Batik Asian Art and Furniture

Antique Batik Tulis Kemben Cloth – Tiga Negri Style – Hand-Drawn Wax Resist Textile, Indonesia (1930s) An exceptional example of traditional Indonesian textile artistry, this antiq...

Antique Meiji period Japanese porcelain temple jar with intricate hand painted decoration and gilt. The jar in Classic Kutani colors with floral and phoenix birds all over the top an...

Fine Hand printed Oriental cloud batik A Indonesian Cirebon batik hand printed in a traditional Chinese cloud style with graduated blue and red Perfect...

African Batik Cloth Natural Hand-woven Hand-Printed Cotton Fabric Ghana 10 yards. Colors are organic earth tone beige and light brown in geometric design. Non waxed fabric circa 1950s. Hand made in Ghana Africa. Museum Quality Original Long Piece. 380 inches, (30 ft 10 yards Long) x 46 inches Inches Wide( 4ft). Could be use to make pillows or upholstery. History of Batik in Africa: Batik, a traditional fabric art technique, has a rich history in Ghana, West Africa. The practice of batik involves using wax to create intricate patterns on fabric, which is then dyed to achieve the desired design. While batik has its origins in Asia, particularly in Indonesia, it has been embraced and adapted by various African countries, including Ghana. In Ghana, batik-making can be traced back to the mid-20th century when it gained popularity as a form of traditional textile art. The craft was introduced by artists and artisans who were inspired by the vibrant and expressive nature of batik. These early practitioners experimented with different designs, colors, and patterns, infusing local themes and motifs into their creations. Over time, batik became an important part of Ghanaian culture and identity. It is not only used for clothing but also for various decorative and functional items such as wall hangings, tablecloths, and accessories. The art form often reflects the rich cultural heritage of Ghana, incorporating symbols, proverbs, and traditional stories into the designs. Ghanaian batik artists often employ a combination of traditional and contemporary elements, creating a unique fusion of styles. The process of making batik involves applying hot wax to the fabric using various tools to create the desired patterns. The wax acts as a resist, preventing dye from penetrating the waxed areas. After dyeing, the wax is removed, revealing the intricate designs on the fabric. Today, batik-making in Ghana continues to thrive as both a traditional craft and a form of artistic expression. Many artisans and designers draw inspiration from Ghana's diverse cultural landscape, incorporating elements from different regions and ethnic groups into their batik creations. The art form has also gained international recognition, with Ghanaian batik products being sought after both locally and abroad. In summary, the history of batik in Ghana is a testament to the creativity and adaptability of artists who have embraced and transformed this traditional technique into a vibrant and culturally significant art form within the country. HISTORY OF BATIK In the mid-nineteenth century, the Belanda Hitam, or "Black Dutchmen," are said to have introduced batik to West Africa after serving as indentured soldiers for the Dutch in Indonesia. Returning from their conscriptions with trunks of fine Javanese batik, the opulent patterns captured the imagination of their friends and relatives. However, textile history is complex, and only a handful of recruits returned to West Africa with batik due to delayed payments. Batik, with roots traced to Egyptian mummies, is a tradition found globally, from Southeast Asia to Japan and India. Europeans, particularly the Dutch, played a significant role in industrializing batik from the seventeenth century onward. In West Africa, Dutch Scholar Ineke van Kessel suggests that batik arrived from India over trans-Saharan routes. Local populations, like the Yoruba in Nigeria, incorporated wax printing into their textiles. European traders brought wax and non-wax fabrics to West Africa in the seventeenth century, targeting a population ready for their consumption. European designers adapted prints for the African market...

Vintage Indonesian Kain Batik Tulis Supit Urang, Solo (Surakarta), Java, 1950. A traditional meticulously hand drawn wax resist painting by canting on cotton, of an aquatic theme Sup...

Exquisite Japanese contemporary decorative porcelain vase, hand-painted in white and blue underglaze on a beautifully shaped ovoid porcelain body, a signed piece by highly acclaimed ...

Vintage Indonesian Kain Batik Tulis Parang, Solo (Surakarta), Java 1960. A fine hand drawn wax resist painting by canting on cotton of a variation of the Parang Rusak pattern of a br...

Vintage Indonesian Kain Batik Tulis, Solo (Surakarta), Java, 1960. A traditional meticulously hand drawn wax resist painting by canting on cotton, dyed in two colors; a fine line of ...

Vintage Indonesian Kain Panjang and Matching Selendang Batik Tulis, Cirebon, Java 1960. A fine hand drawn wax resist painting by canting on cotton of a traditional flora and fauna pa...

Vintage Indonesian Kemben Batik Tulis (Breast cloth), Jogja (Yogyakarta), Java 1970. This kemben batik has a hand-drawn design on cotton by wax resist canting. The traditional ceremo...

