19th Century Asian Art and Furniture

Large colorful vintage Chinese export famille rose medallion porcelain bowl. Features classic oriental scenes with Chinese people throughout. Ov...

Antique Middle Eastern Islamic art Moorish brass bowl engraved with Thuluth Arabic calligraphy.The polished brass bowl is profusely chased with vines and vegetal motifs and inscribed with Islamic verses of the Holly Koran.This bowl has been professionally cleaned and polished.Measures: Diameter 7.25" x 4" height Mouth opening: 5".Great Middle Eastern brass metalwork decorative Islamic art objects.Handcrafted Moorish hand-etched Islamic metal brass bowl.Engraved, incised and hammered with very fine Arabic Islamic calligraphy writing and geometric designs on brass vessel.Very Intricate fine Middle eastern Moorish Islamic Art metalwork, museum quality artwork.Late 19th Century.Date of Manufacture: Circa 1880.Condition: Wear consistent with age and use. Islamic brass metalwork is an intricate and beautiful form of art that originated in the Islamic world. It encompasses a wide range of decorative objects made from brass or other metals such as copper, bronze, and silver. Brass trays, in particular, are highly regarded for their craftsmanship and intricate designs. Islamic brass metalwork has a rich history that dates back to the early Islamic period, with its roots in the metalworking traditions of ancient civilizations such as the Persians, Greeks, and Romans. However, Islamic artisans developed their own unique styles and techniques, blending elements from various cultures and creating distinctive motifs that reflected Islamic aesthetics and religious beliefs. The process of creating brass trays involves several steps, each requiring specialized skills. Here is a general overview of the traditional techniques involved: 1) Design: A skilled artist or calligrapher creates the design for the brass object. Islamic brass metalwork often incorporates intricate geometric patterns, arabesques, floral motifs, and calligraphy inspired by Quranic verses or poetry. 2) Metalworking: The object is typically made from a sheet of brass or another metal. The metal is cut into the desired shape and then hammered or pressed to create the object. Traditional techniques such as repoussé (hammering from the reverse side) or chasing (hammering on the front side) may be employed to shape the metal. 3) Engraving: The surface of the metal is often decorated with intricate engravings or etchings. Skilled artisans use chisels, gravers, or other specialized tools to create fine details and elaborate patterns. 4) Filigree and Inlay: Some brass trays feature additional decorative elements such as filigree or inlay work. Filigree involves shaping thin wires of brass into delicate patterns and soldering them onto the tray's surface. Inlay work, on the other hand, involves embedding contrasting materials such as silver or copper into the brass, creating intricate designs. 5) Surface Treatment: After the main decorative work is complete, the tray may undergo surface treatments to enhance its appearance. This can include processes like polishing, buffing, or applying various chemical patinas to create an aged or oxidized effect. While this bowl has certainly witnessed the passage of time, it remains in remarkably good condition, with only minor signs of age that add character to its appearance. The patina on the brass enhances its antique allure, making it a truly authentic and captivating collectible. Arabic Calligraphy: The Arabic writing on the bowl is a work of art in itself. The calligraphy showcases the mastery of the scribe's hand, with flowing curves and intricate details that form an elegant script. The script may include Quranic verses, blessings, or poetic verses, depending on the bowl's origin and purpose. The inscriptions are not only visually striking but also carry profound meaning, making this bowl a beautiful representation of Islamic heritage. Intricate Patterns: In addition to the Arabic calligraphy, the bowl features intricate geometric patterns and motifs that further enhance its visual appeal. These patterns are a hallmark of Islamic art and reflect the mathematical precision and artistic creativity that defined Islamic craftsmanship. This antique Islamic brass bowl...

A Classic image by renowned Japanese printmaker Utagawa Toyonobu from his newly selected history of Toyotomi Hideyoshi series. A very good impres...

A Chinese Ming dynasty style elmwood antique cabinet from the 19th century, with two doors, drawers and lower removable panel. Crafted in China during ...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

For the similar print see https://worcester.emuseum. com/objects/13667/landscape Condition Good condition: 12.8x7.8cm Period 19th century

A small and elegant Chinese cloisonné vase for incense tools, Qing Dynasty, 18th/19th century, China. Made for the scholar's studio, this small refined vase, was used to hold incense tools, including a small pair of tongs or chopsticks and spoon. The tools no longer present. Of miniature baluster vase form, the vase beautify proportioned and decorated in the cloisonné enamel technique, with gilt wires forming the cloisons, or partitions. Within the cloisons, colorful enamels have been expertly laid. The small incense tool vase...

19th Century Window Lattice Screen. Very special Lattice Screen Window Panel from Shanxi China 19th century. Wonderfully assembled sculpted pieces of Cypress wood with each face ro...

