Early 1900s Decorative Objects

Tiffany Studios Ribbed Decoration Blue Favrile Iridescent Glass Art Nouveau Vase. Ribbed Vase, circa 1910 USA, New York Favrile glass 12.25 inches (31.1 cm) X 4.3 Inch diameter Mark...

Two horses in solid bronze with rich oxidation and traces of original gilt, prancing and rearing, with raised knees, flared nostrils, flowing manes and flying tails, mounted on iron ...

A fabulous and quite beautiful pair of Louis XVI style dore bronze mounted Chinese Famille Rose porcelain, sgraffito ground covered vases or por pourries. Each is exceptionally hand ...

Beautiful classic Chokwe mask genre that honours female founding ancestors. Such representations are particularly significant as the Chokwe trace the descent through the lines of their mothers. This is thought to be a dance mask with a net and wood hairstyle, from the Batshokwe people skilled in the art of carving and of very ancient origin belonging to the culture of the divine monarchy. The Batshokwe sculptors were the most famous in the region, masters in geometric decorations such as the depiction of scarifications and tooth deformations, the surfaces of their works were carefully smoothed and polished. On the forehead of the mask, the classic chinge-lyengelye scarification is clearly visible, commonly interpreted as a variant of the Portuguese cross...

Established in 1853 by Miklós Zsolnay, Zsolnay began as a small business producing basic stoneware and earthenware. Ten years later Miklós’ son, Vilmos, joined the company and led it...

Large Tiffany Studios Gold Favrile trumpet vase, 1908 Marks: 32565C L.C. Tiffany-Favrile, (applied paper label) Dimensions: Height: 16.5 inches (41....

Art Nouveau Copper Pedestal Jardinaire of massive proportions with tylistic floral embossed decoration - 18" diam x 18.5"h

Antique container from Borneo made from aged buffalo hide with a natural organic live edge rim. We discovered a beautiful patina after polishing. Great fo...

An exquisite antique terracotta reproduction of the Winged Victory of Samothrace (Goddess Nike), inspired by the iconic Hellenistic sculpture that commands the Daru staircase in the ...

French pair of antique bronze neoclassical ornate candleabra having rouge and black marble two tone bases, decorative chains adorning the 6 arms with central removeable finial that m...

A fine and charming French 19th-20th century carved white marble whimsical group sculpture depicting two putti (Children) playing with a dolphin, fitted for use as a fountain, Paris,...

Heading : Liberty Tudric pewter cake basket by Archibald Knox c1904 Period : Edwardian Origin : England Decoration : Enamel centre, stylised leaf and fruit pattern. Marked Tudric alo...

Antique Vienna bronze sculpture of a cat by Bergman. Stamped FB and Geschutzt. Cold painted patina. This model is illustrated in “Antique Vienna bronzes” by Joseph Zobel. Schiffer. M...

An important small Frederick Carder Art Nouveau Rose Flambé Alabaster vase by Stevens and Williams originally from their own museum and probably unique. Alabaster glass was first cre...

With the following features: Swiss watch movement, 8 day, calendar, and moon phases.

A good antique composition tortoiseshell and gilt metal singing bird box, German circa 1900 Going-barrel movement Setting the birds free... When wound and the sta...

Heubach, Germany. Two antique Art Nouveau vases in porcelain with hand-painted flowers. Ca. 1900. Measures: 16.5 x 7 cm. In excellent condit...

Great female statue of Judith in bronze with brown patina and white marble from Carrara. This young woman holds in her hands, stretched over his head, a scimitar in its scabbard, ready to draw it. The weapon is fitted with a hilt decorated by a stylized lion on the top of the sword guard...

Nelson Dawson, probably made by his wife Edith Dawson. A rare Arts & Crafts silver bowl with a red enamel lid and a particular E Dawson floral decoration...

Traditional design atop this unique ceramic piece. Makers mark on the bottom,stating that was made in Holland. Made in the early 1900s. Vintage Condition Consistent with Age as Pictu...

