Ifpda International Fine Print Dealers Association Figurative Prints
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Simon Frevalles
By Marcel Vertès
Located in New York, NY
Poster Adverting the Entertainer Simon Frevalles. 1923. Color lithograph. On Linen.
An outstanding twentieth century painter, printmaker and illustrator, Marcel Vertes moved from his native Hungary to Paris during the First World War. The art of Marcel Vertes was at its peak during the vibrant and somewhat wild decade of the 1920’s. Concentrating upon scenes of Paris street life, portrayals of women and depictions of circus and cabaret acts, Vertes left a legacy of original lithographs and drawings that superbly capture the spirit of 1920’s Paris.
Vertès is also responsible for the original murals in the Café Carlyle...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
EXPRESS STOP
By Douglas Gorsline
Located in Portland, ME
Gorsline, Douglas (American, 1913-1985). EXPRESS STOP. Etching, 1948. 6 3/8 x 5 3/4 inches (plate). Signed in pencil. Published by Associated American Artists In excellent condition....
Category
1940s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Engraving
Floater
By Don Ed Hardy
Located in Lyons, CO
Color lithograph, Edition 20.
Don Ed Hardy’s lithographs, created in the spring of 2007, continue the “look” of his Ghost Writer painting series which has been developed over the past five years. They are evocative of ancient Chinese stone rubbings, or x-rays. Both prints refer to earlier images from Japanese art history.
Floater, a meditating skeleton poised above surging waves, was done from memory after a 19th century Japanese painting...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Blom & van der AA.
By Louis Raemaekers
Located in New York, NY
Raemakers, Louis. Blom & van der AA. Ca 1920s.
Color lithograph
Louis Raemaekers, was a Dutch cartoonist who gained international fame with his anti-German cartoons during World W...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
TWO GIRLS IN SUBWAY
By Reginald Marsh
Located in Portland, ME
Marsh, Reginald. TWO GIRLS IN SUBWAY. S.58. Etching, 1928.
Printed on cream-colored wove paper, with a watermark, upper left.
One of only two proofs of ...
Category
1920s Ashcan School Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
BATTLE STATIONS
By Douglas Gorsline
Located in Portland, ME
Gorsline, Douglas (American, 1913-1985). BATTLE STATIONS. Engraving, 1941. 9 x 6 7/8 inches (plate), 12 1/2 x 8 3/8 inches (sheet). Signed, titled and dated in pencil, and inscribed ...
Category
1940s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Engraving
Baigneuse debout à mi-jambes
By Pierre Auguste Renoir
Located in Santa Monica, CA
PIERRE-AUGUSTE RENOIR (French, 1841 - 1919)
BAIGNEUSE DEBOUT A MI JAMBES (D., S. 23)
Etching, 1910, a later impression on laid paper, the only state. Full margins with deckle edge...
Category
1910s Impressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
$760 Sale Price
20% Off
Ouverture de la Chasse ua Bois de Boulogne
By George Goursat
Located in New York, NY
Sem, (George Goursart). Ouverture de la Chasse ua Bois de Boulogne..
Ca 1900. Signed in the stone. Slight center vertical fold, otherwise in
very good condition.
Signed in the sto...
Category
Early 1900s Art Nouveau Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Waschemagazine Metzger
By Charles Loupot
Located in New York, NY
Loupot, Charles. Waschemagazine, Munsterberg 2/Metzger/B. Brunnen Freistrasse/Herrenhemden-Kragen Damenwasche & Aussteuern. 1922. Color lithograph. On linen.Good condition with the e...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
The Last Dynasty: Empress
Located in Lyons, CO
Color lithograph, Edition 30.
Known for paintings based on historical Chinese photographs, Hung Liu's subjects over the years have been prostitutes, refugees, street performers, s...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
SCHWANGERE FRAU.
By Käthe Kollwitz
Located in Portland, ME
Kollwitz, Kathe. SCHWANGERE FRAU. Etching and soft ground, 1910. Klipstein 108(V) 14 7/8 x 9 3/8 inches (377 x 236 mm.). Signed in pencil, and with the names of the publisher Richter...
Category
1910s Expressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
$2,800 Sale Price
20% Off
Au Cirque (At the Circus; also called Circus Ring).
