Abstract Geometric Paintings

Charles Green Shaw Harvard vs. Yale, 1944 Signed and dated on the reverse Oil on canvasboard 9 x 12 inches Provenance: Harvey and Francois Rambach, New Jersey Private Collection, California Washburn Gallery, New York D. Wigmore Fine Art, New York Private Collection, New York Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...

No sé leer el presente, pero lo intento con el agua, 2024 Contemporary Mexican Art, Abstract Painting Acrylic on canvas 120x80cm Signed and dated Yumnia's artistic journey is deepl...

Predominantly recognized as a self-taught painter, he also worked in architectural murals, sculptures, ceramics, prints and drawings. Vigas is one...

Brandon Neher is a California artist whose original paintings on canvas embody a profound exploration of space, structure, and balance, infused with a touch of modern minimalism. Dra...

Created by a contemporary French artist recognized for his refined approach to material and abstraction, this painting reflects a deep exploration of memory, silence, and time throug...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Imagine" by Roman Goss is a captivating original abstract pai...

Title: Captivated Art Deco, Modern, Abstract, Colorful, Minimalism, Invest, Bold, Joy This series connects to that around as well as that within. Captivated takes the viewer to a ...

Anthony Falcetta Smp#15, 2025 acrylic, gypsum compound & spray paint on panel 16 x 12 in. (fal008)

Minimalist geometric painting Opening Act 4 by Scott VanderVoort features bold black and cream shapes that create a striking interplay of form and negative space. Known for his refin...

The Orchestra, 1950, oil on canvas, signed and dated lower left, 21 1/2 x 25 3/4 inches, labeled verso “Brown University, Trustee, The Walter Feldman Trust for Artwork” titled verso,...

Nicholas Maravell. House in Snow, 1989. Ink and watercolor on paper, 10.5 x 13.75 inches; 18 x 21.25 inches framed. Signed with artist monogram lower right. Gallery label affixe...

Sophie Dumont is a contemporary painter whose work explores the boundaries between abstraction and landscape. Through an intuitive approach to color and texture, she creates composit...

“Geometric Symphony” by Koko Hovaguimain Oil on Canvas. Koko Hovaguimain's Geometric Symphony is a breathtaking masterwork that resonates with rhythm, balance, and visual harmony. Wi...

TUSET (1997, A Coruña, España) Mixed media painting on paper Ready to frame One-of-a-kind Signed on back Includes certificate of authenticity 2021 65 x 50 cm. It belongs to the ser...

This piece titled "residence" is an original artwork made from pencil, maker, acrylic paint collage on panel by Miriam Singer. This piece measures 8"h x 8"w. Miriam Singer grew up i...

Magical Box Large Abstract On Wood Panel Nicholas Wilton Nicholas Wilton Born 1961, San Francisco, CA. Is known for vibrant abstract paintings that delve into themes of nature, personal experience, and emotional complexity. His work, described as “visual poetry,” is characterized by rich color, texture, and organic forms, creating a complex visual weave that reflects the underlying feelings and intricacies of life. Informed by spontaneity and a balance of opposites, his paintings emphasize the accuracy of feeling over literal representation. Wilton studied at the College of Creative Studies in Santa Barbara, California, and earned a BFA from the ArtCenter College of Design in Pasadena. His work has been chosen for a stamp by the U.S. Postal Service, and featured on book covers such as The Four Agreements by Don Miguel Ruiz. Wilton also founded Art 2 Life, a program dedicated to nurturing creativity and artistic development through workshops and classes. EDUCATION 1979-1983 College of Creative Studies, University of Santa Barbara, CA 1983-1986 Art Center College of Design, Pasadena, CA EXHIBITIONS 2014 Solo Exhibition Caldwell Snyder Gallery, San Francisco, CA 2013 Solo Exhibition Campton Gallery, New York City, NY 2012 Solo Exhibition Caldwell Snyder Gallery, San Francisco, CA 2011 Solo Exhibition Costello Childs Gallery, Scottsdale Three Person Show Stremmel Gallery, Reno, NV 2010 Solo Exhibition Gallatin River Gallery, Big Sky, MT Solo Exhibition: Selby Fleetwood Gallery, Santa Fe, NM Solo Exhibition gallery Jones...

The artist offers you a choice between an oak veneer crate or a black wood crate. Sophie Dumont, a renowned artist celebrated for her mastery of oil painting and her unique techniq...

POWER BOOTHE known internationally for his ground breaking minimalist abstraction. Works in the collection of the Whitney Museum, Wadsworth Atheneum, Guggenheim Museum and others. EXHIBITIONS AND PRODUCTIONS Minimalist Aesthetic, group exhibition, Wadsworth Atheneum Museum of Art, Hartford, CT New Work, Hostetler Gallery, group exhibition, Nantucket, MA Infinite Connections, group exhibition, ArtSpace Torrington, Torrington, CT 2011 Power Boothe: Out of Order, solo exhibition, New Britain Museum of American Art, New Britain, CT Excavating New Ground: American Art in the 1970s, group exhibition, University of Virginia Art Museum, Charlottesville, VA 2008 American Abstract Artists Exhibition, group exhibition, The Painting Center, New York, NY Interspace: Line and Color, three-person exhibition, Washington Art Association, Washington Depot, CT 1999 Columbia Festival of the Arts, solo exhibition, Columbia MD New Work, group exhibition at Goya-Girl Press, Baltimore, MD Twenty-Third Annual National Invitational Drawing Exhibition, Emporia State University, Emporia, KS 1998 New Prints Published by Goya-Girl Press, group exhibition, Baltimore MD The Fanelli Show, O.K. Harris Gallery, NY Chance + Necessity, Goya-Girl Press, Baltimore, MD Tilted Arc, set design, Doug Verone Dance Co., Joyce Theater, NY 1997 Investigations, four-person exhibition, Goya-Girl Press, Baltimore, MD Abstract Index, group exhibition, Condeso/Lawler Gallery, NY Made at the Mill, group exhibition of prints, Goya-Girl Press, Baltimore, MD Art Without Curves, 1120 Gallery, Phoenix, AZ TEN WAYS, group exhibition Milan, Italy and in Bonn Germany POWER BOOTHE, New Work Hostetler Gallery, group exhibition, Nantucket, MA Power Boothe: Paintings, solo exhibition, EBK Gallery (small works), Hartford, CT Borderline, solo exhibition, Five Points Gallery, Torrington, CT New Work Hostetler Gallery, group exhibition, Nantucket, MA Rhythm and Repetition in 20th Century Art, group exhibition, Heckscher Museum of Art, Huntington, NY For Leo, group exhibition, Sideshow Gallery, Brooklyn, NY 75th American Abstract Artists Print Portfolio, group exhibitions at: Martin Gallery, Allentown, PA New Work, Hostetler Gallery, group exhibition, Nantucket, MA Breaking Boundaries, group exhibition, Atlantic Center for the Arts, New Smyrna Beach, FL Painted Black, OIA group exhibition, New York Law School Gallery, NY 1996 American Abstract Artists 1936–1996, Mishkin Gallery, NY American Abstract Artists, 60th Anniversary Exhibition, Kean College Art Gallery, NJ and Westbeth Gallery, NY Small Works, Stephen Haller Gallery, NY 1995 Power Boothe, solo exhibition, Stephen Haller Gallery, NY Small Works, group exhibition, Stephen Haller Gallery, NY Scratching the Surface, group exhibition, Stephen Haller Gallery, NY 1994 The Persistence of Abstraction, group exhibition, Noyes Museum, Ocean Park, NJ Maryland Institute, Then and Now, traveling exhibition, Josiah White Center, Jim Thorp, PA, Anita Shapolsky Gallery, NY Between the Sexes, group exhibition, Maryland Art Place, Baltimore, MD New Performances in Found Spaces, exhibition of drawings and photographs of set designs, Lincoln Center Library, NY Our Town, set design for dance production, choreographed by Emily Keeler, music by Richard Beggs, Oakland Ballet, Premiere Paramount Theater, Oakland, CA Set in Motion, New York State Council selection of films, Lincoln Center, Walter Reade Theater, NY 1993 Inaugural Show, group exhibition, The Painting Center, NY Recent Painting and Sculpture, group exhibition, Robert Morrison Gallery, NY Private Lives, group exhibition of artists who make films, Zooma Gallery, NY Ring Around the Rosie, set design for dance/theater production in collaboration with David Parsons, music by Richard Peaslee, lighting by Michael Chyboski, Premiere Hancher Auditorium, Iowa City, IA Thicker Than Water, set design for dance production, choreographed by Stephan Koplowitz, music by Scott Killian, Premiere Dance Theater Workshop, NY The Devil Comes to Princeton, set design for theater production, text by Mac Wellman, directed by Beth Schachter, Premiere Princeton University, Princeton, NJ 1992 Recent Paintings, solo exhibition, Robert Morrison Gallery, NY Drawings, solo exhibition, Lewiston Aubern College Gallery, Lewiston, ME Action, group exhibition, Trenkmann Gallery, NY A Momentary Order, set design for dance/theater production in collaboration with Doug Varone, choreographer, music by C. Hyams Hart, costume design by Lynne Steincamp, Premiere Lewiston, ME Short Shorts, film showing, Thread Waxing Building Space, NY 1991 Paintings and Drawings, solo exhibition, Dance Theater Workshop Gallery, NY Recent Paintings, solo exhibition, Trenkmann Gallery, NY Group Show, Robert Morrison Gallery, NY Interactions, group exhibition, Institute for Contemporary Art, Philadelphia, PA Once and Once, director, designer, filmmaker for theater/film production in collaboration with Keely Garfield, choreographer and C. Hyams Hart, composer, Premiere Dance Theater Workshop, NY Five Films, film showing, Dance Theater Workshop, NY Garden Party, set design for dance production by Claire Porter, Premiere Dance Theater Workshop, NY Intimate and Not So Intimate, set design for dance production, choreographed by Blondell Cummings, Premiere St. Marks Dance Space, NY 1990 New Paintings, solo exhibition, Time Life Building, NY Paintings and Photographs, two-person exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY 30 Stories, set design, theater production by Ain Gordon, Premiere P.S. 122, NY Cartoon, set design, dance production choreographed by Keely Garfield, Premiere Dance Theater Workshop, NY Ringer Pike, co-director and set design, multimedia stage production by Dale Worsley, Premiere Hall Walls, Buffalo, NY Dinizulu and His African Dancers and Singers, set design for video production by Skip Blumberg, NY 1989 Recent Work, solo exhibition, Souyun Yi Gallery, NY New Painting, solo exhibition, The Harrison Gallery, Boca Raton, FL Restructure/Subtracting the Grid, group show, New Jersey Center for Visual Arts, Summit, NJ Set Drawings for Modern Dance, group exhibition, Harvard Theater Collection, Cambridge, MA Postcards, set design for video production by Mark Rappaport, NY Quad, set design for video, dance production by Samuel Becket, Global Village Production, NY Moon, film premiere, Equitable Center Theater, Whitney Museum, NY Film/Video Arts Angel Award Showcase, film showing, Museum of Broadcasting, NY 1988 Paintings: 1971–1988, solo exhibition, Hurlbutt Gallery, Greenwich, CT Recent Paintings, solo exhibition, PMW Gallery, Stamford, CT Drawings for Sets and Films, solo exhibition, Dance Theater Workshop Gallery, NY Wilderness, director, designer, filmmaker for theater/film production in collaboration with Catlin Cobb, choreographer, Stephen Fechter, writer, A. Leroy, composer, Premiere Dance Theater Workshop, NY The Joys and Enigmas of a Strange Hour, set design, Dance Theater Workshop, NY 1987 New Paintings, solo exhibition, painting, Souyun Yi Gallery, NY Boothe and Zetterstrom, two-person exhibition, drawing, Almquist Gallery, New Preston, CT Twenty Summers Past, group exhibition, Colorado Springs Fine Arts Center, Colorado Springs, CO House Keeping, set design for dance production in collaboration with Catlin Cobb, choreographer, Premiere Dance Theater Workshop, NY The Event of the Year, set design for dance production choreographed by Emily Keeler for Jacques d’Amboise’s National Dance Institute, Premiere San Francisco Opera House, CA Keeping up with the Eighties, set design for theater production in collaboration with Michael Smith and A. Leroy, Premiere Dance Theater Workshop, NY Beside Herself, 16mm film, Premiere Performance Space 122, NY Our Man, 16mm film, Premiere Dance Theater Workshop, NY Films by Artists, group film showing, White Columns Gallery, NY Naked Eye Cinema, group film showing, Zone Gallery, NY Art Mix 87, film showing, Avenue B, NY 1986 New Paintings, solo exhibition, Lynn Mayhew Gallery, Ohio Wesleyan University, Delaware, OH Drawings and Notations for Post-Modern Dance, group exhibition, Harvard University Theater Collection, Cambridge, MA Low Tide, set design for dance production, Catlin Cobb, choreographer, Premiere Dance Theater Workshop, NY Transparent Means for Traveling Light, set design for dance production in collaboration with David Gordon, John Cage, composer, Premiere Loeb Theater, Harvard University, Cambridge, MA and Brooklyn Academy of Music, NY Overture, 16mm film, Premiere Dance Theater Workshop, NY New Film Works, group film showing, curated by Amy Taubin, The Kitchen, NY Avant Garde Arama, group film showing, Performance Space 122, NY 1984 Currents, solo exhibition, Institute for Contemporary Art, Boston, MA Modern Art, group exhibition, selected by John Yau, Ted Greenwald Gallery, NY Illusion in Contemporary Art, group exhibition, Trompe L’Oeil Gallery, NY 8 in ’84, group exhibition, Ronald Feldman Gallery, NY Framework, set design for dance production, in collaboration with David Gordon, choreographer, Premiere Dance Theater Workshop, NY and Loeb Theater, Harvard University, Cambridge, MA Variety Show, set design for dance production in collaboration with choreographer Charles Moulton and composer A. Leroy, Premiere Dance Theater Workshop, NY And So and Also, 16mm film, Premiere The Collective for Living Cinema, NY New Filmmakers, group film showing, San Francisco Cinemateque, San Francisco, CA 1983 Paintings: 1973 to 1983, solo exhibition, Climenhaga Fine Arts Center, Grantham, PA Subtleties, group exhibition, painting, Sutton Gallery NY Art and Dance, group exhibition, Institute for Contemporary Art, Boston, MA Group Exhibition, A.M. Sachs Gallery, NY Dance Environments, set design and performance in collaboration with contemporary choreographers, Premiere Institute for Art and Urban Resources, P.S. 1, Queens, NY Bill Loman Master Salesman, set design for video production in collaboration with Michael Smith, Premiere The Kitchen, NY The Mother of Us All, set design for musical by Gertrude Stein and Virgil Thomson, directed by Stanley Silverman, Premiere Saint Clement’s Theater, NY Phantom Limbs, set design for theater production directed by Gitta Honninger, Theater of the Open Eye, NY 1982 New Paintings, solo exhibition, A.M. Sachs Gallery, NY Navigation Series, solo exhibition, Dance Theater Workshop Gallery, NY Trying Times, set design for dance production in collaboration with David Gordon, Premiere Dance Theater Workshop, NY Step Wise Motion, set design for dance production, choreographed by Charles Moulton, Premiere Dance Theater Workshop, NY It Starts at Home, set design for theater production in collaboration with Michael Smith, Whitney Museum, NY Film Works, group film showing selected by Amy Taubin, The Kitchen, NY 1981 New Paintings, solo exhibition, A.M. Sachs Gallery, NY Transitions, group exhibition, Summit Art Gallery, Summit, NJ Drawings, group exhibition, The Art Gallery, University of Nebraska, Omaha, NE Bridge Dance, set design for dance production by Meg Eginton, Premiere Dance Theater Workshop, NY 1980 The Cold Eye, set design for film by Babette Mangolte, NY 1979 The Language of Abstraction, group exhibition, Betty Parsons Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY 1978 Recent Paintings, solo exhibition, A.M. Sachs Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY 1977 Private Images, group exhibition, Los Angeles County Museum of Art, Los Angeles, CA Collectors’ Choice X, group exhibition, McNay Art Institute, San Antonio, TX Painting, group exhibition, P.S. 1, Institute for Urban Resources, Queens, NY Book-Objects by Contemporary Artists, Albright Knox Art Gallery, Buffalo, NY Group Exhibition, A.M. Sachs Gallery, NY 1976 Recent Paintings, solo exhibition, A.M. Sachs Gallery, NY Books, two-person exhibition, Franklin Furnace Gallery, NY Rooms, group installations, Institute for Art and Urban Resources, P.S. 1, Queens, NY Gallery Artists, group exhibition, A.M. Sachs Gallery, NY Southern Exposure, set design for theater production by Mabou Mines Theater Group, directed by Joanne Akalaitis, Premiere Performing Garage, NY 1975 Collectors’ Choice V, group exhibition, Philbrook Art Center, Tulsa, OK Recent Acquisitions, group exhibition and traveling exhibition, Solomon R. Guggenheim Museum, NY PUBLIC COLLECTIONS Center Gallery, NY Elephant Steps, set design for musical theater production by Richard Foreman and Stanley Silverman, Premiere, Tanglewood, Lenox, MA Baltimore Museum of Art, MD The British Museum, UK Brooklyn Museum of Art, NY Climenhaga Fine Arts Center, PA Colby College Museum of Art, ME Colorado Springs Fine Art Center, CO Fogg Museum, Harvard University, MA Joel & Lila Harnett Print Study Center, University of Richmond Museum, VA Harvard University Museums, MA Heckscher Museum of Art, Huntington, NY Hunterdon Museum of Art, NJ Kennedy Museum, OH Lehman Brothers Kuhn Loeb, Inc., NY Metropolitan Museum of Art, NY Mississippi Museum of Art, MS Missoula Art Museum, MT Museum of Fine Arts, Boston Museum of Modern Art, NY Painting Endures, group exhibition, selected by Dore Ashton, Institute of Contemporary Art, Boston, MA Group Exhibition, A.M. Sachs Gallery, NY 1974 New Paintings, solo Exhibition, A.M. Sachs Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY Art of This Decade, group exhibition, Solomon R. Guggenheim Museum, NY Victor, 16mm film, Premiere Collective for Living Cinema, NY Glass Curtains, 16mm film, Premiere Collective for Living Cinema, NY 1973 Paintings, solo exhibition, A.M. Sachs Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY Art for Acquisition, group exhibition, Rhode Island School of Design Museum, Providence, RI Jim, 16mm film, Premiere Collective for Living Cinema, NY Match, 16mm film, Premiere Collective for Living Cinema, NY 1972 Recent Work, group exhibition, Art and Urban Resources, NY Group Exhibition, A.M. Sachs Gallery, NY 1971 New Talent, group exhibition, A.M. Sachs Gallery, NY Ten Young Artists, group exhibition, Solomon R. Guggenheim Museum, NY 1970 Red Horse Animation, set design for theater production by Mabou Mines, directed by Lee Breur, Premiere Guggenheim Museum, NY 1968 Painting and Sculpture, group show, Whitney Museum, Art Resources PRIVATE COLLECTIONS (SELECTED) Muscarelle Museum of Art, The College of William and Mary, Williamsburg, VA New Britain Museum of American Art, CT New Jersey State Museum, Trenton, NJ Parrish Art Museum, Southampton, NY Princeton University Library, NJ Solomon R. Guggenheim Museum, NY Stanford University Art Museum, CA University of Virginia Art Museum, Charlottesville, VA Wadsworth Atheneum Museum of Art, CT Weatherspoon Art Gallery, NY Whitney Museum of American Art, NY Blackstone Group Bloomingdale’s, NY Chase Manhattan Bank, NY Christophe DeMenil Collection, TX Colorado College Collection, CO Deloitte Haskins and Sells, NY Design Unit Collection, NY Edgar Tobin Aerial Surveys Collection, IL Edward Carpenter Collection, CT Estee Lauder Corporation, NY General Electric Corporation Collection, NY Howard and Roberta Miller Collection, CT Lehman Brothers Kuhn Loeb Collection, Inc., NY New York Bank for Savings, NY Philip Morris Companies Collection, Inc., NY Patrick J. Waide Collection, NY John F. Saladino Collection, Inc., NY Sony Corporation Collection, NY Trump Collection, NY Walter and Linda Wick Collection, CT Connecticut Art Education Association, Inc. Scott Shuler Distinguished Art Advocate Award GRANTS AND AWARDS 2009 2000 Andy Warhol Foundation Grant For Art-Body-Mind: An Integration Symposium at Ohio University 1997 National Endowment for the Arts Inter-Media Grant For multi-media dance project in collaboration with Doug Varone, Choreographer, and Lynne Steincamp, costume designer 1992 Lila Wallace-Reader’s Digest Grant For Momentary Order, a multi-media dance project in collaboration with Doug Varone, choreographer, C. Hyams Hart, composer, and Lynne Steincamp, costume designer ACADEMIC ADMINISTRATION AND TEACHING 1991 New York State Council on the Arts Grant For Once and Once, a multimedia theater film collaboration with Keely Garfield, choreographer, and C. Hyams Hart, composer 1989 Pollock/Krasner Foundation Grant for painting Film Video Arts, Angel Award for film 1988 Maryland Institute Trustees Award for Teaching Excellence National Endowment for the Arts Inter-Arts Grant For Wilderness, a multi-media theater/film collaboration Foundation for Contemporary Performance Art Art Matters, Inc., Grant 1987 New York State Council on the Arts Grant 1986 New York State Council on the Arts Grant For Transparent Means for Traveling Light, a collaboration with David Gordon and John Cage Art Matters, Inc., Grant Yaddo Fellow for painting and writing New York State Council on the Arts Grant Massachusetts Arts Council Grant For Transparent Means for Traveling Light production at Loeb Theater 1985 John Simon Guggenheim Fellowship for painting Asian Cultural Council Fellowship for independent study in Japan Just Above Midtown Production Grant National Endowment for the Arts Inter-Arts Grant For “Mike’s House,” a video production in collaboration with Michael Smith 1984 National Endowment for the Arts Inter-Arts Grant For “Variety Show,” in collaboration with Charles Moulton Massachusetts Arts Council Grant, 1984 For “Framework,” a dance project in collaboration with David Gordon New York Art and Performance Award (Bessie Award) New York State Council on the Arts Grant For Trying Times, a dance project collaboration with David Gordon, choreographer 1982 Institute for Art and Urban Resources for one-year residency at P.S. 1 1976 National Endowment for the Arts, Artist Fellowship for painting 1971 Theodoran Award, Guggenheim Museum, for traveling exhibition, Ten Young Artists, purchase award Hartford Art School, University of Hartford 2011 - present Professor of Painting and Drawing University of Hartford, 2001–2010 Dean, Hartford Art School Ohio University, 1998–2001 Director, School of Art Maryland Institute, College of Art, 1993–1998 Co-Director, Mt. Royal Graduate School, and Artist and Critic-in- Residence Princeton University, 1988–1995 Lecturer in the Humanities, Visual Arts Program School of Visual Arts, 1979–1988 Instructor Colorado College, 1977 Director, Painting and Drawing Summer Program 2014-2015 Faculty Humanities Center Fellow, Lecture: Complexity and Art-making, University of Hartford Humanities Center Lecture Series, Spring 2015, Theme: Exploring Complexity 2008–2009 Chair, University of Hartford’s Academic Strategic Planning Committee 2007–2012 Delegate, Commission on Accreditation, National Association of Schools of Art and Design 2005–2012 Accreditation Chair, Evaluation Teams to assess schools for National Association of Schools of Art and Design accreditation 2000 Director of Art-Body-Mind: An Integration, four-day symposium at Ohio University ¬Presenters: Mark Johnson, Lewis Hyde, Ellen Dissanayake, Joseph Caroll, Brian Hansen, Nancy Aiken and others 1998 Curator of Chance + Necessity, a painting exhibition at Maryland Art Place (MAP) ¬Wrote catalogue essay 1986–1998 Co-Director (with composer, Dick Connette) of Present Company, Inc., Not-for-Profit Production Company in New York, NY to produce original theater and film projects ¬Produced two-multi-media theater events and five independent short films ¬Designed sets for Obie Award-winning off-Broadway theater productions, including Richard Foreman’s Ontological Hysteric Theater and Mabou Mines theater company ¬Designed sets for dance productions in collaboration with choreographers, including Doug Varone, Dave Gordon, and David Parsons, and with composers Virgil Thompson, Philip Glass, and Dick Connett GRANT PANELS AND JURIES 2015 ¬Art directed and designed film productions, including Michael Snow, Mark Rappaport, Babette Mangold and Richard Foreman, resulting national awards ¬ Production design and art direction for many videos, including Cyndi Lauper, Dion, and Jean Luc Ponty, resulting in international video awards Juror, Abstraction Exhibition, Colorado Sprints Art Center, Colorado Springs, NY Panel, Five Points Gallery, Torrington, CT Juror, Colorado Springs Arts Center, CO 2014 Juror, Mystic Art Center, Mystic Seaport, CT 2010 Juror, Alliance for Young Artists, NY Juror, ArtSpace. Hartford, CT 2009 Juror, ArtSpace. Hartford, CT Juror, West Hartford Art League, CT 2006 Juror, Mystic Art Center, Mystic Seaport, CT Juror, Silvermine Art Center, CT 2004 Juror, West Hartford Art League, CT 2002 Juror, Exhibition, Gallery on the Green, Canton, CT 1999 Freedom of Speech in the Arts, Panel at Ohio University, OH 1997 Fulbright Committee, Maryland Institute College of Art, MD Juror for 7th Annual Pennsylvania Juried Exhibition, PA 1994 National Endowment, Presenting and Commissioning Program, Washington, DC 1991 New York State Council for the Arts, Film Panel, NY 1989 National Endowment for the Arts, Inter-Arts Panel, Washington, DC 1986 National Endowment for the Arts, Inter-Arts Panel, Washington, DC VISITING ARTIST AND LECTURER 2015 Lecture on Abstraction, Colorado Springs Arts Center, Colorado Springs, CO Lecture on Abstraction, Worthington Historical Society, Worthington Corners, Worthington, MA 2014 Mystic Art Center, Mystic Seaport, CT Workshop on Composition; Workshop on Value and Color 2010-11 New Britain Museum of American Art, New Britain, CT Five lectures titled: “Art Matters” 2010 Wadsworth Atheneum, Hartford, CT Connecticut Art Education Association 2007 Wadsworth Atheneum, Hartford, CT West Hartford Art League, West Hartford, CT 2005 Virginia Commonwealth University, Richmond, VA 2002 Wadsworth Atheneum, Hartford, CT Center for Art and Culture, Aix-en-Provence, France 1999 University of Minnesota, MN Emporia University, KS Columbia Festival for the Arts, Columbia, MD St. Mary’s College of Maryland, St Mary’s City, MD 1977 Elizabethtown College, Elizabethtown, PA Kennedy Center, Washington, DC 1995 Pennsylvania Academy of Art, Philadelphia, PA The Cooper Union, New York, NY Florida State University, Tallahassee, FL 1994 Arizona State University, Tempe, AZ Messiah College, Grantham, PA 1991 Trinity College, Hartford, CT Institute for Contemporary Art, Philadelphia, PA 1990 Bard College, Annandale-on-Hudson, NY Maryland Art Institute, College of Art, Baltimore, MD 1987 San Francisco Art Institute, San Francisco, CA 1986 Ohio Wesleyan University, Delaware, OH 1984 Film/Video International, Castle Hill, MA 1982 Rutgers College, New Brunswick, NJ 1978 Pratt Institute, New York, NY 1976 Maryland Institute, College of Art, Baltimore, MD EDUCATION Colorado College, BA, 1969; Honorary Doctorate of Arts, 1989 PROFESSIONAL MEMBERSHIPS 2005–PRESENT 1998–PRESENT 1986–PRESENT 1983–PRESENT PUBLICATIONS Whitney Museum Independent Study Program, 1967–1968 American School of Classical Studies in Athens, Greece, 1990 Post-graduate research in classical archeology University of California at Berkeley, CA, 1996 Post-graduate research associate in philosophy and cognitive studies Wadsworth Atheneum, Board (serve on the Education Committee) National Association of Schools of Art and Design College Art Association American Abstract Artists “Chance + Necessity,” Catalog Essay for Chance and Necessity, an Exhibition of Abstract Painting, MAP Publication, 1998. “Out of Balance, A Study of Mondrian’s Dynamic Equilibrium Concept,” American Abstract Artists Journal, NO. 2, AAA Publications, 1996. “Notes on Abstract/Meaning,” American Abstract Artists Journal, No. I, AAA Publications, 1996. “On Painting,” Meaning, Volume II. Segue Foundation, 1987. “When the Fourth Soldier Falls, A Study of Piero Della Francisca’s Resurrection,” Issue, Volume 6, Reflex Horizons, Ltd., 1986. BIBLIOGRAPHY Acocella, Joan, “Power Boothe on Two Edges,” The Village Voice, February 20-26, 1991, review with photo. _____, Joan, “New York Reviews,” Dance Magazine, September 1988, review with photo. Ashton, Dore, American Art Since 1945 (Oxford University Press), 1982, pages 159-160, with photo. _____, “Power Boothe’s Gait,” Arts Magazine, June 1981, article with photos. _____, “Painting Endures,” Institute of Contemporary Art, Boston, 1975, catalogue with photo. Baker, Kenneth, “Inauspicious Content in a New ICA Form,” Boston Phoenix, May 17, 1975, review. Bannon, Anthony, “Members Gallery, Albright Knox,” Buffalo Evening News, April 15, 1977, review. Bell, Jane, Arts Magazine, January 1974, review with photo. Betz, Margaret, “Power Boothe (A.M. Sachs),” Art News, May 1976, review with photo. Burnside, Madeleine, “Power Boothe (A.M. Sachs),” Art News, December 1977, review with photo. Catlin, Roger, “Power Boothe’s Work Rises Out of ‘Order’, Hartford Courant, January 30, 2011. Commanday, Robert, “Effective Vision in Oakland,” San Francisco Chronicle, September 24, 1994. Dieckman, Katherine, “Film Noir et Blanc,” Village Voice, February 10, 1987, review. Dunning, Jennifer, “Symbolism by Power Boothe,” New York Times, March 17, 1991, review. _____, “Out in the Proving Grounds, Times Get Tougher,” New York Times, May 26, 1991, article. Edelman, Robert G., “Power Boothe at Stephen Haller,” Art in America, May 1996, review with photo. Ellenzweig, Allen, “Power Boothe,” Arts Magazine, May 1976, review with photo. _____, “Power Boothe,” Arts Magazine, December 1977, review with photo. Everingham, Carol J., “Power Boothe’s Abstract Musical Figures in Paint,” The Advocate and Greenwich Time, November 1988, review with photo. Foster, Hal, Artforum, December 1977, review with photo. Frank, Peter, “Power Boothe (A.M. Sachs),” Art News, January 1975, review with photo. Haggerty, Gerard, “Power Boothe, Ron Ehrlich...

