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Ifpda International Fine Print Dealers Association Figurative Prints

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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Ouverture de la Chasse ua Bois de Boulogne
By George Goursat
Located in New York, NY
Sem, (George Goursart). Ouverture de la Chasse ua Bois de Boulogne.. Ca 1900. Signed in the stone. Slight center vertical fold, otherwise in very good condition. Signed in the sto...
Category

Early 1900s Art Nouveau Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Betsy. [Girl in Cowboy Boots and Hat]
By Pascal Bastia
Located in New York, NY
Betsy, [Girl in Cowboy Boots and Hat]. Color lithograph. On Linen. Excellent composer Pascal Bastia is also a talented writer who wrote most of the lyrics and librettos of his operettas . Author -songwriter, has been interpreted by the greatest : Jean Sablon, Josephine Baker, Luc Barney ... He is also the author of music and film scripts...
Category

1920s Art Deco Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

LE PETIT ENTERREMENT (The Small Funeral)
By Félix Hilaire Buhot
Located in Portland, ME
Buhot, Felix. LE PETIT ENTERREMENT (The Small Funeral). B/G 154. Second state of two. Etching, roulette, aquatint and drypoint printed in blue on tan wove paper, 1880. 3 3/8 x 4 1/2 inches; 86 x 115 mm., (sheet 8 3/8 x 10 3/8 inches; 215 x 264 mm.). Signed with the red owl...
Category

1880s Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint, Etching

Gran Bodega Espanola Urania, Zurich
By Anton Trieb
Located in New York, NY
Trieb, Anton. Gran Bodega Espanola Urania, Zurich Ca 1910.Color lithograph. On Linen. Anton Trieb was a watercolor painter , draftsman , illustrat...
Category

1910s Art Deco Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Volg, Traubensaft Zuverlässigkeit
By Josef Müller-Brockmann
Located in New York, NY
Josef Muller-Brockmann, Volg, Traubensaft Naturrein, Zuverlässigkeit. 1957 Offset. Rare. Josef Müller-Brockmann was one of the leading pioneers of the ...
Category

1950s Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Offset

MO ASLEEP
By David Hockney
Located in Portland, ME
Hockney, David. MO ASLEEP. S.A.C. 124. Etching and aquatint, 1971. Edition of 75 plus 16 proofs. Proofed by Maurice Payne and printed by Shirley Clement at The Print Shop, Amsterdam. Published by Petersburg Press. 27 x 21 inches, 680 x 535 mm. (plate), 35 1/2 x 27 3/4 inches (sheet).Mo McDermott...
Category

1970s Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching, Aquatint

THE BOWERY - UPRIGHT
By Reginald Marsh
Located in Portland, ME
Marsh, Reginald. THE BOWERY - UPRIGHT. S.26. Lithograph, 1932. Edition of 21, signed and numbered 3/21 in pencil. 9 1/2 x 7 1/4 inches, 241 x 184 mm (image), Chine colle to a sheet 1...
Category

1930s Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

MON DOUX OU-ETES-VOUS? / MY SWEET COUNTRY, WERE ARE YOU?
By Georges Rouault
Located in Santa Monica, CA
GEORGES ROUAULT (1871-1958) MON DOUX OU-ETES-VOUS? / MY SWEET COUNTRY, WERE ARE YOU? 1927 ( Chapon/Rouault 97; Wofsy 151) Miserere XLIV Aquatint, 1927, on laid Arches. watermark...
Category

1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Aquatint

Minne Playing with a Cat (Minne Jouant avec un Chat)
By Jacques Villon
Located in New York, NY
Jacques Villon (1875-1963) etching, aquatint, and drypoint, Minne Playing with a Cat (Minne Jouant avec un Chat),1907, signed in pencil and numbered (12/30)(Ginestet and Pouillon 192...
Category

Early 1900s Impressionist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint, Etching, Aquatint

MEN IN STREET
By Lester Johnson
Located in Portland, ME
Johnson, Lester. MEN IN STREET #2. Etching in colors, 1973. Edition of 35, numbered 33/35, titled, and signed in pencil. 19 1/2 x 25 inches, 494 x 635 mm. (plate); 25 x 31 inches,...
Category