By Henri Gabriel Ibels
Located in New York, NY
4 Color lithograph. 19 3/8 x 10 5/16; 23 x 16 5/16".
HG Ibels lower right on stone; No.86 lower left margin, pencil. Blind Stamp (upside down) upper left margin. Published by L...
Category
19th Century Art Nouveau Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
OPERA BOX
By Reginald Marsh
Located in Portland, ME
Marsh, Reginald. OPERA BOX. EnGraving, 1936 (Sasowsky 162).
6 7/8" x 4 15/16."
Signed in pencil.
First state proof, before added shading and modeling (Sas...
Category
1930s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
THE BOWERY - UPRIGHT
By Reginald Marsh
Located in Portland, ME
Marsh, Reginald. THE BOWERY - UPRIGHT. S.26. Lithograph, 1932. Edition of 21, signed and numbered 3/21 in pencil. 9 1/2 x 7 1/4 inches, 241 x 184 mm (image), Chine colle to a sheet 1...
Category
1930s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Metro 2nd Class
By Clement Haupers
Located in New York, NY
Clement Haupers (1900-1982), Metro 2nd Class, aquatint and etching, 1928, signed, titled, numbered (6/20), dated and inscribed “Paris.” In very good condition, slight toning and rema...
Category
1920s American Realist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching, Aquatint
Irving Place Burlesk
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), Irving Place Burlesk, etching, 1929, signed in pencil lower right and numbered (18) lower left. Reference: Sasowsky 75, third state (of 3). In very good c...
Category
1920s American Realist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
Mercado
By Rafael Ferrer
Located in Lyons, CO
Color monotype.
Rafael Ferrer depicts the intense life of the Caribbean in his paintings and prints. With hot colors, deep shadows and mysterious relationships among his figures, Fe...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Monotype
$5,000
Beim Kornpuppenbinden (Corn Husking)
By Lesser Ury
Located in New York, NY
Lesser Ury (German, 1861–1931), Beim Kornpuppenbinden, drypoint, 1923, signed in pencil lower right and numbered 45/100, from the edition of 100. Reference: Rosenbach 17, only state...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint
Belle Jardinaire
By Eugène Grasset
Located in New York, NY
Grasset, Eugene. Belle Jardinaire. Proof for the Calendar, "Belle Jardinaire",1896, on China paper produced for the month of December.
12 7/8 x 9 7/8"
Category
Late 19th Century Art Nouveau Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
East Tenth Street Jungle
By Reginald Marsh
Located in New York, NY
Reginald Marsh (1898-1954), East Tenth Street Jungle, 1934, etching, signed and annotated “Second Proof, First State”, in pencil [also initialed and dated in the plate]. Reference: S...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
Nu couché de dos
By Henri Matisse
Located in London, GB
Henri Matisse
Nu couché de dos
1929
Lithograph on Arches Velin paper, Edition of 50
Paper size: 50.5 x 66 cms (20 x 26 ins)
Image size: 46 x 56 cms (18 x 22 ins)
HM16567
Category
1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
$15,000 Sale Price
25% Off
A Drunken Night Cap
By Jan van der Bruggen
Located in New York, NY
(After) JAN VAN DER BRUGGEN (Brussels c1649 1690 Paris), A Drunken Night Cap, Wine is a Mocker, mezzotint, c. 1720, with artist's name Mieris lower left in t...
Category
1720s Old Masters Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Mezzotint
PKZ [Man in Blue Suit].
By Ernst A Kretchmamm
Located in New York, NY
PKZ .Man in Blue Suit. 1924, Color lithograph. Linen backed.
PKZ has and still is an important department store in Zurich, Switzerland. PKZ was one of the...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
![PKZ [Man in Blue Suit].](https://a.1stdibscdn.com/archivesE/upload/a_2922/1456960678772/Kretschmann_PKZmansmoking_master.jpg?width=240 "pkz man")
'Two Boys On A Beach, No. 1' — Erotic Realism
By Paul Cadmus
Located in Myrtle Beach, SC
Paul Cadmus, 'Two Boys On A Beach, No. 1', etching, 1938, edition 75, Johnson & Miller 85. Signed in pencil and initialed in the plate in the lower right image corner. Annotated by t...
Category
1930s American Realist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
Claudine/Theatre du Moulin Rouge
By Clerice Frères
Located in New York, NY
Freres. Clerice. Claudine 1910.On Linen. Color lithograph poster for the
Operette en 3 Actes de Willy. d'après les Romans de Willy & Colette Willy
with music by Rodolphe Berger. Ref. Broido No. 21
The Clerice Frères...
