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Ifpda International Fine Print Dealers Association Figurative Prints

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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'Little Girl' — American Modernism
By Milton Avery
Located in Myrtle Beach, SC
Milton Avery, 'Little Girl', drypoint, 1936, edition 60, Lunn 11. Signed, dated, and numbered '22/60' in pencil. A superb impression, in warm black ink with delicate overall plate tone, on off-white wove paper, with wide margins (2 5/8 to 4 1/8 inches); hinge stains on the top sheet edge, verso, otherwise in excellent condition. Matted to museum standards, unframed. Image size 8 3/4 x 4 3/4 inches (222 x 121 mm); sheet size 14 7/8 x 13 1/8 inches (378 x 333 mm). Collections: Cantor Arts Center, National Gallery of Art. ABOUT THE ARTIST "I never have any rules to follow; I follow myself." "I paint not by sight but by faith. Faith gives you sight." —Milton Avery 'His is the poetry of sheer loveliness.' —Mark Rothko in his 1965 eulogy to Avery. Milton Avery (1885-1965) is recognized as one of America's foremost modernist artists, renowned for his uniquely expressive style, evocative use of color, and captivating compositions. Growing up in a working-class family in Altmar, New York, Avery's early life was marked by the struggles and realities of rural New York. Despite lacking formal artistic training, he displayed an innate talent for drawing from an early age. In 1905, his family relocated to Hartford, Connecticut, where he worked various odd jobs while developing his artistic skills through self-study and experimentation. In 1915, he enrolled at the Connecticut League of Art Students, where he received formal instruction and began to refine his distinctive style. In 1918, Avery transferred to the School of the Art Society of Hartford and worked in the evenings so that he could paint during the day. He became a member of the Connecticut Academy of Fine Arts in 1924. That summer in Gloucester, Massachusetts, he met the artist Sally Michael...
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1930s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint

COMPOSITION - Lovely design portraying a future Abstract Expressionist.
Located in Santa Monica, CA
JAMES CHAPIN (1887 – 1975) COMPOSITION c. 1940 Lithograph signed in pencil, Image 11 7/8 x 7 ¾ inches, sheet 13 5/8 x 10 5/8 inches. Just a hint of mat line in the margins and on the verso. Some remnants of old tape prImarily at the left & right sheet edges. Rather scarce print but possibly published by Associated American Artists. WONDERFUL PORTRAYAL OF AN UP AND COMING ARTIST...
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1940s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Rumba de las Fauna
By E.P. Marquié
Located in Myrtle Beach, SC
Aquatint, 1932, edition unknown. Signed, dated, and titled in pencil. Image size 7 3/8 x 6 3/8 inches (187 x 162 mm); sheet size 12 1/4 x 11 3/8 inches (311 x 289 mm). A fine impression, in rich sepia ink, on cream wove paper, with wide margins (2 3/8 to 2 1/2 inches); in excellent condition. Scarce. A beautifully composed cubist work depicting urban Rumba revelers, possibly inspired by a New Orleans Rumba Night scene. Little biographical information is available about E. P. Marquié. The artist created numerous miniature-format etchings of New York...
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Mid-20th Century Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Aquatint

Guardians of the Spire (Amiens Cathedral Number 2)
By John Taylor Arms
Located in Storrs, CT
Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...
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1920s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint, Etching

IRT INTERLUDE
By Douglas Gorsline
Located in Portland, ME
Gorsline, Douglas (American, 1913-1985). IRT INTERLUDE. Engraving, 1940. 7 7/8 x 5 1/8 inches (plate), 9 1/2 x 8 5/8 inches (sheet). Signed, titled and dated in pencil. Edition size ...
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1940s Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Engraving

Panama Hat with a Bow Tie on a Chair, from The Geldzahler Portfolio
By David Hockney
Located in London, GB
Etching and aquatint, 1998, on Somerset Satin White paper, signed and dated in pencil, numbered 69th from the edition of 100 (there were also 15 artist’s proofs), printed by Maurice ...
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1990s English School Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching, Aquatint