Mid-20th Century Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

Couple Under a Tree
By Elyse Ashe Lord
Located in New York, NY
Elyse Ashe Lord (1900-1971), Couple Under a Tree, c. 1930, color etching, soft ground, drypoint; signed lower right in pencil and numbered by the artist lower left. In very good condition, the full sheet, 11 3/4 x 12 1/4, the sheet 17 x 16 inches. A fine impression, with strong colors and plate tone. Printed on a light laid ivory Japan...
Category

1930s Art Nouveau Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint, Etching

Le Fondeur Paris [Steel Worker]
By Eugène Carrière
Located in New York, NY
Carriere, Eugene. Le Fondeur, Paris 1900 [Steel Worker], Color lithograph. Ref: Das Fruhe Plakat 134. 51 x 34 3/4 inches. Eugène Anatole Ca...
Category

Early 1900s Symbolist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

POCKETS FOR POWDER IN THE MINE
By Harry F. Mack
Located in Portland, ME
Mack, Harry F. POCKETS FOR POWDER IN THE MINE. Etching with aquatint, not dated, but circa 1930s. Titled and signed "H. F. Mack" in pencil. 7 7/8 x 6 inches (plate), 10 3/4 x 9 1/4 i...
Category

1930s Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching, Aquatint

Blom & van der AA.
By Louis Raemaekers
Located in New York, NY
Raemakers, Louis. Blom & van der AA. Ca 1920s. Color lithograph Louis Raemaekers, was a Dutch cartoonist who gained international fame with his anti-German cartoons during World W...
Category

1920s Art Deco Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Untitled (Frankenstein)
By Kerry James Marshall
Located in Berkeley, CA
Hardground Etching
Category

2010s Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

East Tenth Street Jungle
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), East Tenth Street Jungle, 1934, etching, signed and annotated “Second Proof, First State”, in pencil [also initialed and dated in the plate]. Reference: S...
Category

1930s American Realist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

Travels of Fortune
By Enrique Chagoya
Located in Lyons, CO
Color lithograph, Edition 25. The artist describes this project: This work is a tribute to the recent Mayan immigrants from Southern Mexico, Guatemala and Honduras (as well as many...
Category

2010s Contemporary Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

UNTITLED (WOMAN WEAVING)
By Jehuda Wallersteiner
Located in Portland, ME
Wallersteiner, Jehuda Isaraeli 1915-2004). UNTITLED (WOMAN WEAVING). Woodcut in colors, not dated. Edition of 85. 38 x 26 inches.Signed in pencil and numbered. Framed, .
Category

Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Color, Woodcut

GLOUCESTER FISHERMAN and PREPARATORY DRAWING FOR GLOUCESSTER FISHERMAN
By Carl Nordell
Located in Portland, ME
Nordell, Carl Johan David. GLOUCESTER FISHERMAN and PREPARATORY DRAWING FOR GLOUCESSTER FISHERMAN. Etching and pencil drawing, not dated, but circa...
Category

Mid-20th Century Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Pencil, Etching

ICE CREAM
By Peggy Bacon
Located in Portland, ME
Bacon, Peggy (American, 1895-1987). ICE CREAM. Flint 6. Drypoint, 1918. Edition size not known, but likely very small. Titled "Ice Cream," dated "Nov. 19...
Category

1910s Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint

'Ex Libris Dr. Witropp' — German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Ex Libris Dr. Witropp - Homunculus und Galatee', etching, 1923, edition not stated. Signed, dated, and numbered 'Op. 140' (the artist's inventory number) in pencil. Si...
Category

1920s Expressionist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

PKZ [Man in Blue Suit].
By Ernst A Kretchmamm
Located in New York, NY
PKZ .Man in Blue Suit. 1924, Color lithograph. Linen backed. PKZ has and still is an important department store in Zurich, Switzerland. PKZ was one of the...
Category

1920s Art Deco Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Irving Place Burlesk
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Irving Place Burlesk, etching, 1929, signed in pencil lower right and numbered (18) lower left. Reference: Sasowsky 75, third state (of 3). In very good c...
Category

1920s American Realist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

Besancon La Mouillere PLM
By Lucien Pillot
Located in New York, NY
Besancon La Mouillere PLM. Ca 1930. printed by Gerin Paris Color lithograph. On Linen Lucien Pillot registered as a member of the Société des Artistes Français. He had previo...
Category

