Bronze Figurative Sculptures

A charming antique Viennese bronze sculpture of a young Dutch boy pulling in a fishing net by Peter Tereszczuk dating from circa 1910. The f...

For Restoration. A rough cast of a Remington bronze with The Plains native American riding a rearing horse as he wields his spear. On a faux marble base. All in a verdigris finish. ...

Precious bronze medal designed by the master sculptor Godefroid Devreese and made by Fonson & Cie in Belgium in 1939, equal to the one acquired by the British Museum in 2003, in whic...

A lovely antique 19th Century French gilded bronze doré farandole of cherubs / putti wall swag ornament. This beautiful wall swag has a beautiful gilt patina...

Louis Chalon (1866-1940) A Gilt and patinated Symbolist Art Nouveau Bronze Sculpture of an Egyptian Nymph Incredible emotion when standing in front of this beauty, not only the impre...

Early 20th Century bronze male nude sculpture on wood pedestal base.

A Large Bronze Torso A Bronze cast after original marble 4th Century BC Greek sculpture of Lysippian type, possibly depicting Agias. Including pedestal. Provenance: Private Austral...

Beautifully cast bronze copies of the Furietti Centaurs, one elder and one younger. Each is mounted on a bronze base and both are unsigned with no foundry marks. These bronzes are copies of the two Roman (or Hellenistic) monumental marble versions excavated at Hadrian's Villa in December 1736 by Monsignor Giuseppe Alessandro Furietti. The original models now reside at the Capitoline Museum in Rome. These bronzes were a popular subject for collecting in both the 18th and 19th century Grand Tour periods. Engravings of the pair were widely disseminated in Europe in the 18th century which increased their fame. Provenance: The Estate of John Nelson, a noted Los Angeles antiques dealer...

A beautiful Thai or Khmer bronze verdigris and golden parcel-gilt Imperial guardian temple Singha lion/dragon/foo dog. This piece has a wonderful patina and heft to it. Likely mi...

Jugendstil cold-painted bronze sculpture of a woman holding a palm leaf by Franz Bergmann, Austria By: Franz Bergmann, Nam Greb Material: bronze, copper, tin, metal, paint Technique...

Art Deco bronze sculpture circa 1930. A bronze girl with a double patina on a cream-colored marble base. Note some wear on the patina. Total height: 23 cm Base width: 8 cm Base dept...

Art Deco bronze sculpture bust of Achilles signed by Constant Roux. Foundry Susse Frères, Paris. On a green marble base. France 1920. This model is illustrated in two books: Const...

This is a vintage decorative figure of Moses. An English, bronze and marble statue after Michelangelo, dating to the mid 20th century, circa 1960. Striking rendition of a historic...

Large Grand Tour circa 1860s patinated bronze of the Wrestlers. Rich fine dark brown patina. Marked "F. Barbedienne Fondeur." The Wrestlers also known as The Two Wrestlers, The Uffizi Wrestlers or The Pancrastinae...

A beautiful large Japanese Meiji Period patinated bronze study of an elephant with tigers, signed on the belly, Meiji period, 1868-1912, and late...

A circa 1900 Italian Grand Tour bronze statue of Venus Measurements: Height: 25.5" Diameter: 12.5"

This is a beautifully detailed antique Italian Grand Tour School bronze figural sculpture of Hermes, dating from Circa 1880. Mercury is cast after the original held at the Museo Naz...

Karl Hagenauer Style Art Deco Bronze, Europe, 1930s. This is a wonderful Karl Hagenauer style art deco bronze, made in the early 20th century. Very well designed - somewhat abstra...

This exquisite 19th-century French bronze sculpture captures the essence of rural life through the figure of a young peasant boy. The boy is depicted with a charming, rustic appeal,...

20th century Japanese sculpture. Chiseled bronze work depicting a pipe smoker, an oriental farmer with a hoe, of beautiful quality. Small-sized sculpture, for antique dealers and col...

