Impressionist Art

Charles Courtney Curran (American, 1861-1942) Landscape at Dusk, 1888 Oil on canvas Signed lower left 18 x 22 inches 24.5 x 28.75 inches, framed Charles Courtney Curran was born in ...

50CM X 90CM (20" x 36") 2025 The image of fish according to Chinese traditions is a symbol of prosperity, great wealth, fertility, harmony, and happiness. And what is interesting is ...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK The painting "The Time of My Life Belongs to Me" ...

Medium: original etching. Printed in 1909 for Theodore Duret's "Die Impressionisten" and published in Berlin by Bruno Cassirer. This impression on laid paper bears the Fortuna waterm...

Paired Boats at Bay by Fanch Lel Size: 16 x 13 inches (height x width) Oil painting on board , unframed Condition: Good condition overall with minor surface handling marks and light ...

Dry Sailing Boat Shore by Fanch Lel Size: 13 x 16 inches (height x width) Oil painting on board , unframed Condition: Good condition overall with minor surface handling marks and li...

A landscape mountain hillside oil painting on panel by artist Roy Henry Brown possible western scene. Painting is under glass signed lower right. The image measures sight size 10 x 1...

ARTIST: Morris Meredith Williams (1881-1973) Welsh TITLE: “River Mole, Devon" SIGNED: lower left MEDIUM: oil on board SIZE: 50cm x 43cm inc frame CONDITION: excellent DETAIL: Painter, stained glass artist and illustrator, born in Cowbridge, Glamorgan. Was married in 1906 to the artist Gertrude Alice Meredith Williams, who died in 1934. He studied at Slade School of Fine Art and in Italy and France. During World War I he served in the Army in France and completed work based on his Somme front experiences. Work by Williams and his wife is at the Scottish National War Museum in Edinburgh. He painted widely in France and showed in Liverpool and elsewhere, sometimes signing as M M Williams.

Daffodils look incredibly beautiful against the dark green velvet background. The bouquet looks festive in a glass vase. The painting is done in the artist's unique style.

"Dawn's Exhale, Psalm 25:5" (2025) by Thomas Kegler is an original, handmade oil painting that depicts a meandering river softly lit by a brilliant sunrise. About the artist: Thoma...

Artist: Vahe Yeremyan Title: Emerald Summer Medium: Oil on Linen Year: 2025 Style: Impressionism Dimensions: 13" x 20" x 0.8" inch (33 x 51 x 2cm) Presentation: Unframed, Gallery Wra...

I like to draw bouquets of flowers in different vases. They are especially interesting in glass vases. Sun glare, reflection in water and play of colors. It's just very exciting.

Original painting by Daria Kusto. acrylic on canvas. The magic flow reality... A smiling figure and their surreal horse set off into the unknown — through blue-tinted dreams, cryptic...

Title: British Estuary Ferry Shed and Distant Harbour with Figures Watercolour Painting By Tony Herbert (1927-2024) Medium: Watercolor on artists paper Size: 11 x 15 inches Condition...

Title: Waterside Village Scene with Boats and Church Bosham Sussex 1970s Watercolour By Tony Herbert (1927-2024) Medium: Watercolor on board, unframed Size: 10.5 inches (height) x 14...

Title: 1982 Watercolour of Newton Ferrers Devon with Boats, Hills and Coastal Cottages By Tony Herbert (1927-2024) Medium: Watercolor on artists paper Size: 11 x 12.75 inches Annotat...

Title: Robin Hoods Bay Headland and Shoreline Under Cloudy Sky Yorkshire 1983 By Tony Herbert (1927-2024) Medium: Watercolor on paper, unframed Size: 8.75 inches (height) x 11 inches...

* No US duty or taxes to pay on this item * This beautiful 1930's Italian impressionist oil on canvas by Luigi De Luca depicts fishermen on the Bay of Naples at sunset, with Capri b...

ARTIST: Campbell Archibald Mellon RBA ROI (1878-1955) British TITLE: “River Wye At Symonds Yat” SIGNED: lower right MEDIUM: oil on relined canvas SIZE: 59cm x 50cm incl. frame CONDIT...

Original painting by artist Daria Kusto. Acrylic on Canvas. The magic flow reality... A quiet face, eyes closed. A cat rests gently across the forehead, as if bridging two inner wor...

Pastoral Landscape French Post Impressionist, mid 20th century indistinctly signed oil on board, unframed Board : 12 x 15.5 inches Provenance: private collection, France Condition: ...

