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Impressionist Art

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IMPRESSIONIST STYLE

Emerging in 19th-century France, Impressionist art embraced loose brushwork and plein-air painting to respond to the movement of daily life. Although the pioneers of the Impressionist movement — Claude Monet, Edgar Degas, Paul Cézanne, Berthe Morisot, Camille Pissarro, and Pierre-Auguste Renoir — are now household names, their work was a radical break with an art scene led and shaped by academic traditions for around two centuries. These academies had oversight of a curriculum that emphasized formal drawing, painting and sculpting techniques and historical themes.

The French Impressionists were influenced by a group of artists known as the Barbizon School, who painted what they witnessed in nature. The rejection of pieces by these artists and the later Impressionists from the salons culminated in a watershed 1874 exhibition in Paris that was staged outside of the juried systems. After a work of Monet’s was derided by a critic as an unfinished “impression,” the term was taken as a celebration of their shared interest in capturing fleeting moments as subject matter, whether the shifting weather on rural landscapes or the frenzy of an urban crowd. Rather than the exacting realism of the academic tradition, Impressionist paintings, sculptures, prints and drawings represented how an artist saw a world in motion.

Many Impressionist painters were inspired by the perspectives in imported Japanese prints alongside these shifts in European painting — Édouard Manet drew on ukiyo-e woodblock prints and depicted Japanese design in his Portrait of Émile Zola, for example. American artists such as Mary Cassatt and William Merritt Chase, who studied abroad, were impacted by the work of the French artists, and by the late 19th century American Impressionism had its own distinct aesthetics with painters responding to the rapid modernization of cities through quickly created works that were vivid with color and light.

Find a collection of authentic Impressionist art on 1stDibs.

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Style: Impressionist
The Hunters and Billy
The Hunters and Billy

The Hunters and Billy

By Georges Darel

Located in Genève, GE

Oil on canvas signed This oil on canvas by Georges Darel, titled The Hunters and Billy) depicts a quiet rural roadside scene animated by understated human presence. The composition ...

Category

1930s Impressionist Art

Materials

Oil, Canvas

"French Town, New Jersey" Mystic Autumn Landscape Oil Painting on Canvas Framed
"French Town, New Jersey" Mystic Autumn Landscape Oil Painting on Canvas Framed

"French Town, New Jersey" Mystic Autumn Landscape Oil Painting on Canvas Framed

By Robert Waltsak

Located in New York, NY

A wonderful impressionist Autumn pastoral landscape with beautiful color tones through out. Waltsak has portrayed this piece in a most intimate, yet energetic way, and has packed muc...

Category

21st Century and Contemporary Impressionist Art

Materials

Canvas, Oil

Giverny, American Impressionist, Karl Albert Buehr, Expatriot, c. 1910
Giverny, American Impressionist, Karl Albert Buehr, Expatriot, c. 1910