Lindsey Row, Chelsea
By James Abbott McNeill Whistler
Located in Storrs, CT
Lindsey Row, Chelsea. 1888. Lithograph. Way 20; Levy 33; Tedeschi, Stratis and Spink 23. 5 x 8. Edition of 56 posthumous impressions printed by Goulding, in addition to the 14 lifet...
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Late 19th Century American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

The Thames and the Tower of London
By William Lionel Wyllie
Located in Storrs, CT
The Thames and the Tower of London. 1924. Etching and drypoint. 6 3/8 x 14 3/4 (sheet 10 1/4 x 17 1/4). Mat line; otherwise fine condition. A rich impr...
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1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint, Etching

ORBITS - Large Hoeckner lithograph
By Carl Hoeckner
Located in Santa Monica, CA
CARL HOECKNER (1883 – 1972) ORBITS, c. 1935 Lithograph, edition unknown but small. Image 11 3/3 \4 x 18 3/8 inches, sheet 12 3/8 x 19. In good condition aside from small margins an...
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1930s Surrealist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

'The Pimp' — Graphic Modernism
By Fritz Eichenberg
Located in Myrtle Beach, SC
Fritz Eichenberg, 'The Pimp', wood engraving, 1980, artist's proof before the edition. Signed in pencil. Signed in the block, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (2 3/16 to 3 1/2 inches), in excellent condition. Archivally sleeved, unmatted. Image size 12 x 9 3/4 inches (305 x 248 mm); sheet size 18 x 14 inches (457 x 356 mm). ABOUT THE ARTIST Fritz Eichenberg (1901–1990) was a German-American illustrator and arts educator who worked primarily in wood engraving. His best-known works were concerned with religion, social justice, and nonviolence. Eichenberg was born to a Jewish family in Cologne, Germany, where the destruction of World War I helped to shape his anti-war sentiments. He worked as a printer's apprentice and studied at the Municipal School of Applied Arts in Cologne and the Academy of Graphic Arts in Leipzig, where he studied under Hugo Steiner-Prag. In 1923 he moved to Berlin to begin his career as an artist, producing illustrations for books and newspapers. In his newspaper and magazine work, Eichenberg was politically outspoken and sometimes wrote and illustrated his reporting. In 1933, the rise of Adolf Hitler drove Eichenberg, who was a public critic of the Nazis, to emigrate with his wife and children to the United States. He settled in New York City, where he lived most of his life. He worked in the WPA Federal Arts Project and was a member of the Society of American Graphic Artists. In his prolific career as a book illustrator, Eichenberg portrayed many forms of literature but specialized in works with elements of extreme spiritual and emotional conflict, fantasy, or social satire. Over his long career, Eichenberg was commissioned to illustrate more than 100 classics by publishers in the United States and abroad, including works by renowned authors Dostoyevsky, Tolstoy, Charlotte and Emily Brontë, Poe, Swift, and Grimmelshausen. He also wrote and illustrated books of folklore and children's stories. Eichenberg was a long-time contributor to the progressive magazine The Nation, his illustrations appearing between 1930 and 1980. Eichenberg’s work has been featured by such esteemed publishers as The Heritage Club, Random House, Book of the Month Club, The Limited Editions Club, Kingsport Press, Aquarius Press, and Doubleday. Raised in a non-religious family, Eichenberg had been attracted to Taoism as a child. Following his wife's unexpected death in 1937, he turned briefly to Zen Buddhist meditation, then joined the Religious Society of Friends in 1940. Though he remained a Quaker until his death, Eichenberg was also associated with Catholic charity work through his friendship with Dorothy Day...
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1980s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

'Elisabeth' — German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Elisabeth', woodcut, edition 20, 1923. Signed, dated, and numbered 'op.142b' and '12/20' in pencil. Signed in the block, lower left. Annotated 'Vorgesdruck' [artist’s proof] in pencil. A fine impression, on heavy fibrous Japan paper, with full margins (1 3/16 to 3 1/2 inches), in good condition. Printed by the artist, With the artist’s blindstamp in the bottom center margin. Scarce. Matted to museum standards, unframed. Image size 4 15/16 x 6 inches (131 x 152 mm); sheet size 10 x 6 inches (254 x 152 mm). ABOUT THE ARTIST Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919-1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine Das Plakat (The Poster) in 1920. An anti-war advocate, Michel created a suite of 12 wood engravings depicting his impressions of the humanitarian toll of WWII entitled ‘Humanitas’ (Humanity). The German publishing house Greifenverlag published the series in a reduced folio of unsigned prints. Michel’s graphic work is held in the permanent collections of the Auckland War Memorial Museum (New Zealand), Frederikshavn Kunstmuseum & Exlibrissamling (Denmark), Museum of Applied Arts (Budapest), The Robert Gore Rifkind Center for German Expressionist Studies at the Los Angeles County Museum of Art, and the German Expressionism...
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1920s Expressionist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

