18th Century Clocks

Fine antique George lll all original longcase clock signed Charles Shuckburgh of London having a brass arched dial, silvered chapter ring, subsidiary dial, original hands, 8 day move...

Large Louis XVI period portico clock in white marble, gilt bronze and blue earthenware in the Wedgwood style. The two posts are decorated with chased and gilt bronze motifs represent...

A French Directoire ormolu mounted black marble portico clock of Egyptian temple form. Set upon ormolu toupee feet with a rectangular black marble base. Black marble columns rise up ...

A fine Georgian walnut bracket clock by John Greaves of Newcastle (born c.1725 and active between 1745-94) with an eight day five pillar twin train fusee movement and anchor escapeme...

The Ancient Roman personifications of love and desire, Venus and Cupid, feature on this this fantastic Louis XVI mantel clock. Finely cast in resplendent gilt bronze, they are shown with a dove on Venus's hand, another ancient symbol of love. Venus is shown in draped clothing...

A very fine Early 18th century French Louis XV period corne verte (green horn) and ormolu mounted cartel or wall clock. The impressive cartel rests on its original socle - wall mounted base. Signed on the original white enamel dial with hand painted Roman numerals within a hand blown glass door with ormolu trim and decorated with ornate bronze. Impressively chiseled or ciselé work throughout. The wonderful gilt bronze case is signed by the highly respected maitre ebeniste and clockmaker, A. Gosselin from Paris. It is surrounded by flowers and foliage. Antoine Gosselin ‘A. Gosselin’ (Antoine Gosselin 1731-1794, Paris, master in 1752). Original gilding throughout, exquisite patina. Clock is in very good antique condition and functions, but may need to be serviced again after shipping just as all clocks do. The ormolu Chinoiserie...

18th century French large Vernis Martin gilt bronze cartel clock and console The impressive and large clock case decorated overall with very fine ‘Vernis Martin’ lacquer paint wit...

A fine example of an eight day longcase clock with wonderful full brass dial, moon roller and date hand. The superb mahogany case has a cross banded door veneered in flame mahogany w...

A fine 18th century eight day bracket or table clock by Thomas Coxworthy, with a brass bound flame mahogany veneered case and silvered dial. The arched silvered dial has both Roman and Arabic numerals, which at its centre has the smaller calendar dial, and above, a strike/silent dial. The eight day movement has a verge escapement - a feature of early clocks...

A Louis XV style marble mantel clock. Enamel dial with Roman numerals, signed with a red inscription "Seigneurez A Paris", finely pierced, engraved gold-plated hands, a broken arch (...

Cartel from the Louis XV period in brown tortoiseshell and inlaid with brass signed in enamel Jean Louis Delisle in Paris and on the movement, strikes the hours and half-hours revise...

Grand scale boulle Cartel clock and matching plinth, the ebonized wood case is embellished all-over with gilded bronze mounts (re-gilt). The medall...

Gilt bronze and malachite Louis XVI clock French, late 18th century Measures: Height 69cm, width 36cm, depth 13.5cm This fine Louis XVI mantel clock is wrought from malachite and gilt bronze. The malachite veneer is a later, beneficial refinishing. The clock features a plinth-form malachite base supporting four malachite columns, each with a gilt bronze capital. The columns raise an ornately shaped top, which is inset with a circular white enamel dial and is surmounted by urn-form finials. Beneath the dial is suspended an ornately cast and finished gilt bronze drapery...

-There are functions such as seconds, minutes, hours, and only the month - Music box with 8 tracks -Automatically turn on music at 7:00 and 19:00 every day ...

Mantel clock 18th century Louis XV by Picard, Henry (French, FL. 1831-1864) Henri Picard was a prestigious 19th century fondeur and doreur, who worked in Par...

French 18th century Skeleton clock with oval glass panel by Charles Voisin.

The clock is in excellent and perfect working condition. In addition, it was recently cleaned and serviced by a professional clockmaker. The eight-days going movement has a wire sus...

A spectacular and extremely high quality French early 18th century Louis XV period tortoise shell and ormolu mounted Cartel clock. The impressive clock rests on its original wall mou...

18th century George III figured mahogany three pad bracket clock by John Wright Dorking, Circa 1780. England A most attractive English bracket clock, made around 1780, signed on ...

