Paper Asian Art and Furniture

Early Taisho period painting (1912 - 1926) in mineral pigments on mulberry paper with a silk brocade border. Artist signature reads: Kisho saku.  Kisho Shibahara (1885-1954).

Pair Mid Century Japanese Framed Signed Oshie Relief Art C.1950 Oshie decorative art meaning “pressed pictures” that goes back to the Edo Period (1603-1868) consisting of paper and ...

'Wadah, Bali 1906’ Signed upper right and with a pencil sketch annotated Boela(?), depot Stedelijk Museum Amsterdam and the artist’s stamp verso Pen, brush and ink on paper laid do...

Japanese brush painting of a standing Bodhisattva of Mercy, beautiful colors and brush work, 19th century, original brocade mount

Ink painting on mulberry paper with silk brocade border.

"Shakko". A dancer is performing lion dance in the noh play, "Shakko". O-e Hiromoto (1148-1225), one of the legendary warriors in Japan, was converted to Bu...

Late Meiji Period (1868 - 1912) painting with a wonderful use of gold dust on mulberry paper with a silk brocade border. Signature reads: Ryutei.

Chinese framed print detail of larger painting. Expertly framed with double mats of linen and simulated bamboo featuring gold leaf edging on both mats. "Han-Kan Bringing Tribute" New...

Statue of Vishnu Garuda, Bali, 1904 Signed with initials Pencil and ink on paper, 21.4 x 21.3 cm Literature: Bruce W. Carpenter, W.O.J. Nieuwenkamp. First European Artist in Bali, ...

Three views of early Kuala Lumpur, Malaysia in 1907. 1) Clark Road 2) Church 3 Museum This heliogravures are on one leaf from the extremely rare boxed Malay Peninsula port...

The Loom of Art by Germain Bazin. Published by Simon & Schuster, New York, 1962. 1st Ed hardcover with dust jacket. In ten chapters of text and plates, Bazin,...

This is an early 20th Century poster from the art deco period. This vintage poster melds the meticulous detail of traditional Chinese painting with the Craft of color lithography. ...

Hamamatsu (Pine Tree Island). Kano School painting in mineral pigments on gold leaf and mulberry paper with brocade border.

House temple in Singaradja, 1904 Signed with initials upper centre and described with location and date, lower centre (vaguely in pencil 11 oct.). Pencil, ink and watercolour on pap...

Teutonia Club, Singapore. Established in 1856, the club was an elite enclave for the German community in Singapore until it was bought over by three Jewish brothers from the Manasseh...

Chinese Hand Brush Painting on Paper – Birds and Persimmons, Symbolic Traditional Ink Art Bring harmony and vitality into your space with this elegant Chinese Hand Brush Painting on...

MIEKO - Vintage Asian style painting on watercolor paper - signed with the artist's chop mark and name - Japan - late 20th century. Excellent vintage condition - bleed through to th...

Chinese stone rubbing of calligraphy. Old stone stele rubbed with ink on paper Conservation framed

Paul Jacoulet, France/Japan. La Lettre du Fils, Seoul, Corée. Original colored woodblock. Framed under glass. Overall: 16.5 x 21 in. paper size: 14.5" x 18.5" .

This exceptional and stunning, limited edition large woodblock print is considered by many experts to be Sekino's masterpiece. The print is seal...

The Handsome Pillar (Makibashira), Illustration to Chapter 31 of the Tale of Genji (Genji Monogatari) Tosa School (second half of the 17th Century) I...

A Japanese sumi ink calligraphy Buddhist mandala mounted as a paper hanging scroll known as Kakejiku or sometimes Moji mandala. Termed as gohonzon in Japanese, it is a venerated object within Nichiren Buddhism (Hokkeshu; lotus sect). The originally concept was developed by the 13th century Buddhist priest Nichiren to guide the energy of the devotional chanting to...

Vintage Han Palace Art Co. scroll framed oil painting wood diptych carved panels. The original tag on back. This is a vintage piece from the 1950s or 1960s....

A wonderful and somewhat comical/whimsical Meiji Period woodblock print by revered Japanese artist/ printmaker Yoshitoshi Tsukioka (1839 - 1892 ) t...

Delicate painting of garden chrysanthemums with a fine gold mist. A cat grooms herself while a kitten plays with a chrysanthemum. Mineral pigments...