A Gale at Port Errol
By James McBey
Located in Storrs, CT
A Gale at Port Errol. 1923. Etching. Hardie 215, #46. 13 x 8 3/4 (sheet 16 7 /8 x 11 1/2). Edition 76. #46. Illustrated: Fine Prints of the Year, 1923. A rich...
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1930s Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint, Etching

IMMIGRANT FAMILY
By Ben Shahn
Located in Portland, ME
Shahn, Ben. IMMIGRANT FAMILY. Serigraph, 1941. Prescott 2. Edition size unknown; Prescott knew of only 3. This copy unsigned. 11 1/2 x 18 inches (image), 19 1/4 x 25 1/4 (sheet), framed to 23 x 28 1/4 inches. This was only the second print made by Shahn, and the first serigraph, a medium in which he continued to use for his prints throughout his career. Provenance: Kennedy Galleries, with its label, George Krevsky Gallery...
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1940s Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Screen

Theatre Program for Les Fossiles
By Henri Gabriel Ibels
Located in New York, NY
Program for Les Fossiles. 29 November 1892. Second program for the 1892-1893 Theatre Libre season. Very light horizontal and vertical fold, otherwise in very good condition. Four-c...
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1890s Art Nouveau Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Nadia au regard attentif
By Henri Matisse
Located in London, GB
Aquatint on Marais wove paper Edition of 25 Signed and numbered 25/25 in pencil lower right Duthuit 794
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Mid-20th Century Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Aquatint

The Dancer (Anais)
By Gerald Leslie Brockhurst
Located in New York, NY
Gerald Leslie Brockhurst (1891-1978), The Dancer (Anais), 1925, etching, signed lower right and dedicated by the artist (to F.L. Berry, Esq.) lower left [also signed and dated in reverse in the plate lower left]. Reference: Fletcher 52, seventh state (of 7). From the edition of 107. In good condition, with slightest toning, with full margins and as issued and (not archivally) matted, 9 1/4 x 5 1/2, the sheet 15 3/8 x 9 3/8 inches. Provenance: F. L. Berry (not in Lugt, see note below) Roddy Willis has graciously provided an extensive background note on this provenance, which I quote from with permission: “Francis Berry...
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1920s Realist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

Sortie de Theatre a Londres
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), Sortie de Theatre a Londres, etching and drypoint, 1911, signed in pencil lower left [also signed and dated in the plate upper right]. Reference: Laboureur 104, third state (of 3). Published for La Societe des amis de l’eau-forte, with the blindstamp with the inscription: Circle Librairie Estampes. From an edition in the third state of 109; there were also 5 impressions of the first state and five of the second state. In excellent condition, the full sheet with deckle edges bottom and sides, 6 3/4 x 14; a remarque lower left 2 x 3 1/2, the sheet 12 3/4 x 19 3/4 inches. Provenance: unknown collector’s mark verso (GOE in oval) A fine rich impression, printed in dark brown ink on cream laid paper with the Arches watermark. The small remarque lower left is actually another print printed on a separate plate; it shows a man running after a London horse...
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1910s Naturalistic Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint

'L' Abside de Notre Dame' — Vintage 1920s Paris, Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'L' Abside de Notre Dame' (The Apse of Notre Dame), etching, 1st state, c. 1927. Signed, titled, and annotated 'First State', in pencil. A supe...
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1920s Realist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