1930s Art Deco Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Der Polster
By Max Kurzweil
Located in New York, NY
Kurzweil, Maximilian. Der Polster, 1903. Color woodcut on japon. Included as an insert in Pan. Unsigned. Framed.11 1/4 x 10 1/4. 1 Ref: Hofstatter, p. 241; Pabst, p. 154. Maximillian Kurzweil was the co-founder of the Vienna Secession in 1897 and editor and illustrator of the influential Secessionist magazine Ver Sacrum...
Category

Early 1900s Vienna Secession Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Simon Frevalles
By Marcel Vertès
Located in New York, NY
Poster Adverting the Entertainer Simon Frevalles. 1923. Color lithograph. On Linen. An outstanding twentieth century painter, printmaker and illustrator, Marcel Vertes moved from his native Hungary to Paris during the First World War. The art of Marcel Vertes was at its peak during the vibrant and somewhat wild decade of the 1920’s. Concentrating upon scenes of Paris street life, portrayals of women and depictions of circus and cabaret acts, Vertes left a legacy of original lithographs and drawings that superbly capture the spirit of 1920’s Paris. Vertès is also responsible for the original murals in the Café Carlyle...
Category

1920s Art Deco Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

'Theater' — 1920s German Expressionism
Located in Myrtle Beach, SC
A German Expressionist woodcut, with original hand-coloring in watercolor, depicting a parent and child watching a theatrical production; ...
Category

1920s Expressionist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

Flora with her Nymphs, after Giulio Romano
Located in New York, NY
GIULIO BONASONE (1510-1576) AFTER GIULIO ROMANO (CIRCA1499-1546) Flora with her Nymphs engraving, circa1531-50, on laid paper, watermark Two crossed Arro...
Category

16th Century Old Masters Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Engraving

'Tenant Farmers' — Depression Era, WPA
By Lou Barlow
Located in Myrtle Beach, SC
Lou Barlow (Louis Breslow), 'Tenant Farmers', color wood engraving, 1936, edition 25. Signed, titled, and numbered '15/25' in pencil. A superb, richly-inked impression, with fresh c...
Category

1930s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

Sea Maidens (or, Sunshine; Girls on the Beach)
By Arthur B. Davies
Located in New York, NY
Arthur B. Davies (1862-1928), Sea Maidens (or, Sunshine; Girls on the Beach), soft ground etching and aquatint, 1919, signed in pencil lower right. Reference: Czestochoski 79, second...
Category

1910s American Impressionist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching, Aquatint

Haiti II
By Rafael Ferrer
Located in Lyons, CO
Color monotype. Rafael Ferrer depicts the intense life of the Caribbean in his paintings and prints. With hot colors, deep shadows and mysterious relationships among his figures, Fe...
Category

1990s Contemporary Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Monotype

The Dancer (Anais)
By Gerald Leslie Brockhurst
Located in New York, NY
Gerald Leslie Brockhurst (1891-1978), The Dancer (Anais), 1925, etching, signed lower right and dedicated by the artist (to F.L. Berry, Esq.) lower left [also signed and dated in reverse in the plate lower left]. Reference: Fletcher 52, seventh state (of 7). From the edition of 107. In good condition, with slightest toning, with full margins and as issued and (not archivally) matted, 9 1/4 x 5 1/2, the sheet 15 3/8 x 9 3/8 inches. Provenance: F. L. Berry (not in Lugt, see note below) Roddy Willis has graciously provided an extensive background note on this provenance, which I quote from with permission: “Francis Berry...
Category

1920s Realist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

Resurrection (aka Flying Figures; Border of the Lake)
By Arthur B. Davies
Located in New York, NY
Arthur B. Davies (1862-1928), Resurrection (aka Flying Figures; Border of the Lake), drypoint and aquatint on zinc, 1916, signed with the estate stamp lower right. Reference: Price 2...
Category

1910s American Impressionist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint, Aquatint

Repos sur la banquette
By Henri Matisse
Located in London, GB
Henri Matisse Repos sur la banquette 1929 Lithograph on Arches Velin paper, Edition of 50 Paper size: 49.5 x 65.5 cms (19 1/2 x 25 3/4 ins) Image size: 44.5 x 54.5 cms (17 1/2 x 21 1...
Category

1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Le Policeman, Londres
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Le Policeman, Londres, 1913, etching on zinc. Signed lower left in pencil [also with the signature and date in the plate]. Reference: Godefroy, Sylv...
Category