Large bronze dancer with a brown patina, on a green marble base: she bears the name of Pompeian Dancer on a cartouche. She plays delicately with her veil, balanced on one foot, on a ...

This is an elegant monumental Grand Tour bronze sculpture of Michelangelo's David, circa 1880 in date. The full-length portrait statue is of David, the 14ft marble statue depicts the Biblical hero David, represented as a standing male nude, David looks tense and ready for battle after he has made the decision to fight Goliath, but, before the battle has actually taken place. His brow is drawn, his neck tense, and the veins bulge out of his lowered right hand and holding his slingshot over his shoulder. This impressive scuplture is 107cm (3ft 6" ) tall and weighs over 36kgs (79lbs). This high quality hot cast solid bronze was produced using the traditional 'lost wax' process. The attention to detail of this sculpture is absolutely fantastic. Condition: In really excellent condition, please see photos for confirmation. Dimensions in cm: Height 107 x Width 41 x Depth 24.5 Weight 36.3 kg Dimensions in inches: Height 3 foot, 6 inches x Width 1 foot, 4 inches x Depth 10 inches Weight 80.0 lbs Michelangelo's David This astonishing Renaissance sculpture was created between 1501 and 1504. It is a 14ft marble statue depicting the Biblical hero David, represented as a standing male nude. Originally commissioned by the Opera del Duomo for the Cathedral of Florence, it was meant to be one of a series of large statues to be positioned in the niches of the cathedral’s tribunes, way up at about 80mt from the ground. Michelangelo was asked by the consuls of the Board to complete an unfinished project begun in 1464 by Agostino di Duccio and later carried on by Antonio Rossellino in 1475. Both sculptors had in the end rejected an enormous block of marble due to the presence of too many “taroli”, or imperfections, which may have threatened the stability of such a huge statue...

20th century Indian sculpture. Bronze object depicting an Indian deity of small size. Bronze richly finished with numerous details, in beautiful patina....

Art Deco sculpture bronze panther signed by Charles Conrad. Foundry seal of Deroyaume fondeur. Model designed ca. 1935. Cast in 2008. Bronze with black patina. Literature: Dictio...

Exquisite Bruno Zach (1891-1935) bronze of a semi-nude woman wearing a fringed wrap and holding a riding crop behind her back. Signed on the base near the right foot. The riding crop...

SILVERED BRONZE From our Sculpture collection, we are pleased to offer this rare example Art Deco Bronze Figure by Paul Philippe. The figure beautifully raised upon a geometric bla...

PRESENTING AN ABSOLUTELY STUNNING Large ‘Huntsman/Valet with his Hounds’ Bronze Sculpture by PJ Mene – 1869. This is a LARGE sculpture, weighing over 175 lbs....

An attractive early 20th Century Art Deco cold painted bronze figure of a young energetic beauty in a dancing pose, exhibiting excellent colour and very fine hand chased surface deta...

At the base of a staircase, or in front of a fireplace, the silhouettes of this pair has a lifelike quality. Pharaohs light the way from atop their geometric base. The bronze Egyptian-style statues will dominate the entryway and the conversation. The silhouettes are stunning, on or turned off. The Art Deco style parcel verdigris bronze figural floor lamps...

Abstract bronze figural sculpture depicting lovers. Signed and dated 1993. Artist unknown.

Victor Gutierrez (Mexican, Born 1950). A limited edition cold painted bronze statue. A figural work produced in a modern style depicting a seated fema...

A very cool set of three 9.5" tall bronze Japanese geisha figurines, circa 1960s. The pieces are very heavy and solid and have a gorgeous dark patina; they would make a great mid-cen...

'Hoop Girl' Art Deco Bronze Sculpture Signed Ferdinand Preiss (1882-1943) Germany, Circa 1920's We are pleased to offer the 'Hoop Girl' Art Deco Bronze Sculpture, a signed work by...

The Boy Fishing Bronze Statue is designed after a figure by by Austrian sculptor and potter Friedrich Goldscheider. It depicts a young boy fishing ...

