19th Century Sculptures and Carvings

Émile-Coriolan-Hippolyte Guillemin, French (1841-1907) A French patinated bronze figure of an orientalist dancer, circa 1870, Retailed by Tiffan...

This antique wooden Burmese Buddha temple is a magnificent testament to the rich spiritual and artistic heritage of Burma. Crafted from wood, it stands at a height of 56 cm and measu...

Material: bronze 3,9 cm high 2,8 cm wide and 3 cm deep Weight: 0.078 kgs Originating from Burma 19th century.  

Golden wooden statue of Buddha from the 19th century standing in a lotus flower with a height of 73 cm and a width of 24 cm. Remarkable patina. Some gaps. Additional information: ...

Antique bronze sculptures of puppies playing. Traces of gold on both, one holding tassels in its mouth. Measurements: 3 1/2" h x 6 1/2" w x 3 3/4" d and 4 1/4" h x 5 1/2" w x 3 3/4" d

A nice hand-carved antique, Chinese Hetain Carved White Jade Pendant in eight angles of lotus leaves. The pendant has two different carved patterns on two surfaces very delicate and ...

This Old Chinese Wood Carving Standing Buddha Statue Pendent is a significant artifact that combines artistic craftsmanship with profound spiritual symbolism. The standing posture of the Buddha represents readiness and active engagement with the world. It symbolizes the Buddha's teaching and his compassion for all sentient beings. The serene and calm expression on the Buddha's face signifies inner peace, enlightenment, and compassion. The pendent often symbolizes spiritual protection, blessings, or particular virtues associated with the Buddha. It may also signify specific attributes or stories from the Buddha's life. Wood carvings have been an integral part of Chinese Buddhist art, reflecting the regional styles and historical periods. The use of wood for religious sculptures has a long tradition, often found in temples, monasteries, and private collections. This statue serves as a timeless reminder of the Buddha’s compassion, wisdom, and dedication to the path of enlightenment. A depiction of the Buddha vase...

The antique bronze Nepali Buddha statue is a captivating and spiritually significant artifact originating from Nepal. Crafted from bronze and adorned with fire gilding in 24-karat go...

Material: bronze 5,5 cm high 3,2 cm wide and 4 cm deep Weight: 0.163 kgs Originating from Burma 19th century.

A outstanding pair of ancestor figures from the Tharu people of Southern Nepal. The standing guardian figures, the faces with serene enigmatic expression,  Ancient weathered  patina...

Japanese Edo Period Grand-Scale Yoshitsune and Bannerman Warrior Musha Ningyô, Ca. 1800 DIMENSIONS Warrior - Height: 31 inches with platform. Bannerman - Height: 28 inches with b...

The beautifully hand carved Chinese wood horse is in the style of those produced during the Tang Dynasty. The material is a dark wood with remnant of red paint. Parts were carved sep...

A monumental Hindu Nandi temple gate-guardian architectural ornament, born in India, dating to the 19th century, hand carved and painted, richly detailed, polychrome decorated, the wooden sculpture depicting Nandi, a sacred bull, gatekeeper, and vahana religious deity figure. Provenance: Acquired from The Neiman Marcus Corporate Art Collection. Details below. Dimensions: (approx) 49.5" x 43" x 12" An important religious folk art work, the Nandi is of carved wood and gessoed cloth, then hand-painted. In Hindu religion, Nandi is the mythical mount of Shiva. The four legs represent truth, righteousness, peace and love. More than a means of conveyance, Nandi is considered Shiva's constant companion on all his travels, so much so that in any temple dedicated to Shiva, there is a sculpture of Nandi. This symbol is a deity in its own right, and in India there are temples dedicated exclusively to Nandi. In Hindu symbolism, the bull represents both strength and ignorance. The white or light color of the bull symbolizes purity and justice. Symbolically, the seated Nandi towards sanctum in Shiva temples, represents an individual jiva (soul) and the message that the jiva should always be focused on the Parameshwara. From the yogic perspective, Nandi is the mind dedicated to Shiva, the absolute. In other words, to understand and absorb light, the experience, and the wisdom is Nandi, which is the guru within. The fact that Shiva uses it as a mount symbolizes how this divine figure removes ignorance while instilling strength and wisdom. A superb example, the life size work is in great overall shape, and presents wonderfully, having beautifully aged patina over the whole, highly desirable original, worn, rustic, naturally distressed, chippy paint, craquelure finish, that's delicate, and enhances the artistic antique character and rich historic depth. Detailed Condition Report: Fragile / delicate by design. Loss to one ear, age related checking and separation to carvings, fabric to hind quarters is released and tattered with minor loss, rubbing to paint throughout with wear indicative of age and use; later grey painted mounting blocks are attached to back and hooves. White glove in-home shipping/delivery available. Pickup available near Dallas, Texas Additional Provenance: Property from the Neiman Marcus Collection. Acquired from Heritage Auction, Design District Gallery, Dallas, Texas. From The Dallas Morning Newspaper; April 12th, 2021 Neiman Marcus is selling some of its history and valuables that have been displayed and stored for decades as part of the luxury retailer’s corporate art collection. The Neiman Marcus corporate art collection dates back to 1951, when Stanley Marcus (1905-2002), a life long avid art collector, purchased Mariposa, a large mobile by Alexander Calder and started a long tradition of buying original artwork for new stores as they opened. The Mariposa sold at a Sotheby’s auction last month fetching $18.2 million. The items are being offered through Sotheby's auction house, NYC, New York and Heritage Auction, Dallas, Texas. Many of the pieces were personally collected by Stanley Marcus from the 1960s through the 1980s. Some of the pieces are from corporate spaces, stores and the company’s archives, among the items are important antique textiles, tribal robes...