Giverny, American Impressionist, Karl Albert Buehr, Expatriot, c. 1910

By Karl Albert Buehr

Located in Fairlawn, OH

Karl Albert Buehr (1866-1952) Strolling in the Park Oil on canvas, relined, c. 1910 Unsigned Provenance: Gift of the Artist to his wife, Mary Hess Beuhr The artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Fine Art, Chicago, exhibited 1994 Karl Albert Buehr at Robert Henry Adams Fine Art, Chicago Exhibition dates The exhibition was held in 1994 at Robert Henry Adams Fine Art, 715 North Franklin Street, Chicago. Surviving provenance records describe it as the gallery’s first exhibition at its North Franklin Street location. Works documented as included include Woman on a Patio, Rocky Inlet (France), and apparently other paintings and studies acquired through David Saltzman from the family of Buehr’s wife, Mary Hess Buehr. The 1994 Karl Albert Buehr exhibition at Robert Henry Adams Fine Art represented an important act of historical recovery. Although Buehr enjoyed considerable recognition during his lifetime—as an exhibiting painter, prizewinner, and influential teacher at the School of the Art Institute of Chicago—his reputation had become less visible in the decades following his death. By bringing together paintings and works on paper that had descended through the artist’s family, the Adams exhibition helped restore Buehr to his proper position among the leading exponents of American Impressionism and the most important Chicago-trained painters working in France before the First World War. Giverny was crucial to Buehr’s mature development. American painters had been drawn to the Norman village since the late 1880s, attracted both by Monet’s presence and by the region’s gardens, river valleys, cultivated fields, and distinctive northern light. Buehr did not simply imitate Monet. His figure compositions remained grounded in the academic training he received in Chicago and Paris, but he enlivened that structure with broken brushwork, heightened complementary color, and an increasingly luminous palette. His characteristic compositions place elegantly dressed young women on terraces, beside windows, or within flowering gardens. These figures are neither conventional society portraits nor anonymous decorative accessories. They occupy a carefully balanced space between individual presence and pictorial harmony. Faces and gestures are often quietly observed, while dresses, parasols, flowers, foliage, and shifting sunlight become vehicles for color. Lavender shadows, rose and coral fabrics, emerald foliage, and brilliant passages of yellow or blue transform the garden into a chromatic environment surrounding the sitter. Works associated with the Adams exhibition illuminate the breadth of Buehr’s French production. The pastel Woman on a Patio, circa 1915, demonstrates his ability to translate Impressionist color into the immediacy of a dry medium. Pastel allowed him to place one hue directly beside another without losing intensity. The resulting surface possesses a soft atmospheric unity while retaining the energy of individual strokes. The work’s history—gifted by Buehr to Mary Hess Buehr and subsequently descending through her family—also gives it a particularly intimate character. Rocky Inlet (France) presents another aspect of Buehr’s practice. In place of the cultivated garden and poised female figure, the artist confronts a rugged coastal landscape. Yet his essential concern remains light acting upon color. Rock, water, and vegetation are constructed through abbreviated touches rather than continuous modeling. The small scale suggests direct observation, possibly an outdoor study made during Buehr’s travels in Normandy. Its provenance likewise begins with Mary Hess Buehr and passes through the family before reaching David Saltzman and Robert Henry Adams Fine Art. This family provenance was central to the significance of the 1994 exhibition. The works had not merely circulated anonymously through the market; many retained a direct association with the artist’s household. Such a group could include informal studies, experimental compositions, and personal gifts that Buehr elected to keep rather than send to public exhibitions. Together they offered a more private and exploratory view of his career. Condition: relined canvas and cleaned Image/Canvas size: 10 x 9 inches Frame: 16-3/4 x 15-3/4 x 1-3/4 inches Karl Albert Buehr (1866–1952): France and the Giverny Years Karl Albert Buehr—whose surname is sometimes misspelled “Beuhr”—was a German-born American painter and influential teacher associated with the second generation of American Impressionists working at Giverny. Although his artistic identity was rooted in Chicago, the years he spent in France transformed his palette, subject matter, and approach to painting. Born on February 14, 1866, in Feuerbach, near Stuttgart, Buehr immigrated with his family to Chicago, probably in 1881. After working briefly for a commercial lithographer, he enrolled at the School of the Art Institute of Chicago in 1888. He studied with John H. Vanderpoel and graduated with honors in 1894, after which the school invited him to teach. He also served in the Illinois cavalry during the Spanish-American War and married Mary Guion Hess, one of his students and an accomplished artist in her own right. Early study in Europe Buehr’s European education unfolded in several stages. Around 1900 he settled in Paris and studied at the Académie Julian, principally under the French painter Raphaël Collin. Collin was known for idealized female figures placed in luminous outdoor settings, a combination of academic draftsmanship and Impressionist light that anticipated Buehr’s mature work. Buehr reportedly received a gold medal at the Académie in 1901. His early European paintings included portraits, landscapes, and scenes of rural labor. Visits to Holland exposed him to the restrained tonalism of the Hague School, while his travels in Italy—particularly Taormina, Sicily, during 1906 and 1907—encouraged a brighter response to Mediterranean sunlight. He also studied in London, where his contacts with Frank Brangwyn and the decorative currents of British painting strengthened his interest in broad design, rhythmic composition, and large arrangements of figures. A decisive factor in this extended European residence was the patronage of Chicago philanthropist Lydia Coonley Ward. From approximately 1906 until 1913, Ward provided Buehr with a monthly stipend, enabling the artist, his wife, and their children to remain abroad and pursue their work without the immediate pressures of the American market. Buehr at Giverny Buehr entered the Anglo-American artistic community at Giverny around 1909, probably through his friendship with Henry Salem Hubbell, another American figure painter supported by Lydia Coonley Ward. From approximately 1909 through 1912, Buehr generally spent winters in Paris and the warmer months at Giverny. In 1912 and the summer of 1913, the family reportedly lived at Sainte-Geneviève-lès-Gasny, close to Giverny. By this date Giverny was no longer merely the village in which Claude Monet lived. It had become an international artists’ colony, particularly attractive to American painters who admired Impressionist color but wished to retain firm drawing and carefully organized figure compositions. Buehr’s associates included Frederick Carl Frieseke, Richard Edward Miller, Guy Rose, Lawton Parker, Louis Ritman, Edmund Greacen, Karl Anderson, and Theodore Earl Butler. Buehr was especially close to the circle of Frieseke and Miller. These artists specialized in decorative paintings of fashionably dressed women reading, sewing, taking tea, or resting in sunlit gardens. Their figures were surrounded by flowers, patterned fabrics, parasols, and flickering passages of colored light. Buehr adopted this repertoire, but his paintings usually retained a stronger structural organization and a more assertive contrast between complementary colors. During his first months at Giverny, Buehr worked on a large decorative panel of dancing figures. The composition received an honorable mention at the Paris Salon of 1910, an important professional recognition. That summer, however, he increasingly turned toward intimate garden scenes and outdoor figure studies. The influence of Richard Miller can be detected in the decorative arrangement of the figures, while Frieseke’s example encouraged Buehr s use of brilliant sunlight, patterned surfaces, and saturated hues. Relationship with Claude Monet Claude Monet was Buehr’s artistic hero, but the extent of their personal relationship should not be overstated. Buehr’s children played with the children of Theodore Butler, Monet’s son-in-law, and they visited the Monet household. Buehr’s daughter Kathleen later recalled that Monet was gracious to the children. Nevertheless, the best available scholarship suggests that no close personal association between Buehr and Monet has been documented. Monet’s importance to Buehr was therefore primarily artistic. At Giverny, Buehr learned to regard colored light as a central subject rather than merely a means of describing objects. Shadows became violet, blue, or green; white dresses reflected the surrounding garden; and faces and arms were modeled through small strokes of warm and cool color. The enclosed garden also became a kind of outdoor studio in which human figures, flowers, fabrics, and sunlight could be orchestrated into a unified decorative design. The Giverny style Buehr became best known for paintings of young women seated or standing in gardens, often accompanied by colorful parasols. Works such as Springtime in Giverny, Under the Parasol, and related pictures of women reading or conversing exemplify his mature style. Although inspired by French Impressionism, these paintings are not spontaneous transcriptions of fleeting visual experience in the strict Monet tradition. They are carefully staged figure compositions. Buehr himself explained that the outdoor figure painter should concentrate upon the ensemble—grouping, arrangement, and color—rather than laboriously describing every feature. This principle helps distinguish his Giverny paintings...