Category
1910s Art Nouveau Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Program for A Bas Le Progres.
By Henri Gabriel Ibels
Located in New York, NY
Program for A Bas Le Progres. By Edmond de Concourt 1894. Four-color lithograph. 12 3/4 x 9 7/8" 25 April 1894. Signed in the stone. Rare.
Ibels’ images were powerful and heavily ...
Category
1890s Art Nouveau Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
TAOS INDIAN JESTERS
By Gene Kloss
Located in Santa Monica, CA
GENE KLOSS (1903 – 1996)
TAOS INDIAN JESTERS, 1944
Etching and aquatint, Signed and titled in pencil. Edition 30. Image 11” x 13 7/8”, sheet 13 ¼ x 16 ½”. In very good condition sa...
Category
1940s American Realist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching, Aquatint
Betsy. [Girl in Cowboy Boots and Hat]
By Pascal Bastia
Located in New York, NY
Betsy, [Girl in Cowboy Boots and Hat]. Color lithograph. On Linen.
Excellent composer Pascal Bastia is also a talented writer who wrote most of the lyrics and librettos of his operettas . Author -songwriter, has been interpreted by the greatest : Jean Sablon, Josephine Baker, Luc Barney ... He is also the author of music and film scripts...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
![Betsy. [Girl in Cowboy Boots and Hat]](https://a.1stdibscdn.com/archivesE/upload/a_2922/1488828051954/Bastia_Betsy_27_master.jpg?width=240 "pascal bastia")
'Nero' — Mid-Century American Modernism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
Benton Spruance, 'Nero', 2-color lithograph, edition 35, 1944, Fine and Looney 233. Signed, dated, titled and annotated 'Ed 35' in pencil. Initialed 'BS' in the image, lower right. A...
Category
Mid-20th Century American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
La Petite Plage
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-1943), La Petite Plage, 1926, etching and engraving, signed in pencil lower left [inscribed lower margin as a trial proof; also wi...
Category
1920s Cubist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Engraving, Etching
Les Pelerins d'Emmaus (The Pilgrims of Emmaus)
By Maurice Denis
Located in Fairlawn, OH
Les Pelerins d'Emmaus (The Pilgrims of Emmaus)
After a 1894 painting by Denis in the Van Gogh Museum (see photo)
Color lithograph, 1895
Signed in pencil ...
Category
1890s French School Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Jeune Hindoue
By Henri Matisse
Located in London, GB
Henri Matisse
Jeune Hindoue
1929
Lithograph on Arches Velin paper, Edition of 50
Paper size: 39.5 x 49.5 cms (15 1/2 x 19 1/2 ins)
Image size: 28.5 x 35....
Category
1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
THE FIT YOURSELF SHOP
By Kyra Markham
Located in Santa Monica, CA
KYRA MARKHAM (1891 – 1967)
THE FIT YOURSELF SHOP, 1935
Lithograph, signed, titled, dedicated, dated and no 24/50 in pencil. 12 5/8 x 9 5/8”. Signed in ...
Category
1930s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
$780 Sale Price
20% Off
PROLETARIANS
By Jose Clemente Orozco
Located in Santa Monica, CA
JOSE CLEMENTE OROZCO (1893 - 1949)
PROLETARIANS (aka Basurero, Scavengers ) 1935 (Orozco 27)
lithograph, One of 88 signed and numbered of a total edition of 133, (+ 42 unnumbered a...
Category
1930s Other Art Style Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Art Forms in Nature (Plate 79 - Basiliscus) — 1899 Celebration of Nature
Located in Myrtle Beach, SC
Ernst Haeckel, 'Art Forms in Nature' (Plate 79 - Basiliscus), offset lithograph, 1899. Signed and titled in typeset, upper left. Titled 'Tafel 79 — Basi...
Category
1890s Realist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
The Bridge
By Frank Benson
Located in New York, NY
"The Bridge" is a drypoint by Frank Benson created in 1923. Printed in an edition of 150 this impression is signed in pencil, lower left. The image size is 13 1/2 x 10 5/8" (34.2 x 26.8 cm) and sheet size 16 1/2 x 13 1/16" (41.8 x 33.3 cm).