abstraction of books in a library in red ocher tones the book appears more as the evocation of a culture than as an everyday object. The affinities of literature and the plastic arts...

Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...

Barber Schaumann is a contemporary artist known for her vibrant, abstract interpretations of the female form. Her work combines bold colors with modern, geometric shapes, blending el...

Lilly Muth's geometric abstractions are colourful works full figures that of space such as the distance, shape, size, and relative position of figures. Her use of colour is bold yet ...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in pink, brown, black, and tan set against a light background. Sig...

Abstract Geometric Composition Date: Second half of the 20th century Medium: Gouache on paper Dimensions: H 50 cm x W 65 cm approx. Description: Modular geometric structure with ove...

The artist offers you a choice between an oak veneer crate or a black wood crate. Sophie Dumont, a renowned artist celebrated for her mastery of oil painting and her unique techniq...

This piece depicts an abstract composition with the use of mixed media and bold patterns producing a work that is visually textured and rich with layers, as Owen creates an intricate geometric minimalistic composition. Even though this work has a rustic and heavily textured quality, the final result is intended to appear quiet to reflect a more minimal outlook on life and art. Creating a piece that allows us to escape the technological realm, contemplate modern living and nature and then communicate how each domain influences another. Her piece aims to engage the viewer with an emotional and environmental disposition that evokes a sense of balance and tranquility in the modern world. This unique work is executed on 1.5 depth baltic birch panel, and signed and titled by the artist on verso. Art measures 36 x 36 inches A native New Yorker, Christie Owen...

Lilly Muth's geometric abstractions are colourful works full figures that of space such as the distance, shape, size, and relative position of figures. Her use of colour is bold yet ...

"Harmony" by Sophie Dumont is an abstract and geometric exploration of color, texture, and composition. Framed in a simple light wood frame, the painting presents a juxtaposition of ...

Abstract Composition signed and dated 70' by Serge Guerin (b. 1916), French oil painting on board, unframed size: 10 x 12 inches provenance: private collection, Paris, France conditi...

Reality Artist signed lower right corner and back, canvas 43"x95"x1.5 Maximo Caminero Born in the Dominican Republic in 1962. Artist, self-taught formation. He made his first...