A Whimsical English 19th-20th century white marble figural fountain with dogs fountain. The Baroque Revival six-sided tripod marble base surmounted with three upright seated Yorkshire Terriers resting on a leaf and acanthus center stem, topped with a semi-circular scalloped carved basin...

Viennese cold-painted Orientalist bronze group by Franz Bergman Austrian, c.1900 Height 12cm, width 15cm, depth 9cm This small but intricately crafted and designed bronze group ...

With trumpet-form neck and a squat globular base.

A E Jones. A pair of Arts and Crafts hand-hammered copper vases with silver teardrop decorationThe fine silver decoration to the rim and to the teardrop decoration is an egg and dart pattern, the teardrop surmounted with leaf detailing. A E Jones used this fine egg and dart silver detailing often, but what is unusual is that each silver teardrop outlines an actual repoussé teardrop in the copper body of each vase.The base of the vase is stamped with the design number 2466. This number also points to a design by Jesson, Birkett & Co. It seems between 1905 and 1910 A E Jones company started working alongside the firm of Jesson Birkett & Co and it appears that both firms made many of the same designs.Price for the pair.Albert Edward Jones (1878-1954) worked for the church metalworkers, Hardman Powell. He took classes at and was a member of the Birmingham School of Art around 1900-1902 and would have been influenced by Arthur Dixon, Arthur Gaskin, Bernard Cuzner, and Edward R Taylor...

Boleslaw Biegas was one of a large number of Polish artists working in fin-de-siecle Paris. There he found a more kindred artistic environment in which...

Victorian Period, sterling silver-mounted dark gray agate letter opener/paper knife, Sheffield, England, year-hallmarked for 1900, Mappin and Webb - makers....

Centerplace, WMF, German WMF (Wurttembergische Metallwarenfabrik) Electro- Wurtemberg Plate Company in Geislingen, Germany, internationally known today as 'WMF' initials of the...

Antique French giltwood photo frame, circa 1900. Antique gilded oval frame with Louis XVI style bow and pearls. Antique Frame width: 3 cm / 1.18 in. Antique glass (2 mm). Suitable fo...

The finest examples of vases produced in collaboration between Edmond Lachenal and Emile Decoeur date from 1901-1904. This vase, with the word “original” marked on its underside, ind...

Uniquely decorated porcelain Limoges jar with a wide winged span nude woman and a duck flying out of her hair, perhaps beckoning her to join in the flight. Her legs and feet end as one "a la mermaid". She is quite beautiful and is holding a bouquet of flowers in front of her. The same image appears on the other side. She is hand painted with brown hair, skin tones, with white and black detail to the "butterfly like" double wings. The duck is painted brown and black. Two gold leaf bands circumvents the vessel at the bottom and two thirds up. A blue band above the gold band at the base completes the hand painted decoration of the exterior. The interior of the jar is painted a light colored lime green. The underneath is clearly marked "P L Limoges...

This is a great looking grandfather clock from the early 1900s. Made by L&JG Stickley, the clock is in excellent condition with no repaired or replaced parts. It is in running condi...

This piece is a unique, one of a kind piece, not a mass-produced factory piece.

The Legras vases, from around 1900, feature white glass overlaid with violet and green, etched with delicate wisteria motifs. Signed by the renowned French glassmaker Legras, these v...

Spectacular Art Nouveau centrepiece by Signed Lorrain Nancy France circa 1900. Very impressive, this stunning piece gathers all the excellence of the Art Nouveau era in terms of c...

Small jugendstil mantel clock by Junghans Darmstadt in excellent original condition.

A fine French early 20th century Art Deco white marble figure of a kneeling nude beauty, attributed to Affortunato Gory (Gori) (Italian, 1895-1925). The kneeling nude figure of a you...

A fine French 19th-20th century Régence style gilt bronze mounted kingwood and tulipwood parquetry regulator longcase clock, after the 18th century model by Julien Le Roy (French, 16...

This piece is a unique, one of a kind piece, not a mass-produced factory piece.

Elaborate and beautifully designed Art Nouveau vase in the style of Loetz. The glass has a charming iridescent effect, which is particularly accentuated by the deliberate hollows on ...

