19th Century Asian Art and Furniture

A tall antique Balinese hand-carved and painted wooden statue from the 19th century on black base. Hand-made on the island of Bali, Southern Indonesia during the 19th century, this w...

American Market Chinese Export Eagle Armorial Porcelain Oval Reticulated Tray China, 19th Century  This exquisite 19th-century Chinese Export Eagle Armorial Porcelain Oval Reticulat...

Early 19th Century Chinese hand-carved giltwood fragment featuring a nature scene depicting tree branches, foliage and birds.

Rare Japanese Kutani Figure: Unveiling Tranquility and Spiritual Power from Meiji Period Japan Unveil a rare gem from Japan's historical Meiji ...

Material: marble 57 cm high 52 cm wide and 29 cm deep Weight: 61.55 kgs Mandalay style Bhumisparsha mudra Originating from Burma 19th century The stone seems more 'alabaster', it is...

This antique wooden Buddha statue is a truly unique and special collectible piece. Standing at 39 cm high, 31 cm wide, and 23.5 cm deep, it is made of wood and it has been gilded wit...

Size: Depth *3cm Width *87cm Height *173cm 8kg Estimated packing size: （Sandwich with 5-10mm plywood) 12 × 100 × 185cm 35kg This is an old fittings of ita-e (wooden board painting...

A red lacquered Qing Dynasty period cabinet from the 19th century, with round brass medallion, drawers and carved gilded apron. This Qing Dynasty period red lacquered cabinet from th...

Birds & flowers of the seasons Pheasants & plum in snow Unframed painting. Ink, pigment and gofun on silk Kano Chikanobu 1819-1888 Signature...

Asian Silk Road Style Venetian Italian antique shoes leather and silk embroidered framed in a lucite box. Pair of Antique Venetian leather and silk silk ladies shoes slippers embroid...

This is a good Chinese porcelain Tea Bowl which we attribute to a piece from the Tec Sing Shipwreck Cargo, of the early 19th C, circa 1820 The bowl is circular and well hand hand potted, sitting on a low foot. The bowl is hand decorated, inside and out, in a lotus pattern with a swirl center, all in varying shades of cobalt blue. THE TEK SING...

A charming late 19th-century to early 20th-century, Chinese export reverse glass painting, depicting a lady seating in the living room and an outdoor garden behind. The decoration in the room is presenting a very traditional Chinese character with paintings, lantain, bonsai, furniture, etc., playing with a bird. The painting comes with its original hardwood frame and the old pins...

A rare original and impressively intact Japanese Zenibako (banker's money box) from late 19th century circa Meiji Period (1868-1912). The chest was made from cypress wood and fitted ...

A group of antique Japanese cloisonne enamel tiles in a rectangular form. Each tile features various fish designs, beautifully rendered with vibrant enamel colors and delicate detail...

An impressive Japanese embroidery tapestry circa 1890s Meiji period, presented with brocade border on linen canvas in a Lucite shadow box. The stunning design features three dragons coiling and flying in the clouds. The high relief technique used to render the dragons using mostly the silver threads gives this piece a tremendous sense of motion. The most auspicious mythological creature in Japan and China, dragons were a very popular motif in textile art. In this particular piece, it is the impressive size, the superb craftsmanship, the profuse use of silver threads and near perfect condition that set it apart. Japanese Meiji textiles were widely exhibited in the west during turn of the 20th century at the international exposition. It was used to showcase the Japanese aesthetics with the techniques at their pinnacle. These expositions solidified the country's images overseas and felled the Japanese craze in the west, which turned out to be a long-lasting influence on the western art. Many pieces were purchased and stayed in the west. It is likely this estate piece was from one of the expositions based on its high quality. For two similar dragon tapestries...

A very special antique collection - this long strand of Japanese hand-crafted natural wooden (perhaps Rosewood) Buddhist Juzu mala beads with customary larger "Guru" beads. These rosary-type prayer bead necklaces were often used by Buddhist monks in temple rituals and worn by Samurai as amulets of protection. This particular piece features a wonderful, naturally organic patina acquired over years of handling and use. Likely originates from the late Edo period (1603-1868) or early Mejia Period (1868-1912). This juzu bead...

