‘God's Man: A Novel in Woodcuts,’ published in 1929. ‘Gods’ Man’ was a great success for its author and publisher and was reprinted four times in 1930, including a British edition. This book and several which followed it, ‘Madman’s Drum,’ 1930, ‘Wild Pilgrimage,’ 1932, ‘Prelude to a Million Years,’ 1933, ‘Song Without Words,' 1936, ‘Vertigo,’ 1937; and ‘Last Unfinished Wordless Novel’ (created in the 1960s and published in 2001) were comprised solely of Ward's wood engravings. Ward designed each graphic image to occupy an entire page, the sequence of which conveys the story's narrative. In 1937, Ward was named Director of the Graphic Arts Division of the Federal Art Project, a division of the Works Progress Administration (WPA). In the following years, Ward went on to illustrate more than one hundred books (some of which he wrote), including classics for the Limited Editions Club Goethe’s ‘Faust,’ Faulkner’s ‘A Green Bough,’ and Mary Shelley’s ‘Frankenstein,’ and several children’s books. He also produced single-subject wood engravings, paintings, and drawings. His print ‘Sanctuary,’ 1939, was shown at the 1939 New York World’s Fair, and ‘Clouded Over,’ 1948, received the 1948 Library of Congress Award and was included in ‘American Prize Prints of the 20th Century’ by Albert Reese. He received the National Academy of Design Print Award (1949), the New York Times Best Illustrated Award (1973), and the Regina Award (Catholic Library Association, 1975). ‘The Biggest Bear,’ a children’s book with illustrations by Ward, was the recipient of the esteemed 1952 Caldecott Medal of the American Library Association. An Honorary Fellow of the Royal Society of Painter-Etchers and Engravers, Ward was a member and board member of the National Academy of Design and the Artists’ League of America. He served several terms as president of the Society of American Graphic Artists and was a member of the American Artists Congress and the Society of Illustrators. Ward exhibited at the American Artists Congress; the National Academy of Design; the John Herron Art Institute; and the Library of Congress. He had a one-person show at Associated American Artists, NY, on the publication of his monograph 'Storyteller Without Words,' 1974; AAA mounted a memorial exhibition in 1986. The May 1976 issue of 'Bibliognost,' a book collector’s publication, was dedicated to Ward. ‘Lynd Ward, His Bookplate Designs,’ an article by Dan Burne Jones, was published in the American Society of Bookplate Collectors and Designers Yearbook, 1981/82. In 2001, sixteen years after his death, Rutgers University Libraries published ’Lynd Ward’s Last Unfinished Wordless Novel.’ The blocks were intended to be part of a novel in woodcuts, the first since Vertigo, but Ward did not live to complete the project. Master printer and book designer Barbara Henry collated and printed the twenty-six finished blocks out of the forty-four initially planned for the still unnamed narrative. In 2010 the Library of America honored Ward’s achievements with the meticulous production of a collection of Ward’s woodcut novels—the first time the Library had gone wordless. The publication replicated his original editions with a single full-size image printed on the right page of each double-page spread. In his introduction to the books, renowned cartoonist/illustrator Art...
Category

1940s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Mezzotint

Olliver St. John Gogarty
By Gerald Leslie Brockhurst
Located in Storrs, CT
Oliver St. John Gogarty. 1935. Etching. Fletcher 78. 6 7/8 x 5 1/2 (sheet 11 1/4 x 8 3/8). Edition 100. 75 intended for the Cuala Press, Dublin. A rich impression, printed on cream-wove paper. Signed in pencil. The etching was done as a commission for Cuala Press, Dublin, as a frontispiece for Gogarty's book, Elbow Room Before publication, the project was changed and the print was never used.

Oliver Joseph St. John Gogarty (17 August 1878 – 22 September 1957) was an Irish poet...

Category

Mid-20th Century Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint, Etching

'Run Little Chillun' also 'Revival' — African American Subject
Located in Myrtle Beach, SC
Isac Friedlander, 'Run Little Chillun' also 'Revival', wood engraving, 1933, edition 50. Signed, titled and annotated 'New York 1933' in pencil. A sup...
Category

1930s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

The Master Smith
By James Abbott McNeill Whistler
Located in Storrs, CT

The Master Smith. 1895. Lithograph. Way 84; Levy 123; Tedeschi, Stratis and Spink 120.i/ii. 4 1/2 x 5 1/2 (sheet 76 x 5 3/8). Only 15 lifetime impressions (in 2 states) were listed by Way; Goulding printed 38 impressions on 14 December 1903. The stone was erased in 1903. Printed on cream wove proofing paper. Monogrammed with the butterfly in the stone. A fine impression of this extremely rare lithograph.

