Bronze Figurative Sculptures

French Modern Verdigris Bronze Sculpture of a Allegory of Death /Grim Reaper Purchased in France, Late 20th Century A fine, large and impressive work....

FRANZ ROSSE German, 1858-1900 "Orientalische Tänzerin mit Schalmei” (1888) Patinated bronze over rouge marble Signed verso "F. Rosse fec. 88" Item # 10...

Patinated bronze sculpture of young boy trimming the wings of a dove by Gregoire. This bronze known as "Captivity" represents the clipping of wings and forceful fidelity. Beautifully...

Cast bronze and marble shepherdess with sheep sculpture signed D. Alonzo. France, early 20th century.

Tall bronze sculpture of an angel with sword on marble, original patina.

A magnificent and important gilded bronze and Onyx centrepiece dating to around 1880. The beautifully cast base is made from bronze and covered in gold. The theme is highly sought...

Incredible PIERRE POUGET french art nouveau "Faun" bronze circa 1900 on marble base.

This stellar powerful and conversational silvered bronze and sterling silver limited edition abstracted love lips or heart sculpture was commissioned by Christofle and designed and executed by a young Chinese woman artist named Xiao Hui Wang. This is the first time in Christofle history that a young Chinese artist, albeit a woman was asked to create this commission. It is signed and numbered on the bottom. It is signed with the artists name not terribly legible, then Christofle then 08/66 then France. The base is very heavy and is sterling silver. The top is silvered bronze and was lacquered. The base cannot be lacquered because it is sterling silver. We have not seen another one on line or anywhere else. The original monumental sculpture was first created on the occasion of the Shanghai Expo and stands elegantly in monumental form at the flagship Hilton in Singapore. This is a great symbol of how the masters of silver which are Christofle have transcended the art of the table to the art of the living in sensuality. This is stellar sensual and sexy sculpture that will elicit conversation. It creates reflections of magnitude from the surface and each angle is a different representation. It is extremely heavy and came in its own crate from Paris. It is a piece de resistance of a great sculpture no doubt. This must be trucked. This will need a great pedestal in your home or can sit on a large monumental cocktail...

Vainqueur (Victorious) A Very Fine French Bronze by Eugene Marioton (1857-1933), excellent condition, depicting a young warrior with right arm extended holding a laurel branch- left ...

"Antique bronze mantel set, 19th century" Napoleon III period marble and patinated bronze mantel with its two cassolettes. Perfect condition. Cassolettes s...

Spectacular sculpture made in bronze on marble signed J. Mariscal. Dimensions: 22cm x 15cm x 11cm.

French 19th century gilt and patinated bronze, "Chariot Of Love" by Auguste Moreau (1834-1917), French sculptor. Charm and poetry define this delightful sculpture which declines, in ...

Furietti Centaurs in Pair - Bronze Statues, reduction of the originals (known as the Older Centaur and the Younger Centaur, or the Older Centaur and the Younger Centaur when treated ...

An Italian 19th century grand tour - Greco Roman bronze sculpture of Narcissus, after the original sculpture excavated in 1862 at Pompeii. The green...

A very good quality 19th century bronze statue of a female figure holding a Harp, entitled 'Harmone' Signed; Albert-Ernest Carrier-Belleuse Albert-Ernest Car...

Important edition in bronze with brown patina representing "Pegasus carrying the poet towards the regions of the dream" also called "Apollo on Pegasus" after a model of Jean Alexandr...

Roman verdigris bronze oil lamp. Flying cranes with running Mercury. After the original found in Pompeii. This lamp base would originally have had small oil lamps hanging from the cr...

A magnificent gilt bronze statue of Tibetan Buddha Udanaya. Poised upon a large lotus plinth, the Buddha is depicted in the "no fear" abhaya mudra gesture, symbolizing the dispelling...