Les Plaisirs du Bal [before 1st State] (The Pleasures of the Ball)
By (After) Jean-Antoine Watteau
Located in Chicago, IL
Les Plaisirs du Bal (before 1st State), 1730 The Pleasures of the Ball Pure etching only by Gérard Jean-Baptiste Scotin II (born Paris 1698) 495 x 640 mm.; 19 3/8 x 25 1/8 inches ...
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18th Century Old Masters Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

New Year’s Eve and Adam
By John Sloan
Located in Myrtle Beach, SC
John Sloan, 'New Year's Eve and Adam', etching, 1918, edition 100, (only 85 printed), Morse 190. Signed, titled and annotated '100 proofs' in pencil. Signed and dated in the plate, l...
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1910s Ashcan School Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

Naked Young Man Sitting On Lopped Branch; Naked Young Woman Sitting on a Branch.
By Eric Gill
Located in Myrtle Beach, SC
Wood engraving, 1930, edition small, Physick 642 / 643. Initialed in pencil. Two blocks printed on a single sheet: fine impressions on cream laid Japan with full margins (1 1/2 to 2...
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1930s Art Deco Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

Looking out the Window - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. A signed Certificate of Authority will be included with all photographs. A young ...
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2010s Photorealist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Photographic Paper, Digital

Odalisque à la culotte de satin rouge
By Henri Matisse
Located in London, GB
Henri Matisse Odalisque à la culotte de satin rouge 1925 Lithograph on Chine paper, Edition of 50 Paper size: 28.5 x 36.5 cms (11 1/4 x 14 3/8 ins) Image size: 19 x 27 cms (7 1/2 x 1...
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1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

The Sacristan
By Harry Morley
Located in New Orleans, LA
This image shows a cleric seated in a church sacristy surrounded by religious statues, croziers, various saints, statues and chalices. It is an origina...
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Early 20th Century Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Engraving

The Sacristan
The Sacristan
$400 Sale Price
32% Off
Tête-à-Tête in the Garden
By James Abbott McNeill Whistler
Located in Storrs, CT
Tête-à-Tête in the Garden. 1894. Lithograph. Way 54, Levy 85, Tedeschi, Stratis and Spink 90. 8 x 6 1/2(sheet 10 7/8 x 8 1/2). Edition of 25-lifetime impressions plus a few proofs re...
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Late 19th Century American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Le Beguin (Anaïs)
By Gerald Leslie Brockhurst
Located in Storrs, CT
Le Beguin (Anaïs). 1922. Etching. Fletcher catalog 33 state iii./iv (before cancellation). 5 1/2 x 4 5/16 (sheet 11 1/2 x 8 13/16). Edition 76. Illustrated: Print Collector's Quarter...
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Early 20th Century Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

THOMAS HART BENTON
By Harry Sternberg
Located in Santa Monica, CA
HARRY STERNBERG (American, 1904-2001) THOMAS BENTON, 1943. Color screenprint on gray card stock wove paper. Edition of 30. Signed "Benton by Sternberg" in ink, by hand by the artist...
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1940s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Screen

'Three Masted Ship, 2' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Three Masted Ship, 2 (Dreimastiges Schiff, 2)', woodcut, 1937, one of a small but unknown number of letterhead proofs; Prasse W296. Feininger estate stamp and inventory no. 'W 865' in pencil, bottom left sheet corner. Annotated 'W 296' and 'on block : 3702a' in pencil, bottom right sheet corner. A fine impression, on cream, laid, letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 1/4 x 2 11/16 inches; sheet size 10 x 6 3/4 inches. Archivally sleeved, unmatted. Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
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1930s Bauhaus Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

Femme au Lys (Woman with Lily)
By Paul Guiramand
Located in Chicago, IL
This lithograph comes from an edition of 110, it is signed and numbered. Paul Guiramand, painter, sculptor and lithographer, was born in 1926 in Saint-Quentin in northern France. I...
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1970s Contemporary Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

The Story of Tamiya Bataro
By Taiso Yoshitoshi
Located in Fairlawn, OH
The Story of Tamiya Bataro Color woodcut diptych, March 22, 1886 Signed and sealed by the artist (see photo) Yoshitoshi signature, Taiso seal Series: New selection of eastern brocad...
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1880s Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