Tedeschi, Stratis, and Spink write, page 366: As originally transferred to stone, the image includes trial marks made with a pointed crayon to the left of the sitter's shoulder. There is also a smudge at lower right below the image and a small stry mark upper right. Only one impression of this state has been located. Now in the Britigh Museum, London, it once belonged to Thomas Way and is illustrated in the Levy (1975) catalogue.' The impression illustrated above lacks the stray mark on the right, as the sheet is too small to accommodate it.

Tedeschi, Stratis and Spink write, page 366: 'This portrait of George Govier, was drawn ad the master smith conversed with the artist during a break from his work. Govier was born in Lyme Regis...

Category

Late 19th Century Impressionist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Winter Fun — Mid-century Modernism, Central Park, New York City
By Louis Lozowick
Located in Myrtle Beach, SC
Louis Lozowick, 'Winter Fun', lithograph, 1940, edition 20, 250 (1941). Flint 188. Signed in pencil, with the artist’s monogram in the stone, lower left. A...
Category

1940s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Fourteenth Street. The Wigwam. (Tammany Hall).
By John Sloan
Located in Storrs, CT
1928. Etching. Morse catalog 235. state ii. Image: 9 3/4 x 7 (sheet 17 1/4 x 11 3/8). From the first printing of 100 proofs by Peter Platt. There were an additional 10 printed by Er...
Category

1920s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

MODEL AND EASEL
By Joseph Hirsch
Located in Portland, ME
Hirsch, Joseph. MODEL AND EASEL. Lithograph, 1952. Cole 25. 21 3/4 x 8 1/2 in. Edition of 50 on Arches paper, printed by Gaston Dorfinant, Paris, using two inks. Signed in pencil...
Category

Mid-20th Century Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

THE RUG WEAVER
By Gustave Baumann
Located in Santa Monica, CA
GUSTAVE BAUMANN (1881 – 1971) THE RUG WEAVER, 1910 (Chamberlain 26) Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown...
Category

1910s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

THE FORGE - Rich Drypoint
By James Abbott McNeill Whistler
Located in Santa Monica, CA
JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903) THE FORGE 1866 (Kennedy. 68 iv/vi: Glascow 86 vi/vi) Etching and drypoint. Signed and dated in the plate 1866. VERY GOOD IMPRESSION WITH...
Category

Late 19th Century Impressionist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint

Slack Rope Artist
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
Benton Spruance, 'Slack Rope Artist', lithograph, 1930, edition 30, Fine and Looney 35. Signed and titled in pencil. Numbered '2' in the bottom right margin. A fine impression, with ...
Category

1930s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

'By the Arks' — Mid-20th Century Surrealism
By Federico Castellon
Located in Myrtle Beach, SC
Federico Castellon, 'By the Arks', 1941, lithograph, edition 250, Freundlich 10D. Signed in pencil. Signed in the stone, lower left. A fine, atmospheric impression on cream, wove pap...
Category

1940s Surrealist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Muse (a young novice in colorful swim suit struggles thru a pool of blue)
By Art Werger
Located in New Orleans, LA
Muse is #43 of 45. It depicts a young woman in a colorful swimsuit doing her best to swim through the blue waters of the pool. Her mouth is pursed and the bubbles flow out. I sold an impression of this image to an olympic swimming...
Category

Early 2000s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

IMMIGRANT FAMILY
By Ben Shahn
Located in Portland, ME
Shahn, Ben. IMMIGRANT FAMILY. Serigraph, 1941. Prescott 2. Edition size unknown; Prescott knew of only 3. This copy unsigned. 11 1/2 x 18 inches (image), 19 1/4 x 25 1/4 (sheet), framed to 23 x 28 1/4 inches. This was only the second print made by Shahn, and the first serigraph, a medium in which he continued to use for his prints throughout his career. Provenance: Kennedy Galleries, with its label, George Krevsky Gallery...
Category

