19th Century Sculptures and Carvings

19th Century carved wood panel with lotus bud motive. An Architectural Element from a Buddhist Monastery in Northen Thailand. A Lotus Bud representi...

A 19th century Thai hand-carved wooden temple dragon sculpture mounted on a custom base. Born in Thailand during the 19th century, this abstracted wooden dragon...

This 19th century Antique wooden Buddha temple is a stunning testament to the rich spiritual and artistic heritage of Burma. Crafted from wood and standing at a height of 50,5 cm, wi...

A Special Antique Interior Lighting Choice- One Of Kind And Over 100 Years Old Japan, a well loved antique heavy bronze shrine lantern with attractive Hoju jewel finial, heart shape...

This magnificent building facade was once part of a grand mansion in Gujarat, India. It is entirely made from Teakwood, which is highly resistant to in...

A MAGNIFICENT WOODEN NETSUKE OF A MONKEY. Edo period. A netsuke of a monkey seating in a leisurely manner, extremely realistically carved with a great expression on his face,the ...

A beautiful antique Khmer hand carved wooden Buddhist figure. Originating in Cambodia, Laos, Vietnam or Thailand, 19th century or earlier, the exceptional Southeast Asian antique...

This antique Chinese bronze statue represents Marici, a revered figure in Buddhist mythology. Crafted from bronze, a material known for ...

Two exquisite Japanese musha ningyo dolls, crafted as courtiers, Edo Period, early 19th century, Japan. The older man can be identified as the h...

A Chinese amethyst carved censor and cover, Qing Dynasty, 19th century. the rounded body carved with a pair of dragon mask handles, raised on thr...

A fine quality pair of Japanese Meiji period 1868-1912 Miyao bronze figures of Samurai warriors, each with a wonderful patina and gilded highlights. Each mounted on hand carved hardw...

Very Unusual Horn Sectional Hand Carved Chinese Walking Stick or Dress Cane of outstanding quality, last half of the Nineteenth Century. The ...

Big, Beautiful And Signed From our recent Japanese Acquisitions An early and hard to find Japanese hand carved stone Kanon in a mudra of contemplation. Nyoirin Kannon Bosatsu is b...

Chinese hand carved Jade on wooden stand. The Jade disc measures approximately 12 inches in diameter. Height including a wooden stand is appro...

Nicely crafted early Okimono sculpture of dragonfly . Wrought and forged body with brass wings . Original finish and patina .

A very large antique Asian wood carving of the iconic Laughing Buddha. The sculpture has great form, the Buddha with his right hand resting ...

A very interesting pair of praying/ offering figures. We are not quite sure what they were used for but they have some age and are quite heavy and solid for their sizes. We believe they are from Tibet/Northern Nepal. Was acquired from a collection of Asian/ Tibetan/Nepalese and Indian artifacts...

This late 19th century standing figure depicts the sacred form of the bodhisattva Guanyin, known in Japanese Buddhism as Sho Kannon, or Guze Kannon. ...

These exquisite Japanese Meiji period sculptures depict two patinated bronze monkeys, showcasing the artistry and craftsmanship of the era. The larger monkey, seated with a contempla...

A tall antique Balinese hand-carved and painted wooden statue from the 19th century on black base. Hand-made on the island of Bali, Southern Indonesia during the 19th century, this w...

African Toma Tribal Initiation Ceremonial Mask From Liberia (Guinea) From the Tribal people of Liberia (Guinea, Africa) Initiation masks were used by secret male socity know as Poro

A pair of Chinese Qing Dynasty period hand-carved temple corbels from the 19th century, mounted on black bases. Created in China during the Qing Dynasty...

A stunning Taihu scholar stone in an unusual horizonal balanced form perched on a custom wood stand. The stone, in a nearly pure greyish white color, display a weathered smooth surfa...

Material: bronze 34,5 cm high 21,5 cm wide and 12,5 cm deep Weight: 3.718 kgs Gilded with 24 krt. gold Dhyana mudra Originating from Thailand 19th century - Rattanakosin period

This unusual carved Chinese wooden stool is from the Qing dynasty (circa 1820). The stool is finely carved from the center of a northern elm (Yumu...

We kindly invite you to read the entire description carefully, as we aim to provide detailed technical and historical information to ensure the authenticity of our items. This extrao...

An antique 19th century Indonesian carved wooden panel from a temple entrance, with scrolling foliage. Only one of the panels in the photo is no...

Pair of 19th Century Chinese bronze fu dog censers: hollow vessels with a hinge at the front of the neck.

This is a very rare carved wooden statue of a sacred horse that was dedicated to a Japanese shrine. It was produced during the Edo period (1800s-1860s), and the main material used is...

