Asian Asian Art and Furniture

4.5in(D) x 4.5in(W) x 8.5in(H) are the dimensions of the vase only (not including the wooden base); the wooden base shown in the pictures is included with this item; vase is decorate...

PRESENTING a LOVELY Large Vintage Chinese Ceramic Guanyin Statue. Made in China circa 1950-60 of salt glazed pottery, bisque porcelain for face, chest, hands and feet, with hand pai...

A wonderful 20th century carved painted wooden Chinese horse purchased in 1985 from a prominent Hong Kong Gallery. A copy of the original receipt will be...

The square body famille rose porcelain vase with a Rose Medallion pattern, gilt highlights, and polychrome enamel decoration with alternating medallions of court life against a groun...

A Fine pair of Japanese Kutani Vases. Signed. Meiji period. A very nice pair of Japanese Meiji Period (1867-1912) baluster shaped Kutani vases decorated with images of japanese ...

Japanese 19th Century Woodblock Print of Kabuki Actors Toyokuni III Original Woodcut by Toyokuni III (1786 - 1864) Of the Kabuki actors Bando Hikosab...

Antique Chinese screen having 5 heavily carved panels depicting mythical creatures like Dragons. Some of the dragons are made out of carved ja...

A very beautiful set of six (6) Japanese black lacquer and gold sake, Champagne flutes, or wine stemware glasses, circa 20th century, Japan. Each with a different botanical design in...

An Indian wooden ox cart with metal accents from the 19th century, made into a coffee table. This intriguing coffee table, repurposed from a 19th-century wooden ox cart, captures our imagination with its blend of rustic charm and unique design. The table showcases a rectangular wooden top, rich in history and character, accentuated by a series of metal braces that not only reinforce its structure but also add a touch of industrial flair. The sides present square motifs, each pierced in the center, creating a captivating pattern that draws the eye. The front of the table is particularly eye-catching, featuring ornate scrolls and hooks that lend a whimsical touch to the piece. Raised on curving legs, the table stands with a sense of grace and solidity, making it a perfect centerpiece for any living room or family room. The weathered appearance of the wood, combined with the contrasting metal accents, evokes a sense of nostalgia and adventure, reminiscent of the bustling markets and vibrant cultures where such ox carts were once a common sight. This Indian wooden ox cart coffee table...

Rare set of four Japanese Showa period door panels known as Fusuma in Japanese architecture. Similar to a Shoji room divider but made of an opaque materia...

Antique Japanese Satsuma Hand Painted & Gilt Pottery Vase with Pagoda & Landscape C1920 Measures - 12"h x 6.5"diam

This solid teak wood bench features a wonderful organic form with a mix of wood textures and shades. Elevated by two solid teak wood legs, the seat and...

This is a traditional style of Chinese antique raise carved/relief Camphor chest/trunk from China. It was sailor's hope chest with all the sailor's best wishes and hopes in it. This chest has detailed carving works of Phoenix and Peonies on the front and raised relief carving of fairy and crane, and old man boating on the front. It is opened on top and has a antique latch...

Extraordinary meuseum quality signed Japanese contemporary porcelain vase, referred to by the artist as the “lady with a golden shawl,” a masterpiece by a celebrated award-winning th...

A Chinese Qing Dynasty period side table from the 19th century, with five drawers, carved apron and bronze hardware. Created in China during the Qing Dynasty, this side table capture...

This is an antique Japanese bamboo door. It is from the Meiji period (1860s-1900s). It is made mainly of cedar and bamboo. It has a simple design that conveys the charm of the mater...

This is a large heavy Chinese lapis lazuli well carved in details group of figures sculpture.`It depicts two young ladies very well dressed in southern and northern dynasty clothes with traditional Chinese hair...