Original Exhibition Poster – Pentagrama, Various Artists, Sala Gaspar, 1982 Description: Original exhibition poster for Pentagrama, a collective exhibition featuring various artists...

Original Exhibition Poster – Quarta Exposició del Círcol de Sant Lluch, Alexandre de Riquer, 1969 Details: Exhibition: Quarta Exposició del Círcol de Sant Lluch Artist: Alexandre d...

Japanese ink on paper painting of Plum Blossoms and Poem, scroll mounting, signature & single seal: Tani Buncho (1763 - 1840). A famous and prol...

Flowers including peonies, dahlias, irises, and bellflowers bloom underneath a blossoming cherry tree and provide cover for a pair of quail. The structure of this garden almost resem...

A wonderfully composed and quite engaging woodblock print by renowned Japanese artist/printmaker Shiro Karamatsu (笠松 紫浪, 1898-1991) titled "Three-Headed Deity In Ashura Temple" featu...

Refined Chinese brush painting of plants, ink on rice paper, 19th century, signed with seal. Overall size: 17.6 width. 15.5" height Image size: 10.6"...

Modern painting in mineral pigments on mulberry paper with silk brocade border.

Delicately painted on mulberry paper, signature and seal read: Shiko. The artist, Sakakibara Shiko, (1895-1969) was born in Kyoto. Measures: 28.5" H X 73.5" W 72.39 X 186.69 (in ...

A Japanese Papier Mache Decorative Charger (plate). Classic Japanese scenes of people in traditional dress. The bottom edge is missing black l...

A beautiful, atmospheric, and quite evocative watercolor painting of Mount Fuji towering above a small misty morning village landscape by Japanese artist/painter S. Tosuke. The wo...

The House at Pooh Corner, by A.A Milne. Metheun and Co. Ltd. London. 2nd Australian reprint edition available C. 1944. Highly Collectable.

Japanese scroll painting depicted village in the mountain Ink and paper. Artist signed Overall size: 43" height. 21" width Image size: 10.8" height. 16" width

In this ad you get the chance to buy a unique historical object. It is an old Ottoman inkwell made from brass with typical ornaments and little turquoi...

Depicting farmers, pheasant hunting, picnicking, festival and general village scenes. Ink and mineral pigments on handmade mulberry paper.

Stunning one stroke Zen calligraphy painting depicting Dragon. Ink on paper. Sold as it is , please refer to the photos. Age:20th ...

Japanese woodblock print by Utagawa Yoshiika 落合芳幾 (1833-1904), unframed. About the artist Yoshiiku was a popular ukiyo-e printmaker during the Meiji period. It is thought that he was the son of a tea house proprietor, hence his particular skill success in the portrayal of various beauties from teahouses and restaurants. Yet, he was an artist comfortable across subject matter and is recognized for his fierce portrayal of famous historical warriors. Yoshiiku was a student of Kuniyoshi and a contemporary rival of the famed Yoshitoshi. He signed his name Utagawa Yoshiiku...

Illustration to an unidentified chapter of the Tale of Genji (Genji Monogatari) Tosa School (second half of the 17th Century) Ink, pigment, gofun and...

Showa Period Japanese Hanging Scroll – Birds and Blossoming Flowers This exquisite Japanese kakejiku (hanging scroll) from the Showa period (1926–1989) is meticulously hand-painted ...

The Chine trade watercolors are of fine quality and depict various exotic fruits including pineapples, lychees, finger citrus and orange amongst others. Now framed with a thin gilt f...

Original Exhibition Poster – Pentagrama, Various Artists, Sala Gaspar, 1982 Description: Original exhibition poster for Pentagrama, a collective exhibition featuring various artists...

Two etchings of traditional Chinese costumes decorated w/ Chinese calligraphy by world renowned artist Vorakorn Metmanorom ( Thailand, b. 1968 ) At the 1995 National Exhibition of Ar...

A beautiful, circular-shaped woodblock print by American master printmaker Clifton Karhu who lived in Japan for over 50 years. Karhu's work gained great esteem not only in Japan but ...