Material: wood 76 cm high 31 cm diameter Weight: 4 kgs Shan (Tai Yai) style Originating from Burma Late 19th / early 20th century.

Chinese Interior-Painted Glass Snuff Bottle, signed with calligraphy, C. 1864, very well painted inside of glass depicting figures and landscaping on both sides in colors.  

The first we have seen A spectacular and hard to find Inlaid mother of pearly - using the raden technique- and lacquered three-drawer Tansu complete with all original bronze accoutrement including a fine engraved antique long pipe and two removable covered bronze cylinders all executed by expert mid-19th century Edo samurai...

This is a pair of antique Oriental dog bookends. A Chinese, soapstone decorative 'Dog of Fo' book rest, dating to the late Victorian period, circa 1900. Delightfully tactile dogs wi...

This 19th-century hand-carved polychromatic wood figure depicts a powerful Guardian, poised on a recumbent tiger with his right fist raised in a striking motion, his eyes bulging wit...

Dayak Hampatong Ancestral Figure – Borneo, Indonesia An evocative and rare carved wood figure from the Ban Dayak people of Borneo’s interior rainforests, this Hampatong sculpture de...

Material: marble 57 cm high 52 cm wide and 29 cm deep Weight: 61.55 kgs Mandalay style Bhumisparsha mudra Originating from Burma 19th century The stone seems more 'alabaster', it is...

A wonderfully formed Chinese scholar stone of Lingbi type presented on a carved wood base with curvy conforming contour. Impressive in size and substantial in weight, this grey Lingb...

Cast bronze Buddha head. On a carved wooden pedestal. Circa 1890. H 13-3/4" W 4-1/8" D 3-1/2" including base.

Presenting a famous netsuke artist, Yoshitoshi from Japanese, a carved netsuke "The Pig" dated around the late 19th to early 20th century.         

Just discovered from an old Kyoto area garden. Call or message us for details or to reserve. Please view our video. For the finest garden- an exceptional and spiritual representation of the Buddha expressed in this unique and substantial 10 feet five roof pagoda with four buddha images carved on base. Japan, a monumental antique stone pagoda...

Used in Thailand as temple roof finials or in pairs at entrances to guard against evil spirits and natural disasters, the powerful, mystical naga ar...

Description: A singular example of Guanyin. Deviating from the Bodhisattva’s conventional pose of ‘royal ease’, the figure is instead seated in the meditative padmasana, or ‘lotus position’, rendering this Guanyin something of a rarity. An Apana more typically associated with depictions of Buddhas, Guanyin assuming this pose immediately signifies this figure as one of particular spiritual reverence. Both feet are revealed crossed upon one another from beneath fabric which spills before her, her left palm turned upward with her hand resting upon her left knee and her right raised in a relaxed gesture. Adorned with a diadem housing a depiction of Amitabha Buddha, her own spiritual guide, she exudes an air of tranquil regality, further characterised by her numerous strings of beads and elaborately fastened dhoti, attire traditionally reserved for Indian princes. Though the figure’s dress is Indian her face is undoubtedly exemplifying artistic Chinese beauty standards. Her face is soft and rounded, full in both the lips and cheeks, with eyes that restfully peer down, as though she is watching over the worries of mankind with compassion. Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

This Late 19th / early 20th century Antique wooden Temple cabinet is a stunning testament to the rich spiritual and artistic heritage of Burma. Crafted from wood and standing at a ...

Burmese wooden tribal mask. Age: Burma, Mandalay Period, 19th century Size: Height 27 C.M. / Width 20 C.M. / Thickness 17.3 C.M. Size including...