Featuring Seven Japanese Macaques Form our Japanese collection, we are delighted to offer this Japanese Bronze Monkey Group by Shosai. The Japanese Bronze Group displaying a male father monkey and his infants playing around and being mischievous with Persimmon fruit. The monkeys modelled as Japanese macaque monkeys (snow monkey). The bronze okimono is beautifully patinated with a highly lifelike and naturalistic casting signed to the underside Shosai 正齊鋳. The Bronze group dates to the Meiji Period (1868-1912) circa 1885. Japanese macaque (snow monkey) is a terrestrial Old World monkey species that is native to Japan. They are known as snow monkeys because some live in areas where snow covers the ground for long periods each year hence their nickname. No other non-human primate lives further north or in a colder climate than the snow monkey. Individuals have brownish grey fur, pinkish-red faces, and short tails. Two subspecies are known and their conservation Status is of least concern. In Japan, the species is known as Nihonzaru ニホンザル, 日本 (Japan/Nihon) and saru 猿 (monkey) to distinguish it from other primates, but the Japanese macaque is the only species of monkey in Japan. The Japanese macaque features heavily in the religion, folklore, and art of Japan, as well as in proverbs and idiomatic expressions in the Japanese language. They are often seen in paintings, block prints and represented in all manner of carvings from Okimono to netsuke. Many of these art forms reside in the world’s most famous museums and collections, some of the most prominent pieces by artists such as Mori Sosen and Kawanabe Kyosai. In Shinto belief (Japan’s indigenous religion/nature religion) legendary mythical beasts known as raiju sometimes appeared as monkeys and kept Raijin (the god of lightning/storms) company. In another well known tale the three wise monkeys who warn people to “see no evil, hear no evil and speak no evil” can be seen depicted in relief over the door of the famous Tosho-gu shrine in Nikko. Meiji Period was an era of Japanese history that spanned from 1868 to 1912. It was the first half of the Empire of Japan, when the Japanese people began to build a paradigm of a modern, industrialised nation state and emergent great power, influenced by Western countries and aesthetics. As a result of radically different ideas, the changes to Japan were profound and it affected the social structure, politics, economy, military, and foreign relations across the board. The period corresponded to the reign of Emperor Meiji and was preceded by the Keio era and was succeeded by the Taisho era. Cultural Art during the Meiji Period was of particular interest to the government and they overhauled the art export market which in turn promoted Japanese arts via various world’s fairs, beginning in Vienna at the world fair in 1873. The government heavily funded the fairs and took an active role organising how Japan’s culture was presented to the world including creating a semi-public company named Kiritsu Kosho Kaisha (First Industrial Manufacturing Company). The Kiritsu Kosho Kaisha was used to promote and commercialise exports of Japanese art and established the Hakurankai Jimukyoku (Exhibition Bureau) to maintain quality standards. For the 1876 Centennial International Exhibition in Philadelphia, the Japanese government created a Centennial Office and sent a special envoy to secure space for the 30,000 items that would be displayed. The Imperial Household also took an active interest in arts and crafts, commissioning works by select artists to be given as gifts for foreign dignitaries further emphasising the high quality and importance of Japanese art. Just before the end of the 19th century in 1890, the Teishitsu Gigeiin (Artist to the Imperial Household) system was created to recognise distinguished artists. These artists were selected for their exceptionally high quality wares and talent in their own industry. Over a period of 54 years Seventy artists were appointed, amongst these were ceramicist Makuzu Kozan and cloisonné enamel artist...

A Japanese covered Totai enamel on porcelain ginger jar. The ware is enameled with polychrome images of blossoming flowers, butterflies, and dragonflies made in the Cloisonne techniq...

Rare Qing dynasty cabinet with original well preserved decorations. Red base lacquer with polychrome decorations, black lacquer on the sides. Top...

This is a hand painted blue and white Chinese porcelain plate, dating to the second half of the 18th century, circa 1770, the Qing Qianlong dynasty. This very good condition of this...

Papercutting is a traditional Chinese art going back 2,000 years. The colored, intricately cut papers are used as a story-telling medium in festivities, for prayers, and as everyday ...

A Japanese carved sculpture of Daikoku. Magnificent sculpture of the god of the fortune Daikoku WITH OVER 100 YEARS OLD, created in Japan during the Meiji period, circa 1890. The ca...