Antique embroidered mirrored horse blanket throw used in India for the wedding ceremonies. Large antique embroidered panel with floral patter...

Waling cane from the Meiji Period (1868-1912). This is a fabulous antique walking cane created in the imperial Japan during the Meiji period (1868-1912), circa 1880's. The cane was ...

A LARGE JAPANESE SATSUMA BALUSTER VASE. MEIJI PERIOD (1868 - 1912) Signed by Kitamura of hexagonal form, decorated with a scene of Japanese saints surrounded by attendants, ano...

A lovely Thai lacquered and gilt cast bronze figure of the historical Buddha, Shakyamuni, portrayed in Maravijaya, Rattanakosin Period, early to mid 19th century, Thailand. The B...

A nice pair of Chinese ancestor family group portraits, 19th century, on paper, framed in teak frames under glass. Twelve characters total in per...

Original Japanese Woodblock print by Hokusai Katsushika, ???? '1760-1849' Color woodblock print on paper by Katsushika Hokusai, 1760 to 1849, a Jap...

This slender metal container is a 19th-century white brass incense burner, used for storing and burning incense sticks. The small box has a rectangular form and a removable sliding t...

Description Lovely and good quality dish of larger size. Visible is a garden pagode scene of two male and two female figures. The person on the chair obviously is the central p...

A fine & rare antique 19th Century Ottoman Tombak (Gilt Copper) Nargile or Hookah pipe, Turkey, circa 1850. A nagile or hookah pipe's history dates back...

Late Edo period 19th century Japanese six-panel landscape screen featuring a cypress tree over a flowering hibiscus with a pair of hototogisu birds. Kano school painted with ink and ...

Late 19th century Japanese Kamakura carved lacquer & wood box. A bird perches in a flowering tree on the top surface. Often mistaken for Chinese carved lacquer. Good overall conditio...

Introducing an extraordinary and exceptionally rare pair of Chinese Cinnabar Carved Lacquer Vases from the Qianlong period. These monumental vases stand as magnificent examples of Ch...

Kishi Renzan (1804-1859) Tigers Pair of six-panel Japanese screens. Ink and gold-leaf on paper. In this monochromatic pair of six-fold Japanese screens painted on gold-leaf, Kishi Renzan has created a breathtaking composition of a family of tigers. The screens are filled with a sense of drama which is conveyed by both the subject matter and the wet, expressive brushwork. The running mountain stream and the towering waterfall allude to refreshment during the summer months and we feel the tiger families familiarity and security within their environment. Renzan’s master, Kishi Ganku...

19th Century antique Chinese hand painted gold lacquer scene gilt fan 100 faces with original wood case and stand, fan is 13 inch x 8 '', the fan in ...

A fine antique Japanese Meji Period lacquer box decorated with a fan and a stylized star shaped window in the maki-e technique. The fan at the top right corner, fully opened depictin...

A Japanese Imari Vase, 19th Century Provenance: Private Australian Collection. Description: The body embellished with a repeating design of flowers and dragon cartouches united by ...

Antique 19th century Qajar blue tile with Islamic calligraphy writing. Antique 19th century Islamic Koranic calligraphy with Koranic script. Qajar dynasty, a blue and white Islamic ...

This 19th C. Japanese Buddhist bronze temple or monastery bell, features a stylized two-headed dragon loop handle at top, four studded panels at shoulde...

A fine antique Chinese export ginger jar. In the Canton pattern. Decorated in underglaze blue with a mountainous Chinese village with houses, mountains, foliage, and a river and b...

A Japanese Imari Plate, 19th Century Home decor, Interior design and collectibles. Provenance: Private Australian Collection. Dimension: Height: 4.5cm Diameter: 30cm

An antique Japanese, Meiji era, enamel over copper plate. Tray The ware is adorned with a polychrome cloisonne enamel medallion representing a flower and butterflies on the turquoise...

An antique Japanese Meiji period copper plate adorned with a polychrome cloisonne enamel design. Has a blue ground color. The plate depicts a man riding a horse, surrounded by flower...

A magnificent testament to the artistry of the Japanese Meiji period (1868-1912), this rare Satsuma earthenware urn is an extraordinary find. Crafted in Japan circa 1880, its delicat...