A Fine Bronze Sculpture by Luis Domenech y Vicente, c.1904 After the Model He Exhibited at the Salon Des Beaux Arts in Paris That Year Luis Domenech y Vicente, Le Messager de Paix, bronze sculpture, signed lower base, foundry mark/stamp ‘European Bronze Finery...

A large fine patinated bronze sculpture titled "Docklands Express" by Philip Blacker (1949- British), dated 1993. The sculpture features a horse call...

Fabulous Hugo Frantisek Salm bronze sculpture of a knight dated 1844 Salm. The last photo shows the identical bronze on display in a museum in Prague, Czech Republic. The quality and...

#194/195 bronze copyright 1999 Fine Art Sales Commemorative Edition. Robert St. Croix’s career as an artist began in the early 1970’s in San Francisco, where he gained a reputation f...

Sculpture in patinated bronze representing a dancer in the Art Deco style, signed D.H Chiparus, Modern Edition, XXI century. H: 49cm, W: 11cm, D: 11cm

A very fine and larger-than-life and very realistic museum quality patinated bronze bust of President William H. Taft (1857–1930) by Frederick Ernst Triebel (American, 1865-1944) cast by Nelli Foundry in Rome, Italy. William H. Taft, the 27th President of the United States and Jurist, is depicted with his renown thick mustache and wearing a bow tie, vest and coat. Inscribed on the back: F.E. Triebel. Sculp and Fond. Nelli, Roma, circa first quarter 20th century. Due to its size, subject and high quality, this bust was probably commissioned for a Museum or public exhibition, such as an embassy or government building, the same way as other similar works by the sculptor. The Roman foundry operated by the Nelli family during the last quarter of the 19th century cast works for many leading sculptors of the day, including Alfred Gilbert and Anton van Wouw...

Sculpture in patinated bronze by Ferdinand Barbedienne, 19th century, Napoleon III period. A 19th century patinated bronze sculpture, Napoleon I...

Classic Italian sculpture Antonio Frilli Origin Italy Circa 1900 Reason: Beatrice Artist: Antonio Frilli (1860-1920) Mterialies: Alabaster W...

Fantastic Hinduism masterwork was discovered in our stock: attractive sculpture stood for decade on our shelf pleasing an eye and raising some questions. Finally, we were able to separate the wheat from the chaff: hand chased bronze head of Shridevi with gold crown or tiara was set (!) on the large early 19th century French clock...

Bronze sculpture, signed F. Barbedienne, 19th century, Napoleon III period. Bronze sculpture, marble base, mechanical reproduction, signe...

Finely cast, patinated bronze bust of a woman with butterfly on her shoulder after the original model by Albert-Ernest Carrier-Belleuse (French, 1824-1887) mounted on rouge marble ba...

19th Century. Cesare Beccaria Bronze, 49 x 13 x 15 cm The bronze statue examined faithfully reproduces the famous Milanese monument by Giuseppe Grandi (1843-1894) dedicated to Cesare Beccaria. The work, from the top of a high base in white Montorfano granite, dominates the homonymous Milanese square, a sad stage for executions at the time of Austrian rule, in a bronze copy of 1914 to replace the original stone statue which already at the beginning of the new century showed serious signs of deterioration. The marble became part of the collections of the Gallery of Modern Art and is now located inside the Palazzo di Giustizia in Milan. The initiative regarding the erection of a monument dedicated to Cesare Beccaria originates in 1865, in support of the proposed abolition of the death penalty...

Our patinated bronze by Charles Auguste Lebourg (1829-1906) depicting a child playing with lizard is signed in the cast and inscribed "MEDAILLE D'OR ET DATE 1853". On reverse is black ink is the word COMO. Lebourg first exhibited at the Paris Salon in 1852. This important work debuted at the Salon in 1853 and won a medal at the Exposition Universelle in Paris in 1855. He is perhaps best known for the sculptural design of the Wallace fountains...