Yuri Krotov was born 1964 in Grivenskaya Cossack Settlement, Krasnodar Territory, located close to the Azov Sea. At the age of 8 he met a local painter G.A. Polugaev who became his ...

Attributed to: T. Kell (Alpine School) Medium: Oil on canvas Technique: Impasto painting with expressive brushwork Dating: Mid 20th century (ca. 1950s–1970s) Signature: Signed “T. Ke...

Pink Roof Top Gardens By Fanch Lel Signed and dated 92' Framed: 13.5 x 11 inches Size: 11.5 x 9.5 inches (height x width) Oil painting on thin board, framed Condition: Good condition...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2025 Style: Impressionism Title: Moonlight Size: 25.5" x 35" x 0.8'' ...

Shades of light and color combinations convey the gentle image of a young dancer. She is light and weightless, it seems that she will jump and fly like a bird

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2025 Style: Impressionism Title: Coastal Silence Size: 8.5" x 12" x ...

"Sakura Blossoms" is a floral still life oil painting by Volskaya Lilia. It is a celebration of nature. It is a spring and summer story. The beauty and extraordinary fragrance of the...

ARTIST: Early 20th Century Italian School TITLE: "Anticoli" & "Arsoli" MEDIUM: oil on panel (both) SIGNED: both lower left SIZE: 30cm x 25cm inc frame (a matched pair) CONDITION: ve...

Marin County Meadows and Pond with Oak Trees by Manuel Valencia Tonalist Pioneer A painter of California history and western landscapes, Manuel Valencia was born in Marin County, California in 1856 on the Rancho San Jose, the Valencia hacienda. The family received many land grants in the San Francisco area because of their ties to settlement history. Image 8"H x 11.5"W Frame, 14.5"H x 18.5"W x 2.75"D The central focus of the painting is a cluster of lush, verdant trees, likely deciduous, situated near a calm body of water, possibly a pond or slow-moving creek. With a faint outline of figures emerging into the meadow below the towering trees. The foreground features a grassy area with hints of wildflowers or textured ground cover, leading the eye towards the water's edge. In the background, beyond the main cluster of trees, there appears to be a smaller, indistinct structure, possibly a house or shed, suggesting a subtle human presence in the otherwise natural scene. The overall composition is balanced and serene, typical of Tonalist works seeking to evoke a peaceful mood rather than dramatic narrative. Color Palette and Light: The painting employs a subdued, Tonalist color palette, dominated by varying shades of greens, browns, and grays for the landscape elements, and a muted, possibly overcast or hazy sky in the upper portion of the canvas. The light source is diffused and soft, creating a gentle luminosity across the scene, particularly noticeable on the surface of the water which reflects the muted tones of the sky and surrounding foliage. This soft lighting emphasizes the atmospheric quality and quiet mood of the scene. He was a descendant of General Gabriel Valencia, the first governor of the state of Sonora, Mexico under Spanish rule. He was named for his grandfather, who arrived in California in 1774 and became administrator of the Presidio in San Francisco. As a Tonalist, Valencia primarily focused on variations in value and muted color palettes, often featuring greens, purples, blues, and grays. This emphasis on subtle shifts in tone, rather than sharp contrasts, allowed him to create smooth transitions between light and shadow, mimicking the soft, diffused light found in atmospheric conditions like mist, twilight, or moonlight. Valencia studied with artists including Jules Tavernier in the San Francisco area, where he lived his entire life, and attended what is now Santa Clara University. He also spent some time in Mexico where he was a member of the Esquela de Bellas Artes de Mexico. Early in his career, he was a commercial artist who designed calling cards. After the 1906 earthquake and fire, Valencia and his family moved to San Jose, but he commuted to his studio in San Francisco. There he was art editor of the "San Francisco Chronicle" newspaper under art patron M.H. de Young, for whom the museum in San Francisco is named. War Cry, the Salvation Army newspaper, also hired Valencia as its first illustrator. During the time he did illustration work in San Francisco, he kept studios in Monterey and Santa Cruz, did landscapes in Tonalist styles including moonlit scenes that were similar to those of Charles Rollo Peters and indicated he had an awareness of the poetic aesthetic of James McNeill Whistler. Around 1912, he began exhibiting in San Francisco galleries such as S & J Gumps and in New York at Macbeth Gallery and exclusive restaurants such as Delmonico's. President William McKinley, who purchased one of his Yosemite paintings...

Richard Hayley Lever (American, 1876–1958) Hyde Park Promenade at Apsley Gate, c. 1900–1905 Oil on canvas laid down on board Signed ‘Hayley LEVER’ (lower right) 6.75 x 9.625 in. (17....

The smell of the sea and blooming aleanders, light dresses and skirts, hats and jewelry. All these are bright impressions of summer. These impressions will stay with us forever. A pa...

A watercolor depicting a mountain view and the lake Gruyère, (Lac De La Gruyère) in Switzerland by the American Impressionist and Tonalist Mary Rogers Williams (1857–1907). Signed M.R. Williams. On the verso, the artist wrote: ‘Painted in Gruyère July 1902.’ This is a newly discovered work by a rare woman artist who seldom appears on the art market. Small in scale, yet rich in atmosphere, power, and depth—a genuine little gem. Mary Rogers Williams was born in 1857, in Hartford, Connecticut, the fifth of six children to a local baker. Orphaned by the age of fourteen, she pursued art with remarkable determination, studying at Hartford’s Decorative Art Society and the Art Students League in New York under William Merritt Chase. Her early mentor was James Wells Champney. In 1888, she joined Smith College as associate professor of art, where she taught for nearly twenty years to help support her family. Alongside her academic career, she maintained a serious and evolving artistic practice, though much of it was pursued within the limitations of her era’s gender roles and financial pressures. Her work is often classified as a blend of Tonalism and Impressionism—movements that were just taking shape during her lifetime. Tonalists used subdued palettes to evoke mood rather than detail, while Impressionists leaned toward brighter colors and broader subjects. Williams, working independently of art-world factions, forged a style rooted in mood, light, and atmosphere. She painted luminous pastels, watercolors, and oils—portraits, landscapes, and intimate studies of daily life. Despite knowing figures like Whistler, William Merritt Chase, and Childe Hassam, she rarely aligned herself with any artistic “school” and found many male contemporaries pretentious or repetitive. She famously dropped out of Whistler’s Paris school, calling him “a pompous fop surrounded by fawners.” Though Mary Cassatt and Williams were both American Impressionists living in Paris, they never met—Cassatt enjoyed wealth and elite circles, while Williams was a self-reliant educator without patrons. Williams traveled extensively throughout Europe—from the Arctic Circle to the ruins south of Naples—often alone or with her sister. She bicycled through fjords, hiked to medieval towns, and visited chateaux and harbors, all while sketching prolifically. She is likely the only 19th-century woman artist whose travels and daily life can be traced in such vivid, personal detail: what she ate, how she felt about fellow travelers, what she paid for trams, how the air smelled, what she wore, and how she missed home. She documented everything—museum visits, church restorations, conversations with hotel guests, and her frustrations with men’s treatment of women artists. These letters, rediscovered in 2012 in a family boathouse, provide an extraordinary insight into not only her art but the intellectual and emotional texture of her life. Her writings reveal not only artistic insight but the immense workload she carried. At Smith, she taught studio art and art history, organized faculty events, curated student exhibitions, wrote essays, handled housework, and even cooked and cleaned for her own lodgings. On vacations, she cooked for her family; in Europe, she waxed floors, painted walls, repaired clothing, and stoked fires—all while maintaining her painting and travel schedule. Unlike many of her male peers, she had no assistants, no household staff, and little inherited wealth. Yet, as her letters reveal, she never saw herself as a victim—she relished challenges and even the absurdities of her era, from Italian waiters pushing marriage to department heads at Smith dismissing women’s artistic capacity. Despite these challenges, Williams exhibited widely during her lifetime: Paris Salon (1899) National Academy of Design (1903–04) Pennsylvania Academy of the Fine Arts New York Water Color Club, American Water Color Society, Art Association of Indianapolis, and more. She was praised in The New York Times, Hartford Courant, and Springfield Republican, and compared by peers to figures like Emily Dickinson—another New England woman of quiet yet profound artistic power. But unlike Dickinson, Mary Williams...

Title: Woman with Pitcher Artist: Antoni Valls Bordoy (1912–1980) Medium: Oil on canvas Dimensions: 35 x 27 cm (13.8 x 10.6 in) Date: 1953 Signature: Signed “Valls Bordoy” in red at ...

The bright colors of summer in flower arrangements look great against a sky-blue background. The painting brings memories of summer holidays, the smell of the sea and flowers into th...