A fabulous and large sized Louis XVI style patinated bronze sculpture of a cherub, signed by Auguste Moreau, titled "Amour Sifflant". This is a fabulous piece that has been crafted b...

Antique skeleton clock, France, circa 1900.

France / 1900 / Wall console / plaster / Antique / Rustic An antique French church wall console in plaster featuring three cherubs or angels with decorations. This rustic console or...

Bulbous shoulder vase on a flush stand, short neck piece with silver mount as a ring in a smooth, slightly flared design, on the outside opposite two fully sculptural branch and cone bundles, colourless glass with white powder meltings, overlay in blue-violet and green, meadow flower decoration etched in various stages, matt etched inside and outside. Cameo signature 'Gallé' with star on the wall between the plants. Silver mount hallmarked 'Minerve casquée' for 950 silver, France, and master's mark. Hand-made Cameo Glass: Glass overlaid with several layers, with high-cut worked out motifs. Since the middle of the 19th century, the design has also been done by etching. Cameo glass vessels were already being made in antiquity; at the end of the 19th century, Émile Gallé further developed this glass art, created Art Nouveau designs and employed a large factory in Nancy...

Antique market basket of woven reed, turned bamboo and wood. Decorative basket. This an actual market basket from the turn of the century 1900. I...

Capodimonte porcelain is porcelain created by the Capodimonte porcelain manufactory, which operated in Naples, Italy, between 1743 and 1759. Capodimonte is one of the most revered fa...

Lovely little Emile Galle multi layered cameo glass vase decorated with an aquatic scene around the bottom section of the vase with pond lilies and reeds. The tops section interestin...

Chinese papier mâché eyeglass case of flattened tubular form with closed ends and sliding open in the center covered in green stained shagreen and trimmed in copper.

Polychrome Ceramic Wall Sculpture of Athena.

An Arts and Crafts copper hanging photograph frame with hand formed leaf and berry floral decoration and small square apertures for two photographs.

Large Japanese hinged hitsu (kimono storage coffer) woven of bamboo in the Chinese style with broad expanses of two layers of woven mats as the siding and the convex lid trimmed in t...

A lovely pair of Japanese chakinseki, tea dust, cloisonne jardinieres, Meiji Period, circa 1900, Japan. The jardinieres each with a squat globular body, short neck, and wide, everted mouth. The bodies decorated wide lappets of mottled puce featuring alternating dragons and phoenixes...