Large Two Section Japanese Kitchen Tansu, Late 19th Century. Interior bottom section has been modified to accommodate a TV. Part of the back bot...

A spectacular Japanese cast, carved, and parcel gilt bronze sculpture, okimono, of a kneeling samurai archer, signed Kiyotsugu (died 1894), Meiji ...

19th century Shibayama four Panel screen Meiji Period Japan C.1880 Mother of pearl inlay in black lacquer depicting a bird in relief with cherry blossom. The lower section with gilt panels, and the reverse red lacquer with tree silhouettes.

The countless layers of black lacquer that texture these 19th-century doors have aged with a dark patina and an inimitable crackle that only time can achieve. Crafted of northern elm...

Featuring Seven Japanese Macaques Form our Japanese collection, we are delighted to offer this Japanese Bronze Monkey Group by Shosai. The Japanese Bronze Group displaying a male father monkey and his infants playing around and being mischievous with Persimmon fruit. The monkeys modelled as Japanese macaque monkeys (snow monkey). The bronze okimono is beautifully patinated with a highly lifelike and naturalistic casting signed to the underside Shosai 正齊鋳. The Bronze group dates to the Meiji Period (1868-1912) circa 1885. Japanese macaque (snow monkey) is a terrestrial Old World monkey species that is native to Japan. They are known as snow monkeys because some live in areas where snow covers the ground for long periods each year hence their nickname. No other non-human primate lives further north or in a colder climate than the snow monkey. Individuals have brownish grey fur, pinkish-red faces, and short tails. Two subspecies are known and their conservation Status is of least concern. In Japan, the species is known as Nihonzaru ニホンザル, 日本 (Japan/Nihon) and saru 猿 (monkey) to distinguish it from other primates, but the Japanese macaque is the only species of monkey in Japan. The Japanese macaque features heavily in the religion, folklore, and art of Japan, as well as in proverbs and idiomatic expressions in the Japanese language. They are often seen in paintings, block prints and represented in all manner of carvings from Okimono to netsuke. Many of these art forms reside in the world’s most famous museums and collections, some of the most prominent pieces by artists such as Mori Sosen and Kawanabe Kyosai. In Shinto belief (Japan’s indigenous religion/nature religion) legendary mythical beasts known as raiju sometimes appeared as monkeys and kept Raijin (the god of lightning/storms) company. In another well known tale the three wise monkeys who warn people to “see no evil, hear no evil and speak no evil” can be seen depicted in relief over the door of the famous Tosho-gu shrine in Nikko. Meiji Period was an era of Japanese history that spanned from 1868 to 1912. It was the first half of the Empire of Japan, when the Japanese people began to build a paradigm of a modern, industrialised nation state and emergent great power, influenced by Western countries and aesthetics. As a result of radically different ideas, the changes to Japan were profound and it affected the social structure, politics, economy, military, and foreign relations across the board. The period corresponded to the reign of Emperor Meiji and was preceded by the Keio era and was succeeded by the Taisho era. Cultural Art during the Meiji Period was of particular interest to the government and they overhauled the art export market which in turn promoted Japanese arts via various world’s fairs, beginning in Vienna at the world fair in 1873. The government heavily funded the fairs and took an active role organising how Japan’s culture was presented to the world including creating a semi-public company named Kiritsu Kosho Kaisha (First Industrial Manufacturing Company). The Kiritsu Kosho Kaisha was used to promote and commercialise exports of Japanese art and established the Hakurankai Jimukyoku (Exhibition Bureau) to maintain quality standards. For the 1876 Centennial International Exhibition in Philadelphia, the Japanese government created a Centennial Office and sent a special envoy to secure space for the 30,000 items that would be displayed. The Imperial Household also took an active interest in arts and crafts, commissioning works by select artists to be given as gifts for foreign dignitaries further emphasising the high quality and importance of Japanese art. Just before the end of the 19th century in 1890, the Teishitsu Gigeiin (Artist to the Imperial Household) system was created to recognise distinguished artists. These artists were selected for their exceptionally high quality wares and talent in their own industry. Over a period of 54 years Seventy artists were appointed, amongst these were ceramicist Makuzu Kozan and cloisonné enamel artist...