Stunning and rare, this beautiful and panoramic Japanese woodblock triptych print was produced in the 1850s in a now famed collaboration between renowned artists Utagawa (Ando) Hiroshige and Utagawa (Toyokuni III) Kunisada. Hiroshige was the leading landscape print artist and Kunisada the leading actor and figure print artists of their era. The print has all the correct artist's (Hiroshige's red rectangular seal), publisher and date seals and stamps. It was originally purchased from the Franell Gallery which was located in the Okura Hotel in Tokyo in the late 1960s and 1970s and owned by American artist and writer Frances Blakemore...

Japan, a rare paper scroll hand painted by renown Rengetsu Otagaki (1791-1875). She was a very famous nun in old Japan and being familiar with poetry, her Waka poems on paper, and e...

These stylish decorative Japanese style wall art collages have been mounted in black lacquered wood and lucite frames. Each panel is ready to hang. These unique works of art are visibly inspired by both 19th century Chinese carved gold gilt and painted wood wall panel or plaques with scholar and warrior figures. As well as, Japanese Shunga. Shunga is a style that was painted by some of the best ukiyo-e artists of the day. This work features figurative art, daggers, gilding, textiles, natural bamboo and a musical harp...

A beautiful and alluring limited edition mezzotint print by Japanese artist Ushio Takahashi (born 1944). This work is titled "Reflecting". Ushio is widely known for his captivating ...

An absolutely gorgeous and relatively rare original woodblock print by Japanese artist/printmaker Mizuno Toshikata titled "First Call of the Warbler" from his series Thirty-Six Selected Beauties (“Sanju Rokka Sen”) which he created to illustrate the daily activities of various Japanese women from different time periods and walks of life. This work features a geisha practicing the shamisen under the bright light of a full moon as the night's first warbler songbird joins her on a cherry tree branch just outside her window. It is a quite beautiful and serene scene and one of Toshikata most coveted images. This work was created circa 1892 during the Mejia period (1868-1912). It is signed and sealed by the artist with the image. Mizuno Toshikata was born on March 6, 1866 as Mizuno Kumejiro in Tokyo. When he was 13 years old, his father sent him to the printmaking school of Tsukioka Yoshitoshi. Later Toshikata Mizuno...

Framed Chinese water color of riverside village with boat with one artist seal. Overall size: 19.5 width, 26" high Image size: 14 1/4" width, 20" ...