Original painting by Daria Kusto. acrylic on canvas. The magic flow reality... In this work, the three monkeys are more than playful creatures — they serve as symbolic figures. Set ...

Capturing the romantic city of lights, Dietz Edzard celebrated canvases depict the times of his generation, portraying life in all of its glory, although faced with hardship and war....

A hot summer day is filled with sun. Its reflections are reflected on rose petals and leaves. The painting is filled with bright colors, in places the paint has a gold effect to conv...

Mid century oil on board landscape. The painting is unsigned and presented in a deep gilt wooden frame. This painting captures the serene essence of rural life, presenting a quaint ...

I try not to buy too many views of Paris, as I am aware that not all of you are as attached to the the city as I am. However, this bright, dynamic and fun view of the Seine and its b...

High Dunes Study is an oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases a beautiful view of the ocean with a sailboat off the coast alo...

This contemporary abstract landscape painting by Bri Custer, titled Reverberate, captures the shifting energy of land and light through expressive brushwork and layered color. Earthy...

Bright Blue Summers Day Signed by Fanch Lel Size: 13 x 16 inches (height x width) Oil painting on board , unframed Condition: Good condition overall with minor surface handling marks...

This Limited Canvas Edition ( #10 of 20 ) is hand painted on Giclée printed Canvas. , finishing by the artist Shizico Yi with original brushstroke and oil paints on 90% of the painti...

This artwork "Market in Paris in 1900" c.1990, is an oil painting on canvas by Scottish artist Johnny Gaston, b.1955. It is signed at the lower right corner by the artist. The canvas...

Michaela Jean is an accomplished painter, devoted gardener, and mother from Southern California (USA). Her lifelong passion for art and nature began in childhood, inspired by her gra...

* No US duty or taxes to pay on this item * A beautful early 20th century French imprressionist oil on panel depicting a wooded river landsape. The work is superbly executed very,...

Gravina was born in Italy and studied at the Art Institute in Milan. He has exhibited throughout Italy as well as England and Germany. This piece was executed during his stay in Pari...

Wintry Pool oil on canvas 12 x 16 image size Signed LR when viewing the painting and again verso, on back. Image measures 12 x 16 The painting is in good condition in a period gilded Impressionist frame showing Carlson's mastery of light and technique. Carlson uses subtle cool snow tones juxtaposed with soft warm sunlit areas of snow help to create form and depth in this winter stream scene. The warm brown tones of the earth showing through the snow and darker trees in the backgroaund add a nice contrast. John F...

In crafting this piece, I sought to capture the serene majesty of nature, rendered through the impressionistic play of light and shadow. The birch trees stand as sentinels over the s...

Up for sale is this breathtaking original oil painting on canvas by European artist S. Lobau, known for his masterful depictions of natural scenery and tranquil landscapes. The artw...

Title: French Harbour Scene Oil Painting of Boats and Waterfront at La Croisic By Fanch Lel Signed: Yes Size: 15.25 x 18 inches (height x width) Oil painting on board, unframed Condi...

A charming and atmospheric winter nocturne by Chester Bratten, titled "Hinsdale Sub-Zero," this oil on canvas captures a quiet, snowy evening scene in downtown Hinsdale, Illinois. A ...

Creixams PICÓ, Pere (Barcelona, 1893-1965). Self - taught painter, Creixams began his career as a cabinetmaker and typographer. In 1918 he traveled to Paris and in contact with the ...

Potential pulses with kinetic color and form, offering a vibrant abstraction of a forest path flooded with light. Bri Custer’s distinctive approach blends bold geometry with nuanced ...

Title: Impressionist Village Scene with Tower and Olive Tree View of Monte Maggiore By Fanch Lel Signed: Yes Size: 14.75 x 18 inches (height x width) Oil painting on board, unframed ...

Title: Impressionist French Village Church Scene with Textured Palette Knife Brushwork By Fanch Lel Signed: Yes Size: 7.25 x 9.5 inches (height x width) Oil painting on board, unfram...

Original painting by artist Daria Kusto. Acrylic on Canvas. The magic flow reality... In the style of art brut and naïve pop art, this slightly mad blue cat becomes a symbol of crea...

A beautiful seascape painting by contemporary artist Paul Bachem. oil on canvas on panel 11 x 14 unframed, 17.18 x 20 framed The painting has been restored to look like the original...

Boats Arriving at the Harbour by Fanch Lel Size: 15 x 18 inches (height x width) Oil painting on board , unframed Condition: Good condition overall with minor surface handling marks ...