An interesting work. We are not sure of the significance of the standing couple and snake hanging over their heads. Likely Tibetan or Indian/ Nepalese. Has a beautiful patina acquire...

19th century small French bronze-gilt figurines, ca 1880 1880 small French bronze figurines. A boy and a girl carrying an urn-shaped handle...

A very rare statue of the Tibetan/Hindu Buddha Indra. Indra is the King of Gods who possesses mighty power to destroy evil and deception. He is the most i...

We present to you a large bronze sculpture representing Mercury, the messenger god of Roman mythology, made in the 1950s. This majestic piece measures 190 cm in height and has a gree...

This Orientalist figure is about as lifelike as you will ever see in bronze. The expression on his face, his detailed hands and beard are all cast with an incredible attention to det...

A fine patinated bronze figure of a Native American scout by Carl Kauba. Austrian, circa 1910. Signed in the cast 'Carl Kauba'. The figure cast as an American Native scou...

In stock at Elan Atelier's New York Showroom (ready for pick-up). Octopus Sculpture in cast bronze with dark bronze finish. Wild aquatic nature, unleashed indoors. This octopus is e...

Magnificent chandelier in solid casted brass. Extraordinary elaborate finishes. Rich hangings with handmade leaves. Surface either brass and patinated.  

Late 19th century bronze beautiful patina George Washington hanging plaque of upper torso(Shoulders) and head.

These bronze figures show Edward, Prince of Wales, standing in a nonchalant pose with one leg crossed over the other, a cigar in his left hand, his hat at his feet and a shotgun slung over his right arm. The elegant Princess of Wales is depicted skating, with feathers in her hat, and wearing a fur-trimmed coat and muff as the wind catches her three-quarter length skirt. Each stamped Elkington & Co Founders and G 1870. English, dated 1870. Provenance: Prince Victor of Hohenlohe-Langenburg, Count Gleichen. Prince Victor of Hohenlohe-Langenburg, Count Gleichen, was the son of Prince Ernst of Hohenlohe-Langenburg and Princess Feodore of Leiningen, half-sister to Queen Victoria. He ran away from school to England in 1848 and was sponsored to enter the Royal Navy by Queen Victoria. In 1854 he attained the rank of Lieutenant after serving as mate on the flagship Cumberland, where his future brother-in-law was captain and his future father-in-law was admiral. In 1866 he retired from the navy and trained with the British sculptor William Theed. As a sculptor, he carried out several portrait commissions for Queen Victoria including a statuette of Prince Alfred, her second son, and another of Prince Albert Victor...

A very fine French, 19th century Patinated bronze group of a Crouching Native American Indian on the lookout, in a dark brown patina and raised on a veined green marble base, by Edou...

A very fine and attractive bronze of a young boy playing the violin, " the little violinist " By Emile Carlier (1849 -1927) resting on a molded stepped marble circular base, signed E...

Francois Raoul Larche (1860-1912) LA SEVE or Métamorphose de Daphné Gilt Bronze Art Nouveau Sculpture Cast, Gilt Bronze or Marble base France, c. 1900, Signed "Raoul Larche," number...

Rare and original bronze wall bracket sconce. If children and flowers bring joy to your life then this antique wall sconce could be perfect for you. This sculptural bronze wall ligh...

"Nuit d’été", dated 1894 and signed by Louis-Auguste MOREAU Famous French sculptor, 1855-1919 A superb French parcel gilt patinated bronze group depicting a semi-clad maiden on n...

Lost wax cast Italian bronze sculpture, the subject reproduces 'Venus bather'. The base is made of Bardiglio red marble. Italian manufacture, early 19th century. Made by H.S. München...

A really novel cold painted bronze of a nodding boy smoking a cigar, I'm told these were used as trade stimulators often selling matches, just the sli...

A pair of cast bronze cherubs or putti standing contrapposto on a square red marble base, France, circa late 1800s. Note: These charming cherubic figures were probably used in combi...