Material: wood Measures: 87,7 cm high 89,5 cm wide and 54 cm deep Gilded with 24 krt. gold Mandalay style Originating from Burma Late 19th century A very beautiful piece with...

Material: bronze 52,5 cm high 42,6 cm wide and 23,5 cm deep Weight: 20.4 kgs Gilded with 24 krt. gold Mandalay style Bhumisparsha mudra Originating from Burma 19th century ...

This antique marble Burmese Buddha statue is a magnificent representation of artistry and Buddhist devotion. Crafted from marble, it stands at an impressive height of 59.5 cm and has...

This 19th century wooden Burmese Buddha temple is a stunning testament to the rich spiritual and artistic heritage of Burma. Crafted from wood and standing at a height of 57 cm, with...

Absolutely beautiful large polychromed Burmese temple dancer from the 19th century hand carved out of a piece of teak. Very decorative piece of art. 127 cm / 50 Inches tall. Please n...

A small desk top Chinese scholar stones (also known as Gong Shi, meditation stone and spirit rock) on a fitted display wood stand circa 19th century. This is likely a grey Lingbi type stone with subtle arch mimics a horizontal mountain range. The wrinkles and folds on the greyish black surface were perfectly weathered by elements for millenniums. Smooth and rugged at the same time, the mountain range shows a poetic formation that was often depicted in the ink scroll...

Discover the elegance of traditional Chinese craftsmanship with this Old Chinese Wood Carving Square Plate featuring intricate birds and flowers inlai...

This is a beautiful Chinese Vintage Rare Wood Carving Auspicious Kids Clouds Snuff Bottle. It is a collectible item with rich cultural and artistic significance. Snuff bottles were...

A rare Xuan type Chinese scholar stone on a carved wood stand circa 19th century Qing dynasty. Xuan stone was traditionally collected in Xuan Zhou, Anhui Province in China. The stone...

Material: marble 30,5 cm high 72,5 cm wide and 17,5 cm deep Weight: 30.45 kgs Mandalay style Originating from Burma 19th century A beautiful piece !  

Material: wood 24 cm high 14,2 cm wide and 8,5 cm deep Weight: 0.361 kgs Gilded with 24 krt. gold Mandalay style Bhumisparsha mudra Originating from Burma 19th century

This exceptional Chinese Shoushan stone carving is a fine example of Qing artistry and craftsmanship, featuring a Sage in a semi-seated position...

Superb 19th century Indian buffalo in wood Very beautiful Indian work representing an elongated buffalo which has a superb patina and some rest of his original polychromy The buffa...

Material: wood 21,2 cm high 7,6 cm wide and 7,5 cm deep Weight: 0.348 kgs Goldplated with 24 krt. gold Shan (Tai Yai) style Originating from Burma 19th century

Material: bronze 4,2 cm high 3,7 cm wide and 3,8 cm deep Weight: 0.153 kgs Originating from Burma 19th Century.

Big, Beautiful And Signed From our recent Japanese Acquisitions An early and hard to find Japanese larger scale hand carved stone Kanon in a mudra of contemplation. Nyoirin Kannon ...

Material: bronze 4,8 cm high 3,6 cm wide and 3,9 cm deep Weight: 0.160 kgs Originating from Burma 19th century

Very Tall Pair of African Marriage Figure Panels This is a very heavy pair of large full-length figures, wall panels, they are African, carved and polychrome painted, modelled as a ...

Beautiful porcelain artwork of group of 3 vintage women Giusepp Italian style

Material: lacquerware 13,5 cm high 8 cm wide and 4 cm deep Weight: 0.098 kgs Gilded with 24 krt. gold Shan (Tai Yai) style Bhumisparsha mudra Originating from Burma 19th cen...

PRESENTING a GORGEOUS and EXTREMELY RARE Meiji Period High Quality Japanese Bronze Vase by Yoshida Zo. Made in Kyoto, Japan circa 1885, by the famous bronze sculptor, Yoshida Zo. I...