1910s Cubist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

Claudine/Theatre du Moulin Rouge
By Clerice Frères
Located in New York, NY
Freres. Clerice. Claudine 1910.On Linen. Color lithograph poster for the Operette en 3 Actes de Willy. d'après les Romans de Willy & Colette Willy with music by Rodolphe Berger. Ref. Broido No. 21 The Clerice Frères...
Category

1910s Art Nouveau Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Sortie de Theatre a Londres
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Sortie de Theatre a Londres, etching and drypoint, 1911, signed in pencil lower left [also signed and dated in the plate upper right]. Reference: Laboureur 104, third state (of 3). Published for La Societe des amis de l’eau-forte, with the blindstamp with the inscription: Circle Librairie Estampes. From an edition in the third state of 109; there were also 5 impressions of the first state and five of the second state. In excellent condition, the full sheet with deckle edges bottom and sides, 6 3/4 x 14; a remarque lower left 2 x 3 1/2, the sheet 12 3/4 x 19 3/4 inches. Provenance: unknown collector’s mark verso (GOE in oval) A fine rich impression, printed in dark brown ink on cream laid paper with the Arches watermark. The small remarque lower left is actually another print printed on a separate plate; it shows a man running after a London horse...
Category

1910s Naturalistic Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint

La Petite Plage
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), La Petite Plage, 1926, etching and engraving, signed in pencil lower left [inscribed lower margin as a trial proof; also wi...
Category

1920s Cubist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Engraving, Etching

'Court' — WPA Social Conscience, Woman Artist
Located in Myrtle Beach, SC
Claire Mahl Moore, 'Court' also 'The Authorities', woodcut, 1936, edition 5. Signed 'Mahl' and titled in pencil. A fine, richly-inked impression, on ...
Category

1930s Expressionist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

'Winter Serenity' —from 'Solitude' for Henry David Thoreau's 'Walden'
Located in Myrtle Beach, SC
Naoko Matsubara, 'Winter Serenity' for the portfolio 'Solitude', woodcut, 1971, edition 100. Signed and numbered '58/100' in pencil. A fine, richly-inked impression, on cream laid J...
Category

1970s Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

Transrational blog (The Queen of Hearts).
By Olga Rozanova
Located in New York, NY
Rozanova, Olga. Transrational blog (The Queen of Hearts).1915, Moscow Red Linocut, on thin wove paper, from Zaumnaya gniga [Transrational boog] by A. ...
Category

1910s Suprematist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Linocut

Torse à l'aiguière
By Henri Matisse
Located in London, GB
Henri Matisse Torse à l’aiguière 1927 Lithograph on Chine paper, Edition of 50 Paper size: 49.5 x 34.5 cms (19 1/2 x 13 1/2 ins) Image size: 36.4 x 26 cms (14 1/4 x 10 1/4 ins) HM15...
Category

1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

'Bacchus' — 18th Century Classical Italian Realism
Located in Myrtle Beach, SC
Giovanni Domenico Campiglia, 'Bacchus', engraving, 1734, edition unknown. Signed 'Dom. Campiglia del.' in the plate, lower left. Engraving by Gabbugiani, after the original by Giovan...
Category

1730s Realist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Engraving

Corrine
By Maurice Réalier-Dumas
Located in New York, NY
Maurice Realier-Dumas Corrine.Plate from May 1897 issue of L'Estampe Modern. Color Lithograph. Sheet Size: 16 x 12". L'Estampe Moderne was a brilliant portfolio printed betwe...
Category

1890s Art Nouveau Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

At the Show
By Jerome Myers
Located in New York, NY
Jerome Myers (1867-1940), At the Show, etching and drypoint, c. 1920, signed in pencil lower right. In good condition, with margins (paper losses upper corners), faint ink marks and ...
Category

1920s American Realist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint, Etching

Portraits: Alba
By Alex Katz
Located in New York, NY
Alex Katz uses outline drawings, called “cartoons”, as templates to transfer full size images onto the canvas prior to painting. Rendered in red chalk or charcoal on brown paper, th...
Category

Early 2000s Contemporary Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

Nymphe dansante
By Paul Berthon
Located in New York, NY
Nymphe dansante, decorative panel, two-color lithograph, 1899, signed in the stone. One corner defective but not affecting image. Ref: Berthon and Grasset p. No.5. The early works...
Category