Category

1910s Impressionist Art

Materials

Oil

1960's French Post Impressionist Painting Low Tide Estuary Creek Fishing Boats
1960's French Post Impressionist Painting Low Tide Estuary Creek Fishing Boats

1960's French Post Impressionist Painting Low Tide Estuary Creek Fishing Boats

By Georges Bordonove

Located in Cirencester, Gloucestershire

Low Tide signed by Georges Bordonave (French contemporary) dated 1969 oil painting on canvas, unframed canvas: 18 x 21.5 inches condition: very good provenance: from a large private ...

Category

Late 20th Century Impressionist Art

Materials

Oil

Antique Impressionist Framed Opera Scene Elegant Woman Portrait Oil Painting
Antique Impressionist Framed Opera Scene Elegant Woman Portrait Oil Painting

Antique Impressionist Framed Opera Scene Elegant Woman Portrait Oil Painting

Located in Buffalo, NY

Antique opera view oil painting. Oil on board. Unsigned. Framed. Measuring: 18 by 22 inches overall, and 14 by 18 painting alone. Excellent condition, ready to hang and enjoy.

Category

Early 1900s Impressionist Art

Materials

Oil

Vintage French Signed Oil Painting Lilac Flowers in Original Mid Century Frame
Vintage French Signed Oil Painting Lilac Flowers in Original Mid Century Frame

Vintage French Signed Oil Painting Lilac Flowers in Original Mid Century Frame

Located in Cirencester, Gloucestershire

Still Life of Flowers French School, mid 20th century signed oil on canvas, framed in original frame. framed: 17.5 x 29 inches canvas : 12 x 24 inches provenance: private collection,...