We are thrilled to present this exquisite Chinese porcelain long-neck bottle vase, a splendid representation of masterful craftsmanship and artistic tradition. The vase captivates wi...

3-726 vintage Japanese hand painted ceramic cat sculpture

Wonderful hand carved wooden wall plaque with intricate detail of a scene from Ramayana. According to the Hindu epic Ramayana relates the story of the life of Rama, the seventh incar...

Pair of Chinese elm offficial's hat chairs In very good original condition w/ beautiful glowing color patina. Qing Dynasty style - dating from around the mid 20th century. Look at a...

Japanese, Edo Period (1603-1868), likely late 18th century. Step into the rich tapestry of Japanese history with this exquisite 18th-century Edo Period Lacquer & Chain Mail Suit of Armor, a masterpiece that seamlessly blends martial craftsmanship with artistic elegance. Crafted during a period of unparalleled cultural refinement, this armor is a testament to the meticulous skill and dedication of Japanese artisans. The Gosuko armor, at the heart of this ensemble, embodies the traditional armor design of the Edo Period. Each meticulously lacquered plate, carefully adorned with ornate motifs, reflects not only the functional sophistication required for battle but also the aesthetic sensibilities intrinsic to Japanese art. The incorporation of chain mail adds a layer of flexibility and mobility, harmonizing the demands of protection with the fluidity required in combat. A crowning glory to this armor is the Kabuto Helmet, an iconic symbol of samurai identity and resilience. Its design not only provides formidable protection but also serves as a canvas for artistic expression. The helmet's form, combined with lacquer embellishments and a crest, creates a striking visual statement, a representation of the wearer's identity and lineage. To complete the ensemble, the armor comes with a brocade fabric, adding a touch of regality to this already magnificent piece. The interplay of textures and colors in the brocade further elevates the visual impact, turning the act of donning this armor into a ceremonial experience. For the discerning collector, this piece is presented in a lacquer armor box, meticulously crafted to safeguard and showcase the historical significance of the armor. The accompanying wood armor display stand serves as a stage, allowing this masterpiece to command attention in any setting, whether it be a private collection, museum exhibit, or a distinguished living space. Owning this 18th-century Japanese Edo Period Lacquer...

This is a striking vintage jardiniere stand. An Oriental, wine or lamp table with superb craftsmanship, dating to the Art Deco period, circa 1930. Wonderfully decorative and versatil...

This is an antique Chinese hand potted Red Clay YIXING Teapot and cover, fully marked and dating to the early 20th Century. The Teapot and lid are hand...

Glistening and glazed ceramic form gold fish bowl or planter comes complete with its original hardwood display stand which perfectly complements this pl...

Suiseki is a traditional Japanese viewing stone, admired for its beautiful natural shape. The name "Suiseki" combines the words "water" and "stone," reflecting the tradition of pouri...

A lovely vintage 20th c., carved and giltwood standing Burmese Mandalay Buddha, with green and clear mirrored inlaid details, on wooden stand. The Buddha is depicted standing with a...

Ancient Carved Stone Buddha Head Sculpture, Provenance Royal-Athena Galleries NY Offered for sale is an ancient carved stone Buddha head sculpture which was acquired at Royal-Athena...

Double-sided carved wooden blawong board from Java, Indonesia (circa 1920s-1950s). Blawong boards were used to hold a pair of Keris daggers. They were fix...

Beautiful pair of wall handing made of silk hand embroidery on pink silk background Suzani textile , floral and vine motif , professionally mounted on cotton backing . Quality wood f...

PAIR of Chinese painted ceramic identical figures in a matte glaze, depicting a mustached, hatted emperor in a formal elaborate yellow robe with dragon medallion, his left arm cradli...

This is a finely carved late 19th century Indian Anglo-Raj Hardwood Screen that was fabricated for the export market. The four-panel screen features four distinctly carved floral panels to the front and four matching panels...

decorated with mythological animals

This is a silk jacket which was made in Japan. It was made in Showa era around 1950s. The haori is a traditional Japanese jacket worn over a kimono. R...