Ormolu bronze mantel clock flanked by a troubadour and musical instruments, signed 'Ferdinand Berthoud a Paris'. The end of the 18th and beginning of the 19th century was a crucial time in which new technological advances helped to make watches more accurate and more portable. During the 1790s, the production of gilded bronze increased considerably as working conditions improved. The freedom of trade initiated by the French Revolution allowed many casters to develop large factories. The new factory environment gave them a chance to execute all stages of bronze work including drawing, casting, gilding, assembly, and trade of art objects. While the bronzers took creative liberty in creating all kinds of clocks in contrast to the noble and rigorous structure carried by the movement of neoclassicism. Under the reign of Empire, the case designs started gradually to develop away from a proportionate and strict classicism towards a baroque style and revival style. The rediscovery of medieval civilization was one of the intellectual curiosities of the beginning of the 19th century, with much input from the Ancien Régime and its institutions, rites and the medieval churches in which family ceremonies occurred. This early nineteenth-century figural mantel clock is surmounted by a medieval musician. To be more precise, it is a french troubadour. Troubadours were known for composing and performing lyric poetry for the nobility back during medieval times. The clock is featuring a chiselled bronze troubadour, dressed in medieval fashion while holding a flute, playing a tune from sheet music called "Du Troubadour" that is resting on top of the rectangular clock case. In addition to that, the clock features a gilt bronze lute or vielle resting on a small stool on the opposite side of the clock’s case. The white enamel dial features the inscription Berthoud and is underlined by a bronze entourage chiselled with palmette motif, plus encompassed by c-scrolls and wreaths. The original hands are in blued steel and encircled by Roman numerals indicating hour next to Arabic numerals indicating minutes. The small details that adorn the hexagonal plinth are reliefs, depicting two water fountains or basins on both sides with a lyre in between. The sculpted image of a lyre raised above the background features also foliage garlands tied on top with ribbons. The clock rests on seven spinning feet. The clock was made in the well-known workshop of the Berthoud’s family that was recognized for their excellent work by the King. Berthoud Clockmakers History. Ferdinand Berthoud was a horologist and author of extensive treatises on timekeeping as well as a Swiss clockmaker serving the king of France, that produced many marine clocks, including a weight-driven version that inspired the first American sea-going clock. He was born in Plancemont, Switzerland, the son of an architect and judiciary. In 1741 he began a three-year apprenticeship as a clockmaker under his brother, Jean-Henri. He made his first marine chronometer in 1754 (sent for trial in 1761) and in 1764 was appointed a member of the Royal Society, London and Horloger Mécanicien de Sa Majesté et de la Marine ayant l'inspection de la construction des Horloges Marines. In 1769, Ferdinand Berthoud sent for his nephew Pierre-Louis Berthoud (1754–1813), commonly known as Louis Berthoud, a talented young watchmaker and clockmaker, inviting him to come to Paris from Couvet, Switzerland, to pursue his apprenticeship. Louis helped Ferdinand manufacture and repair the sea clocks...

Cartel with its base in Boulle marquetry and gilt bronze. The gilded bronze in moving foliage and scrolls of flowers are of rocaille style. The circular frame in finely chiseled bron...

A large and important French 18th century Louis XV period Tortoiseshell and ormolu Boulle cartel clock signed Le Faucheur, A Paris. The clock is ra...

A very attractive Louis XVIth period French antique mantel clock of lyre form. Set on four shaped feet the sharp ended oval base with inset ormol...

Meissen gorgeous rococo mantel / table clock made of gilded / gilt bronze, excellently decorated with sculptured figurines made of porcelain. Manufactory: Meissen Hallmarked: Blue M...

Antique Neoclassical Louis XVI gilt bronze and malachite clock French, late 18th Century Measures: Height 56cm, width 35cm, depth 12cm Crafted from gilt bronze and a later malac...

A fine example of an 18th century mahogany long case clock with fantastic carved details to the hood and a flame mahogany door, the eight day ...