1890s Art Nouveau Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

'The Lamentation' — Mid-century Modernism, WWII
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
'The Lamentation', lithograph, 1941, edition 35, Fine and Looney 198. Signed, titled, and annotated 'Ed 35' in pencil. Initialed in the stone, lower ri...
Category

1940s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Scene in the Campagna
By Sir Frank Short
Located in Storrs, CT
Scene in the Campagna, also known as Woman at a Tank and Hindu Ablutions. (after the drawing by J.M.W. Turner, R.A., 1775-1851.) 1886. Hardie 4.ii. Mezzotint. 8 1/2 x 11 3/8 (sheet 1...
Category

1880s Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Mezzotint

'Foul Rope (Left)' — Early American Southwest Rodeo
By William Robinson Leigh
Located in Myrtle Beach, SC
William Robinson Leigh, 'Foul Rope (Left)', etching, c. 1920, edition unknown but small. Signed in pencil and signed in the plate, lower left. A superb, richly-inked impression, in dark brown ink, on buff wove Umbria paper, the full sheet with margins (1 1/2 to 2 3/4 inches); slight toning at the sheet edges, otherwise in excellent condition. Very scarce. Archivally matted to museum standards, unframed. Image size 14 7/8 x 11 15/16 inches (378 x 303 mm); sheet size 20 3/8 x 15 3/8 inches (518 x 391 mm). ABOUT THE ARTIST Born near Falling Waters, West Virginia, on a plantation a year after the Civil War and raised in Baltimore, William Robinson Leigh (1866 - 1955) became one of the foremost painters of the American West. His career spanning some seventy-five years, Leigh created some of the most iconic depictions of the Western landscape, with admirers referring to him as ‘The Sagebrush Rembrandt.’ The son of impoverished Southern aristocrats, Leigh received his first art training at age 14 from Hugh Newell at the Maryland Institute, where he was regarded as the best student in his class. From 1883 to 1895, he studied in Europe, mainly at the Royal Academy in Munich with Ludwig Loefftz. From 1891 to 1896, he painted six cycloramas or murals in the round, a giant German panorama. In 1896, Leigh began working as a magazine illustrator for Scribner's and Collier's Weekly Magazine in New York City. He also painted portraits, landscapes, and genre scenes. Leigh's trips to the Southwest began in 1906 when he agreed to paint the Grand Canyon with William Simpson, Santa Fe Railway advertising manager, in exchange for free transportation West. In 1907, he completed his Grand Canyon painting, which led to more commissions and an extensive painting trip through Arizona and New Mexico. These travels inspired him to paint western subjects for the next 50 years, and his primary interests were the Hopi and Navajo Indians. In 1910, he traveled to Wyoming, where he painted in Yellowstone Park and created sketches, many of which he later converted into large canvases such as ‘Lower Falls of the Yellowstone’ (1915) and ‘Grand Canyon of the Yellowstone’ (1911). In 1926, he traveled to Africa at the invitation of Carl Akeley for the American Museum of Natural History, and from this experience, wrote and illustrated 'Frontiers of Enchantment: An Artist's Adventures in Africa'. In 1933, he wrote and illustrated 'The Western Pony'. His adventures were chronicled in several popular magazines, including Life, the Saturday Evening Post, and Colliers. For many years, Grand Central Art Galleries at the Biltmore Hotel handled his work exclusively in New York. In 1953, Leigh was elected an associate member of the National Academy of Design and became a full Academician in 1955. In March 1999, the Historical Center of Cody, Wyoming, held an exhibition of his field sketches and finished works depicting his experiences near Cody early in the century. Between 1910 and 1921, when he often painted in the Carter Mountain vicinity, these years were considered pivotal to his artistic development and devotion to the Western landscape. Leigh's work is held in many museum collections of American Western art...
Category

1920s Realist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

Parabole 2 (Sunshine streams through clouds and trees as three men observe)
By Maurice Pasternak
Located in New Orleans, LA
Maurice Pasternak has created a surreal landscape that includes traditional images of a sun-filled sky, dark shadows cast on water and through leafy trees all under the guise of thre...
Category

Late 20th Century Surrealist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Mezzotint