FRANK W. BENSON (1862-1951)
Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint
Travels of Fortune
By Enrique Chagoya
Located in Lyons, CO
Color lithograph, Edition 25.
The artist describes this project:
This work is a tribute to the recent Mayan immigrants from Southern Mexico, Guatemala and Honduras (as well as many...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
Te Arii Vahine - Opoi / La femme aux mangos - Fatigué
By Paul Gauguin
Located in London, GB
Paul Gauguin
Te Arii Vahine - Opoi
La femme aux mangos - Fatigué
1898
Woodcut, Edition of 30
Paper size 18.5 x 28.2 cms (7 1/4 x 11 ins)
Image size 16 x 28.2 cms (6 1/4 x 11 ins)
Co...
Category
1890s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Woodcut
GEFALLEN (Killed in Action)
By Käthe Kollwitz
Located in Santa Monica, CA
KATHE KOLLWITZ (1867-1945)
GEFALLEN (Killed in Action) 1920 (Klipstein 153 (1st state, a of c of 2 states)
Lithograph on laid paper. Image 16 ¼ x 15 ¼ inches, Large Full Sheet, 25 ½...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
'Psychopathic Ward' — Socially-Conscious Realism
By Robert Riggs
Located in Myrtle Beach, SC
Robert Riggs, 'Psychopathic Ward', 2-color lithograph, c. 1940, edition c. 50, Beall 60, Bassham 78. Signed, titled, and numbered '14' in pencil. Signed in the stone, lower right. A ...
Category
1940s Realist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
'Church with Star' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with Star (Kirche mit Stern)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W265. Annotated 'W 265' (Feininger catalogue number) and inventory no. '2808' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce.
Image size 2 3/8 x 2 3/8 inches; sheet size 10 1/16 x 7 1/16 inches. Archivally sleeved, unmatted.
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Woodcut
Maternité / Motherhood I: Honte / Disgrace
By Marc Chagall
Located in Santa Monica, CA
MARC CHAGALL (1887 – 1985)
MATERNITE, 1926. Motherhood I: Honte / Disgrace (Kornfeld 65, Cramer 5, Sorlier, p. 20-21
Etching, Frontispiece from Maternite Au Sans Pareil, Paris, 1926. Marcel Arland, illustrated by Marc Chagall with five original etchings this being one of the five. Image size: 5 5/8 x 4 1/8. 1130 unsigned impressions on various papers. The story begins with a young woman being shunned by the whole village because she had given birth to a child and left its dead body...
Category
1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
Kirill / Boy with Crossed Legs (peekaboo) - In Celebration of Pride Month
Located in New Orleans, LA
Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community.
A signed Certificate of Authority will be included with all photographs. A nude boy...
Category
2010s Photorealist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Photographic Paper, Digital
'The Bath' — Meji Era Cross-Cultural Woman Artist
By Helen Hyde
Located in Myrtle Beach, SC
Helen Hyde, 'The Bath', color woodblock print, edition not stated, 1905, Mason & Mason 59. Signed in pencil in the image, lower right. Numbered '96' in pencil in the image, lower left. The artist's monogram in the block, lower left, and 'Copyright, 1905, by Helen Hyde.' upper right. A superb impression with fresh colors on tissue-thin cream Japanese paper; the full sheet with margins (7/16 to 1 5/8 inches), in excellent condition. Matted to museum standards, unframed.
Image size 16 1⁄4 x 10 1⁄8 in. (413 x 260 mm); sheet size: 19 1⁄4 x 11 1⁄8 in. (489 x 283 mm).
Literature and Exhibition: Back cover illustration of the catalog of the artist’s prints, 'Helen Hyde', Smithsonian Institution Press, 1990; 'The International Block Print Renaissance, Then And Now, Block Prints In Wichita, Kansas, A Centennial Celebration — 1922-2022', Barbara J. Thompson, Wichita Art Museum, 2022 (back cover).
Impressions of this work are held in the following collections: Achenbach Foundation for Graphic Arts, Art Institute of Chicago, Fine Arts Museums of San Francisco (De Young), Harvard Art Museums, Library of Congress, Metropolitan Museum of Art, New York Public Library, Smithsonian American Art Museum, Terra Foundation for American Art, University of Oregon Museum of Art.
ABOUT THE ARTIST
Helen Hyde (1868-1919) was a pioneer American artist best known for advancing Japanese woodblock printmaking in the United States and for bridging Western and Japanese artistic traditions. Hyde was born in Lima, New York, but after her father died in 1872, her family relocated to Oakland, California, where she spent much of her youth.