Category

Mid-20th Century Impressionist Art

Materials

Oil, Canvas

Fishing Boats Harbour Scene with Seagulls British Coastal Watercolour Painting
Fishing Boats Harbour Scene with Seagulls British Coastal Watercolour Painting

Fishing Boats Harbour Scene with Seagulls British Coastal Watercolour Painting

Located in Cirencester, Gloucestershire

Title: Fishing Boats Harbour Scene with Seagulls British Coastal Watercolour Painting by John Steane (b.1931) Size: 15.75 inches (height) x 20 inches (width) watercolor painting on ...

Category

Late 20th Century Impressionist Art

Materials

Watercolor

Simans Large Vintage Dutch Oil Painting Winter Landscape Gold Leaf Frame
Simans Large Vintage Dutch Oil Painting Winter Landscape Gold Leaf Frame

Simans Large Vintage Dutch Oil Painting Winter Landscape Gold Leaf Frame

Located in Palm Coast, FL

Up for sale is this vintage original Duch oil painting on canvas depicting a serene winter landscape in a rural mountain village. The scene features a snow-covered hillside with two ...

Category

Early 20th Century Impressionist Art

Materials

Oil

Stones Landscape Impressionism Original Oil Painting
Stones Landscape Impressionism Original Oil Painting

Stones Landscape Impressionism Original Oil Painting

Located in Granada Hills, CA

Artist: Alexander Shandor Title: Stones Medium: Oil on Hardboard Year: 2016 Style: Impressionism Dimensions: 20" x 19" x 0.3" inch (51 x 48 x 1cm) Presentation: Unframed, Type: Ori...

Category

2010s Impressionist Art

Materials

Canvas, Oil

VERY LARGE 1960'S ITALIAN SIGNED OIL - IMPRESSIONIST VENICE TRANQUIL CANAL SCENE
VERY LARGE 1960'S ITALIAN SIGNED OIL - IMPRESSIONIST VENICE TRANQUIL CANAL SCENE

VERY LARGE 1960'S ITALIAN SIGNED OIL - IMPRESSIONIST VENICE TRANQUIL CANAL SCENE

Located in Cirencester, Gloucestershire

Artist/ School: Italian School, mid 20th century, indistinctly signed. Title: The Tranquil Canal, Venice. Beautiful green/ teal moody tones to the colour palette. Medium: oil pa...

Category

Mid-20th Century Impressionist Art

Materials

Canvas, Oil

Tennis Match

Tennis Match

By Donald S. Vogel

Located in Dallas, TX

Donald S. Vogel has been a set designer and technical director in the theater, a fine art dealer, and a writer, but first and foremost he is a painter. From a young age he was intrig...

Category

Late 20th Century Impressionist Art

Materials

Oil, Panel

'The Plaza, Sunset Glow' — 1920s Signed Drypoint, Central Park, NYC
'The Plaza, Sunset Glow' — 1920s Signed Drypoint, Central Park, NYC

'The Plaza, Sunset Glow' — 1920s Signed Drypoint, Central Park, NYC

By Walter Tittle

Located in Myrtle Beach, SC

Walter Tittle, 'The Plaza, Sunset Glow', drypoint, c. 1920s, edition not stated. Signed in pencil and initialed in the plate, lower right. Titled 'The Plaza, Sunset' and annotated 'no. 165' in ink, in the bottom left sheet corner. A superb, luminous impression in dark brown ink, with selectively wiped plate tone; on cream wove paper; the full sheet with margins (1 to 2 1/4 inches). Pale tape stains on the top sheet edge, recto, well away from the image, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 3/4 x 6 15/16 inches (299 x 176 mm); sheet size 15 11/16 x 9 inches (399 x 229 mm). A view across 'The Pond' in New York City's Central Park, toward Grand Army Plaza...

Category

1920s Impressionist Art

Materials

Drypoint

French Impressionist Oil of Twin Turrets and Trees Reflected in River Scene
French Impressionist Oil of Twin Turrets and Trees Reflected in River Scene

French Impressionist Oil of Twin Turrets and Trees Reflected in River Scene

By Fanch Lel

Located in Cirencester, Gloucestershire

Title: French Impressionist Oil of Twin Turrets and Trees Reflected in River Scene By Fanch Lel Signed: yes Size: 15 x 18 inches (height x width) Oil painting on board, unframed Cond...

Category

20th Century Impressionist Art

Materials

Oil

Oasis of Calm
Oasis of Calm

Oasis of Calm

Located in Edinburgh, GB

I tried to capture the essence of summer solitude in this rich painting. Green shades of foliage and diffused light reflected from the water surface create a feeling of peace and tra...