Portico clock signed “Persevalle à Reims” This refined portico clock crafted in transitional Louis XVI – Empire style from ormolu and black marble is signed on the dial “Persevalle à Reims”. The Empire style was based on elements of the Roman Empire and its culture, which had been rediscovered starting in the eighteenth century. Bronze was the main material used in Empire style timepieces and both the patina and ormolu techniques were vastly used for ornamentation during this period. As for the source of inspiration for decorative motifs of Louis XVI style, it was coming from nature and antiquity thus many characteristic elements would reoccur in architecture, interior decoration and furniture. Many ornaments were borrowed from flora, and this love for nature appeared into decoration by the presence of a wreath of roses, baskets, palmettes, bows and ribbons. The portico clock is mainly crafted from black marble and ormolu bronze embellishments, which with their minimalistic touch compliments one another. As mentioned before, the source of inspiration for this portico clock derived from antiquity. The columns which are a key feature of portico clocks are constructed in Greco-Roman architecture. The two front black pillars are made in Tuscan style with gilded capital and base, they are also entwined with an acanthus spiral around the pillar. The back columns, in contrast to the front one, are square and has only a face adorned with a gilded bronze floral garland. The four columns are connected on top with an entablature with a cylinder-shaped dial in the middle cast from bronze. The entablature is adorned on both sides with gilded lyres and flower vases. The dial of the clock is signed ‘Persevalle à Reims’ and consists of blue Breguet-style hands that indicate hours laid out in Roman numerals and minutes in Arabic numerals on the enamel dial. The Breguet hands have a circle with a filled crescent shape on the side and have been featured its founder's watch hands for over two centuries now. This unique shape is sometimes referred to by the French word for apple, pomme. Above the dial is situated a small black marble plinth and a marble medicis vase...

Wonderful golden clock, signed Jean-Antoine Lépine, (born November 18, 1720, Challex, France, Died May 31, 1814 (aged 93)Paris, France) a wonderful exam...

A handsome French 18th century Louis XVI period oak grandfather clock. The clock is raised by a square mottled base with an elegant carved recessed design. At the center is a finely ...

A striking and high quality French 18th century Louis XVI period white Carrara marble and ormolu garniture clock set signed by Jean-Simon Bourdier. The clock is raised by elegant mot...

A most elegant Danish 18th century Louis XVI period oak grandfather clock. The clock is raised by fine bun feet below a mottled finally carved foliate band. The case displays one doo...

Mantel clock 18th Century styl Boulle by JOSUE PANIER À PARIS.

Beautiful antique French Directoire period Egyptian or Gout d'Egypt ormolu and patinated bronze mantel clock. Superb quality and condition of the entir...

Magnificent and very rare French Directoire or Empire clock in patinated bronze and the finest highly worked ormolu. Set upon toupee feet below a rectangular ormolu base with applied...

The clock is in excellent and perfect working condition. In addition, it was recently cleaned and serviced by a professional clockmaker who specializes in maintaining museums.The eig...

An extremely rare mantel clock with a figured mahogany-veneered case by A-L Breguet Abraham-Louis Breguet (1747-1823), who was of Swiss origin, is undoubtedly the most celebrated clockmaker of the late eighteenth and early nineteenth centuries in France. He is responsible for the invention of the self-winding watch, the tourbillon and the sympathetic watch ( a watch that is placed in a cradle of a special clock. It is then linked by means of a pin fixed behind the clock dial. Built into the motion work which, when released by the clock, automatically sets the hands to the clock's time as well as correcting the watch's regulator necessitated by any degree of inaccuracy registered at the moment of synchronisation) and many other horological improvements and developments. Around the year 1807 Breguet brought in his son, Antoine-Louis (born 1776), as a business partner, and from this point, the firm became known as Breguet et Fils. Breguet had previously sent his son to London to study with the great English chronometer maker John Arnold...

A fine 18th century George III period ebonized striking bracket clock of rarer, smaller size. The well proportioned bell-top ebonized case is surmounted by a cast brass carrying handle and four pine cone finials. The 6 inch signed, brass dial has twin subsidiary dials for strike or silent and for slow or fast regulation. There are mock pendulum and date apertures within the matted centre of the dial. The five pillar fusee movement has an engraved, signed backplate with verge escapement...

A handsome early 18th century Austrian giltwood and mecca blind mans clock. The clock , with two separate chimes, one for quarter hour and the other f...

A superb French early 18th century Louis XV period ormolu clock, signed Gaudrons du Roy, Paris. The clock is raised on an ormolu base with luxuriant scrolled movements. Below the fac...

This clock was made by Jean-Baptiste Baillon III, one of the most skilled and innovative makers of his day. He supplied the most illustrious clientele, not least the French and Spanish royal family as well as distinguished members of Court and the cream of Parisian society. This is a unique, authentic antique French table or mantel clock, which is in finely chiseled and gilded bronze. The dial has outer Arabic numerals and inner Roman numerals with a fine pair of pierced gilt brass hands for the hours and minutes. Next to the clock is a tall lady figurine, accompanied by a child. The woman is holding a book in her right hand and a feather pen...