Hyde pursued formal art education in the United States and Europe. She enrolled in the San Francisco School of Design, where she took classes from the Impressionist painter Emil Carlsen; two years later, she transferred to the Art Students League in New York, studying there with Kenyon Cox. Eager to expand her artistic repertoire, Hyde traveled to Europe, studying under Franz Skarbina in Berlin and Raphael Collin in Paris. While in Paris, she first encountered Japanese ukiyo-e prints, sparking a lifelong fascination with Japanese aesthetics. After ten years of study, Hyde returned to San Francisco, where she continued to paint and began to exhibit her work.
Hyde learned to etch from her friend Josephine Hyde in about 1885. Her first plates, which she etched herself but had professionally printed, represented children. On sketching expeditions, she sought out quaint subjects for her etchings and watercolors. In 1897, Hyde made her first color etchings—inked á la poupée (applying different ink colors to a single printing plate)—which became the basis for her early reputation. She also enjoyed success as a book illustrator, and her images sometimes depicted the children of Chinatown.
After her mother died in 1899, Hyde sailed to Japan, accompanied by her friend Josephine, where she would reside, with only brief interruptions, until 1914. For over three years, she studied classical Japanese ink painting with the ninth and last master of the great Kano school of painters, Kano Tomonobu. She also studied with Emil Orlik, an Austrian artist working in Tokyo. Orlik sought to renew the old ukiyo-e tradition in what became the shin hanga “new woodcut prints” art movement. She immersed herself in the study of traditional Japanese printmaking techniques, apprenticing with master printer Kanō Tomonobu. Hyde adopted Japanese tools, materials, and techniques, choosing to employ the traditional Japanese system of using craftsmen to cut the multiple blocks and execute the exacting color printing of the images she created. Her lyrical works often depicted scenes of family domesticity, particularly focusing on women and children, rendered in delicate lines and muted colors.
Through her distinctive fusion of East and West, Hyde’s contributions to Western printmaking were groundbreaking. At a time when few Western women ventured to Japan, she mastered its artistic traditions and emerged as a significant figure in the international art scene.
Suffering from poor health, she returned to the United States in 1914, moving to Chicago. Having found restored health and new inspiration during an extended trip to Mexico in 1911, Hyde continued to seek out warmer climates and new subject matter. During the winter of 1916, Hyde was a houseguest at Chicora Wood, the Georgetown, South Carolina, plantation illustrated by Alice Ravenel Huger Smith in Elizabeth Allston Pringle’s 1914 book A Woman Rice Planter. The Lowcountry was a revelation for Hyde. She temporarily put aside her woodcuts and began creating sketches and intaglio etchings of Southern genre scenes and African Americans at work. During her stay, Hyde encouraged Smith’s burgeoning interest in Japanese printmaking and later helped facilitate an exhibition of Smith’s prints at the Art Institute of Chicago.
During World War I, Hyde designed posters for the Red Cross and produced color prints extolling the virtues of home-front diligence.
In ill health, Hyde traveled to be near her sister in Pasadena a few weeks before her death on May 13, 1919. She was buried in the family plot near Oakland, California.
Throughout her career, Hyde enjoyed substantial support from galleries and collectors in the States and in London. She exhibited works at the St. Louis Exposition in 1897, the Pan-American Exhibition in Buffalo in 1901, the Tokyo Exhibition for Native Art (where she won first prize for an ink drawing) in 1901, the Alaska-Yukon-Pacific Exhibition in Seattle in 1909 (received a gold medal for a print), the Newark Museum in 1913, a solo show at the Chicago Art Institute in 1916, and a memorial exhibition in 1920, Detroit Institute of Arts, Color Woodcut Exhibition in 1919, New York Public Library, American Woodblock Prints...
Category
Early 1900s Showa Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Woodcut
CHANGING FLIES
By Levon West
Located in Santa Monica, CA
LEVON WEST (1900 – 1968)
CHANGING FLIES c. 1930
Etching and drypoint, signed in pencil and no. 28. Image, 13 1/8 x 8 3/8 inches, sheet 17 1/4 x 11 5/8 full margins with deckle edge...
Category
1930s Impressionist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
MON DOUX OU-ETES-VOUS? / MY SWEET COUNTRY, WERE ARE YOU?