Direct from Paris, a magnificent pair of Louis XVI silver plate 3-candle candelabra by France's premier silversmith "Christofle - Gallia Collection", meticulously restored to near new condition, includes two anti-tarnish storage wraps for easy storage, you can't go wrong buying quality, circa early 1900s. The French silversmithing brand Christofle stands as a paragon of artistry, quality, and timeless sophistication in the world of fine silverware. Founded in 1830 by Charles Christofle, the company has built a reputation for exquisite craftsmanship and pioneering innovation. Over nearly two centuries, Christofle has become synonymous with opulence, earning the favor of royalty, securing prestigious awards, and adorning homes and dining tables worldwide. From their revolutionary silver-plating processes to their dazzling silver plate candelabra, Christofle’s creations epitomize the pinnacle of silversmithing artistry. Charles Christofle’s foray into silversmithing began when he took over his wife’s family jewelry workshop. His entrepreneurial vision and artistic sensibilities allowed him to transform the modest enterprise into a global luxury brand. Early on, Christofle recognized the demand for high-quality yet affordable silverware, leading him to explore innovative methods for producing silver-plated items. This ingenuity was paired with a deep commitment to artistry, ensuring that every piece bore the hallmarks of French elegance and meticulous craftsmanship. Christofle’s philosophy of blending tradition with innovation set the company apart. In 1842, Charles Christofle obtained an exclusive license for the electroplating process developed by the English inventors George and Henry Elkington. This technology allowed the company to produce silver-plated goods of unparalleled quality and durability, democratizing the availability of fine silverware. The decision to adopt and refine this technique marked the beginning of Christofle’s ascent to global renown. The electroplating process revolutionized silversmithing by enabling the application of a thin layer of silver onto a base metal, typically copper or nickel silver. This innovation significantly reduced costs without compromising quality, making silverware accessible to a broader clientele. Christofle’s mastery of this technique elevated the art form, as their artisans meticulously ensured that every piece retained the luster, weight, and elegance of solid silver. Christofle’s silver plating involved several intricate steps, each requiring skill and precision. The base metal was first meticulously cleaned to ensure that the silver coating would adhere uniformly. The item was then submerged in an electrolytic bath, where an electric current deposited a fine layer of silver onto its surface. Finally, the piece underwent polishing and finishing, a process that demanded an artisan’s eye for detail and dedication to perfection. The company’s innovations did not stop at electroplating. Christofle continually refined their techniques, developing proprietary methods to enhance the durability and brilliance of their silverware. Their relentless pursuit of excellence ensured that Christofle pieces would retain their splendor for generations, cementing the brand’s reputation for quality and longevity. Christofle’s commitment to excellence quickly attracted the attention of European royalty and nobility. The brand’s association with regal splendor began in 1851, when Napoleon III appointed Christofle as the official purveyor of silverware to the French court. This prestigious commission marked a turning point in the company’s history, solidifying its status as a symbol of luxury and refinement. The French court’s endorsement opened the doors to further royal patronage across Europe and beyond. Christofle created bespoke silverware for monarchs, aristocrats, and heads of state, often crafting pieces that were as much works of art as functional items. Their designs graced palaces, embassies, and luxury liners, including the opulent dining rooms of the Titanic and the Orient Express. Among Christofle’s most notable commissions was the creation of the Sèvres table service for Napoleon III, a stunning collection that showcased the company’s technical prowess and artistic flair. The service featured intricate designs inspired by classical motifs, reflecting the grandeur and sophistication of the Second Empire. Christofle’s ability to seamlessly blend tradition with innovation ensured that their creations remained relevant and desirable, even as tastes and styles evolved. At the 1855 Exposition Universelle in Paris, Christofle was awarded a gold medal for their groundbreaking electroplating technique. This recognition underscored the company’s role as a pioneer in the field of silversmithing and solidified their reputation as a leader in luxury silverware. Subsequent exhibitions in London, Vienna, and Philadelphia further showcased Christofle’s mastery, earning them accolades for both technical innovation and artistic excellence. Christofle’s enduring appeal lies in their ability to strike a harmonious balance between form and function. Their pieces are not only visually stunning but also practical, reflecting the company’s commitment to creating silverware that enhances everyday life. This dedication to excellence has earned Christofle a place among the world’s most esteemed luxury brands. One of Christofle’s most iconic creations is their collection of silver plate candelabra. These masterpieces exemplify the company’s dedication to artistry and craftsmanship, serving as both functional lighting fixtures and decorative centerpieces. Christofle’s candelabra...

Model #3771 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Vase Sign: Muller Fres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family who ...

Mid-19th century glass bottle with metal cap. By unknown manufacturer from France. In original condition, with minor wear consistent with age and use, preserving a beautiful pa...

Collection of Six Vienna Bronze Arab Figurines by Franz Xaver Bergmann Dimensions: Smallest Figurine: 2"H x 1"D Largest Figurine: 6.5"H x 6"D.

Pair of Large Cast Iron Garden Urns, Garden Planters This is a superb and unusually large pair of cast iron urns The urns are in...

Striking bowl with crystalline iridized glaze. Émile Diffloth (1856 – 1933) was a French ceramicist who was born in Couleuvre. He received his education at the École des Arts Déco...

Margaret Gilmour attributed in the style of Talwin Morris. An Arts & Crafts Glasgow school brass planter with embossed kissing love birds.   

PIERRE-ADRIEN DALPAYRAT (1844-1910) After working nearly half his life as an itinerant faience painter and directing production for commercial porcelain manufacturers, Dalpayrat’s ey...