On a round base stands the figure of the God of Love, Cupid. The sculpture in bronze, with the iconographic attributes corresponding to this figure in classical mythology, was made b...

A pan boy standing on a ball supported by Fish around the base. Has the two flutes. Signed on the base Frederick William Mac Monies and dated 1890 and with the Foundry seal. Has the ...

Beautifully crafted bronze, probably Vienna Bronze. Depiction of a man in oriental garb with a pipe in his hand. Finely chiseled and cold painted. The painting is rubbed due to age.

A bronze abstract torso sculpture attributed to Brazilian Adriana Banfi circa 1970s Stylized organic form nude female torso in solid bronze o...

Ashanti cast bronze ceremonial staff top in the shape of a hoe with 3 cast turtles, from Ghana. It is in good condition with a deep patina and polish from traditional use, appropria...

Encantadora escultura de una mujer en actitud relajada, realizada en bronce con patina oscura y detalles en pintura azul vibrante. La figura, de formas generosas, adopta una pose de ...

A beautifully designed early fireworks or flare cannon in tiger form. A small hole is drilled at the top rear of the cannon for the wick. In India, firecrackers and fireworks are tr...

Fantastic detailed motorcycle bronze desk piece. Very nice Automobilia sculpture. Figure with brown patina. Mounted over a Portoro Italian marble. Pe...