1940s Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Screen

Le repos du modèle
By Henri Matisse
Located in London, GB
Henri Matisse Le repos du modèle 1922 Lithograph on Chine appliqué on Japon paper, Edition of 575 Paper size: not listed Image size: 22.2 x 30.4 cms (8 3/4 x 12 ins) HM15512
Category

1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

LOVERS (LIEBESPAAR
Located in Santa Monica, CA
ROBERT PHILIPPI (Austrian 1877-1959) LIEBESPAAR (LOVERS) ca.1923 (in Rifkind Collection, LACMA: From a portfolio of 10 prints. Rifkind indicates the e...
Category

1920s Expressionist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

William Tell And His Son In Front Of The Hat
By Lovis Corinth
Located in Santa Monica, CA
LOVIS CORINTH (German 1858 -1925) TELL AND HIS SON IN FRONT OF THE HAT "(Wilhelm) Tell Und Sein Sohn Vor Dem Hut" 1923 -5, (Muller 781) Lithograph with coloring, signed in pencil. This is one of 25, signed, on Japan paper Total edition 200. Image 9 1/8 x 7 1/4 inches. Full Sheet 15 x 11 1/2 inches with deckle edge. In good condition. From the portfolio "William Tell". A portfolio of 13 signed lithographs including the title page. Published in 1925. Publisher Karl Nierendorf, Berlin, Printer:A. Rogall, Berlin. (Müller 775-787 - this is the 7th one. There are 25, signed, on Japan paper as offered, Total edition 200, including 75, signed, on "Bütten" paper and 100, signed, on copperplate printing paper) Below is from the Museum of Modern Art: Heather Hess, German Expressionist Digital Archive Project, German Expressionism: Works from the Collection. 2011. Lovis Corinth often cloaked allusions to contemporary politics in historical dress. In these thirteen lithographs for an illustrated edition of Friedrich Schiller...
Category

1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Dilecti Mei Pulsantis
By Eric Gill
Located in London, GB
Original wood engraving, 1930-31, 14.6 x 6.7 cm. (5.7 x 2.6 in.)
Category

1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

KOPF (Head)
By Max Kaus
Located in Santa Monica, CA
MAX KAUS (German 1891-1977) KOPF (Head( (Rifkind 1387) Woodcut, unsigned, monogram in block. As issued as plate 1 from “Genius” Zeitschrift für werdende und alte Kunst, vol. 2, no. ...
Category

1920s Expressionist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

Cruise-O-matic
By William Tillyer
Located in London, GB
William Tillyer Cruise-O-matic 1972 Line Etching on zinc, Edition of 60 Paper size: 70.5 x 104.5 cms (27 3/4 x 41 ins) Image size: 50.5 x 75 cms (19 7/8 x 29 1/2 ins) This classic ...
Category

Late 20th Century Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

THE WAGON SHOP
By Gustave Baumann
Located in Santa Monica, CA
GUSTAVE BAUMANN (1881 – 1971) THE WAGON SHOP, 1910 (Chamberlain 24) Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown...
Category

1910s Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

'The Deluge' from 'The Temple of the Muses' — 18th Century Engraving
By Bernard Picart
Located in Myrtle Beach, SC
Bernard Picart, 'The Deluge' from 'The Temple of the Muses', engraving, 1730. Signed in the plate and dated '1730' lower left. Titled in French, English, German, and Dutch. A superb...
Category

1730s Baroque Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Engraving

Sew What (the swells and swirls of the stripes are now in the hands of others)
By Carol Wax
Located in New Orleans, LA
"Sew What" is a color mezzotint with burin engraving created in an edition of 35. This impression is #6. I love sumptuously designed textiles in both real life and art. Patterns metamorphosing over fabric folds appeal to my interest in modulating rhythmic forms, particularly the swells and swirls of calligraphic stripes. I’m also fascinated by articulated wooden hand models, which appear in many of my paintings. Combining these passions with sewing paraphernalia from my seamstress days provided inspiration for my color mezzotint engraving "Sew What". Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer...
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Mezzotint

New Rochelle - Before the Wind
By Werner Drewes
Located in Myrtle Beach, SC
'New Rochelle - Before the Wind', drypoint, 1931, edition 30 (only a few impressions printed), Rose l.163. Signed, dated '1932' and numbered '1 – XXX' in ...
Category