Antique bronze figure of Baby Bata Krishna crawling figure holding the pearl of wisdom or butterball. Antique Indian Bronze Figure of Baby krishna with his Butterball. An Indian Bronze Figure of Balakrishna, the baby Krishna wearing chains around his waist and a necklace, his face with a humorous expression, holding a ball of butter in his right hand, it is considered the ball of wisdom. Antique Asian collectible cast bronze copper sculpture figurine of Hindu God Lord Krishna in a baby form. 19th century lost wax cast bronze Bata Krishna figure, India Avatar of Vishnu, the Bala Krishna form represents him as a baby. Krishna is probably the most beloved avatar of god Vishnu and is widely worshipped all over India. Crawling Krishna is a common subject, the craftsmanship and the elegance of proportions make this Vigraha an outstanding one. Dimensions: Height: 3 inches Length: 2.50 inches Depth 2.50 inches. From the Art collection of Marian and John Scott. Acquisition date: 1986. From the Art collection of Marian and John Scott who purchased this item from the amazing private collection of Mark Lissauer who spent his life collecting niche ethnographic pieces. About Mark Lissauer: Mark Lissauer spent forty years travelling abroad for months at a time collecting ethnographic artefacts primarily from New Guinea and the islands of the West Pacific, and from Asia and Himalayan countries. Fluent in five languages and having in the course of business travelled to more than forty countries, Mark is well-known to museums and art-collectors around the world for his long career and his interesting and diverse collection of rare ethnographic material. Mark knows the origin and symbolism of each piece. Through extensive research and more than ninety trips around the globe, Mark familiarised himself with the traditions of the various cultures he visited in order to understand the meaning of each object to its region and tribe. His home has a specialist library and several rooms are filled with tribal carvings, textiles and ethnographica. He acquired his first tribal piece in 1948 during a business trip to Milne Bay, New Guinea, and has since documented the acquisition of some 35,000 items. Several thousands of these have been sold to important private collections and museums worldwide, including the Rockefeller Museum, the British Museum and the Musée National des Arts d’Afrique et d’Océanie, now incorporated into the Louvre Museum. Estimator certificate of authenticity by Wayne Heathcote Tribal Art Dealer and Expert. Heathcote has a flash gallery in Brussels, where much of the tribal art business is centred, and is an expert at Sotheby's tribal art sale...

Material: bronze 29,9 cm high 22,7 cm wide and 12,5 cm deep Weight: 4.669 kgs Gilded with 24 krt. gold Bhumisparsha mudra Originating from Thailand 19th century, Rattanakosin...

This antique wooden Buddha statue is a truly unique and special collectible piece. Standing at 39 cm high, 31 cm wide, and 23.5 cm deep, it is made of wood and it has been gilded wit...

Best Quality, Hard To Find, complete with antique wooden collector box tomobako A fine pair (2) of Japanese antique hand cast gilt bronze Mandarin Duck screen holders with highly d...

Antique Thai Buddhist Temple Pediment. An architectural remnant of an assembled teak triangular gable carved with elaborate and symmetrical “kanok” veget...

18th/19th century Buddha Statue carved of Alabaster. Burmese Shan Buddha Statue 1800ca, collected in Myanmar Shan State 1998. Legs crossed, the left hand in the lap, and the right ha...

Tibetan wooden Buddhist Mahakala mask (Shaman Exorcism Mask Yama God of Death) with stand. Age: Tibet, 19th Century Size: Height 36.6 C.M. / Width 2...

This masterfully carved celadon jade figure represents the epitome of Chinese artistry and craftsmanship. The sculpture features a beauty dressed in flowing traditional attire, capturing the essence of grace and elegance. She is depicted holding a plate that presents a branch bearing three peaches, a symbol of longevity and prosperity in Chinese culture. The jade used for this carving is of a refined celadon hue, adding a layer of sophistication and tranquility to the piece. The intricate detailing on the flowing dress and the lifelike representation of the peaches attest to the skill and precision involved in its creation. This celadon jade carving...

A striking Japanese carved wood mask with polychrome paint and lacquer surface. This rare mask is dated to the Edo period (first half of 19th century and possibly earlier). The mask ...

This Antique Wooden Burmese Offering Vessel is a remarkable piece that beautifully showcases the craftsmanship of the Shan (Tai Yai) people. Crafted from high-quality wood, this vess...

Discover this antique Burmese Kammavaca manuscript, an extraordinary 19th-century artifact showcasing Burma’s rich Buddhist heritage. Crafted from la...

This antique marble Burmese Buddha statue is a magnificent representation of Buddhist devotion. Crafted from marble, it stands at an impressive height of 48 cm and has dimensions of ...

Intricately carved and finished with gilt black lacquer, this seated figure depicts the bodhisattva Guanyin, known in Japanese Buddhism as Kannon. Described as the "Buddha of Infinite Compassion," Kannon is the embodiment of mercy and makes himself available to all who call upon him with all their mind. Kannon is depicted here seated in diamond position upon a double lotus plinth, set above a stepped base. He is dressed in gracefully draped robes and wears a tall crown bearing a minuscule figure of Amida, the Buddha of Infinite Light. He has a serene expression of calm and holds his right hand in the abhaya mudra, a gesture of comfort, blessing, and protection. Backed by a magnificent leaf-form nimbus, this Kannon figure...

A beautiful late 19th century paint bowl with a lid that was once used for storing the famous Tibetan barley flour (Tsampa). These bowls were used by the Buddhist mountain people of ...

This substantial carved wood fragment originates from a traditional Thai temple or royal structure, likely once part of a column, pillar, or large decorative panel. Crafted from teak...

Antique Japanese natural Momo Red Coral Graduated Bead Necklace - Gilt fish hook Clasp. A fine 19th C coral necklace. The red coral round beads have a nice cut, color, shape and l...