A very fine and Monumental French 19th century patinated bronze group Titled "The Abduction of the Sabine Women" after a model by Pierre Loison (French, 1816-1886), depicting a young scantily maiden being carried away on the arms of a Roman soldier, raised on circular ebonized wood and brass revolving pedestal stand. Signed at the base: P. Loison, circa: Paris, 1870-1880. Overall height (Sculpture and Pedestal): 91 inches (231.2 cm). Sculpture height: 54 3/4 inches (139.1 cm). Sculpture width: 24 inches (61 cm). Pedestal height: 36 inches (91.5 cm). Pedestal width (Widest): 25 1/2 inches (64.8 cm). Pierre Loison was a French sculptor of the 19th century born in the seaside town of Loir-et-Cher on July 5, 1816 and died in Cannes on February 3, 1886. In 1841, he joined the Pierre-Jean David d'Angers workshop where he became one of his favorite pupils. A year later he attended the School of Fine Arts in Paris. He exhibited for the first time at the Salon des artistes Français where in 1845 he was awarded third-class medal. In 1853 he was awarded First Place medal and at the Universal Exhibition of 1955 he received an honorable mention and another medal award in 1859. On 12 July 1859 and by decree, he was made "Chevalier de la Légion d’Honneur". Pierre Loison is buried at The Montparnasse Cemetery in Paris. Works by Pierre Loison "Femme assise": Terre cuite (1843) au musée Gustave-Moreau à Paris "Jeune fille portant un vase": Statue en marbre blanc, (h. 1,25 m) datée de 1857 et présentée au Salon de 1859 ; la statue fut d’abord placée au Palais-Royal (appartements du prince Napoléon) ; elle est actuellement au musée des Beaux-arts de Dole ; une réplique de taille réduite est au Musée des arts décoratifs de Paris. "La Halle aux grains de Mer": Chaque façade de ce bâtiment, classé à l’inventaire supplémentaire des monuments historiques, comporte un fronton triangulaire et celui de la façade ouest représentant « L’Agriculture distribuant des couronnes aux enfants de Beauce et de Sologne » a été sculpté gracieusement par P. Loison, natif de la commune. "La Justice assise": Allégorie de la Justice au fronton du Palais de justice de Blois (1847). "Buste d’Achille Fould": Au musée du Château de Blois 8; "Nausicaa": Statue en plâtre présentée au Salon de 1874, au musée des Beaux-arts de Vendôme. "Statue de J-B. Pigalle sur la façade de l’hôtel de ville de Paris "Sculptures extérieures du Palais du Louvre": Pierre Loison est l’auteur de neuf statues qui décorent les façades du Louvre "Figure" (1878) au deuxième étage du Pavillon Marsan10; "La Navigation" (1868) sur la balustrade du premier étage du Pavillon des États11; "Pandore" (1861) sur l’aile Est12; « Vénus » (1865) Aile Marsan13; "l’Histoire et la Vérité" (1857)14; "La Poésie et la Philosophie" (1857)15 deux oculi du Pavillon Mollien, coté cour Napoléon ; "Concordet" (1857) sur la balustarde du premier étage de la Rotonde de Beauvais, coté cour Napoléon. "Statue de Sappho sur le rocher de Leucade : datée de 1859, (h. 1,85 m) sur la façade nord de la cour carrée du Palais du Louvre à Paris ; le modèle en plâtre, offert par Mme Loison, est au musée des Beaux-arts de Blois. "Vierge à l’enfant": Statue en marbre en l’église Saint-Pierre de Dampierre-en-Yvelines. "Jeune romain enlevant une Sabine": Groupe présenté au Salon de 1863 qui a été reproduit en bronze par la fonderie d’art Raingo frères. "Sépulture de la famille Hautoy : Au cimetière du Père-Lachaise, deux bas-reliefs en marbre représentant l’un "La vie de Famille," l’autre 'Le chantier," datés de 1880. "Demoiselle d’honneur de la Cour de François Ier": Statue en pierre exposée au Salon des artistes vivants en 1870 ; acquise par l’État à ce Salon, elle a été déposée en 1891, devant la mairie d’Aubin. "La Paix distribuant des palmes aux génies des Beaux-arts": Fronton du Château de Compiègne (1866). "Daphnis et Naïs": Groupe en marbre (1869) au musée de Picardie à Amiens. "Jean-Baptiste Pigalle": Statue en pierre (1881) sur la façade principale, au rez-de-chaussée de l’Hôtel de ville de Paris. "Gisant de Ferdinand-Philippe d'Orléans: dans la chapelle royale de Dreux en collaboration avec Ary Scheffer. "La Grace": Statue en marbre (1875) dans le grand foyer de l’opéra Garnier. The Abduction of the Sabine Women The Abduction of the Sabine Women is an episode in the legendary history of Rome, traditionally dated to 750 BC, in which the first generation of Roman men acquired wives for themselves from the neighboring Sabine families. Recounted by Livy and Plutarch (Parallel Lives II, 15 and 19), it provided a subject for Renaissance and post-Renaissance works of art that combined a suitably inspiring example of the hardihood and courage of ancient Romans with the opportunity to depict multiple figures, including heroically semi-nude figures, in intensely passionate struggle. Comparable themes from Classical Antiquity are the Battle of the Lapiths and Centaurs and the theme of Amazonomachy, the battle of Theseus with the Amazons. The Abduction is supposed to have occurred in the early history of Rome, shortly