Material: wood 89 cm high The base is 25 x 25 cm Weight: 8.3 kgs With inlayed eyes Mandalay style Originating from Burma 19th century This is the same Buddha that is standin...

Bring a touch of peaceful tranquil serenity and help ward off sickness and negative energy with this large Joseon dynasty (1392–1910) antique Asian hand carved and painted wood Buddh...

Material: wood 49,8 cm high 35,3 cm wide and 26 cm deep Weight: 4.374 kgs Gilded with 24 krt. gold Mandalay style Originating from Burma 19th century.  

This exquisite antique Chinese Qing Dynasty belt hook showcases the fine craftsmanship and intricate artistry typical of the period. Carved from pale green jade, the piece features a...

Material: bronze Measures: 4,2 cm high 2,5 cm wide and 3,1 cm deep Weight: 0.077 kgs Originating from Burma 19th century.

Material: bronze 5,5 cm high 3,3 cm wide and 3,5 cm deep Weight: 0.154 kgs Originating from Burma 19th century  

A fine quality late 19th Century (Meiji period 1868-1912) patinated and gilded bronze plaque depicting four men looking into the sky, two under a Palm tree, the other two standing next to a Tiger and holding a smoking vessel...

Material: bronze 4,1 cm high 2,8 cm wide and 3,1 cm deep Weight: 0.079 kgs Originating from Burma 19th century

This antique wooden Buddha statue is a truly unique and special collectible piece. Standing at 39 cm high, 31 cm wide, and 23.5 cm deep, it is made of wood and it has been gilded wit...

Antique Burmese Shan Wood, Lacquer and Gold Leafed Buddha, 19th Century. The image sits on a waisted lotus base with raised lacquer  details, seated in padmasana, the lotus position ...

Asian farmer bronze figurine - 19th Asian Art - Antique Decoration - Sculpture Measures : base Ø 5,5cm H:11,5cm Wear consistent with age and use.

Rare terra cotta mask from a temple.

Two (2) Fine Old Woodblock Lanterns Garden Prints : Stone Pagoda, Gardens, Stepping Stones & Lush Landscapes Japan two (2) antique Old Kyoto Garden Woodblock prints from an original...

Stunning antique well pulley from Edo Period in Japan. Amazing patina, great bookshelf decor piece.

Three exquisite Japanese nineteenth-century bronze sculptures of carp. The sculptures are in excellent state. The set contains three different carp: A large one, a medium-sized one ...

An impressive depiction of Guanyin, the Bodhisattva of compassion, whose name bears the meaning ‘One who hears the cries of the world.’ The rather androgynous figure is adorned with beaded jewellery and the princely regalia of a dhoti, draped across her body and spilling out over to partially obscure what she is resting upon. The goddess’ profile exhibits idealised features of Asian artistic convention; her face is soft and rounded, with full lips and relaxed eyes that provide a serene quality of youthfulness to the figure. Adhering to Chinese iconography of Guanyin, the figure is marked by an urna on her forehead, denoting her own enlightenment, as well as a diadem displaying Buddha Amitabha, the spiritual teacher of Guanyin. Seated in the Lalit asana pose, translated as ‘royal ease’, the figure exudes a fine example of the relaxed majesty typical in the characterisation of Guanyin. Whilst the figure’s left hand is placed restfully upon the left leg pendant, the right is raised in the gesture shuni mudra, the second finger held gently against the thumb. Otherwise known as the seal of patience, this gesture indicates the figure as one intended to bestow this virtue, along with compassion and understanding, upon the beholder. Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

This vintage Dalagan agarwood carving of a Chinese dragon pendant is a fascinating and highly valuable piece of art and jewelry. Agarwood, also known as "oud" or "chenxiang" in Chine...

A charming Meiji period bronze of a boy collecting sweet chestnuts by Seiya, he carries a basket and is looking down at an insect crawling over his hand, he is also evidently wearing...

Unusual Casting of a Pheasant in Flight From our Japanese collection, we are delighted to offer this Japanese bronze okimono of a Pheasant upon a naturalistic root wood base. The Ph...

Jade Vase with Rings. China, Qing Dynasty, 19th century. A Chinese jade vase dating back to the 19th century, Qing Dynasty era. It is a refined art object, entirely carved in natural...

An unusual pair of Chinese carved Stone models of lions, each depicted with opposing heads and seated on lotus bases. In good condition and retaining a nicely weathered surface. Circ...

A fabulous 18th century Chinese hand carved fragment with birds and flowers. Very deep relief gold gilt and the border is a very dark green.

One of three divinities known as Fu-Shou-Lu (Happiness, prosperity and longevity).  

A gorgeous Japanese bronze temple shrine Buddha. The small piece has a beautiful aged patina and a wonderful, surprisingly hefty feel to it when held in...