Rajasthani Mughal Decorative Copper Lidded Betel Spice Pandan Caddy Box. Handcrafted decorative North India round metal Asian copper Mughal Raj, Indian lidded , spice, pandan betel box with latch and a top handle. Of dome form with lotus-shaped finial, with spiralling bosse designs, Delicately and intricately hand-chased and hammered with geometric Anglo-Indian designs. Consuming betel leaves with several ingredients such as wet lime paste, katechu, areca nut, cloves and even tobacco leaves has been popular in India from the fourth century AD. The box was probably used to store the betel leaf used in the preparation of paan. Lime paste is mixed with grated areca nut and flavourings and the resulting mixture is rolled in the betel leaf to form a small parcel which can then be chewed. As well as being an integral part of Indian hospitality paan is believed to possess medicinal properties and was also taken as an aphrodisiac. The present box, which was elaborately designed for this purpose, would have been taken out ceremoniously on special occasions. Exquisite conversation museum quality piece with a very nice antique patina. Fine intricate artwork with conical form lid with Moorish pierced designs. Islamic Mughal Indo Persian...

A pair of antique carved wood overdoor panels from the 19th century, with traces of original paint. This pair of 19th-century antique carved wood overdoor panels features a captivati...

An extremely rare and wonderful set of two blue-and-white Chinese export porcelain graduated platters of large size from the famous "Cabot-Perkins" service commissioned in 1812. The ...

19th century Middle Eastern Islamic Moorish pierced brass and copper floor lamp. Beautiful Middle Eastern Islamic Syrian, Persian style brass floor lamp is handcrafted with Moorish calligraphy Arabian designs. Extremely fine antique Islamic floor brass lamp with Kufic Mamluk revival pierced foliate openwork’s chased and chiselled with Arabic calligraphy and figures. The Moorish brass shade is intricately hand-pierced with Islamic Tuluth writing and designs. Great exquisite Middle Eastern Asian Museum quality piece, beautiful desirable patina. Same floor lamp could be found at the Doris Duke Islamic Art Museum. Hand-hammered decorative collector Islamic brass Moorish folk art Antique 19th century Middle Eastern floor lamp...

Fabulous Antique Chinese Foo Lion incense burners originally purchased in Bangkok, Thailand. Patinated bronze with cloud-like tails and fierce open...

Antique Middle Eastern Brass Inkwell Qalamdan. A 19th century brass decorated Middle Eastern Islamic Qalamdan. The Qalamdan is in solid brass, etched on all sides with engraved geom...

A Korean Bandaji Chest circa late 19th century (toward the end of Joseon Dynasty). Bandaji is known as drop-front half opening chest and was traditionally used to store household val...

A Chinese Gnarled Root Brush Pot, 19th Century Set alongside the four treasures of the study - the calligraphy brush, ink, paper, and inkstone - a brush pot was a fixture of every t...

Antique 19th century hand painted Chinese fan with mother of pearl faces, Qing dynasty, the fan features black and gold lacquered handled a colorful screen with a figural, hand painted, scene with antique lacquer fan box...

A most impressive fine quality large antique patinated bronze South Asian Buddha head. Add a touch of relaxed warmth, elegant tranquility and harmony with this rare striking authentic life-size Buddha head. Almost certainly originating as a full-body Buddhist monastery temple statue, dating to the 19th century or earlier, likely Tibetan or Nepalese, finely detailed throughout with special attention to realistic proportions, facial features and serene expression, depicted with slightly angular closed eyes, thin arched eyebrows flanking wisdom eye, elongated pierced ears, and traditional curly snail hair with cranial protuber-ance (ushnisha) rising from the top of the head, indicating his vast wisdom. PROVENANCE / ACQUISITION: Acquired from the highly reputable auction house, J. Garrett Auctioneers, Dallas, Texas. Turtle Creek & Dallas Estates catalog. Garrett was pleased to present the contents of a fine Turtle Creek estate. Property seized from JMJ Development, the Dallas development firm controlled by Tim Barton and set to become the first Mandarin Oriental hotel in Dallas. DIMENSIONS: (approx) 14" Tall, 10" Wide, 8" Deep CONDITION REPORT: Beautifully aged warm rich dark patina. Strong, sturdy, stable, structurally sound. Wear consistent with age, use, handling and exposure, including scattered oxidation and buildup, small minor holes around the neck from where the neck would have attached to the body. --- We here at Lynx Hollow Antiques have a special fascination with religious antiques, and have an extensive collection, crossing all religions, regions and periods. From Thai Ayutthaya, Burmese, or other Southeast Asian Buddha and Buddhavista figures, ancient Chinese and Japanese carving, relics, important temple or church architectural salvage building elements, early Santos, icons, altar tables, tabernacle, to primitive folk art paintings...