after its founding by Romulus and his mostly male followers. Seeking wives in order to found families, the Romans negotiated unsuccessfully with the Sabines, who populated the area. Fearing the emergence of a rival society, the Sabines refused to allow their women to marry the Romans. Consequently, the Romans planned to abduct Sabine women, during a festival of Neptune Equester and proclaimed the festival among Rome's neighbours. According to Livy, many people from Rome's neighbours including folk from the Caeninenses, Crustumini, and Antemnates, and many of the Sabines attended. At the festival Romulus gave a Signal, at which the Romans grabbed the Sabine women and fought off the Sabine men. The indignant abductees were soon implored by Romulus to accept Roman husbands. Livy says Romulus offered them free choice and promised civic and property rights to women. According to Livy, Romulus spoke to them each in person, declaring "that what was done was owing to the pride of their fathers, who had refused to grant the privilege of marriage to their neighbours; but notwithstanding, they should be joined in lawful wedlock, participate in all their possessions and civil privileges, and, than which nothing can be dearer to the human heart, in their common children." Responsibility of the men for meeting the needs of the children thus conceived was not included. War with the Sabines and other tribes Outraged at the occurrence, the King of the Caeninenses entered upon Roman territory with his army. Romulus and the Romans met the Caeninenses in battle, killed their king, and routed their army. Romulus later attacked Caenina and took it upon the first assault. Returning to Rome, he dedicated a temple to Jupiter Feretrius (according to Livy, the first temple dedicated in Rome) and offered the spoils of the enemy king as spolia opima. According to the Fasti Triumphales, Romulus celebrated a triumph over the Caeninenses on 1 March 752 BC. At the same time, the army of the Antemnates invaded Roman territory. The Romans retaliated, and the Antemnates were defeated in battle and their town captured. According to the Fasti Triumphales, Romulus celebrated a second triumph in 752 BC over the Antemnates. The Crustumini also started a war, but they too were defeated and their town captured. Roman colonists subsequently were sent to Antemnae and Crustumerium by Romulus, and many citizens of those towns also migrated to Rome (particularly the families of the captured women). The Sabines themselves finally declared war, led into battle by their king, Titus Tatius. Tatius almost succeeded in capturing Rome, thanks to the treason of Tarpeia, daughter of Spurius Tarpeius, governor of the citadel on the Capitoline Hill. She opened the city gates for the Sabines in return for "what they bore on their arms", thinking she would receive their golden bracelets. Instead, the Sabines crushed her to death with their shields, and her body was thrown from a rock known ever since by her name, the Tarpeian Rock. The Romans attacked the Sabines, who now held the citadel. The Roman advance was led by Hostus Hostilius, the Sabine defence by Mettus Curtius. Hostus fell in battle, and the Roman line gave way, They retreated to the gate of the Palatium. Romulus rallied his men by promising to build a temple to Jupiter Stator on the site. He then led them back into battle. Mettus Curtius was unhorsed and fled on foot, and the Romans appeared to be winning. At this point, however, the Sabine women intervened: [They], from the outrage on whom the war originated, with hair dishevelled and garments rent, the timidity of their sex being overcome by such dreadful scenes, had the courage to throw themselves amid the flying weapons, and making a rush across, to part the incensed armies, and assuage their fury; imploring their fathers on the one side, their husbands on the other, "that as fathers-in-law and sons-in-law they would not contaminate each other with impious blood, nor stain their offspring with parricide, the one their grandchildren, the other their children. If you are dissatisfied with the affinity between you, if with our marriages, turn your resentment against us; we are the cause of war, we of wounds and of bloodshed to our husbands and parents. It were better that we perish than live widowed or fatherless without one or other of you." The battle came to an end, and the Sabines agreed to unite in one nation with the Romans. Titus Tatius jointly ruled with Romulus until Tatius's death five years later. The new Sabine residents of Rome settled on the Capitoline Hill, which they had captured in the battle. Artistic representations: The Rape of the Sabine Women by Johann Heinrich Schönfeld The subject was popular during the Renaissance as symbolising the importance of marriage for the continuity of families and cultures. It was also an example of a battle subject in which the artist could demonstrate his skill in depicting female as well as male figures in extreme poses, with the added advantage of a sexual theme. It was depicted regularly