Édouard Manet

GUERRE CIVILE

1873

Kuniyoshi, Yasuo. NUDE AT DOOR. Davis L-31. Lithograph, 1928. Edition of 36. Printed by Desjobert, Paris. Chine colle printed on cream colored China paper, and laid to a white vove ...

Derain, Andre (French, 1880-1954). ROFIL A GAUCHE DE FEMME BAISSEE (LEFT PROFILE OF A WOMAN LYING DOWN). Adhemar 71, BN-IFF 17. Lithograph, 1927. One of 25 copies numbered in Roman n...

Spruance, Benton (American 1904-1967). SUBWAY SHIFT - THE SECOND FRONT. Fine and Looney 223. Lithograph, 1943. Fine and Looney cite two editions, one of 35 and one of 30, this being ...

Carriere, Eugene. LE FONDEUR. Lithograph, 1900. Printed by Chaix and Malherbe, Paris. Poster for the metallurgy pavilion of the Paris Exposition of 1900. 51 x 34 3/4 inches, 1307 x 8...

Soyer, Raphael. SPRINGTIME. Cole 56. Lithograph, 1938. 14 x 17 1/4 inches; 356 x 440 mm. Signed and titled in pencil. Edition of about 25. Upper right corner professionally replaced, else a very good impression in very good condition. Inscribed to "For Morris Carnovsky" in the margin just below the image. Together with The Mission and Bowery Nocturne of 1933 (Cole 27 and 28), Springtime is one of three large format lithographs in which Soyer powerfully portrayed Depression-era scenes of New York City life. Although done in the studio, it depicts Washington Square ParkA scarce and important item in Soyer's graphic oeuvre. Morris Carnovsky, 1897-1992, was a distinguished American stage and screen actor, whose long career included work with the Yiddish Theater...

Whistler, James A. M. AFTERNOON TEA. Way 147, Levy 114, TS&S 173. Lithograph, 1897. The only State, printed by Clot in an edition of 100, and published b...

Yue Minjun, Backyard Garden Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered in Roman numerals In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. The print is mounted on double sheet of paper with a poem on one spread and print on the other. Backyard Garden belongs to the set of twenty lithographs from the “Snatched Ecstasy of Yue Minjun”, which comes as a limited edition of 130 rare books. The work of Yue Minjun is instantly recognizable with its uniform laughing faces, the artist's faces. Minjun creates various realities against which the laughing figures are rendered, thus creating ambiguous images, often with the sinister atmosphere, which comes as his personal cynical reaction to various social and political dimensions of contemporary Chinese realities. Immediately humorous and sympathetic, Yue Minjun’s paintings offer a light-hearted approach to philosophical enquiry and contemplation of existence. Yue’s self-portraits have been describe by theorist Li Xianting as “a self-ironic response to the spiritual vacuum and folly of modern-day China”, thus the acidic tones and commercialized vacuity of his works are used to underscore the insincerity of his figures’ mirth. “Art should be an expression of one's particular feelings and should be direct and deep. So I drew one person, and then added another and another until there were crowds of them. Then I felt my emotions to be fully expressed.„ —Yue Minjun YUE MINJUN Yue Min-Jun (born 1962, Daqing, China) is one of the leading Chinese artists. He is best known for oil paintings depicting formations of his laughing self-portraits in various settings. His iconography is easily recognisable, it challenges social and cultural conventions by depicting objects and political issues in a radical, abstract, ironic and cynical manner. Yue Min-Jun initially started painting as a hobby, subsequently he graduated from the Oil Painting Department of Hebei Normal University, China in 1985. In the 90s he joined an artist community in Yuan Ming...

Yue Minjun, Armed Forces Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 × 120 cm (31.5 × 47.2 in) Stamped S...

Yue Minjun, Paean on Grassland Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered...

Yue Minjun, Remarkable People Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 × 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered ...

Yue Minjun, Fighting Contemporary, 21st Century, Lithograph, Limited Edition, Chinese Lithograph Edition of 130 80 x 120 cm (47 1/5 × 31 1/2 in) Stamped Signature, numbered in Roman numerals In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. The pictures shown are only for illustrative reasons, the piece is offered unframed. The print is mounted on double sheet of paper with a poem on one spread and print on the other. In fantastical paintings populated with heightened, hysterical self-portraits, Yue Minjun satirizes contemporary society and art historical tropes. Yue paints himself in fluorescent hues with a gaping grin. He occasionally multiplies his likeness, making his compositions even more menacing; his style has made him a pioneer of China’s Cynical Realism movement. Yue’s influences include Chinese socialist realism, Surrealism, and European classical paintings. He studied oil painting at Hebei Normal University in Shijiazhuang and has exhibited in Hong Kong, Berlin, Shenzhen, Shanghai, London, Basel, and New York. Yue has been the subject of numerous institutional shows at venues such as the Macao Museum, the ARoS Aarhus Art Museum, the National Art Museum of China, the Kunstmuseum Bonn, and the Museum of Fine Arts in Bern. “[...] I choose to paint laughter, to communicate a sense of pleasure and happiness, but actually, it hides a double perspective of drama and suffering.„ —Yue Minjun YUE MINJUN Yue Min-Jun (born 1962, Daqing, China) is one of the leading Chinese artists. He is best known for oil paintings depicting formations of his laughing self-portraits in various settings. His iconography is easily recognisable, it challenges social and cultural conventions by depicting objects and political issues in a radical, abstract, ironic and cynical manner. Yue Min-Jun initially started painting as a hobby, subsequently he graduated from the Oil Painting Department of Hebei Normal University, China in 1985. In the 90s he joined an artist community in Yuan Ming Yuan, a village near Beijing where he began to form his style and iconography. The paintings, sculptures, and installations of Yue Minjun feature uniform laughing pink faces, which appear to be self-portraits. Through various symbols, metaphors, signs, or through depictions of daily life the artist constructs various realities against which the laughing figures are rendered. "In my work, laughter is a representation of a state of helplessness, lack of strength and participation, with the absence of our rights that society has imposed on us." —Yue Minjun Yue became famous after his participation in the 48th Venice Biennale in 1999, which granted him access to international art. One of the best-known paintings by Yue Minjun and an icon for modern Chinese art and the Cynical Realism movement is Execution. It was painted in 1995 and is generally regarded as a reaction to the Tiananmen Square...

Yue Minjun, Lotus Pool Lithograph in color on wove paper “BFK Rives” Edition of 130 120 x 80 cm (47.2 x 31.4 in) Stamped Signature, numbered in Roman numerals In mint condition, as a...