This German nude strongman archer is one of the finest examples of a nude male figure that I have seen in my 50 years of selling antique bronzes. His musculature is perfect and rema...

Fine French orientalist bronze statue of David after the battle with Goliath by Antonin Mercie. This subject received the Medal of Honour when it was shown at the Paris Salon des Beaux Arts. Late 19th century. 42" high. Please, contact us for shipping options. Presented by Joseph Dasta Antiques Antonin Mercie(1845-1916) Mercié entered the École des Beaux-Arts, Paris, and studied under Alexandre Falguière and François Jouffroy, and in 1868 gained the Grand Prix de Rome at the age of 23. His first great popular successes were the David and Gloria Victis, which was shown and received the Medal of Honour of the Paris Salon. The bronze was subsequently placed in the Square Montholon.[2] The bronze David...

This is a Faun Woman Bronze Sculpture. It depicts a faun nude woman with goat legs who is lying back over a wreath made of vine branches and wit...

Antoine Louis Barye Theseus Slaying the Centaur Bienor Black Patinated Bronze Group. A French bronze group entitled 'Thesee combattant le centaure Bienor, esquisse' (Theseus slaying...

A truly wonderful and boldly designed Japanese bronze sculpture of a fierce samurai warrior perhaps in a moment of silent reflection. This piece has a great feel and heft. The fine...

Enchanting early 20th Century Art Deco cold painted silver bronze figure of a standing woman holding her arms high above her in a stretched pose, exhibiting excellent colour and fin...

Art Deco bronze sculpture dancer with birds by Joan Salvado Voltas. Bronze, silver patina. Portor marble and onyx base. France 1930.