Category

2010s Impressionist Art

Materials

Oil

1930's French Oil Painting Village Church In Green Landscape
1930's French Oil Painting Village Church In Green Landscape

1930's French Oil Painting Village Church In Green Landscape

By Louise Alix

Located in Cirencester, Gloucestershire

French Landscape signed by Louise Alix (French, 1888-1980) *see notes below oil painting on artist paper, unframed measures: 12 inches high by 14.5 inches wide condition: overall ver...

Category

Mid-20th Century Impressionist Art

Materials

Oil

"Southern Beach" Coastal Landscape in Oil on Canvas
"Southern Beach" Coastal Landscape in Oil on Canvas

"Southern Beach" Coastal Landscape in Oil on Canvas

By Max Flandorfer

Located in Soquel, CA

"Southern Beach" Coastal Landscape in Oil on Canvas Oil painting of the a beach landscape by Max Flandorfer (American, b. 1962). A sandy path winds towards the beach through some gr...

Category

Early 2000s Impressionist Art

Materials

Oil, Canvas

Impressionist landscape by the coast with the Sea
Impressionist landscape by the coast with the Sea

Impressionist landscape by the coast with the Sea

Located in Woodbury, CT

Jean Ekert (French, 20th Century) Coastal Landscape, circa 1960 Oil on board, signed lower right This vibrant coastal view by Jean Ekert captures the warmth and energy of the Medite...

Category

1960s Impressionist Art

Materials

Oil, Board

Tender
Tender

Tender

By Liudmila Shabazova

Located in Zofingen, AG

Shades of light and color combinations convey the gentle image of a young dancer. She is light and weightless, it seems that she will jump and fly like a bird

Category

2010s Impressionist Art

Materials

Canvas, Acrylic

Flowers. Copper
Flowers. Copper

Flowers. Copper

By Liudmila Shabazova

Located in Zofingen, AG

This small painting will decorate a wall in a bedroom or living room. It will fit harmoniously into a composition of several paintings of different sizes and styles. The painting is ...

Category

2010s Impressionist Art

Materials

Canvas, Acrylic

"Pink morning." Collection "Green"
"Pink morning." Collection "Green"

"Pink morning." Collection "Green"

By Liudmila Shabazova

Located in Zofingen, AG

Sometimes at dawn the sky is soft pink and the azure sea is incredibly beautiful. Green hills and cypress trees, olive groves and mountains, all this is a typical Spanish landscape. ...

Category

2010s Impressionist Art

Materials

Canvas, Lacquer, Acrylic

Peep Show - Wave Landscape Pastel Painting
Peep Show - Wave Landscape Pastel Painting

Peep Show - Wave Landscape Pastel Painting

By Dina Gardner

Located in Boston, MA

Peep Show 8.0 × 10.0 × 1.0, 1.0 lbs Pastel Hand signed by the artist Artist's Commentary: "I love when a wave has the glow of transparency. That is the most magical part of a wave ...

Category

21st Century and Contemporary Impressionist Art

Materials

Pastel

"San Jacinto Peak" Large oil painting on canvas.
"San Jacinto Peak" Large oil painting on canvas.

"San Jacinto Peak" Large oil painting on canvas.

Located in San Francisco, CA

This artwork titled "San Jacinto Peak" c.1970, is an oil painting on canvas by noted Palm Spring artist Darwin Taylor, 1921-1975. It is signed at the lower right corner by the artist...

Category

Late 20th Century Impressionist Art

Materials

Oil

Coastal Spring; Trinidad, Humbolt County, California
Coastal Spring; Trinidad, Humbolt County, California

Coastal Spring; Trinidad, Humbolt County, California

By Jim McVicker

Located in Pasadena, CA

Provenance Acquired by the gallery directly from the artist Signed "McVicker" on lower left Artist Statement "I painted this work on location above Luffenholtz Beach in Trinidad Ca...

Category

2010s Impressionist Art

Materials

Linen, Oil, Panel

F. Berthy Vintage Landscape Oil Painting Spring Cottage Scene Framed Art
F. Berthy Vintage Landscape Oil Painting Spring Cottage Scene Framed Art

F. Berthy Vintage Landscape Oil Painting Spring Cottage Scene Framed Art

Located in Palm Coast, FL

A charming vintage oil painting on canvas signed F. Berthy, depicting a serene spring countryside scene with a rustic cottage surrounded by blossoming trees and lush greenery. A smal...

Category

Late 20th Century Impressionist Art

Materials

Oil

The Boats of San Sebastian, Oil Painting
The Boats of San Sebastian, Oil Painting

The Boats of San Sebastian, Oil Painting

By Jonelle Summerfield

Located in San Francisco, CA

Artist Comments
The boats sit ready for their next journey in the marina of San Sebastián, Spain. Calm waters and a sense of anticipation shape the coastal scene, evoking the ...

Category

21st Century and Contemporary Impressionist Art

Materials

Oil

Vintage oil painting on canvas, Rural Landscape, signed R.David, framed
Vintage oil painting on canvas, Rural Landscape, signed R.David, framed

Vintage oil painting on canvas, Rural Landscape, signed R.David, framed

Located in Palm Coast, FL

This is a beautiful vintage oil painting on canvas, depicting a rural landscape with an old water Mill in the foreground, a river view, and the figure of a young girl grazing geese. ...

Category

1990s Impressionist Art

Materials

Oil

George Boyle Impressionist oil painting, Barbizon School of cows grazing
George Boyle Impressionist oil painting, Barbizon School of cows grazing

George Boyle Impressionist oil painting, Barbizon School of cows grazing

Located in Harkstead, GB

A superb example of a Barbizon inspired landscape painted by the "Catford Corot" from the late 19th Century. This very striking image shows the artist at the absolute peak of his abi...

Category

Late 19th Century Impressionist Art

Materials

Oil, Wood Panel

Vintage New Orleans Courtyard Framed Impressionist Signed Oil Painting
Vintage New Orleans Courtyard Framed Impressionist Signed Oil Painting

Vintage New Orleans Courtyard Framed Impressionist Signed Oil Painting

Located in Buffalo, NY

Vintage New Orleans courtyard scene. Oil on board. Signed. Framed. Measuring: 17 by 21 inches overall, and 16 by 20 painting alone. Excellent condition, ready to hang and enjoy.

Category

1950s Impressionist Art

Materials

Oil

Paris Art on a Spring Morning
Paris Art on a Spring Morning

Paris Art on a Spring Morning

Located in Soquel, CA

Paris street scene by a French street artist signed lower right. Label on verso "Angelo Ponza" Art Gallery Naples, Italy. Image, 16"H x 20"W Frame, 20"H x 24"W

Category

1970s Impressionist Art

Materials

Canvas, Oil

"October Vines" Colorful Impressionistic Autumn Landscape Oil Painting Framed
"October Vines" Colorful Impressionistic Autumn Landscape Oil Painting Framed

"October Vines" Colorful Impressionistic Autumn Landscape Oil Painting Framed

By David Chapple

Located in New York, NY

A wonderful impressionist pastoral landscape with beautiful color tones throughout. David Chapple has portrayed this piece in a most intimate, yet energetic way, and has packed much ...

Category

21st Century and Contemporary Impressionist Art

Materials

Canvas, Oil, Board

The Old Stone Mas House Provence Fine French Impressionist Signed Oil Painting
The Old Stone Mas House Provence Fine French Impressionist Signed Oil Painting

The Old Stone Mas House Provence Fine French Impressionist Signed Oil Painting

By Gabriel Deschamps

Located in Cirencester, Gloucestershire

The Old Mas, Provence by Gabriel Deschamps ( 1919 - 2011) *see notes below signed oil on canvas, framed framed: 22.5 x 26 inches canvas: 18 x 22 inches Provenance: private collection...

Category

Mid-20th Century Impressionist Art

Materials

Oil

Pair of Docked Fishing Boats in Empty Beach Bay French Landscape Oil Painting
Pair of Docked Fishing Boats in Empty Beach Bay French Landscape Oil Painting

Pair of Docked Fishing Boats in Empty Beach Bay French Landscape Oil Painting

By Fanch Lel

Located in Cirencester, Gloucestershire

Paired Boats at Bay by Fanch Lel Size: 16 x 13 inches (height x width) Oil painting on board , unframed Condition: Good condition overall with minor surface handling marks and light ...

Category

20th Century Impressionist Art

Materials

Oil

Impressionist art for sale on 1stDibs.

Find a wide variety of authentic Impressionist art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue and other colors. Many Pop art Paintings/style/impressionist/?creator=richard-szkutnik>paintings were created by popular artists on 1stDibs, including Vahe Yeremyan, Richard Szkutnik, Iryna Kastsova, and Mitchell Funk. Frequently made by artists working with Oil Paint, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Impressionist art, so small editions measuring 8 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $225 and tops out at $7,200, while the average work sells for $1,423.