A Monmartre (Moulin Rouge).
By Eugène Delâtre
Located in New York, NY
Ca 1895. Printed and stamped by Eugene's father, August Delatre. Signed in pencil lower right, and signed in the plate. Sheet size 13 3/4 x 9". Image size 10 x 4" Eugène Delâtre...
Category

Late 19th Century Art Nouveau Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

Belle Jardinaire
By Eugène Grasset
Located in New York, NY
Grasset, Eugene. Belle Jardinaire. Proof for the Calendar, "Belle Jardinaire",1896, on China paper produced for the month of December. 12 7/8 x 9 7/8"
Category

Late 19th Century Art Nouveau Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

'The Bath' — Meji Era Cross-Cultural Woman Artist
By Helen Hyde
Located in Myrtle Beach, SC
Helen Hyde, 'The Bath', color woodblock print, edition not stated, 1905, Mason & Mason 59. Signed in pencil in the image, lower right. Numbered '96' in pencil in the image, lower left. The artist's monogram in the block, lower left, and 'Copyright, 1905, by Helen Hyde.' upper right. A superb impression with fresh colors on tissue-thin cream Japanese paper; the full sheet with margins (7/16 to 1 5/8 inches), in excellent condition. Matted to museum standards, unframed. Image size 16 1⁄4 x 10 1⁄8 in. (413 x 260 mm); sheet size: 19 1⁄4 x 11 1⁄8 in. (489 x 283 mm). Impressions of this work are held in the following collections: Achenbach Foundation for Graphic Arts, Art Institute of Chicago, Fine Arts Museums of San Francisco (De Young), Harvard Art Museums, Library of Congress, Metropolitan Museum of Art, New York Public Library, Smithsonian American Art Museum, Terra Foundation for American Art, University of Oregon Museum of Art. ABOUT THE ARTIST Helen Hyde (1868-1919) was a pioneer American artist best known for advancing Japanese woodblock printmaking in the United States and for bridging Western and Japanese artistic traditions. Hyde was born in Lima, New York, but after her father died in 1872, her family relocated to Oakland, California, where she spent much of her youth. Hyde pursued formal art education in the United States and Europe. She enrolled in the San Francisco School of Design, where she took classes from the Impressionist painter Emil Carlsen; two years later, she transferred to the Art Students League in New York, studying there with Kenyon Cox. Eager to expand her artistic repertoire, Hyde traveled to Europe, studying under Franz Skarbina in Berlin and Raphael Collin in Paris. While in Paris, she first encountered Japanese ukiyo-e prints, sparking a lifelong fascination with Japanese aesthetics. After ten years of study, Hyde returned to San Francisco, where she continued to paint and began to exhibit her work. Hyde learned to etch from her friend Josephine Hyde in about 1885. Her first plates, which she etched herself but had professionally printed, represented children. On sketching expeditions, she sought out quaint subjects for her etchings and watercolors. In 1897, Hyde made her first color etchings—inked á la poupée (applying different ink colors to a single printing plate)—which became the basis for her early reputation. She also enjoyed success as a book illustrator, and her images sometimes depicted the children of Chinatown. After her mother died in 1899, Hyde sailed to Japan, accompanied by her friend Josephine, where she would reside, with only brief interruptions, until 1914. For over three years, she studied classical Japanese ink painting with the ninth and last master of the great Kano school of painters, Kano Tomonobu. She also studied with Emil Orlik, an Austrian artist working in Tokyo. Orlik sought to renew the old ukiyo-e tradition in what became the shin hanga “new woodcut prints” art movement. She immersed herself in the study of traditional Japanese printmaking techniques, apprenticing with master printer Kanō Tomonobu. Hyde adopted Japanese tools, materials, and techniques, choosing to employ the traditional Japanese system of using craftsmen to cut the multiple blocks and execute the exacting color printing of the images she created. Her lyrical works often depicted scenes of family domesticity, particularly focusing on women and children, rendered in delicate lines and muted colors. Through her distinctive fusion of East and West, Hyde’s contributions to Western printmaking were groundbreaking. At a time when few Western women ventured to Japan, she mastered its artistic traditions and emerged as a significant figure in the international art scene. Suffering from poor health, she returned to the United States in 1914, moving to Chicago. Having found restored health and new inspiration during an extended trip to Mexico in 1911, Hyde continued to seek out warmer climates and new subject matter. During the winter of 1916, Hyde was a houseguest at Chicora Wood, the Georgetown, South Carolina, plantation illustrated by Alice Ravenel Huger Smith in Elizabeth Allston Pringle’s 1914 book A Woman Rice Planter. The Lowcountry was a revelation for Hyde. She temporarily put aside her woodcuts and began creating sketches and intaglio etchings of Southern genre scenes and African Americans at work. During her stay, Hyde encouraged Smith’s burgeoning interest in Japanese printmaking and later helped facilitate an exhibition of Smith’s prints at the Art Institute of Chicago. During World War I, Hyde designed posters for the Red Cross and produced color prints extolling the virtues of home-front diligence. In ill health, Hyde traveled to be near her sister in Pasadena a few weeks before her death on May 13, 1919. She was buried in the family plot near Oakland, California. Throughout her career, Hyde enjoyed substantial support from galleries and collectors in the States and in London. She exhibited works at the St. Louis Exposition in 1897, the Pan-American Exhibition in Buffalo in 1901, the Tokyo Exhibition for Native Art (where she won first prize for an ink drawing) in 1901, the Alaska-Yukon-Pacific Exhibition in Seattle in 1909 (received a gold medal for a print), the Newark Museum in 1913, a solo show at the Chicago Art Institute in 1916, and a memorial exhibition in 1920, Detroit Institute of Arts, Color Woodcut Exhibition in 1919, New York Public Library, American Woodblock Prints...
Category