Antique Southeast Asian Polychrome Wooden Oversized Temple Horse from India. Large Antique Southeast Asian Carved Polychrome Wood Horses. Antique Southeast Asian carved wood model of a parade horse. the body with allover polychrome, saddle and reins carved in high relief, the tail lacquered. 19th century hand carved oversized wooden Indian temple horse...

exterior decorated with panels alternating between figural scenes, and flower and bird scenes

This 1890 Haji Jalili Persian Tabriz rug consists of a cotton warp, handspun wool weft and hand-knotted handspun wool pile. The bright copper hues, soft blues, indigos, cream and bei...

This pair of monumental Fu-Lions, also known as shizi, once would have flanked the entrance to a Qing-dynasty home in China’s Shanxi province. One has a pearl under its foot, and the...

A fine assemblage as found of a blacksmith or metal worker's anvil and related tools. Here, singularly common applied art objects transition when viewed collectively to forge a uniqu...

This substantial carved wood fragment originates from a traditional Thai temple or royal structure, likely once part of a column, pillar, or large decorative panel. Crafted from teak...

A pair of fine Korean silk embroidered rank badge (Hyungbae in Korean) from Joseon Dynasty circa late 19th century. A matching pair of Hyungbae like these ...

Original black lacquer cabinet with a pair of doors. The front with a layer of "thick varnish" this is used to attach the thick varnish, first the canvas and after the "varnish pa...

This is a wonderful pair of 19th century Octagonal Choshi or Sake Ewers that was created during the late Edo or Meiji Period. The Choshi are composed of an Octagonal finely cast iron kettle with and open end spout which differentiates them from the traditional Japanese tea kettle...

A Japanese covered and footed enamel tea set including three pieces. The set includes a large tea pot, a small tea pot, and a sugar bowl. The wares are adorned with a polychrome enam...

1794 Antique Japanese breaded catch all with incised floral center design. Signed

A Chinese scholar stone of Lingbi type presented on a carved wood base. This stone takes a singular vertical form with one convex side that is largely flat, and the other side slight...

A pair of framed antique Chinese embroidery textile panels circa 19th century of Qing Dynasty. Each piece features two mirror-matchin...

Hand-Painted on silk, Chinese households honor their ancestors in private family rituals, invoking their spirits for long life, health, and prosperity. Commemorative portraits, which...

This late 19th century covered jar takes its rounded shape from serving tureens used to serve soups and stews. Contrasted by a crisp white field, the lid and sides are decorated with a lively scene of children at play in a courtyard garden. Accompanied by a man and woman, the children are each playing with a different toy, including a kite, a reed organ...

This is a very good quality Earthenware Japanese Satsuma vase, beautifully hand decorated and from the Meiji period, circa 1875. The vase has a he...

Antique Oriental Japanese Bronze Bowl Planter Jardinière - Exquisite Meiji Period Piece! This remarkable bronze bowl planter jardinière, dating b...

A Japanese Imari porcelain plate from the 19th century, with hand-painted blue and white floral, foliage and butterfly décor. Created in Japan during the 19th century, this Imari porcelain plate features a delicate blue and white décor...

A Sri Lankan ebony and cane ‘Easy chair’ or 'planter's chair' Galle, mid-19th century H. 101 x W. 61 x D. 78.5 cm H. 38.5 cm (seat height) Ebony f...

This antique marble Burmese Buddha statue is a magnificent representation of Buddhist devotion. Crafted from marble, it stands at an impressive height of 48 cm and has dimensions of ...

