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Elsa Schiaparelli Haute Couture Faux Bolero Gown

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About the Item

Elsa Schiaparelli was well connected into the avant-garde artistic and intellectual circles of New York and Paris in the 1920s and 30s. She regarded fashion as art and thought of herself as an artist. She was the first and arguably the most influential designer to explore irony in dress, collaborating frequently with fellow Surrealists Jean Cocteau, Salvador Dali, and Man Ray. One is reminded of the famed Dali-Schiaparelli organdy Lobster dress, the crustacean's ironic placement forming a visual pun as worn by an unsuspecting Wallis Simpson in the images prepared for her wedding to the Duke of Windsor. Schiaparelli's designs of the late 1930s adhere to fellow Surrealist Andre Breton's idea of convulsive beauty, a beauty which was meant to shock. “Convulsive beauty will be veiled-erotic, fixed-explosive, magic-circumstantial, or it will not be. ----------------------------------------------------------------------------------------------- Schiaparelli's Haute Couture lavishly embroidered Surrealist trompe l'oiel gown in silk velvet and crepe. 1940. One of Schiaparelli's favorite design motifs included using trompe l'oeil elements into her pieces. She used elements that fooled the eye, inspired by her interest in Surrealist art. An example of this is visible in the construction of the dress, particularly the seaming, which creates a trompe l'oeil bolero. The faux silk velvet bolero is defined by the 18th Century style Lesage embroideries of gilt metal and seed pearl flowerheads placed across the breasts and edges. The results are highly decorative, demure, subversive and provocative at the same time. The placement of the flowers creating a metaphor in this surrealist pun. The body of the dress is fitted and releases to fullness from the hip to hem in a rich black crepe. SERIOUS INQUIRIES ONLY. Schiaparelli in her studio, late 1930's. Schiaparelli gown with gilt metal and pearl day lilies, Fall,1940. Schiaparelli's Shoe Hats, Lip Suit and Surrealist Orchid Sculpture.
  • Designer:
  • Dimensions:
    Marked Size: 8 (NA)
  • Place of Origin:
  • Period:
  • Material Notes:
    Silk velvet, crepe, metal, glass, faux pearl
  • Condition:
    Excellent, label is partially visible.
  • Seller Location:
    New York, NY
  • Reference Number:
    1stDibs: AU12042626468

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"In difficult times, fashion is always outrageous" Elsa Schiaparelli,1930's. "Life has changed so much, A Schiaparelli was never made for the streets." Karl Lagerfeld, 1970's. 2 quotes,2 designers, 4 decades apart. 4 decades later. Although these quotes are highly debatable, especially in the context of today's high-low designer collabs and pop up retailing, iconic fashion endures. Whether now relegated to a museum exhibition, a collector's acid free box or a celebrity one nighter, these fashion artifacts from the french Haute Couture of the 1930's echo a time, pace and culture unrecognizable to most people today. Schiaparelli changed the definition of what it meant to be a designer at an important time in the evolution of the Haute Couture. Rather than simply making beautifully elegant garments (which she also did), she focused on the concepts behind the pieces. For her fashion was a fluid medium and she effortlessly blended fashion, politics and the fine arts. She was one of the most innovative and rebellious designers of the period working against what she considered the stale fashion currents of the day. She was elegant yet untrained. As a protege of Poiret, she gained entry into the world of Parisian fashion. While her rival Chanel was essentially uneducated and a “primitive” in the artistic circles in which she socialized, Schiaparelli’s impeccable social credentials as the daughter of an old and distinguished Roman family gave her a relatively easy entree into Paris society. She was a subversive, a punk, a desecrator, a collaborator, an innovator as well as the ultimate insider whose plans on design domination and creating "la zone rose" for the modern world were cut short by the advent of WWII. She was at the height of her influence and power showing 4 iconic collections in the last years of the decade. Fascinating to consider what the House of Schiaparelli could have brought forth in the following decades had the world not been swept away in turmoil at that moment. In the context of her short prewar career, few remaining masterworks have survived. The rare "moment" she created in the 30's lives on within each art piece, safelocked away within each stitch and sequin. Each design retains her spirit and legacy as a free thinking, modernist rebel who used the avantegarde as her platform in the most creative period of fashion design in the 20th Century. -------------------------------------------------------------------------------------- Rare and Important Elsa Schiaparelli Haute Couture...
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