By Georges Rouault
Located in Santa Monica, CA
GEORGES ROUAULT (1871-1958)
MON DOUX OU-ETES-VOUS? / MY SWEET COUNTRY, WERE ARE YOU? 1927
( Chapon/Rouault 97; Wofsy 151) Miserere XLIV Aquatint, 1927, on laid Arches. watermark...
Category
1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Aquatint
If you're too cool, you lose.
By Darius Steward
Located in Fairlawn, OH
Signed, dated and numbered in pencil
Printer: Rebekah Wilhelm, Zygote Press, Cleveland
Created at Zygote Press, Cleveland, 2015, while the artist was an Artist in Residence.
Exhib...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Drypoint
THE LAST PRIVATE PERSON - DER LETZIE PRIVATIER
By Andreas Paul Weber
Located in Santa Monica, CA
ANDREAS PAUL WEBER (German 1893-1980)
THE LAST PRIVATE PERSON - DER LETZIE PRIVATIER
Lithograph signed in pencil and with the artist's Clan Press Stamp l...
Category
1950s Surrealist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
'The Yankee' — America's Cup, 1934
By Jacques La Grange
Located in Myrtle Beach, SC
Jacques La Grange, 'The Yankee', color woodcut, edition 500, 1934. Signed and numbered '25/500' in pencil. A fine impression, with fresh colors, on cream wove paper, with margins (1 1/8 to 1 1/4 inches), in excellent condition. A work from La Grange’s celebrated series of woodcuts 'Drama and Color in the America's Cup Races'. Image size 10 x 10 11/16 inches (254 x 271 mm); sheet size 12 1/4 x 13 1/4 inches (311 x 337 mm). Archivally matted to museum standards, unframed.
When the artist created this print in 1934, the 'Yankee' was one of the most promising yachts eligible for the America's Cup but ultimately 'Rainbow' was chosen to defend against England's 'Endeavor' in that year's race. The 'Endeavor' was built for Thomas Sopwith who used his aviation design expertise to ensure the yacht was the most advanced of its day with a steel hull and mast. She was launched in 1934 and won many races in her first season but the Cup challenge was blighted by a strike of Sopwith's professional crew prior to departing for America. Forced to rely mainly on keen amateurs, who lacked the necessary experience, the campaign failed. 'Rainbow' won the series 4–2. This was one of the most contentious of the America's Cup battles and prompted the headline "Britannia rules the waves and America waives the rules."
ABOUT THE ARTIST
Jacques La Grange was born in Clanwilliam (near Cape Town) in South Africa in 1895. He studied at London University and later immigrated to the United States. La Grange established himself as a painter, illustrator, and printmaker specializing in nautical subjects. He and his wife, Helen La Grange, published 'Drama and Color in the America's Cup Races' in 1934 and 'Clipper Ships of America and Great Britain 1833-1869', in 1936. Both were deluxe hardcover limited edition volumes with signed original color woodblock prints. La Grange had solo exhibitions at the Buchanan Gallery in 1929; the Babcock Gallery and the 56th Street Gallery, New York, in 1930; and at the Nicholas Roerich...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Woodcut
$560 Sale Price
20% Off
'Hurdy Gurdy Ballet' — New York City American Scene, Ashcan School
By Glenn O. Coleman
Located in Myrtle Beach, SC
Glenn O. Coleman, 'Hurdy Gurdy Ballet', lithograph 1928, edition 50. Signed, dated, and numbered '14/50' in pencil. Titled in the bottom left margin, in an...
Category
1920s Ashcan School Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
$3,840 Sale Price
20% Off
'La Pêche' (Fishing) — French Cubist Woodcut
By Raoul Dufy
Located in Myrtle Beach, SC
Raoul Dufy, 'La Pêche' (Fishing), woodcut, 1910, from the second edition of 220 printed in 1953. With the estate stamp 'ATELIER RAOUL DUFY' in the lower left margin. Numbered '106/220' in pencil, lower right. Titled in the block, lower right. A superb, richly-inked impression, on heavy, cream wove paper, the full sheet with wide margins (3 to 5 inches), slight toning at the sheet edges, well away from the image; otherwise in excellent condition. Archivally sleeved, unmatted.
Image size 12 1/2 x 15 13/16 inches (318 x 402 mm); sheet size 19 9/16 x 25 3/4 inches (497 x 654 mm).