A large and impressive late 19th Century bronze study of the famous Venus de Milo sculpture of antiquity with excellent rich brown patina and good hand finished surface detail, inscribed F.Barbedienne foundry ADDITIONAL INFORMATION Height: 95 cm Width: 28 cm Depth: 28 cm Condition: Excellent Original Condition Circa: 1890 Materials: Bronze Foundry: F.Barbedienne SKU: 7741 ABOUT The Barbedienne Foundry is a famous 19th century bronze foundry, whose statues and art objects became rapidly very renowned. This bronze studio co-worked with other trades, and put his name to a great variety of works, such as furnishing in particular. Attending every World's Fair of its time, the Barbedienne Foundry was regularly awarded, notably at the World's Fair of 1855 where it was awarded the Great Medal of Honor. A Parisian bronze maker and caster, Ferdinand Barbedienne (1810-1892) creates a firm in 1839 in collaboration with Achille Collas, the inventor of the mechanical method to obtain copies of sculptures at a smaller scale. With this groundbreaking proceed, they facilitated an unprecedented production. Under the “Collas et Barbedienne” name, they specialized in Antiquity copies and perfected new chemical methods for the color and patina finish of their bronzes. As a true Romantic, Ferdinand Barbedienne is committed to democratization of arts, he thus realizes numerous Antiquity copies and stimulates his contemporaries’ works broadcasting. A great deal of famous sculptures are hence cast by the Barbedienne Foundry. All his life, Barbedienne co-worked with the greatest artists, sculptors or designers of his time, such as Edouard Lievre, Ferdinand Levillain, Attarge, Aizelin, Barye or Fremiet. Statues aside, he products a great deal of decorative artifacts, such as clocks, vases, mirrors, etc. Since 1855, Ferdinand Barbedienne collaborates with the famous decoration designer Louis-Constant Sévin (1821-1888). Joining the firm as a sculptor-designer, he stays loyal to it his life long, always finding more new designs for daily objects, which hence become true art works. Sevin’s creations, specialized in the “Neo-Greek” style, were particularly appreciated for antiquity reference in decorative arts, just like the great mirror preserved by the Orsay Museum. He also teams up with enamelers including Alfred Serre, and develops a set of “cloisonnés” enamels that made the headlines at the World's Fair of 1862 in London, which was the very beginning of the art of enamel’s return. In collaboration with Serre, Barbedienne realized between 1878 and 1889 the Monumental Clock in Renaissance style, decorated with enamels, which is preserved in the Paris City Hall. Venus de Milo Facts about Venus de Milo sculpture. For much of the world, the mystery of the Venus de Milo lies in her missing arms. But there’s much more to this iconic statue than a couple of absent appendages. 1. Venus de Milo‘s title is a bit misleading. It’s popularly believed that this Grecian statue depicts the Greek Goddess of love and beauty, who was often rendered half-naked. However, the Greeks would have called this deity Aphrodite. Nonetheless, the Roman-inspired Venus de Milo caught on. 2. She’s named in part for where she was discovered. On April 8, 1820, a farmer named Yorgos Kentrotas came across the statue in pieces within the ruins of an ancient city on the island of Milos (formerly known as Melos). 3. Alexandros of Antioch is credited with her creation. A sculptor of the Hellenistic period, Alexandros is believed to have carved this masterpiece between 130 and 100 BCE. The inscription on the plinth—the slab on which the statue rested—that identified him as Venus de Milo‘s creator was lost nearly 200 years ago. 4. She might not be Venus. Some have suggested the sculpture is not Aphrodite/Venus, but Amphitrite, the sea goddess who was particularly adored on Milos. Still others have proposed she’s Victory, or perhaps a prostitute. With her arms long missing, would-be context clues have been lost for centuries. A spear could have meant one thing, a spool of thread another. If she held an apple—as some reports claim—it could mean she was Aphrodite, holding the award given to her by Paris before the Trojan War began. To this day, it’s a matter of passionate debate. 5. She became a gift to the King of France. When Kentrotas called upon a French naval officer to help him unearth the spectacular sculpture, he began a chain of events that would eventually lead to the Marquis de Rivière presenting Venus de Milo to Louis XVIII. In turn, the ruler gave the statue to the Louvre, where it is on display to this very day. 6. The loss of her limbs is the fault of the French. Kentrotas did find fragments of an arm and a hand when he uncovered the statue in the ruins, but as Venus de Milo was being reassembled, those arms were discarded for having a “rougher” appearance. Modern art historians believe that the variation of finish does not mean those arms did not belong to Venus, but both the arms and the original plinth have been lost since the piece moved to Paris in 1820. 7. The original plinth was ditched on purpose. Sight unseen, early 19th century art historians decided the newly discovered Venus must have been the work of Greek artist Praxiteles, and publicized the work as such. This attribution would have placed the piece in the Classical period (5th through 4th centuries BCE), which was more respected artistically than the Hellenistic period. To save face and better promote Venus de Milo—even at the cost of misinforming the public—the plinth was removed before it was presented to the King. 8. Venus de Milo was meant to make up for a national embarrassment. During his conquests, Napoleon Bonaparte had plundered one of the finest examples of Greek sculpture, Venus de’ Medici, from Italy. In 1815, the French government returned that beloved sculpture, but in 1820, France embraced the chance to fill the hole its absence left in the French culture and national pride. As such, Venus de Milo was promoted as being even greater than Venus de’ Medici upon her Louvre debut. The ploy worked, and the piece was met with almost universal praise from artists and critics. 9. Renoir was not impressed. Perhaps the most famous of Venus de Milo‘s detractors, the celebrated Impressionist painter dismissed this delicate depiction of grace and female beauty as “a big gendarme.” 10. She went into hiding during World War II. By the autumn of 1939, war threatened to descend on Paris, so Venus de Milo along with some other priceless pieces, such as Winged Victory of Samothrace and Michelangelo’s Slaves, were whisked away for safekeeping at various châteaux in the French countryside. 11. She’s been robbed! Venus is missing more than just her arms. She was originally draped in jewellery including a bracelet, earrings and a headband. These flourishes are long lost, but the holes for fixing them to the piece remain in the marble, giving clues to the missing accessories. 12. She lost her colour. While it’s easy for today’s art admirers to think of Greek statues as white, the marble was often painted in the style of polychromy. However, no trace of the original paint scheme remains on Venus de Milo today. 13. She’s taller than most people. Even with her slight slouch, Venus de Milo stands at 6 feet 8 inches tall. 14. She could be a copy. Art historians have noted that Venus de Milo bears a striking resemblance to Aphrodite of Capua, which is a Roman era copy of a possibly late 4th century BCE bronze Greek original. That would be at least 170 years before Alexandros carved his goddess, leading some to speculate that both statues are actually replicas of an older statue...