An Indian wooden ox cart with metal accents from the 19th century, made into a coffee table. This intriguing coffee table, repurposed from a 19th-century wooden ox cart, captures our imagination with its blend of rustic charm and unique design. The table showcases a rectangular wooden top, rich in history and character, accentuated by a series of metal braces that not only reinforce its structure but also add a touch of industrial flair. The sides present square motifs, each pierced in the center, creating a captivating pattern that draws the eye. The front of the table is particularly eye-catching, featuring ornate scrolls and hooks that lend a whimsical touch to the piece. Raised on curving legs, the table stands with a sense of grace and solidity, making it a perfect centerpiece for any living room or family room. The weathered appearance of the wood, combined with the contrasting metal accents, evokes a sense of nostalgia and adventure, reminiscent of the bustling markets and vibrant cultures where such ox carts were once a common sight. This Indian wooden ox cart coffee table...

"Japanese Boxwood Netsuke – Monk In Ecstasy, Edo Period" Japanese Boxwood Netsuke – Chanting Monk Figure, Late Edo to Early Meiji Period (ca. 1800–1880) Unsigned (mumei), finely carv...

A bold, spectacular Japanese hand-brushed, hand-painted silk scroll of two horses below plumb tree mountain- worthy of your favorite room Hand painting on silk in simple soft pleasin...

All old repairs are completely solid and well fixed. This is a great one of these basses, easy to play, light, really loud, and ready to go. This would be an excellent upgade for a j...

Used in Thailand as temple roof finials or in pairs at entrances to guard against evil spirits and natural disasters, the powerful, mystical naga ar...

Beautiful decorative tinned copper hand-hammered Indo-Persian box with lid. Probably used as a tea caddy or tobacco storage. Nice Middle Eastern Arabian Moorish style hand chiseled copper...

Folding screen depicting a landscape by a painter of the Rinpa school, early 19th century. Six panels painted in ink on gold leaf and "gofun" on vegetable paper. Rinpa is one of the ...

A Chinese Qing Dynasty period cabinet from the 19th century, with original red lacquer and hand-painted gilt décor. Created in China during the Qing Dynasty period in the 19th centur...

Sideboard from the Shandong Province of China, dating to the Qing dynasty, 1880–1900. Crafted in elm wood, featuring two sets of double doors with original round, patinated brass fit...

Antique Brass Betel Nut Cutter from India Collectible Asian Artifact This excellent piece of art from India, made in solid brass, nut slicer or nut cracker which is two halves made w...

Banko-yaki is a type of pottery that began in the northern part of Mie Prefecture in the middle of the Edo period. (The places marked with red circles on the map are the kilns of Banko ware...

Large 19th century Japanese Meiji period eight panel byobu screen featuring a panoramic village landscape. The serene painting depicts agricultural scenes with villagers engaged in p...

A delightful Thai Rattanakosin Period lacquered and gilt cast bronze figure of the Buddha in royal attire, mid 19th century, Thailand. The charming figure depicts the Buddha in dhyanasana, the gesture of meditation. The Buddha sits serenely in half lotus position, his hands resting comfortably upon his lap, one on top of the other. The Buddha is dressed in elaborate robes, cast with floral and foliate designs in high relief. Over his robe, he wears the regalia of Thai kings, with a heavy cape...

A set of antique Thai wood carving panels with flower. Age: Thailand, Rattanakosin Period, 19th Century Size per panel: Height 61.5 C.M. / Width 30.7 C.M. / Thickness 3.6 C.M. Size ...

A 19th century Annamese ceramic garden seat from Vietnam with green glaze, deer in scrolling foliage motifs and shaped base. Made of ceramic and boast...

A Collection of Five 19th Century Chinese Export Gouache Portraits on Pith Paper C.1850 Depicting Court Figures in Imperial Dress Framed and gla...

Unfolded size: 1740 x 1750 x 15 mm Foldable: 870 x 1750 x 35 mm, 5kg Estimated size after packaging (sandwiched between 5-10 mm plywood): 10 cm x 95 cm x 185 cm Weight　29 KG An at...

An antique Japanese Meiji era cloisonne enamel plate. The background has a dark brown color shade and features a white crane surrounded by green bamboo leaves and small pink flowers....

Extremely fine antique 19th century Moorish Egyptian Islamic floor candlestick in brass with Kufic Moorish revival pierced foliate openworks chased and chiseled with Persian calligraphy. Antique 19th century or earlier Middle Eastern Egyptian Arabic candleholder lamp with open work design and calligraphy. Rising from wide trumpet foot through to slightly tapering cylindrical shaft with two pronounced collars to gently flaring mouth and flat rim, the shaft with pierced openwork lattice containing scrolling vine issuing from cusped palmettes, bordered above and below by bands of engraved scrolling floral vine, the upper section of the foot and the body below the mouth with further pierced openwork sections in rectangular cusped cartouches with similar design set in a ground of engraved scrolling floral vine, interlocking palmettes and stylized cloud bands, band of verses. Could be used for candle or incense. This large floor candle holder...