Black Cat
By Walasse Ting
Located in Fairlawn, OH
Black Cat Color lithograph, 1981 Signed in pencil lower right Annotated: AP (Artist Proof) Printer: Jorge Dumas, Atelier Dumas, New York Condition: Very fresh colors Slight creasing ...
Category

1980s Contemporary Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

'Forest Woman' — Mid-Century Surrealism, Atelier 17
Located in Myrtle Beach, SC
Ian Hugo, 'Forest Woman', engraving, 1945, edition 50. Signed, dated, titled, and numbered '5/50' in pencil. With the blind stamp 'madeleine-claude jobrack E...
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1940s Surrealist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Engraving

The Hold Up, First State
By George Wesley Bellows
Located in Fairlawn, OH
Signed in pencil by the artist lower right Titled "Hold Up" by the artist in pencil. Signed by the printer Bolton Brown lower left. Edition: 42 in this state Note: In The Hold Up, se...
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1920s American Realist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

THE SMITH’S YARD
By James Abbott McNeill Whistler
Located in Santa Monica, CA
JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903) THE SMITH’S YARD 1895 (Spink, Stratis & Tedeschi 124) lithograph, 1895, on wove paper, from the edition of 3000, published by The Inter...
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1890s Impressionist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Charing Cross - The Statue of Charles I.
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Charing Cross -- The Statue of Charles I. 1919. Etching with aquatint and drypoint. 3 5/8 x 4 7/8 (sheet 9 1/8 x 11 3/8). A fine proof with tonal wiping, printed on cream-wove paper. Signed in pencil. Charing Cross is located at the junction of the Strand, Whitehall, and Cockspur Street in Central London, England. The name originates from the Eleanor cross installed by King Edward I as a memorial to his wife, Eleanor of Castile at the former hamlet of Charing. Since 1675, the cross site has been occupied by a statue of King Charles I mounted on a horse. The pedestal is thought to be designed by Wren and carved by Grinling Gibbons. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint, Etching, Aquatint

'Yvette Guilbert, SCALA' — Fin de Siècle, Paris
Located in Myrtle Beach, SC
BAC (Ferdinand Bach), 'Yvette Guilbert, Tous les Soirs SCALA', vintage color lithograph, 1893. Signed, dated, and titled in the stone. A superb, richl...
Category

1890s Art Nouveau Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Torse à l'aiguière
By Henri Matisse
Located in London, GB
Henri Matisse Torse à l’aiguière 1927 Lithograph on Chine paper, Edition of 50 Paper size: 49.5 x 34.5 cms (19 1/2 x 13 1/2 ins) Image size: 36.4 x 26 cms (14 1/4 x 10 1/4 ins) HM15...
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1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Blind Botanist
By Ben Shahn
Located in New York, NY
This 1963 lithograph, printed in color, is a fine example of Ben Shahn’s long preoccupation with the theme of the blind botanist and illustrates his con...
Category

Late 20th Century Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Old Injun
By Charles Banks Wilson
Located in Myrtle Beach, SC
Charles Banks Wilson, 'Old Injun', lithograph, 1948, edition 250, Hunt 39. Signed in pencil. A fine, richly-inked impression, on off-white wove paper, with full margins (1 3/4 to 2 inches), in excellent condition. Published by Associated American Artists. Impressions of this work are in the permanent collections of the following institutions: Ackland Art Museum, Georgetown University...
Category

1940s American Realist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

BAIGNEUSES
By Henri Fantin-Latour
Located in Santa Monica, CA
HENRI FANTIN-LATOUR (French 1836-1904) BAIGNEUSES (4e grande planche), 1898 (Hediard 138 II/II) It’s one of 6 works that formed a suite of images published ...
Category

1890s French School Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Chelsea Rags
By James Abbott McNeill Whistler
Located in Storrs, CT
Chelsea Rags. Chelsea Rags. 1888. Lithograph. Way 22, Levy 35, Tedeschi, Stratis and Spink 26. 7 1/8 x 6 5/16 (sheet 12 3/4 x 8). Printed on cream laid paper. Provenance: Miss Rosalind Birnie Philip, Whistler's sister-in-law, her seal verso: (Lugt 405). Michael Parkin Fine Art, Ltd. from whom purchased in 1972. Christie's, King Street.Signed with the butterfly in the image. One of 13 impressions listed by Way, before the image was transferred to supplementary stones for the edition of 500-1,000 printed by Way and issued in the Albemarle, January, 1892. Signed with the butterfly in the stone and in pencil. Housed in an elegant silk mat with a silver liner, and in a 16 3/4 x 14 3/4-inch silver leaf frame decorated with fleur-de-lis decorations. "And his interest in London has not been restricted to the Thames. Seeing the beautiful, where other men might be discouraged by dullness, he has taken his subject, now in the little cheap shop opening a low window upon the street, now in the forgotten church hidden away in a lonely square. And Chelsea Rags, the Shops of Chelsea, the Drury Lane, as well as The Butcher's Dog, are impressions of vague Rembrandtesque interiors where figures, grim or graceful, peer from out deep shadows— shops as lovely in his prints as the halls of a Veronese, or the palaces of a Claude." Elizabeth Robins...
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Late 19th Century American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Portrait of Whistler with the Monacle.
By Paul César Helleu
Located in Storrs, CT
Portrait of Whistler with the Monacle. 1897. Drypoint. 13 3/4 x 10 1/4 (sheet 16 3/4 x 11 5/8). A carefully wiped impression with plate tone, from the cancelled plate (there were onl...
Category

19th Century Impressionist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint

Cruise-O-matic
By William Tillyer
Located in London, GB
William Tillyer Cruise-O-matic 1972 Line Etching on zinc, Edition of 60 Paper size: 70.5 x 104.5 cms (27 3/4 x 41 ins) Image size: 50.5 x 75 cms (19 7/8 x 29 1/2 ins) This classic ...
Category

Late 20th Century Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

'The Elevated, East 42nd Street, New York' — 1910 American Realism
By William Monk
Located in Myrtle Beach, SC
William Monk, 'The Elevated, East 42nd Street, New York', etching, 1910. Signed in pencil and titled in the bottom right sheet corner. Signed in the plate, lower right. A superb, ric...
Category

1910s American Realist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

'Fruit Piece' — American Modernism, Woman Artist
Located in Myrtle Beach, SC
Pamela Bianco, 'Fruit Piece', lithograph, c. 1925. Signed and titled in pencil. Signed in the stone, lower left. Annotated 'No. 8' in pencil, upper right...
Category

1920s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Eclipse I - In Celebration of Pride Month
By Mikio Watanabe
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. Eclipse I is from an edition of 90 Mezzotint artist Mikio Watanabe was born in 19...
Category

Early 2000s Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Mezzotint

'Fantasia Americana, 1880' — Mid-Century American Surrealism
By Lawrence Kupferman
Located in Myrtle Beach, SC
Lawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Archivally matted to museum standards, unframed. Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches. Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University). ABOUT THE ARTIST Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe. Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston. In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press: “The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.” The other speakers were Karl Knaths...
Category

1940s Surrealist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint, Etching

DAMA NEGRA
By David Alfaro Siqueiros
Located in Santa Monica, CA
DAVID ALFARO SIQUEIROS (1896 – 1974) DAMA NEGRA 1937-1945 (Williams 8) Transfer lithograph, signed and no. 38-EE/50 and dated 1945. 13 5/8 x 19 3/16”. Very large full margins,, sheet 29 x 21 ½”. Stamped lower sheet edge “Original Lithograph” It is difficult to determine the various editions of Siqueiros’ prints. He would often reprint small editions of his early prints over time. Some of these were transfer lithographs in reverse and slightly smaller. These are sometimes numbered E/E “Edicion Especial”. Reba Williams discusses the problems with identifying editions in her catalog “Mexican Prints...
Category

1940s Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

'Girl with Hands to Face' — Mid-century Modernism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
Benton Spruance, 'Girl with Hands to Face', two-color lithograph, 1940, edition 30, Fine and Looney 180. Signed, titled, and annotated 'Ed. 30' in pencil. A superb impression, on cr...
Category

1940s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

Tamas The Power of Bad
By Willy Pogany
Located in Santa Monica, CA
WILLY POGANY (1882 - 1955) TAMAS THE POWER OF BAD, c. 1940. Etching, signed and titled and numbered 50 in pencil. Image 12 x 9 inches. Sheet 14 7/8 x 10 3/4 inches. Generally goo...
Category

1940s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

Mosque of the Sultan Bayazid, Constantinople — Vintage Realism
By Louis Conrad Rosenberg
Located in Myrtle Beach, SC
Louis Conrad Rosenberg, 'Mosque of the Sultan Bayazid, Constantinople', etching, 1927. Signed in pencil. Initialed and dated in the plate, lower left. A fine, richly-inked impression...
Category

1920s American Realist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint

Wake on the Ferry.
By John French Sloan
Located in Storrs, CT
Wake on the Ferry. 1949. Etching. Morse catalog 313. state v. 5 x 7 (sheet 8 3/4 x 11 7/8). Edition of 350: 200 for the Art Students League and 150 for the artist. A fine impression ...
Category

1940s American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

'Children's Ward' — Socially-Conscious Realism
By Robert Riggs
Located in Myrtle Beach, SC
Robert Riggs, 'Children's Ward', 2-color lithograph, c. 1940, edition c. 50, Beall 11, Bassham 76. Signed, titled, and numbered '14' in pencil. Signed in the stone, lower right. A su...
Category

1940s Realist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

THE FORGE - Rich Drypoint
By James Abbott McNeill Whistler
Located in Santa Monica, CA
JAMES ABBOTT MCNEIL WHISTLER (1834 – 1903) THE FORGE 1866 (Kennedy. 68 iv/vi: Glascow 86 vi/vi) Etching and drypoint. Signed and dated in the plate 1866. VERY GOOD IMPRESSION WITH...
Category

Late 19th Century Impressionist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Drypoint

'Court' — WPA Social Conscience, Woman Artist
Located in Myrtle Beach, SC
Claire Mahl Moore, 'Court' also 'The Authorities', woodcut, 1936, edition 5. Signed 'Mahl' and titled in pencil. A fine, richly-inked impression, on ...
Category

1930s Expressionist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Woodcut

WOMAN AND CATS
By Will Barnet
Located in Portland, ME
Barnet, Will. WOMAN AND CATS. Cole 134. Lithograph in colors, 1969. Edition of 100, titled and signed in pencil. Printed on Arches by Mourlot, NY. 21 x 22 1/2 inches. In excellent co...
Category

Mid-20th Century American Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Lithograph

An Old Corsican.
By Gerald Leslie Brockhurst
Located in Storrs, CT
An Old Corsican. 1921. Etching. Fletcher 27. 6 5/16 x 4 9/16 (11 1/2 x 9 3/8). Edition 76. A beautiful, rich impression with plate tone, printed on 'J. Whatman' laid paper on the ful...
Category

Early 20th Century Modern Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

Interior with Red Shawl (Young woman reads in this calm Vermeer-like interior)
Located in New Orleans, LA
Interior with a red shawl conveys a quite different mood and feeling: one of calm, and suspension of time. Here the suggestion is that the woman is waiting ...
Category

Early 20th Century Dutch School Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Mezzotint

TEN O'CLOCK in TAXCO - Large etching with Incredible Detail. One of a Pair
By Reynold Weidenaar
Located in Santa Monica, CA
REYNOLD WEIDENAAR (1915 - 1985) TEN O'CLOCK IN TAXCO 1946 Etching and aquatint on paper Edition: An artist proof (#2) apart from an edition of unknown size Signed and titled in pencil. Image: 17" x 13"; Sheet: 19.75" x 15.75”. One of a pair of large format Mexican etchings...
Category

1940s American Realist Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Etching

Sew What (the swells and swirls of the stripes are now in the hands of others)
By Carol Wax
Located in New Orleans, LA
"Sew What" is a color mezzotint with burin engraving created in an edition of 35. This impression is #6. I love sumptuously designed textiles in both real life and art. Patterns metamorphosing over fabric folds appeal to my interest in modulating rhythmic forms, particularly the swells and swirls of calligraphic stripes. I’m also fascinated by articulated wooden hand models, which appear in many of my paintings. Combining these passions with sewing paraphernalia from my seamstress days provided inspiration for my color mezzotint engraving "Sew What". Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer...
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Figurative Prints

Materials

Mezzotint

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