From the suite of four woodcuts entitled 'Les Plaisirs de la Paix' (The Pleasures of Peace), originally published by Éditions de La Sirène, Paris in 1926. The other three works in the series are 'La Danse' (The Dance), 'La Chase' (The Hunt), and 'L'amore' (Love). See our other listings for 'La Danse' and 'L'amore'.
Collections: Cleveland Museum of Art, Minneapolis Art...
Category
1910s Cubist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Woodcut
'Sailor and His Girl' —Mid-Century Modernism, WWII
By Bernard Brussel-Smith
Located in Myrtle Beach, SC
Bernard Brussel-Smith, 'Sailor and His Girl', wood engraving, 1941, edition 35. Signed, titled, and numbered '21/35' in pencil. Signed in the block, lower right. A superb, richly-in...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Woodcut
LA ORANA MARIA (HAIL MARY)
By Paul Gauguin
Located in Santa Monica, CA
PAUL GAUGUIN (French 1848 - 1903)
LA ORANA MARIA (HAIL MARY) 1894/5 (Mongan/Kornfield 27B:Guerin 51) Transfer zincograph on coarse-grained transfer paper, in...
Category
1890s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
City Scene I — Mid-Century Modernism, Precisionism
By Bernard Brussel-Smith
Located in Myrtle Beach, SC
Bernard Brussel-Smith, 'City Scene I', wood engraving, 1949, edition 100. Signed, titled, and numbered '93/100' in pencil. A superb, richly-inked impression, on white wove paper, wi...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Woodcut
THE BURRO STATION - Large Etching with Incredible Detail. One of a Pair
By Reynold Weidenaar
Located in Santa Monica, CA
REYNOLD WEIDENAAR (1915 - 1985)
THE BURRO STATION, 1946, Etching and drypoint on paper, Signed and titled in pencil from an edition of unknown size. Plate: 17" x 13": Sheet: 20.75" x 15.75". One of a pair of large format Mexican etchings...
Category
1940s American Realist Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
RATSELRACHEN III (JAWS OF THE RIDDLE III)
By Hans Thoma 1
Located in Portland, ME
Thoma, Hans. RATSELRACHEN III (JAWS OF THE RIDDLE III). Etching, 1908 (Beringer 77, second state). 10 3/8 x 9 5/8 inches (200 x 285 mm), image; 11 x 9 3/4 inches (246 x 296 mm.), plate; 18 3/4 x 15 1/4 inches (477 x 390 mm.), sheet. Monogrammed and dated in the plate, signed "Hans Thoma...
Category
Early 1900s Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
Nu. Étude d’un mouvement de jambes
By Henri Matisse
Located in London, GB
Henri Matisse
Nu. Étude d’un mouvement de jambes
1929 (printed in 1935)
Lithograph on Arches paper, Edition of 50
Paper size: 50 x 66 cms (19 3/4 x 26 ins)
Image size: 43.3 x 55.5 cm...
Category
1920s Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Lithograph
MARKET IN ERONGARICUARO
By Morton Dimondstein
Located in Santa Monica, CA
MORTON DIMONDSTEIN (NY 1920 - LA 2000)
MARKET IN ERONGARICUARO 1954
Serigraph, silkscreen. Signed titled and dated in pencil. Image 10 ¼ x 25 ½ inches. Large full sheet 17 1/4 x 30...
Category
1950s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Screen
The Wrath of Elihu: 'I Am Young, And Ye Are Very Old, Wherefore I Was Afraid.'
By William Blake
Located in Storrs, CT
The Wrath of Elihu. 'I Am Young, And Ye Are Very Old, Wherefore I Was Afraid'. 1823-25. Engraving. .Binyon catalog 117 state ii, Bindman catalog 632. Image 7 7/8 x 5 15/16; plate 8 ...
Category
Early 19th Century Romantic Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Engraving
'Food Not Cannon' — WPA Modernist Work of Social Conscience
By Leon Bibel
Located in Myrtle Beach, SC
Leon Bibel, 'Food Not Cannon', etching, 1937, edition 12 (an early state, probably unique). Signed in pencil. A fine impression, on cream wove paper, with full margins (7/8 to 2 1/8 ...
Category
1930s American Modern Ifpda International Fine Print Dealers Association Figurative Prints
Materials
Etching
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