1930s Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint

STEAMBOAT SUITE PORTFOLIO WITH AN EXTRA MONOTYPE ADDED, 2013
By Katherine Bradford
Located in Portland, ME
Bradford, Katherine (American, born 1942) STEAMBOAT SUITE PORTFOLIO WITH AN EXTRA MONOTYPE ADDED, 2013. Edition of 10, plus 7 Artist's Proofs and Collaborators copies. Of the editio...
Category

2010s Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching, Monotype

The Singers
By Adriaen van Ostade
Located in Chicago, IL
The Singers (4th State), 1667 Etching printed with tone 240 x 190 mm.; 9 1/2 x 7 1/2 inches Provenance: W. Benoni White (Lugt 2592) Karl Herweg (not in Lugt) References: Godefroy 19 IV/VII Hollstein 19 IV/VII Pelletier, Georgia Museum of Art, 1994: nos. 46 and 47 Notes: A very fine impression of the rare 4th state (of seven) of this major Van Ostade. Godefroy illustrates differences between this 4th state and the following 5th state. In the latter state, there are several “escaped lines”, going obliquely from left to right, directly above the central post. These lines are not visible in the 4th state. Ostade was one of the most important of the printmakers within the Rembrandt circle. His prints, avoiding religious subjects, depicted beggars, peasants and artisans. Combining great artistic sensitivity with thorough mastery of the medium of etching, Ostade etchings present a unique artistic panorama of life in seventeenth-century Holland. Pelletier (S. William Pelletier, Adrian Van Ostade...
Category

17th Century Old Masters Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

Japanese Beauties Enjoy a Full Moon
By Utagawa Kunisada (Toyokuni III)
Located in Burbank, CA
"Sun, Moon and Stars". Three beauties enjoy a full moon on the veranda of a teahouse or restuarant. The woman on the left kneels and adjusts her lavishly printed kimono. The beauty in the center has her hair down, and behind her is a screen against which shadows are beautifully silhouetted, which adds an air of mystery. The seated woman on the right is perhaps a geisha, as we see a shamisen lying next to her. Before her is a tray with an assortment of foods. One may surmise that the beauties are being compared to the sun, the moon, and the stars. On the left we glimpse a full moon shining over the peaceful bay, and boats at harbor. Original first edition Japanese color woodblock print triptych...
Category

1840s Edo Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Mulberry Paper, Woodcut

Tanks & Trees — Mid-century American Surrealism
Located in Myrtle Beach, SC
Karl Eugene Fortess, 'Tanks & Trees', lithograph, c. 1940, edition 100. Signed, titled, and numbered '100/P' in pencil. Inscribed 'For Usui - K.' in the bottom left margin. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/2 to 2 1/2 inches); a slight crease across the top right sheet corner, well away from the image; otherwise in excellent condition. Image size 13 1/8 x 10 inches; sheet size 17 3/8 x 13 3/16 inches. Matted to museum standards, unframed. Provenance: Estate of Francis Pratt. Francis and her husband Bumpei Usui...
Category

1940s Surrealist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

RENDEZVOUS (SMALL)
By John French Sloan
Located in Portland, ME
Sloan, John. RENDEZVOUS (Small). Morse 227. Etching, 1926. Second State, with the pupil added to the left eye, The published state, titled "Miss Angna Enters...
Category

1920s Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

'Broken Carousel' — Mid-Century American Symbolism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
'Broken Carousel', color lithograph, 1950, edition 35, Fine and Looney 285. Signed, titled, and numbered '18/35' in pencil. Initialed in the stone, lower right. A fine, richly-inked ...
Category

1950s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

J is for James Dean
By Peter Blake
Located in London, GB
Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.
Category

1990s Pop Art Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Screen

Le banc de jardin (The Garden Bench).
By James Jacques Joseph Tissot
Located in Storrs, CT
Le banc de jardin (The Garden Bench). 1883. Mezzotint. Tissot catalog 79, Béraldi catalog 66, Wentworth catalog 75 state ii/iii. 16 1/2 x 22 1/8 (s...
Category

19th Century Impressionist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Mezzotint

'Times Square' — 1920s Modernism
By Adriaan Lubbers
Located in Myrtle Beach, SC
Adriaan Lubbers, 'Times Square', lithograph, 1929, edition 50. Signed, dated, titled, and editioned '(50)' in pencil. A fine impression, on cream wove paper, with full margins (2 1/2...
Category