Banko-yaki is a type of pottery that began in the northern part of Mie Prefecture in the middle of the Edo period. (The places marked with red circles on the map are the kilns of Banko ware...

A Korean porcelain brush holder in hexagon form from the end of Joseon dynasty circa late 19th century. Cherished by the scholars, brushpot like this would grace the desk in the man'...

A very fine, antique Chinese Rose Mandarin porcelain vase. With rich polychrome enamel decoration on a light celadon ground. An excel...

A late 19th century Indian Mughal brass betel nut cutter from the North Western regions. This is a betel-nut cutter made of brass using casting technique with bird motifs and rosette...

This captivating 19th-century snake illustration showcases the elegance and intricate details of its serpentine subject. The artist’s precise rendering captures the snake’s sinuous f...

Antique Middle Eastern Qajar style Moorish picture photo album, with hand painted miniatures on the cover. This fine Middle Eastern Moorish style scrapbook is hand painted with 22-k...

Antique Cast Bronze Tibetan Buddha Shiva Figure 19thC Measures - 8.75"H x 3.25"W x 2.5"D

Set of chinoiserie corner chairs is a rare find. Crafted in classic oriental style, each features a sturdy bamboo frame with a sleek black lacquer ...

Tibetan wooden Buddhist Mahakala mask (Shaman Exorcism Mask Yama God of Death) with stand. Age: Tibet, 19th Century Size: Height 36.6 C.M. / Width 2...

A large Meiji period Satsuma vase, late 19th century. Fully shattered and repaired. 11 ½ inches wide by 24 ½ inches tall

Prior to the 10th century, Chinese society eschewed raised seats in favor of mats. The rising popularity of chairs and other forms of elevated seating led craftsmen to adapt traditional cabinetry and architecture techniques to the human body. In the case of this Yuanyi, or round chair, the flowing crestrail is a direct descendant of the simple armrests that had traditionally supported individuals on mats in their homes. This homage to an ancestral form, combined with traditional mortise-and-Tenon joinery techniques, created an elegant, functional chair that has endured for centuries and inspired many contemporary furniture designers...

Antique 19th century middle Eastern tinned copper ewer. Nice decorative old rustic hand-hammered ewer in the Mameluke style. Moorish middle e...

This finely hand-painted ginger jar dates to the Qing Dynasty, circa 1850, and features a classic blue and white porcelain design. The surface is richly decorated with intricate flor...

A Korean ceramic bottle with octagonal faceted form with underglaze copper red decoration. The robust bottle with the long neck and a relatively thick built was used to hold liquor such as wine and it was from Joseon dynasty, likely late period (circa mid-late 19th century). The bottle was covered in a milky white glaze with a pleasant warm yellow tint. It has an underglaze iron red paint of branches of gingko leaves on the front and the back side. The color was oxidated into an ochre brown hue instead of iron red. The octagonal form extends nicely from the opening to the base, continuing through the body and makes this bottle geometrically interesting. The rustic paint of the gingko leaves also render the piece a folky modern appeal. For three faceted wine bottles from different period of Joseon Dynasty, see illustration 2, 71 and 73 of "Five Centuries of Korean Ceramics Pottery and Porcelains of the Yi Dynasty...

Cabinet in original dark yellow lacquer with beautiful age-related patina. The top a pair of doors with bars, opens up double, bottom with four doors. Original cabinet with patina...

Pair of Asian Chinese style (19th Century) red lacquered carved filigree door panels with scenes (PRICED AS Pair).

This is a most unusually made antique Hirado porcelain cachepot with playing boys. Crisply modelled with cobalt blue glaze About Hirado 平戸 Ware The origins of Hirado ware (it's als...

An exceptional antique Chinese qing silver box with stylized creatures and Chinese symbols dating from the latter 19th century. The heavily made rectangular shaped box has angled cor...

A pair of antique Italian carved pine wall hangings. As a pair, these handcrafted wall hangings make the perfect decorative wall art for a period home looking to add style and grand...