Cityscape with skyscrapers. Stylized and almost abstract representation of a city with skyscrapers, some of which have the shape of a sail. Oil on canvas. In a 1970´s aluminium / wood period frame. Signed lower right: Raimondo. Landscape appears at first glance as a series of abstract, geometric, very bright objects. Very good condition. Painting comes from a collection in Turin, Italy which had numerous signed works...

abstraction of books in a library in red ocher tones the book appears more as the evocation of a culture than as an everyday object. The affinities of literature and the plastic arts...

At the heart of each of Frank’s paintings is the Japanese concept of Ma, which is the space or pause between events, moments, forms, and thoughts. It can be felt, for example, at the...

Melisa Taylor Metzger’s MH II is a hauntingly immersive optical spray painting on wood, executed with pyrography, airbrushed paint, stencils, and a removed tape grid. The composition...

Sophie Dumont is a French artist whose work has been exhibited internationally. His book series started in 2016 and is still going strong. "The Archives" by Sophie Dumont is an artw...

Erin O'Brien A Decade, 2021 acrylic on linen 25 x 20 in. (obri013) This original acrylic painting by Erin O'Brien features painterly abstract shapes in shade...

This work is a part of the "Geometric Abstraction" series. Within the "Geometric Abstraction" series, the image happens in a moment - I create geometric forms, combining them in ecc...

Artist : Susan Kiefer Title : "Grace Notes" Materials : oil on canvas Date : May 2020 Dimensions : 30" x 40" x 1.5" Description : Hard-edged geometric abstract with four overlapping...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in black and tan set against a light background. Signed and titled...

"New World City" Abstract Geometric Landscape in Oil on Canvas Bold abstract composition by Veronica "Roni" Bloch (American, 1925-1998). Strong shapes of dark red, blue, grey-blue, ...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Geometric abstract painting by contemporary artist Stephanie Beukers. The work features layers of hard-edged shapes in yellow, brown, black, and tan set against a light background. S...

Ilya Bolotowsky is an important and highly recognized hard edge american abstractionist. He experimented with diamond shaped canvases and circular works as well as square formats wi...

Francis Almeida Luzzatto (American, 1935-1999) Untitled, 1959 Oil on canvas 40 x 48 1/2 in. Signed and dated lower right: Luzzatto 59 Partial label verso: The Art Rental Gallery, Wa...

El cauce de un río dentro del surco de una hoja, 2024 Contemporary Mexican Art, Abstract Painting Acrylic on canvas 80x80cm Signed and dated Yumnia's artistic journey is deeply roo...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Acrylic over Paper on Canvas by renown artist Cecil Touchon. Signed verso Cecil Touchon (born 1956, Austin, Texas) is a contemporary American collage artist, painter, published poet...

Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazia Varisco. Nancy Talero is an artist and designer whose multi-panel works ch...

This painting is from my series titled "Convergence". This is a captivating series that explores the concept of deconstruction through a unique interplay of lines and color. Rather t...

Petra Rös-Nickel’s original paintings merge playful forms, bright colors and architectural compositions in oil and mixed media on canvas. Her contemporary artworks contain rich textu...

This geometric abstract painting belongs to the "Geometric Abstraction" series, a collection that explores the balance of shapes, tones, and movement to create depth and harmony. GA...

Horizontes de Agua, 2023 Contemporary Mexican Art, Abstract Painting Acrylic on canvas 120x100cm Signed and dated Yumnia's artistic journey is deeply rooted in the landscapes of Na...

Werner Drewes (1899-1985). Composition 209, 1939. oil on canvas, 20 x 24 inches; 28 x 32 inches in original frame. Signed and dated with artist monogram lower left and again on verso...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

Charmion von Wiegand Intersecting Magic Square, ca. 1963 Gouache on paperboard Signed and titled on the back of the artwork. The signature shown on the frame back is a photo of the actual signature on the artwork itself. Frame Included: elegantly floated and framed in hand made white wood museum frame with UV plexiglass This work is signed and titled on the back of the artwork itself. The signature shown on the back of the frame is a photo of the actual signature, since the actual pencil signature and title is on the artwork itself, which can't be seen within the frame Measurements: Frame: 21 x 17 x 1.5 inches Artwork: 18 x 14.25 inches The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld...

If you are looking for a powerful mid century modernist abstract with meaning, this could fit the bill. The oil on board is signed John M. Good and dated on a back board 1961. It is...

Nicely painted large geometric abstract painting. Oil on canvas. Framed. Image size, 48 by 36 inches.

Post Dogmatist Painting on Panel, signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagosa...

This is a unique mixed media piece: it is a hand-painted botanical abstract colorful shape upon a background that is a cyanotype print of a cloudy texture, giving it a modern, abstract geometric feel that will look great in contemporary and classic homes and businesses. Details: + Title: Turquoise Leaf...

Abstract Composition signed by Serge Guerin (b. 1916), French oil painting on canvas, unframed size: 20 x 26 inches provenance: private collection, Paris, France condition: overall g...