The clock is in excellent and perfect working condition. In addition, it has been cleaned and maintained by a professional watchmaker specializing in museum maintenance. The eight-da...

18th Century Louis XVI Gilt Bronze Female Mask Wall Clock, sign. "Juhel à Paris" The ormolu cartouche-shaped case surmounted by a twin-handled neoclas...

Thomas Moss Fusee bracket clock, London, brass silvered dial signed by the maker. "Thomas Moss, London." A mahogany veneered case with brass trim and bracket top. The movement is an ...

Georgian mahogany bracket clock Finely figured flame mahogany break arch case inset at the front and sides with fishscale silk lined sound frets standing on a raised plinth and resting on brass bracket feet. The arch with brass bound single pad above an opening full door. Brass bezel supporting a painted dial with Roman numerals, ‘blued’ steel hands and signed Robert Wood, London. Fine quality substantial double fusee eight day movement striking the hours and repeating at will on a large bell. The backplate with beautiful border engraving and signed within a cartouche ‘Robert Wood, London’. Regulating pendulum and pendulum holdfast. C.1790 ‘Watchmakers and clockmakers of the world’ by Brian Loomes lists Robert Wood as working in London from 10, Horseshow Alley, Moorfields. He was a maker of repute making several fine musical and automation clocks...

Antique French portico clock in Louis XVI style signed on the dial Gavelle Le, Rue aux Ours. This 18th c. style marble clock is composed of two columns in a shape of a obelisks in white marble and a statue of Goddess...

Early 18th century French Boulle gilt bronze wall console cartel clock, signed "Gribelin" Cartouche-shaped cartel clock case with a narr...

This is, without doubt, the largest and most impressive English longcase/grandfather clock we have ever encountered, standing at three meters twenty (10.5ft/321cm) and it is quite possibly the largest from the entire 18th century. The golden age. As you might expect, no expense was spared when this clock was commissioned circa 1710-1720, using only the very finest cuts of burr/burl walnut to adorn the case and cross-grain mouldings throughout, leading up to the sensational month going, quarter chiming movement by James Markwick, London. Once wound, the clock will run for one month, chiming the quarters on six bells...

The clock with laurel wreath and torch finial over a clock set in a rectangular case, bronze feet. Together with a pair of two light candelabra.

In fine condition with eagle finial over an enameled clock dial signed Degre, a fine Paris maker listed in Tardys book of French clockmakers. Flanked by two pairs of urns one white marble and the other black over marble columns wrapped in spiraling gilt bronze vines...

A fine Queen Anne period, early 18th century walnut hour-striking longcase clock by this well-known London clockmaker. The molded case is veneered with beautifully figured walnut, the herringbone cross-banded rectangular trunk door has raised convex moldings. The flat-top hood has a finely pierced-wood soundfret below the overhanging cornice and brass capped columns either side of the dial. The 12in square...

The dial signed William Scafe, London, the arched hood with an elaborate caddy top surmounted by three carved giltwood flambeau pedestal urns above a gilt scroll pierced sound frieze...

A magnificent large scale French 18th century Coromandel and ormolu Grandfather Clock, by André Furet. This very unique and high quality clock is raised by rectangular base with a li...

A Regulator clock by William Chisholm, London. Baillie has no record of the maker but by the design of its original case, we believe it to be late 18th century circa 1790. The 8 day ...

A sensational French Louis XV period, circa 1740, tall case clock with an extremely rare mechanism movement signed Jean Charost. The original case in kingwood, ebony and rosewood ven...

A very rare Louis XVI style gilt-bronze and glass, Pendule a cage, by Francois Linke, with a white marble base. Linke Index no. 076'. Linke Title: 'pendule a cage'. Signed to th...

An extremely elegant and very high-quality French 18th century Louis XVI period ormolu, Bleu Turquin and white Carrara marble clock signed by Jean-Baptiste Dutertre. The clock is rai...

Louis XVI architectural gilt bronze and malachite clock French, late 18th century Measures: Height 53cm, width 35.5cm, depth 11cm Crafted from ormolu and a later malachite venee...

An impressive Dutch longcase clock with a burr walnut veneered oak case, signed on the chapter ring F. VAN CEULEN UTRECHT. The hood of this clock ...