Chinese ink rubbing printing depicting Panthaka Arhat, no.4 of the 16 arhat images immortalized in stone at the former stupa at Shengyin Temple. Depicted here sitting on a rock with a book in his left hand and snapping his fingers in his right hand, symbolic of the speed at which he obtained enlightenment, accompanied by a beggar’s bowl and an incense burner, complete with colophons and silk scroll mounting. The Emperor Qianlong ordered the stone stele to be carved in 1764 after the arhat designs painted by the famed artist Guanxiu (832-912). Even though the temple was destroyed in the Taiping rebellion, the steles remain and have been reinstalled at the Hangzhou Stele Forest. Condition: Creases from rolling, otherwise fine condition. Mounting: 58” x 22”. 19th Century. Ex Collection: Frank “Till” & Peggy Durdin, San Diego. For other rubbings of this stele see: Penn Museum, object number 2010-26-4 The Metropolitan Museum of Art AN#: 59.195.15 Fine Arts Library of Harvard University, record id: W280021_urn-3:FHCL:478850 For another example of this image rendered in jade and lacquer see: “Screen Paintings of Guanxiu’s Sixteen Arhats in the Collection of the Palace Museum” Luo Wehhua translated by Bruce Doar, Orientations, September 2010, p. 104. In this article the image is identified as the sixteenth arhat Abheda, It is explained in this article that Qianlong re-identified the arhats, thus the 16th Arhat attribution for this image. Also in this article the identical colophon by Qianlong above the image is translated as: “These accurate portraits of the Sixteen Arhats were created by the Tang Dynasty painter Guanxiu, as recorded in Xuanhe Huapu (Record of paintings in the Xuanhe Reign), and during the millennium from the Guangming reign period to the present day, the original works were to be found in Zhejiang, where they were housed in the collection of Shengyin Temple in Qiantang (Huangzhou). In spring of the dingchou year (1757) of his reign, the Qianlong emperor undertook a southern tour of inspection and stayed at an imperial lodge on the West Lake. He went to the temple to pay his respects and there he saw the arhats on display and wrote a description of these marvels. The sequence of the arhats and their names had been passed down since ancient times, but they did not correspond to their Sanskrit titles; the sequence of the arhat names conformed instead to the interpretation of the Sanskrit classics by the Zhangjia State Preceptor. The emperor penned the original names and positions in the sequence below each of the figures in accordance with the readings supplied in Tongwen Yuntong (Unified Rhymes), and below each he penned an encomium, which he signed. Then the images were returned to the collection, to be passed down as a perpetual treasure. Now, the fourth great arhat had long gone missing and we did not know where his painting was. But it was merely a trifling matter of matching the images with the names, and now surely we have found him! This I, the emperor, believe.” All 16 of these rubbings can be found in the Rubel Chinese Rubbings Collection at the Fine Arts Library of Harvard University with the following descriptive historical note: “Rubbing from stele depicting No. 4 of 16 arhats (Lohans, Buddhist saints) -- Nan ti mi duo luo qing you, Panthaka Arhat. Original painting attributed to Guanxiu, 832-912. Inscriptions written by Hongli, Emperor Qianlong (Gaozong, 1711-1799) of Qing Dynasty. 7 seals of Qianlong follow the inscriptions. Script style: in xing shu. Shi liu zun zhe -- "The 16 noble ones" are 16 lohans. Lohans are also called "a-lo-han" based on the transliteration of the Sanskrit term "arhat." (Japanese: Rakan; Chinese: Lohan; Tibetan: Gnas-brtan). Arhats or Arahants are saints or sages said to have renounced nirvana (freedom from the cycle of suffering and rebirth), vowed to remain in the world to protect the Dharma and propagate the Law of the Buddha in order to devote themselves more effectively to the relief of human misery, like the Bodhisattvas. These 16 Arhats, personal disciples distinguished by the Buddha, formed part of the 500 claimed by tradition to have attended the First Council in Rajagrha. The names and abodes of these 16 arhats are given in a work entitled "Record on the Duration of the Law, spoken by the Great arhat Nadimitra," which was translated into Chinese by the famous pilgrim Xuanzang (596-664) in 654. 16 lohans are quite often represented, especially in China and Japan, in sculpture and painting, in poses and with attributes. Every lohan can be easily with special icongraphic characteristics. Guanxiu (Jiang Deyin or Deyuan, a Buddhist monk also named Master Chan Yue, 832-912) -- painter during late Tang to Five Dynasties, specialized in painting lohan figures. Legend has it that the first portraits of the 18 Lohans...

A wonderful Mingei woodblock print titled "Hirosaki Castle (sometimes just "Castle")" by famed Japanese master Showa era printmaker/ artist Shiko Munakata (棟方志功 ) who was widely considered to have been the Pablo Picasso of Japan. Munakata was associated with the Sosaku-hanga movement and the mingei (folk art) movement. His awards and recognitions include the "Prize of Excellence" at the Second International Print Exhibition in Lugano, Switzerland in 1952, the first prize at the São Paulo Bienal Exhibition in Brazil in 1955, and the Grand Prix at the Venice Biennale in 1956. In 1959 he spent a year touring and exhibiting in the United States. Upon his return, the Horinji Temple in Kyoto bestowed him with the honorary rank of “Hokkyo”. In 1962, he received the rank of “Hogan” from Nisseki Temple in Toyama prefecture. other awards include the Medal of Honor in 1963 and the Asahi Shimbun Culture Prize in 1965. In 1970, Munakata received the Order of Culture, the highest honor in the arts by the Japanese government. Munakata's work can be found in numerous international collections and museums including: The Britsih Museum, UK The Chicago Art Institute Museum of Modern Art (MOMA), NY The Metropolitan Museum of Art (The Met), NY The Philadelphia Museum of Art The Smithsonian American Art Museum (SAAM), Washington DC Kemper Art Museum, St. Louis The Munakata Shiko...

1970s Indian paper drawing of a goat, part of a large private collection. Dimensions with frame: 35 x 26 cm.

Remarkable pair of early 19th century Japanese late Edo period screens depicting summer chrysanthemums growing along a brushwood fence. Ink and...

1970s Indian paper drawing of a palace, part of a large private collection.