POWER BOOTHE known internationally for his ground breaking minimalist abstraction. Works in the collection of the Whitney Museum, Wadsworth Atheneum, Guggenheim Museum and others. EXHIBITIONS AND PRODUCTIONS Minimalist Aesthetic, group exhibition, Wadsworth Atheneum Museum of Art, Hartford, CT New Work, Hostetler Gallery, group exhibition, Nantucket, MA Infinite Connections, group exhibition, ArtSpace Torrington, Torrington, CT 2011 Power Boothe: Out of Order, solo exhibition, New Britain Museum of American Art, New Britain, CT Excavating New Ground: American Art in the 1970s, group exhibition, University of Virginia Art Museum, Charlottesville, VA 2008 American Abstract Artists Exhibition, group exhibition, The Painting Center, New York, NY Interspace: Line and Color, three-person exhibition, Washington Art Association, Washington Depot, CT 1999 Columbia Festival of the Arts, solo exhibition, Columbia MD New Work, group exhibition at Goya-Girl Press, Baltimore, MD Twenty-Third Annual National Invitational Drawing Exhibition, Emporia State University, Emporia, KS 1998 New Prints Published by Goya-Girl Press, group exhibition, Baltimore MD The Fanelli Show, O.K. Harris Gallery, NY Chance + Necessity, Goya-Girl Press, Baltimore, MD Tilted Arc, set design, Doug Verone Dance Co., Joyce Theater, NY 1997 Investigations, four-person exhibition, Goya-Girl Press, Baltimore, MD Abstract Index, group exhibition, Condeso/Lawler Gallery, NY Made at the Mill, group exhibition of prints, Goya-Girl Press, Baltimore, MD Art Without Curves, 1120 Gallery, Phoenix, AZ TEN WAYS, group exhibition Milan, Italy and in Bonn Germany POWER BOOTHE, New Work Hostetler Gallery, group exhibition, Nantucket, MA Power Boothe: Paintings, solo exhibition, EBK Gallery (small works), Hartford, CT Borderline, solo exhibition, Five Points Gallery, Torrington, CT New Work Hostetler Gallery, group exhibition, Nantucket, MA Rhythm and Repetition in 20th Century Art, group exhibition, Heckscher Museum of Art, Huntington, NY For Leo, group exhibition, Sideshow Gallery, Brooklyn, NY 75th American Abstract Artists Print Portfolio, group exhibitions at: Martin Gallery, Allentown, PA New Work, Hostetler Gallery, group exhibition, Nantucket, MA Breaking Boundaries, group exhibition, Atlantic Center for the Arts, New Smyrna Beach, FL Painted Black, OIA group exhibition, New York Law School Gallery, NY 1996 American Abstract Artists 1936–1996, Mishkin Gallery, NY American Abstract Artists, 60th Anniversary Exhibition, Kean College Art Gallery, NJ and Westbeth Gallery, NY Small Works, Stephen Haller Gallery, NY 1995 Power Boothe, solo exhibition, Stephen Haller Gallery, NY Small Works, group exhibition, Stephen Haller Gallery, NY Scratching the Surface, group exhibition, Stephen Haller Gallery, NY 1994 The Persistence of Abstraction, group exhibition, Noyes Museum, Ocean Park, NJ Maryland Institute, Then and Now, traveling exhibition, Josiah White Center, Jim Thorp, PA, Anita Shapolsky Gallery, NY Between the Sexes, group exhibition, Maryland Art Place, Baltimore, MD New Performances in Found Spaces, exhibition of drawings and photographs of set designs, Lincoln Center Library, NY Our Town, set design for dance production, choreographed by Emily Keeler, music by Richard Beggs, Oakland Ballet, Premiere Paramount Theater, Oakland, CA Set in Motion, New York State Council selection of films, Lincoln Center, Walter Reade Theater, NY 1993 Inaugural Show, group exhibition, The Painting Center, NY Recent Painting and Sculpture, group exhibition, Robert Morrison Gallery, NY Private Lives, group exhibition of artists who make films, Zooma Gallery, NY Ring Around the Rosie, set design for dance/theater production in collaboration with David Parsons, music by Richard Peaslee, lighting by Michael Chyboski, Premiere Hancher Auditorium, Iowa City, IA Thicker Than Water, set design for dance production, choreographed by Stephan Koplowitz, music by Scott Killian, Premiere Dance Theater Workshop, NY The Devil Comes to Princeton, set design for theater production, text by Mac Wellman, directed by Beth Schachter, Premiere Princeton University, Princeton, NJ 1992 Recent Paintings, solo exhibition, Robert Morrison Gallery, NY Drawings, solo exhibition, Lewiston Aubern College Gallery, Lewiston, ME Action, group exhibition, Trenkmann Gallery, NY A Momentary Order, set design for dance/theater production in collaboration with Doug Varone, choreographer, music by C. Hyams Hart, costume design by Lynne Steincamp, Premiere Lewiston, ME Short Shorts, film showing, Thread Waxing Building Space, NY 1991 Paintings and Drawings, solo exhibition, Dance Theater Workshop Gallery, NY Recent Paintings, solo exhibition, Trenkmann Gallery, NY Group Show, Robert Morrison Gallery, NY Interactions, group exhibition, Institute for Contemporary Art, Philadelphia, PA Once and Once, director, designer, filmmaker for theater/film production in collaboration with Keely Garfield, choreographer and C. Hyams Hart, composer, Premiere Dance Theater Workshop, NY Five Films, film showing, Dance Theater Workshop, NY Garden Party, set design for dance production by Claire Porter, Premiere Dance Theater Workshop, NY Intimate and Not So Intimate, set design for dance production, choreographed by Blondell Cummings, Premiere St. Marks Dance Space, NY 1990 New Paintings, solo exhibition, Time Life Building, NY Paintings and Photographs, two-person exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY 30 Stories, set design, theater production by Ain Gordon, Premiere P.S. 122, NY Cartoon, set design, dance production choreographed by Keely Garfield, Premiere Dance Theater Workshop, NY Ringer Pike, co-director and set design, multimedia stage production by Dale Worsley, Premiere Hall Walls, Buffalo, NY Dinizulu and His African Dancers and Singers, set design for video production by Skip Blumberg, NY 1989 Recent Work, solo exhibition, Souyun Yi Gallery, NY New Painting, solo exhibition, The Harrison Gallery, Boca Raton, FL Restructure/Subtracting the Grid, group show, New Jersey Center for Visual Arts, Summit, NJ Set Drawings for Modern Dance, group exhibition, Harvard Theater Collection, Cambridge, MA Postcards, set design for video production by Mark Rappaport, NY Quad, set design for video, dance production by Samuel Becket, Global Village Production, NY Moon, film premiere, Equitable Center Theater, Whitney Museum, NY Film/Video Arts Angel Award Showcase, film showing, Museum of Broadcasting, NY 1988 Paintings: 1971–1988, solo exhibition, Hurlbutt Gallery, Greenwich, CT Recent Paintings, solo exhibition, PMW Gallery, Stamford, CT Drawings for Sets and Films, solo exhibition, Dance Theater Workshop Gallery, NY Wilderness, director, designer, filmmaker for theater/film production in collaboration with Catlin Cobb, choreographer, Stephen Fechter, writer, A. Leroy, composer, Premiere Dance Theater Workshop, NY The Joys and Enigmas of a Strange Hour, set design, Dance Theater Workshop, NY 1987 New Paintings, solo exhibition, painting, Souyun Yi Gallery, NY Boothe and Zetterstrom, two-person exhibition, drawing, Almquist Gallery, New Preston, CT Twenty Summers Past, group exhibition, Colorado Springs Fine Arts Center, Colorado Springs, CO House Keeping, set design for dance production in collaboration with Catlin Cobb, choreographer, Premiere Dance Theater Workshop, NY The Event of the Year, set design for dance production choreographed by Emily Keeler for Jacques d’Amboise’s National Dance Institute, Premiere San Francisco Opera House, CA Keeping up with the Eighties, set design for theater production in collaboration with Michael Smith and A. Leroy, Premiere Dance Theater Workshop, NY Beside Herself, 16mm film, Premiere Performance Space 122, NY Our Man, 16mm film, Premiere Dance Theater Workshop, NY Films by Artists, group film showing, White Columns Gallery, NY Naked Eye Cinema, group film showing, Zone Gallery, NY Art Mix 87, film showing, Avenue B, NY 1986 New Paintings, solo exhibition, Lynn Mayhew Gallery, Ohio Wesleyan University, Delaware, OH Drawings and Notations for Post-Modern Dance, group exhibition, Harvard University Theater Collection, Cambridge, MA Low Tide, set design for dance production, Catlin Cobb, choreographer, Premiere Dance Theater Workshop, NY Transparent Means for Traveling Light, set design for dance production in collaboration with David Gordon, John Cage, composer, Premiere Loeb Theater, Harvard University, Cambridge, MA and Brooklyn Academy of Music, NY Overture, 16mm film, Premiere Dance Theater Workshop, NY New Film Works, group film showing, curated by Amy Taubin, The Kitchen, NY Avant Garde Arama, group film showing, Performance Space 122, NY 1984 Currents, solo exhibition, Institute for Contemporary Art, Boston, MA Modern Art, group exhibition, selected by John Yau, Ted Greenwald Gallery, NY Illusion in Contemporary Art, group exhibition, Trompe L’Oeil Gallery, NY 8 in ’84, group exhibition, Ronald Feldman Gallery, NY Framework, set design for dance production, in collaboration with David Gordon, choreographer, Premiere Dance Theater Workshop, NY and Loeb Theater, Harvard University, Cambridge, MA Variety Show, set design for dance production in collaboration with choreographer Charles Moulton and composer A. Leroy, Premiere Dance Theater Workshop, NY And So and Also, 16mm film, Premiere The Collective for Living Cinema, NY New Filmmakers, group film showing, San Francisco Cinemateque, San Francisco, CA 1983 Paintings: 1973 to 1983, solo exhibition, Climenhaga Fine Arts Center, Grantham, PA Subtleties, group exhibition, painting, Sutton Gallery NY Art and Dance, group exhibition, Institute for Contemporary Art, Boston, MA Group Exhibition, A.M. Sachs Gallery, NY Dance Environments, set design and performance in collaboration with contemporary choreographers, Premiere Institute for Art and Urban Resources, P.S. 1, Queens, NY Bill Loman Master Salesman, set design for video production in collaboration with Michael Smith, Premiere The Kitchen, NY The Mother of Us All, set design for musical by Gertrude Stein and Virgil Thomson, directed by Stanley Silverman, Premiere Saint Clement’s Theater, NY Phantom Limbs, set design for theater production directed by Gitta Honninger, Theater of the Open Eye, NY 1982 New Paintings, solo exhibition, A.M. Sachs Gallery, NY Navigation Series, solo exhibition, Dance Theater Workshop Gallery, NY Trying Times, set design for dance production in collaboration with David Gordon, Premiere Dance Theater Workshop, NY Step Wise Motion, set design for dance production, choreographed by Charles Moulton, Premiere Dance Theater Workshop, NY It Starts at Home, set design for theater production in collaboration with Michael Smith, Whitney Museum, NY Film Works, group film showing selected by Amy Taubin, The Kitchen, NY 1981 New Paintings, solo exhibition, A.M. Sachs Gallery, NY Transitions, group exhibition, Summit Art Gallery, Summit, NJ Drawings, group exhibition, The Art Gallery, University of Nebraska, Omaha, NE Bridge Dance, set design for dance production by Meg Eginton, Premiere Dance Theater Workshop, NY 1980 The Cold Eye, set design for film by Babette Mangolte, NY 1979 The Language of Abstraction, group exhibition, Betty Parsons Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY 1978 Recent Paintings, solo exhibition, A.M. Sachs Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY 1977 Private Images, group exhibition, Los Angeles County Museum of Art, Los Angeles, CA Collectors’ Choice X, group exhibition, McNay Art Institute, San Antonio, TX Painting, group exhibition, P.S. 1, Institute for Urban Resources, Queens, NY Book-Objects by Contemporary Artists, Albright Knox Art Gallery, Buffalo, NY Group Exhibition, A.M. Sachs Gallery, NY 1976 Recent Paintings, solo exhibition, A.M. Sachs Gallery, NY Books, two-person exhibition, Franklin Furnace Gallery, NY Rooms, group installations, Institute for Art and Urban Resources, P.S. 1, Queens, NY Gallery Artists, group exhibition, A.M. Sachs Gallery, NY Southern Exposure, set design for theater production by Mabou Mines Theater Group, directed by Joanne Akalaitis, Premiere Performing Garage, NY 1975 Collectors’ Choice V, group exhibition, Philbrook Art Center, Tulsa, OK Recent Acquisitions, group exhibition and traveling exhibition, Solomon R. Guggenheim Museum, NY PUBLIC COLLECTIONS Center Gallery, NY Elephant Steps, set design for musical theater production by Richard Foreman and Stanley Silverman, Premiere, Tanglewood, Lenox, MA Baltimore Museum of Art, MD The British Museum, UK Brooklyn Museum of Art, NY Climenhaga Fine Arts Center, PA Colby College Museum of Art, ME Colorado Springs Fine Art Center, CO Fogg Museum, Harvard University, MA Joel & Lila Harnett Print Study Center, University of Richmond Museum, VA Harvard University Museums, MA