Early 1900s Showa Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

Sleeping Car
By James L. Hendershot
Located in New Orleans, LA
Associated American Artists published "Sleeping Car" by James Hendershot. This image shows a rail car filled with passengers and conductors. This exhibit...
Category

Late 20th Century American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

'Venus' — German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Venus, Ex Libris - Hanns U. Herta Heeren', woodcut, 1923, edition not stated but small. Signed, dated, and numbered 'op.154' in pencil. Signed in the block, lower left. A fine impression, on cream Japan paper, with full margins (15/16 to 2 11/16 inches), in good condition. Printed by the artist. Matted to museum standards (unframed). . Translation: Venus Ex Libris for Hanns and Herta Heeren. Image size 5 15/16 x 4 inches (156 x 102 mm); sheet size 9 5/8 x 6 inches (245 x 152 mm). ABOUT THE ARTIST Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine Das Plakat (The Poster) in 1920. An anti-war advocate, Michel created a suite of 12 wood engravings depicting his impressions of the humanitarian toll of WWII entitled ‘Humanitas’ (Humanity). The German publishing house Greifenverlag published the series in a reduced folio of unsigned prints. Michel’s graphic work is held in the permanent collections of the Auckland War Memorial Museum (New Zealand), Frederikshavn Kunstmuseum & Exlibrissamling (Denmark), Museum of Applied Arts (Budapest), The Robert Gore Rifkind Center for German Expressionist Studies at the Los Angeles County Museum of Art, and the German Expressionism...
Category

1920s Expressionist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

Duet — Cellist and Pianist, 1930s Lithograph
Located in Myrtle Beach, SC
Herschel Levit 'Duet', lithograph, c. 1937. Signed in pencil. A fine, richly inked impression, on cream wove paper, with full margins (1 1/2 x 2 inches)...
Category

1930s American Realist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Color Aquatint
By Victor Mignot
Located in New York, NY
Ca. 1900. Original color aquatint. Very fine impression on cream laid Arches paper, signed in pencil lower right and numbered. No. 16 of 30 impressions. Full Margins. 17 1/2 x 12" Im...
Category

Early 1900s Art Nouveau Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Aquatint

Architectura Curiosa Nova, Dragon Fish Garden Fountain
By Georg Andreas Böckler
Located in Myrtle Beach, SC
George Andreas Böckler, 'Dragon Fish Garden Fountain', antique copperplate engraving, 1664, from the book 'Architectura Curiosa Nova'. A fine, richly in...
Category

1660s Realist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Engraving

'Hurdy Gurdy Ballet' — New York City American Scene, Ashcan School
By Glenn O. Coleman
Located in Myrtle Beach, SC
Glenn O. Coleman, 'Hurdy Gurdy Ballet', lithograph 1928, edition 50. Signed, dated, and numbered '14/50' in pencil. Titled in the bottom left margin, in an...
Category

1920s Ashcan School Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

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