on 15th-century Italian cassoni and later in larger paintings. A comparable opportunity from the New Testament was afforded by the theme of the Massacre of the Innocents. Giambologna The sculpture by Giambologna (1579–1583) that was reinterpreted as expressing this theme depicts three figures (a man lifting a woman into the air while a second man crouches) and was carved from a single block of marble. This sculpture is considered Giambologna's masterpiece. Originally intended as nothing more than a demonstration of the artist's ability to create a complex sculptural group, its subject matter, the legendary rape of the Sabines, had to be invented after Francesco I de' Medici, Grand Duke of Tuscany, decreed that it be put on public display in the Loggia dei Lanzi in Piazza della Signoria, Florence. True to mannerist densely packed, intertwined figural compositions and ambitious overinclusive efforts, the statue renders a dynamic panoply of emotions, in poses that offer multiple viewpoints. When contrasted with the serene single-viewpoint pose of the nearby Michelangelo's David, finished nearly 80 years before, this statue is infused with the dynamics that lead towards Baroque, but the tight, uncomfortable, verticality— self-imposed by the author's virtuosic restriction to a composition that could be carved from a single block of marble— lacks the diagonal thrusts that Bernini would achieve forty years later with his Rape of Proserpina and Apollo and Daphne, both at the Galleria Borghese, Rome. The proposed site for the sculpture, opposite Benvenuto Cellini's statue of Perseus, prompted suggestions that the group should illustrate a theme related to the former work, such as the rape of Andromeda by Phineus. The respective rapes of Proserpina and Helen were also mooted as possible themes. It was eventually decided that the sculpture was to be identified as one of the Sabine virgins. The work is signed OPVS IOANNIS BOLONII FLANDRI MDLXXXII ("The work of Johannes of Boulogne of Flanders, 1582"). An early preparatory bronze featuring only two figures is in the Museo Nazionale di Capodimonte in Naples. Giambologna then revised the scheme, this time with a third figure, in two wax models now in the Victoria and Albert Museum, London. The artist's full-scale gesso for the finished sculpture, executed in 1582, is on display at the Accademia Gallery in Florence. Bronze reductions of the sculpture, produced in Giambologna's own studio and imitated by others, were a staple of connoisseurs' collections into the 19th century. Nicolas Poussin Nicolas Poussin produced two major versions of this subject, which enabled him to display to the full his unsurpassed antiquarian knowledge, together with his mastery of complicated relations of figures in dramatic encounter. One, now at the Metropolitan Museum of Art, was executed in Rome, 1634–35. It depicts Romulus at the left giving the Signal for the abduction. The second version, of 1636–37, now at the Louvre Museum, shows that, though some of the principal figures are similar, he had not exhausted the subject. The architectural setting is more developed. Peter Paul Rubens Peter Paul Rubens painted a version of the subject about 1635–40. It is at the National Gallery, London. Jacques-Louis David Jacques-Louis David painted the other end of the story, when the women intervene to reconcile the warring parties. The Sabine Women Enforcing Peace by Running Between the Combatants (also known as The Intervention of the Sabine Women ) was completed in 1799. It is in the Louvre Museum. David had worked on it from 1796, when France was at war with other European nations after a period of civil conflict culminating in the Reign of Terror and the Thermidorian Reaction, during which David himself had been imprisoned as a supporter of Robespierre. After David’s estranged wife visited him in jail, he conceived the IDEA of telling the story, to honor his wife, with the theme being love prevailing over conflict. The painting was also seen as a plea for the people to reunite after the bloodshed of the revolution. The painting depicts Romulus's wife Hersilia — the daughter of Titus Tatius, leader of the Sabines — rushing between her husband and her father and placing her babies between them. A vigorous Romulus prepares to strike a half-retreating Tatius with his spear, but hesitates. Other soldiers are already sheathing their swords. The rocky outcrop in the background is the Tarpeian Rock. John Leech The English 19th century satirical painter John Leech included in his Comic History of Rome a depiction of the Rape of the Sabine Women, where the women are portrayed, with a deliberate anachronism, in Victorian costume...

Elegant Llama, 2023 by Jerry Ross Barrish, Represented by Tuleste Factory H 25.5" x W 11.5" x D 5" Found Materials Jerry Ross Barrish, a fourth-generation San Franciscan, pursued ...

This alluring bronze depicts the full-length figure of a young lady who, swathed in draped clothing, looks downward toward a basket of flowers hung about her waist. The circular base...