Heckscher Museum of Art, Huntington, NY Hunterdon Museum of Art, NJ Kennedy Museum, OH Lehman Brothers Kuhn Loeb, Inc., NY Metropolitan Museum of Art, NY Mississippi Museum of Art, MS Missoula Art Museum, MT Museum of Fine Arts, Boston Museum of Modern Art, NY Painting Endures, group exhibition, selected by Dore Ashton, Institute of Contemporary Art, Boston, MA Group Exhibition, A.M. Sachs Gallery, NY 1974 New Paintings, solo Exhibition, A.M. Sachs Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY Art of This Decade, group exhibition, Solomon R. Guggenheim Museum, NY Victor, 16mm film, Premiere Collective for Living Cinema, NY Glass Curtains, 16mm film, Premiere Collective for Living Cinema, NY 1973 Paintings, solo exhibition, A.M. Sachs Gallery, NY Group Exhibition, A.M. Sachs Gallery, NY Art for Acquisition, group exhibition, Rhode Island School of Design Museum, Providence, RI Jim, 16mm film, Premiere Collective for Living Cinema, NY Match, 16mm film, Premiere Collective for Living Cinema, NY 1972 Recent Work, group exhibition, Art and Urban Resources, NY Group Exhibition, A.M. Sachs Gallery, NY 1971 New Talent, group exhibition, A.M. Sachs Gallery, NY Ten Young Artists, group exhibition, Solomon R. Guggenheim Museum, NY 1970 Red Horse Animation, set design for theater production by Mabou Mines, directed by Lee Breur, Premiere Guggenheim Museum, NY 1968 Painting and Sculpture, group show, Whitney Museum, Art Resources PRIVATE COLLECTIONS (SELECTED) Muscarelle Museum of Art, The College of William and Mary, Williamsburg, VA New Britain Museum of American Art, CT New Jersey State Museum, Trenton, NJ Parrish Art Museum, Southampton, NY Princeton University Library, NJ Solomon R. Guggenheim Museum, NY Stanford University Art Museum, CA University of Virginia Art Museum, Charlottesville, VA Wadsworth Atheneum Museum of Art, CT Weatherspoon Art Gallery, NY Whitney Museum of American Art, NY Blackstone Group Bloomingdale’s, NY Chase Manhattan Bank, NY Christophe DeMenil Collection, TX Colorado College Collection, CO Deloitte Haskins and Sells, NY Design Unit Collection, NY Edgar Tobin Aerial Surveys Collection, IL Edward Carpenter Collection, CT Estee Lauder Corporation, NY General Electric Corporation Collection, NY Howard and Roberta Miller Collection, CT Lehman Brothers Kuhn Loeb Collection, Inc., NY New York Bank for Savings, NY Philip Morris Companies Collection, Inc., NY Patrick J. Waide Collection, NY John F. Saladino Collection, Inc., NY Sony Corporation Collection, NY Trump Collection, NY Walter and Linda Wick Collection, CT Connecticut Art Education Association, Inc. Scott Shuler Distinguished Art Advocate Award GRANTS AND AWARDS 2009 2000 Andy Warhol Foundation Grant For Art-Body-Mind: An Integration Symposium at Ohio University 1997 National Endowment for the Arts Inter-Media Grant For multi-media dance project in collaboration with Doug Varone, Choreographer, and Lynne Steincamp, costume designer 1992 Lila Wallace-Reader’s Digest Grant For Momentary Order, a multi-media dance project in collaboration with Doug Varone, choreographer, C. Hyams Hart, composer, and Lynne Steincamp, costume designer ACADEMIC ADMINISTRATION AND TEACHING 1991 New York State Council on the Arts Grant For Once and Once, a multimedia theater film collaboration with Keely Garfield, choreographer, and C. Hyams Hart, composer 1989 Pollock/Krasner Foundation Grant for painting Film Video Arts, Angel Award for film 1988 Maryland Institute Trustees Award for Teaching Excellence National Endowment for the Arts Inter-Arts Grant For Wilderness, a multi-media theater/film collaboration Foundation for Contemporary Performance Art Art Matters, Inc., Grant 1987 New York State Council on the Arts Grant 1986 New York State Council on the Arts Grant For Transparent Means for Traveling Light, a collaboration with David Gordon and John Cage Art Matters, Inc., Grant Yaddo Fellow for painting and writing New York State Council on the Arts Grant Massachusetts Arts Council Grant For Transparent Means for Traveling Light production at Loeb Theater 1985 John Simon Guggenheim Fellowship for painting Asian Cultural Council Fellowship for independent study in Japan Just Above Midtown Production Grant National Endowment for the Arts Inter-Arts Grant For “Mike’s House,” a video production in collaboration with Michael Smith 1984 National Endowment for the Arts Inter-Arts Grant For “Variety Show,” in collaboration with Charles Moulton Massachusetts Arts Council Grant, 1984 For “Framework,” a dance project in collaboration with David Gordon New York Art and Performance Award (Bessie Award) New York State Council on the Arts Grant For Trying Times, a dance project collaboration with David Gordon, choreographer 1982 Institute for Art and Urban Resources for one-year residency at P.S. 1 1976 National Endowment for the Arts, Artist Fellowship for painting 1971 Theodoran Award, Guggenheim Museum, for traveling exhibition, Ten Young Artists, purchase award Hartford Art School, University of Hartford 2011 - present Professor of Painting and Drawing University of Hartford, 2001–2010 Dean, Hartford Art School Ohio University, 1998–2001 Director, School of Art Maryland Institute, College of Art, 1993–1998 Co-Director, Mt. Royal Graduate School, and Artist and Critic-in- Residence Princeton University, 1988–1995 Lecturer in the Humanities, Visual Arts Program School of Visual Arts, 1979–1988 Instructor Colorado College, 1977 Director, Painting and Drawing Summer Program 2014-2015 Faculty Humanities Center Fellow, Lecture: Complexity and Art-making, University of Hartford Humanities Center Lecture Series, Spring 2015, Theme: Exploring Complexity 2008–2009 Chair, University of Hartford’s Academic Strategic Planning Committee 2007–2012 Delegate, Commission on Accreditation, National Association of Schools of Art and Design 2005–2012 Accreditation Chair, Evaluation Teams to assess schools for National Association of Schools of Art and Design accreditation 2000 Director of Art-Body-Mind: An Integration, four-day symposium at Ohio University ¬Presenters: Mark Johnson, Lewis Hyde, Ellen Dissanayake, Joseph Caroll, Brian Hansen, Nancy Aiken and others 1998 Curator of Chance + Necessity, a painting exhibition at Maryland Art Place (MAP) ¬Wrote catalogue essay 1986–1998 Co-Director (with composer, Dick Connette) of Present Company, Inc., Not-for-Profit Production Company in New York, NY to produce original theater and film projects ¬Produced two-multi-media theater events and five independent short films ¬Designed sets for Obie Award-winning off-Broadway theater productions, including Richard Foreman’s Ontological Hysteric Theater and Mabou Mines theater company ¬Designed sets for dance productions in collaboration with choreographers, including Doug Varone, Dave Gordon, and David Parsons, and with composers Virgil Thompson, Philip Glass, and Dick Connett GRANT PANELS AND JURIES 2015 ¬Art directed and designed film productions, including Michael Snow, Mark Rappaport, Babette Mangold and Richard Foreman, resulting national awards ¬ Production design and art direction for many videos, including Cyndi Lauper, Dion, and Jean Luc Ponty, resulting in international video awards Juror, Abstraction Exhibition, Colorado Sprints Art Center, Colorado Springs, NY Panel, Five Points Gallery, Torrington, CT Juror, Colorado Springs Arts Center, CO 2014 Juror, Mystic Art Center, Mystic Seaport, CT 2010 Juror, Alliance for Young Artists, NY Juror, ArtSpace. Hartford, CT 2009 Juror, ArtSpace. Hartford, CT Juror, West Hartford Art League, CT 2006 Juror, Mystic Art Center, Mystic Seaport, CT Juror, Silvermine Art Center, CT 2004 Juror, West Hartford Art League, CT 2002 Juror, Exhibition, Gallery on the Green, Canton, CT 1999 Freedom of Speech in the Arts, Panel at Ohio University, OH 1997 Fulbright Committee, Maryland Institute College of Art, MD Juror for 7th Annual Pennsylvania Juried Exhibition, PA 1994 National Endowment, Presenting and Commissioning Program, Washington, DC 1991 New York State Council for the Arts, Film Panel, NY 1989 National Endowment for the Arts, Inter-Arts Panel, Washington, DC 1986 National Endowment for the Arts, Inter-Arts Panel, Washington, DC VISITING ARTIST AND LECTURER 2015 Lecture on Abstraction, Colorado Springs Arts Center, Colorado Springs, CO Lecture on Abstraction, Worthington Historical Society, Worthington Corners, Worthington, MA 2014 Mystic Art Center, Mystic Seaport, CT Workshop on Composition; Workshop on Value and Color 2010-11 New Britain Museum of American Art, New Britain, CT Five lectures titled: “Art Matters” 2010 Wadsworth Atheneum, Hartford, CT Connecticut Art Education Association 2007 Wadsworth Atheneum, Hartford, CT West Hartford Art League, West Hartford, CT 2005 Virginia Commonwealth University, Richmond, VA 2002 Wadsworth Atheneum, Hartford, CT Center for Art and Culture, Aix-en-Provence, France 1999 University of Minnesota, MN Emporia University, KS Columbia Festival for the Arts, Columbia, MD St. Mary’s College of Maryland, St Mary’s City, MD 1977 Elizabethtown College, Elizabethtown, PA Kennedy Center, Washington, DC 1995 Pennsylvania Academy of Art, Philadelphia, PA The Cooper Union, New York, NY Florida State University, Tallahassee, FL 1994 Arizona State University, Tempe, AZ Messiah College, Grantham, PA 1991 Trinity College, Hartford, CT Institute for Contemporary Art, Philadelphia, PA 1990 Bard College, Annandale-on-Hudson, NY Maryland Art Institute, College of Art, Baltimore, MD 1987 San Francisco Art Institute, San Francisco, CA 1986 Ohio Wesleyan University, Delaware, OH 1984 Film/Video International, Castle Hill, MA 1982 Rutgers College, New Brunswick, NJ 1978 Pratt Institute, New York, NY 1976 Maryland Institute, College of Art, Baltimore, MD EDUCATION Colorado College, BA, 1969; Honorary Doctorate of Arts, 1989 PROFESSIONAL MEMBERSHIPS 2005–PRESENT 1998–PRESENT 1986–PRESENT 1983–PRESENT PUBLICATIONS Whitney Museum Independent Study Program, 1967–1968 American School of Classical Studies in Athens, Greece, 1990 Post-graduate research in classical archeology University of California at Berkeley, CA, 1996 Post-graduate research associate in philosophy and cognitive studies Wadsworth Atheneum, Board (serve on the Education Committee) National Association of Schools of Art and Design College Art Association American Abstract Artists “Chance + Necessity,” Catalog Essay for Chance and Necessity, an Exhibition of Abstract Painting, MAP Publication, 1998. “Out of Balance, A Study of Mondrian’s Dynamic Equilibrium Concept,” American Abstract Artists Journal, NO. 2, AAA Publications, 1996. “Notes on Abstract/Meaning,” American Abstract Artists Journal, No. I, AAA Publications, 1996. “On Painting,” Meaning, Volume II. Segue Foundation, 1987. “When the Fourth Soldier Falls, A Study of Piero Della Francisca’s Resurrection,” Issue, Volume 6, Reflex Horizons, Ltd., 1986. BIBLIOGRAPHY Acocella, Joan, “Power Boothe on Two Edges,” The Village Voice, February 20-26, 1991, review with photo. _____, Joan, “New York Reviews,” Dance Magazine, September 1988, review with photo. Ashton, Dore, American Art Since 1945 (Oxford University Press), 1982, pages 159-160, with photo. _____, “Power Boothe’s Gait,” Arts Magazine, June 1981, article with photos. _____, “Painting Endures,” Institute of Contemporary Art, Boston, 1975, catalogue with photo. Baker, Kenneth, “Inauspicious Content in a New ICA Form,” Boston Phoenix, May 17, 1975, review. Bannon, Anthony, “Members Gallery, Albright Knox,” Buffalo Evening News, April 15, 1977, review. Bell, Jane, Arts Magazine, January 1974, review with photo. Betz, Margaret, “Power Boothe (A.M. Sachs),” Art News, May 1976, review with photo. Burnside, Madeleine, “Power Boothe (A.M. Sachs),” Art News, December 1977, review with photo. Catlin, Roger, “Power Boothe’s Work Rises Out of ‘Order’, Hartford Courant, January 30, 2011. Commanday, Robert, “Effective Vision in Oakland,” San Francisco Chronicle, September 24, 1994. Dieckman, Katherine, “Film Noir et Blanc,” Village Voice, February 10, 1987, review. Dunning, Jennifer, “Symbolism by Power Boothe,” New York Times, March 17, 1991, review. _____, “Out in the Proving Grounds, Times Get Tougher,” New York Times, May 26, 1991, article. Edelman, Robert G., “Power Boothe at Stephen Haller,” Art in America, May 1996, review with photo. Ellenzweig, Allen, “Power Boothe,” Arts Magazine, May 1976, review with photo. _____, “Power Boothe,” Arts Magazine, December 1977, review with photo. Everingham, Carol J., “Power Boothe’s Abstract Musical Figures in Paint,” The Advocate and Greenwich Time, November 1988, review with photo. Foster, Hal, Artforum, December 1977, review with photo. Frank, Peter, “Power Boothe (A.M. Sachs),” Art News, January 1975, review with photo. Haggerty, Gerard, “Power Boothe, Ron Ehrlich...