Antique Javanese Silk Batik Slendang (Selendang). A shoulder cloth length of compact hand spun silk imported from China. The diagonal patterned stripe...

Vintage Indonesian Kain Batik Tulis, Solo (Surakarta), Java, 1960. A traditional meticulously hand drawn wax resist painting by canting on cotton of an Udan Liris pattern of lyrical ...

Vintage Indonesian Kain Batik Tulis, Solo (Surakarta), Java, 1960. A traditional meticulously hand drawn wax resist painting by canting on cotton of a Udan Liris pattern of diagonal ...

Antique Javanese Silk Batik Slendang (Selendang). A shoulder cloth length of compact hand spun silk imported from China. The flora & fauna design crea...

Vintage Indonesian Kain Batik Tulis, Jogja (Yogyakarta) , Java, 1970. A traditional hand drawn wax resist painting by canting on cotton of a classic ceplok pattern of repetitive rows...

Vintage Indonesian Kain Batik Tulis, Solo (Surakarta), Java, 1950. A traditional meticulously hand drawn wax resist painting by canting on cotton of a spirited phoenix pattern inters...

Vintage Indonesian Kain Panjang Batik Tulis Pagi-sore Buket, Demak, Java 1950. A fine hand drawn wax resist painting by canting on cotton of a tradit...

Indonesian Vintage Kain Batik Tulis, Solo (Surakarta), Java, 1960. A traditional hand drawn wax resist painting by canting on cotton, dyed in three colors. beige, dark indigo blue an...

Vintage Pernakan Kain Panjang Batik Tulis, Cirebon, Java 1950. A fine hand drawn wax resist painting by canting on cotton of a traditional Java north coast Pernakan zig-zag pattern w...

Vintage Indonesian Kain Batik Tulis Parang, Jogja(Yogyakarta), Java 1940. A fine hand drawn wax resist painting by canting on cotton of a traditional...

All well maintained, no mildew smell. Original fabric and pillow cases with zippers. Batik!! Always in style!

Vintage Hand Dyed Cotton Batik Slendang (Selendang), Java. A length of cotton fabric used as a shoulder cloth, hand dyed in three colors of rust brown, indigo and a dark blue painted...

Vintage Hand Dyed Cotton Batik Slendang (Selendang), Java. A length of cotton fabric used as a shoulder cloth, hand dyed in two colors: red and blue painted over a wax resist design,...

Antique Hand Dyed Cotton Batik Slendang (Selendang), Java. A length of cotton fabric used as a shoulder cloth, hand dyed in three colors: the base dyed golden yellow overall then a v...

Exquisite contemporary Japanese porcelain decorative charger, intricately hand painted in vivid blue, red and green, a signed piece by ...

Extraordinary Japanese contemporary museum-quality decorative porcelain vase, extremely intricately hand-painted in dark blue, Gray and orange on a beautifully shaped porcelain body,...

Batik, Kain, hip-wrap clothing garment, java, mid-20th century. Worn by both men and women. Black, blue, soga brown and ecru. Designs are applied using the wax resist-dye method. Typical of those made in Surakarta (Solo) one of the two central Javanese cities known for its highly developed batik art...

Unique contemporary Japanese dimpled decorative porcelain plate, an elegant piece gilded and hand painted by highly acclaimed porcelain artist of Japan’s Imari-Arita region. This mas...

The Mughal miniature, meticulously created with a single-hair brush on delicate rice paper, depicts Emperor Shah Jahan in two distinct yet visually harmonious scenes with a courtesan...

Super Rare Goud Work, K. LAXMA GOUD BATIK THREE GODDESSES EPIC & RARE EARLY "COMMERCIAL MID CENTURY" STYLE! CIRCA 1967 ! LARGE! Approx . 33" By 20" Here is a superb batik fro...

Probably one of the most beautiful batik textile designs from Indonesia, the wraparound skirt also known as Kain Panjang was an iconic design from Cirebon, North Coast of Java. The Cloud design...

Auspicious Shishi Batik Screen Period: Late Edo Size: 145x173 cm (57x68 inches) SKU: PTA62 Step into the mythical world of late Edo Japan with our radiant batik screen depicting the...

Auspicious Shishi Batik Screen Period: Late Edo Size: 145x173 cm (57x68 inches) SKU: PTA62 Step into the mythical world of late Edo Japan with our radiant batik screen depicting the...

Probably one of the most beautiful batik textile designs from Indonesia, the wraparound skirt also known as Kain Panjang was an iconic design from Cirebon, North Coast of Java. The Cloud design...

Unique Japanese contemporary porcelain charger in light red, black and yellow, set against a beautiful red background decorated with an extremely intricate decoration in gold, a sign...