Elegant Art Deco sculpture of an athletic scouting / watching male figure by Jean de Roncourt from France around 1930. Very good original condition, greenish patinated Spelter / Zinc...

A cool verdigris bronze horse and chariot sculpture with trojan warrior from Greece, circa 1970s. The piece is in very good vintage conditione...

A Gilt Bronze Tibetan Representation Of A rare Green Tara Buddha Statue. Sounds like there is an item sealed inside. Gilt Bronze and Copper. Early 1...

The beautiful bronze sculpture is of The Tibetan Amitayus, the Bodhissatva/Buddha of infinite life. Adorned with necklaces, crown and sashes decorated with rosettes, pearls and medal...

Rare bronze "Crest of the Wave" (1925) Beaux Arts style nude sculpture by Harriet W. Frishmuth and produced by Gorham Co. Founders. Signed.

High quality bronze sculpture signed Hedy Miller 92'. 1/9. Heavy bronze bust mounted on a marble base, the base measures 10 1/4'' wide by 9 1/8'' deep by 2'' tall. Unknown subject o...

Wonderful late 19th Century Art Nouveau French bronze figure of a seductively draped female figure representing, in allegorical form, Nature revealing her secrets to Science, a fitti...

A patinated bronze sculpture after German sculptor Otto Schmidt Hofer (1873-1925). Titled, "The Enemy Below." A figural work featuring a handsome nude male Greek...

Art Deco bronze sculpture dancing nudes, COUNTRY DANCE by Claire Jeanne Roberte Colinet. Bronze, patinated. Red marble base with gilt bronze plaquettes...

An extraordinary and wonderfully rendered 19th century Italian cast bronze depicting a seated Hermes, the Greek god of messengers, travelers, and merchan...

Art Deco bronze sculpture bust young Achilles. The bronze bust is signed by Constant Roux with foundry mark Les Neveux de Lehmann and stamped number. The sculpture is fixed on a g...

A wonderful example of a hollow-cast bronze octopus. This piece features wonderful detail and resemblance to a real specimen. An exotic piece certain to...

Bronze male sculpture signed. Fonderia Giorgio Sommer Calabritto Napoli Thomas, sculptor, lived and worked in the Naples area, and especially on Capri, from 1889 to 1906. Given this ...

Maitland-Smith bronze sculpture depicting the Goddess of Peace, Aurora, after Jules Felix Coutan. The winged figure is adorned with a helmet and holding a sword, mounted on a marble ...

This artwork was created by the Italian artist Rodica Tanasescu. The title " Musa" Muse. Rodica Tanasescu was born in Rumania and now lives in and works in Mestre, (Venezia, Italy)....

Bronze sculpture of two figures seated upon a cast stone pedestal, ca. 1980s, by the internationally renowned mid century sculptor Ramiz Barquet (1920-2010) of Mexico City.

1900s Jugendstil cold-painted bronze sculpture of an oriental woman with a fruit bowl by Franz Bergmann, Austria By: Franz Bergmann Material: bronze, copper, tin, metal, paint Techn...

An Art Deco Bronze Sculpture by Joé Descomps of a nude lady wearing a loose green patinated cloak and matching coloured head scarf. Signed 'Joé Descomps' to bronze. Set over a varieg...