Like a symphony that blends different instruments and musical themes, a library can contain a variety of books representing diverse genres, authors, and subjects. Each book brings i...

Choose the color of the frame: black or wood In "Bibliothèque 13" (library 13), Sophie Dumont invites us to contemplate a minimalist bookshelf whe...

Sophie Dumont has earned significant recognition within the international art scene, establishing herself as a leading figure in contemporary painting. Known for her masterful use of...

This geometric abstract painting belongs to the "Geometric Abstraction" series, a collection that explores the interplay of shapes, tones, and movement to create depth, balance, and ...

A mid-century modern geometric abstract painting by American artist Richard Huntington. Richard Huntington (b. 1936) is an American painter, printmaker, and writer, is Critic Emerit...

pastel and micron pen on raw canvas b. 1979, Poole, Dorset, UK In this new series of work, I explore the intersection of minimalist architecture, design, and the raw beauty of mater...

No sé leer el presente, pero lo intento con el agua, 2024 Contemporary Mexican Art, Abstract Painting Acrylic on canvas 120x80cm Signed and dated Yumnia's artistic journey is deepl...

Artist: Peter Stroud, British (1921 - 2012) Title: Blue on Brown Overlap Year: 1971 Medium: Acrylic on Canvas, signed, dated and titled verso Size: 48 x 48 inches

Erin Parish draws on patterns found in nature for the subject matter of her tactile, bold, and brilliant abstract paintings created with oil and resin on wood and canvas. Inspired by...

Brandon Neher is a California artist whose original paintings on canvas embody a profound exploration of space, structure, and balance, infused with a touch of modern minimalism. Dra...

Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background "Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022 gouache, acrylic, pencil, and colored pencil on paper, mounted on panel 48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame Surface is protected with four coats of an archival UV protective varnish Signed, verso Excellent condition and ready to hang This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish. More about the work: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...