1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Art Forms in Nature (Plate 79 - Basiliscus) — 1899 Celebration of Nature
Located in Myrtle Beach, SC
Ernst Haeckel, 'Art Forms in Nature' (Plate 79 - Basiliscus), offset lithograph, 1899. Signed and titled in typeset, upper left. Titled 'Tafel 79 — Basi...
Category

1890s Realist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Guardians of the Spire (Amiens Cathedral Number 2)
By John Taylor Arms
Located in Storrs, CT
Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...
Category

1920s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint, Etching

'Rue du Hallage - Rouen' — 1920s British Impressionism
By Sybil Andrews
Located in Myrtle Beach, SC
Sybil Andrews, 'Rue du Hallage - Rouen', color monotype, c. 1925, edition 3, proof 3. Signed 'Sybil Andrews pinx et imp' annotated 'No 3' and titled in pencil. Printed by the artist....
Category

1920s Post-Impressionist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Monotype

The Model
By Raphael Soyer
Located in Santa Monica, CA
RAPHAEL SOYER (1899 - 1987) THE MODEL 1944 (Cole 64) Lithograph Signed in pencil, edition 250, 11 ¾ x 7 ¾ Full margins, sheet 15 ¾ x 12 with deckle edge. Very slight toning to the ...
Category

1940s American Realist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

'The Elevated, East 42nd Street, New York' — 1910 American Realism
By William Monk
Located in Myrtle Beach, SC
William Monk, 'The Elevated, East 42nd Street, New York', etching, 1910. Signed in pencil and titled in the bottom right sheet corner. Signed in the plate, lower right. A superb, ric...
Category

1910s American Realist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

'Venice, Maria della Salute' — Serenissima Impressionism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Venice, Maria della Salute', etching, c. 1930. Signed and titled in pencil. A superb, richly-inked impression, with skillfully wiped plate tone, on cream wove paper, ...
Category

1930s Realist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

'Der Gartner' (The Gardener) — German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Der Gartner' (The Gardener), woodcut, c. 1925. Signed, titled, and numbered '15/50' in pencil. Signed in the block, lower left and right. A fine, richly-inked impression on buff wove paper, with full margins (1 1/2 to 2 3/4 inches), in excellent condition. Matted to museum standards, unframed. Scarce. Image size 5 1/4 x 3 7/8 inches (133 x 98 mm); sheet size 10 x 7 3/4 inches (254 x 198 mm). ABOUT THE ARTIST Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919 - 1933). In 1920, his work was featured in the influential German graphic design magazine Das Plakat...
Category

1920s Expressionist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

Harbor with Sailboats — Early 20th-Century Modernism
By George Josimovich
Located in Myrtle Beach, SC
George Josimovich, Untitled (Harbor with Sailboats) ', linocut, 1923, edition 35. Signed, dated, and annotated '4/35' in pencil. Initialed 'G J' in ...
Category

1920s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Linocut

Roadside, Collonges-La Rouge
By John DePol
Located in Myrtle Beach, SC
John DePol, 'Roadside, Collonges-La Rouge', chiaroscuro wood engraving, 1980, edition 160 in 1983. Signed, dated, and titled in pencil. Signed in the block, l...
Category

1980s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

A Regatta on the Grand Canal [Venice]
By James McBey
Located in Storrs, CT
A Regatta on the Grand Canal. 1930. Drypoint. Hardie/Carter 248. 8 7/8 x 15 3/8 sSheet 13 3/16 x 19 3/8). Edition 80, #5. A fine impression on cream-colored wove paper with full margins. Signed and numbered in ink. Housed in an 18 x20-inch archival mat. Carter writes, "A procession of boats, gaily decorated, is entering the Grand Canal, with the Campanile and the Doges' Palace in the background. On the left is the baroque poop of a boat with a flamboyant, carved female figure; on the right, another boat with a prow of two prancing horses." Born in Newburgh near Aberdeen, James McBey attended evening classes at Graydon's School of Art and taught himself etching, building his own press at the age of fifteen. He moved to London to prepare for a one-man show at Goupil's Gallery, and shortly after this highly successful first show, he traveled to Morocco with James Kerr Lawson...
Category

Mid-20th Century Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

Jane Hading
By Henri de Toulouse-Lautrec
Located in Fairlawn, OH
Jane Hading Lithograph, 1898 Monogramed in the stone upper left corner (see photo) From the First Edition, printed posthumously before 1906 c. 400 impressions (per Wittrock) The sitt...
Category

1890s French School Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

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