This outstanding late 19th century Japanese Satsuma porcelain covered temple jar has a traditional form with a domed lid. The piece features exquisite hand painted decoration which includes brightly hued flowers and associated foliage along with highly detailed jewel-toned butterflies with gilt highlights, all of which are on a shaded blue ground. The jar and lid also bear large chrysanthemums executed in heavy white enamel with underlying hints of green. The collar of the jar and edge of the lid have wide gilt bands finished with fine incised linear decoration that has been accented with blue, black and white enamel. The underside of the jar is hand lettered with characters reading Dai Nippon...

A striking orange-red lacquer Japanese low tea or coffee table decorated in the negoro lacquer technique, Taisho period, 1920s, Japan. Of simplistic design, the table has a wonder...

Designed by Tea Master "Oribe" "Oribe designed this lantern to represent the secular nature of lanterns installed in private tea gardens" Please view our video. Japan “Oribe” st...

Folding screen depicting a landscape by a painter of the Rinpa school, early 19th century. Six panels painted in ink on gold leaf and "gofun" on vegetable paper. Rinpa is one of the ...

Large handcrafted decorative Indian Mughal Moorish brass tray. Embossed and hammered with floral and mystique animal scenes with Arabic script etched. Large decorative hanging...

This is an antique Japanese bamboo door. It is from the Meiji period (1860s-1900s). It is made mainly of cedar and bamboo. It has a simple design that conveys the charm of the mater...

This teak wood bench originates from the Island of Madura, off the coast of Northeastern Java. It features a wonderful organic form with a mix of wood textures and shades. Elevated b...

cabbage motif; 8in(W) x 8in(D) x 8in(H) are the approximate dimensions of each jar including its cover

A Tibetan polychromed alter table with painted skeletons. This highly decorative two tier table is painted in black, and yellow with red and green accents. It would make a great se...

Magnificent hand-painted Chinese porcelain bowl with enameled and gilded decoration in reserve of characters in palace scenes, birds and flowers, with the “Famille Rose” motif, with ...

Evoking the quiet refinement of early 20th-century colonial design, this Javanese Dutch colonial armchair offers a graceful balance of form and function. Crafted from solid teak, the...

1700(W)× 1550(D) [mm]　Cotton This is a highly sensitive old folk craft called "BORO" overseas. It was a very poor time, and throwing things away was outrageous. Old cloth that was c...

If you love the look of De Gournay wallpaper but not the price, this is for you. Measures: 36" x 60". The colorways in this sections present our latest colorways, which can be app...

Valued for its rarity and lustrous appearance, jade (yù) has long been a symbol of excellence, longevity and purity of virtue. Worn as jewelry or as a protective charm, the stone was believed to imbue a person with a clear mind and pure spirit, and to guard against evil spirits and illness. To this day, if a jade bangle is broken during use, it's thought that the jade protected the wearer by absorbing incoming negative energy or harm. For many, jade bangles are also cherished family heirlooms, worn from a young age to represent the enduring bonds to their ancestors and loved ones. This jade bangles in this set of three date to the Qing dynasty (1644-1912) and display a lovely range of colors and forms. The group includes one bangle of pale celadon jade, one of black jade, and one of celadon jade. Each bracelet is slightly unique, the pale celadon and black jade examples carved with straight sides and the celadon example carved in relief with an archaistic dragon winding through clouds. Additional Dimensions: Celadon Dragon...

Cloisonné enamel vase of baluster form and lobed sides decorated with foliage and flowers on a black background, gilt copper neck and base. Around 1900 Period: Qing Dynasty Type: Va...

An antique Chinese wedding cabinet from the early 20th century with black lacquer and large brass medallion hardware. Created in China ...

The "1980s Japanese Kimono – Navy and Green Floral Print" reflects a blend of traditional Japanese aesthetics with the subtle modern influences of the 1980s. During this decade, Japa...

A pair of Qing dynasty wall screens / room dividers crafted from pine with remnants of rich burgundy lacquer. These screens showcase high-quality joinery with intricate wooden slats ...