1690s Asian Art and Furniture

Horses Kano Tanshin Morimasa (1653-1718) Two-panel tea-ceremony Japanese screen or furosaki Ink on gold leaf, late 17th-early 18th century Measures: H 55 cm x W 182 cm The Kano school was closely aligned with the warrior class in Japan. The samurai, who lived in a closed and rigid hierarchical society established by the Shogunate, were drawn to the energy and freedom horses symbolize; Kano school artists commonly depicted the equine creatures as they are here, in unfettered and carefree family groups. China originally introduced horse paintings to Japan; the works typically focused on capturing the essence of horses in their various environments and often involved integrating human figures into the images. Kano Tanshin Morimasa (1653-1718) was the son of Kano Tanyu...

An exquisite Chinese late Kangxi period (1661 - 1722) blue and white porcelain charger of large size made for export to Europe, of circular form with raised convex central roundel pa...

The central field depicting two mythological feng-huang (phoenix's) encircling chrysanthemum blossoms & scrolling vines within a band of ruyi-heads, the cavetto rising to an iron red...

The Kendi is decorated with cobalt blue underglaze depicting flowers and a mythical bird, reflecting the artistic finesse and symbolic expressions of the era. These designs often carry symbolic meanings, with birds sometimes representing immortality or spiritual transcendence in Chinese mythology. The Kendi's form, with a bulbous body and spout for drinking, is a traditional vessel style in Asia, valued for both its functionality and aesthetic appeal. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export...

A scarce Chinese Kangxi porcelain octagonal yen yen vase decorated with vases containing floral arrangements in the Famille Verte palette and ...

Large rare vase painted with petal-shaped panels of 'Flowers' pattern. Decorated in underglaze blue with flower blooms borne on leafy stems. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo...

Vung Tau Shipwreck Coralized Blue Underglazed Porcelain Lidded Vase. Almost perfectly Identical piece from Vietnamese Royal Family in United States provenance have been sold at other auction in California. This stunning porcelain lidded vase is elaborately decorated in a vivid blue underglaze with an ornate scene of concubines in a flower garden. The bottom of the vase bears a conch marking in underglazed blue, is a symbol of royalty, dignity and high rank, the 'Sacred Lungs of Buddha' and spiritual authority. Period : Qing Dynasty, Kangxi reign Production Date : 1690-1699 Made in : Jingdezhen Destination : Amsterdam Found/Acquired : Southeast Asia , South China Sea, Vung Tau Ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo...

Spirally moulded and painted with bands of overlapping petal panels of figured riverscapes Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

The baluster shaped vase rising from a splayed foot to a short waisted neck, decorated in underglaze blue with flower blooms borne on leafy stems. Period : Qing Dynasty, Kangxi reign Production Date : 1690-1699 Made in : Jingdezhen Destination : Amsterdam Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

This vase is decorated with dutch canal houses on one side and Chinese pagodas and flowers on the other side. Eastern and Western motifs were simultaneously expressed in ceramics. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

An attractive gu vase hand painted in cobalt blue with typical kangxi floral painting. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export...

The finely cast bronze figure of Guanyin - Bodhisattva Goddess of Compassion, Kindness & Mercy. Shown wearing an outer robe finely modelled with cascading folds tied at her waist, h...

A Fantastic and Rare 17th century Chinese Patinated Bronze Censer & Cover with Jade Finial Top and Wood Base. The body of this censor is intricately decorated with Archaistic decoration in hand-chassed relief. The wooden lid is designed with a foliate, leaf-like form, with a gorgeous white jade finial in the shape of a lotus leaf. The gorgeous tripod censer stands...

A Pair of Japanese Edo Period (1603–1867) iron, silver inlaid, and red lacquered stirrups (Abumi). Each of typical form, made of iron with silver inlay on the front with floral bloss...

It features a complex design with a central circular motif surrounded by eight petal-like sections, each intricately adorned with various botanical and geometric patterns, creating a symmetrical arrangement. The number 8 in Chinese culture is associated with prosperity and is considered very auspicious. This may reflect the traditional Chinese cosmological concept of the "Bagua," which are eight trigrams used in Taoist philosophy to represent fundamental principles of reality, seen in various aspects of Chinese culture, including the I Ching and Feng Shui. The central circle with radiating petals is also a representation of perfect geometric harmony, reflecting the balance and unity which are key elements in Chinese aesthetics. The use of symmetry and balance is seen as a way to represent the harmony of the universe. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Size : 12.5cm (Diameter) Condition : Excellent Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export Blue and White(淸代外销靑花瓷) - Vung Tau Cargo Catalogue / Guangxi Fine Art Publishing House 3) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vung Tau Cargo Porcelain...

Large rare vase painted with petal-shaped panels of riverscapes pattern. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...

A Chinese blue and white “Rotterdam Riots” plate. Kangxi period (1662-1722), ca. 1690-1695, with original Dutch silver medal 1690 Plate: Painted in underglaze blue, the center wit...

An attractive GU vase hand painted in cobalt blue with typical kangxi flower panels painting separated by lined borders. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Size : 14cm (Height) x 8.5cm (Diameter) Condition : Excellent Reference : Double checked with reference to the original catalogues 1) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 2) Qing Dynasty Export Blue and White from Vung Tau Cargo(淸代外销靑花瓷) / Guangxi Fine Art Publishing House 3) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vung Tau Cargo Porcelain...

This porcelain stemcup has a domed foot, a high stem and an elongated deep bowl with a partially broken flared rim. River landscapes featuring trees, pavilions, bridges and figures, ...

Three White glazed boxes from the Qing dynasty Vung Tau cargo. Identical pieces are included on page 459 of the Vung Tau catalog titled 'Christies Amste...

The design features a central medallion surrounded by eight panels, each intricately painted with traditional Chinese botanical and floral motifs. The number 8 in Chinese culture is associated with prosperity and is considered very auspicious. This may reflect the traditional Chinese cosmological concept of the "Bagua," which are eight trigrams used in Taoist philosophy to represent fundamental principles of reality, seen in various aspects of Chinese culture, including the I Ching and Feng Shui. The central circle with radiating petals is also a representation of perfect geometric harmony, reflecting the balance and unity which are key elements in Chinese aesthetics. The use of symmetry and balance is seen as a way to represent the harmony of the universe. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau...