Bronze Figurative Sculptures

This is a Bronze Sculpture of a Girl by Auguste Moreau. It depicts a painted bronze sculpture of a young peasant girl wearing a yellow dress and barefoot. She has curly hair that is ...

Beautiful tall bronze & marble base by listed artist Charles Renee Masse, signed title Jeune Arabe, this piece its part of a series that have many auction results. Signed dated " Ch....

This is a cold painted bronze figurine of a Turkish dancer with a Parrot, by or after Paul Philippe, made in France in the Art Deco period, circa 1920 ....

Wooly Chaps, a cast bronze sculpture after American artist Frederic Remington on marble base. A variation of his most famous sculpture, The Broncho Buster, Wooly Chaps is filled with a tremendous dramatic tension and depicts a scene from the American Old West...

Green patinated bronze sculpture of an archer by Michel Decoux (1837-1924). This petite Art Deco sculpture beautifully captures the elegant formal language of the period. Crafted in ...

American bronze figure on horse gong down a steep incline on green oval-shaped base (later 20th Cent.recast of "Mountain Man" by Remington) Condition: Good; Wear consistent with age...

Khadim Diop, the Senegalese artist renowned for his bronze sculptures that adorn many private collections worldwide, has crafted two captivating and expressive pieces that showcase his mastery of the medium, a rare find in the market outside Africa! The first sculpture portrays a dynamic figure playing the Djembe drum...

1930s Art Déco chryselephantine bone and bronze mounted knight sculpture with marble base by Alexandre Kéléty, France By: Alexandre Kéléty Material: bronze, bone, marble, stone, met...

A stunning green-patinated bust of Beethoven, sculpted by Pierre Le Faguays for Max Le Verrier. A masterpiece of French Art Deco from the 1920s, it captures the composer lost in the ...

This beautiful young woman is a fine example of the creations of the noted French sculptor, Emmanuel Villanis (1858-1914). You will find his works to be predominantly art nouveau wo...

FRANZ VON STUCK (German, 1863-1928) There is a tension between the Apollonian and Dionysian in Stuck’s work. Nietzsche’s contemporary and a kindred spirit, Stuck valiantly searched f...

Maurice Bouval (French 1863 - 1916), Patinated Bronze Figure Of An Art Nouveau Woman Bronze on Marble Plinth.

Demetre Haralamb Chiparus (French/Romanian 1886 - 1947), Art Deco Dancers, Bronze Sculpture On Marble Plinth. Demétre H Chiparus Antique Bronze Art Deco Dancer...

MAGNIFICENT! BENIN OBA 19TH CENTURY BRONZE WARRIOR SCULPTURE! SUPERB EXAMPLE OF OBA METALWORK! DIMENSIONS: APPROXIMATELY 13" TALL CIRCA 1860-1900 Offered is a rare 19th cen...

Bronze sculpture with wooden base, Homage to Marino Marini 1950s/60s

A rare and superb depiction of modern dance in the era of the Ballet Russe de Monte Carlo and modern dance pioneers such as Martha Graham, this figure of a modern male dancer, his ar...

19th Century Fernando De Luca, After Furietti, Bronze Centaur Sculpture is a fine example of the Grand Tour tradition. Furietti, an Italian sculptor, was known for his skill in creat...

A rare and very fine bronze corpus of Christ after a model by Michelangelo, cast ca. 1597-1600 by Juan Bautista Franconio and painted in 1600 by Francisco Pacheco in Seville, Spain. The present corpus reproduces a model attributed to Michelangelo. The best known example, lesser in quality, is one on display at the Metropolitan Museum of Art (MET). The association of this corpus with Michelangelo was first brought to light by Manuel Gomez-Moreno (1930-33) who studied the wider circulated casts identified throughout Spain. The attribution to Michelangelo was subsequently followed by John Goldsmith-Phillips (1937) of the MET and again by Michelangelo expert, Charles de Tolnay (1960). While Michelangelo is best known for his monumental works, there are four documented crucifixes he made. The best known example is the large-scale wooden crucifix for the Church of Santa Maria del Santo Spirito in Florence, made in 1492 as a gift for the Prior, Giovanni di Lap Bicchiellini, for allowing him to study the anatomy of corpses at the hospital there. In 1562, Michelangelo wrote two letters to his nephew, Lionardo, indicating his intention to carve a wooden crucifix for him. In 1563 a letter between Lionardo and the Italian sculptor Tiberio Calcagni, mentions this same crucifix (a sketch of a corpus on the verso of a sheet depicting Michelangelo’s designs for St. Peter’s Basillica [Palais des Beaux-Arts in Lille] may reproduce this). That Michelangelo was working on small corpora in the last years of his life is further evidenced by the small (26.5 cm) unfinished wooden crucifix located at the Casa Buonarroti, considered his last known sculptural undertaking. Michelangelo’s contemporary biographer, Giorgio Vasari additionally cites that Michelangelo, in his later years, made a small crucifix for his friend, Menighella, as a gift. Surviving sketches also indicate Michelangelo’s study of this subject throughout his career, most notably during the end of his life but also during the 1530s-40s as he deepened his spiritual roots. The occasional cameo of crucified Christ’s throughout his sketched oeuvre have made it challenging for scholars to link such sketches to any documented commissions of importance. All the while, in consideration that such objects were made as gifts, it is unlikely they should be linked with commissions. Nonetheless, a number of theories concerning Michelangelo’s sketches of Christ crucified have been proposed and some may regard the origin of the present sculpture. It has been suggested that the corpus could have its impetus with Michelangelo’s work on the Medici Chapel, whose exclusive design was given to the master. It is sensible smaller details, like an altar cross, could have fallen under his responsibility (see for example British Museum, Inv. 1859,0625.552). Others have noted the possibility of an unrealized large marble Crucifixion group which never came to fruition but whose marble blocks had been measured according to a sheet at the Casa Buonarroti. A unique suggestion is that Michelangelo could have made the crucifix for Vittoria Colonna, of whom he was exceedingly fond and with whom he exchanged gifts along with mutual spiritual proclivities. In particular, Vittoria had an interest in the life of St. Bridget, whose vision of Christ closely resembles our sculpture, most notably with Christ’s proper-left leg and foot crossed over his right, an iconography that is incredibly scarce for crucifixes. The suggestion could add sense to Benedetto Varchi’s comment that Michelangelo made a sculpted “nude Christ…he gave to the most divine Marchesa of Pescara (Vittoria Colonna).” Of that same period, two sketches can be visually linked to our sculpture. Tolnay relates it to a sketch of a Crucified Christ at the Teylers Museum (Inv. A034) of which Paul Joannides comments on its quality as suggestive of preparations for a sculptural work. Joannides also calls attention to a related drawing attributed to Raffaello da Montelupo copying what is believed to be a lost sketch by Michelangelo. Its relationship with our sculpture is apparent. Montelupo, a pupil of Michelangelo’s, returned to Rome to serve him in 1541, assisting with the continued work on the tomb of Pope Julius II, suggesting again an origin for the corpus ca. 1540. The earliest firm date that can be given to the present corpus is 1574 where it appears as a rather crudely conceived Crucifixion panel, flanked by two mourners in low-relief and integrally cast for use as the bronze tabernacle door to a ciborium now located at the Church of San Lorenzo in Padula. Etched in wax residue on the back of the door is the date, 27 January 1574, indicating the corpus would have at least been available as a model by late 1573. The Padula tabernacle was completed by Michelangelo’s assistant, Jacopo del Duca and likely has its origins with Michelangelo’s uncompleted tabernacle for the Basilica of St. Mary of the Angels in Rome. The impetus for the Padula tabernacle’s Crucifixion panel begins with a series of late Crucifixion sketches by Michelangelo, depicting a scene of Christ crucified and flanked by two mourners (see British Museum Inv. 1895.0915.510; Ashmolean Museum Inv. 1846.89, KP II 343 recto; Windsor Castle RCIN 912761 recto; and Louvre Inv. 700). A faintly traced block possibly intended for sculpting the sketch of the crucified Christ on its recto was discovered by Tolnay on a version of the composition at Windsor Castle. The Windsor sketch and those related to it appear to have served as preparatory designs for what was probably intended to become the Basilica of St. Mary’s tabernacle door. Vasari documents that the project was to be designed by Michelangelo and cast by his assistant, Jacopo del Duca. Michelangelo died before the commission was complete, though on 15 March 1565, Jacopo writes to Michelangelo’s nephew stating, “I have started making the bronze tabernacle, depending on the model of his that was in Rome, already almost half complete.” Various circumstances interrupted the completion of the tabernacle, though its concept is later revitalized by Jacopo during preparations to sell a tabernacle, after Michelangelo’s designs, to Spain for Madrid’s El Escorial almost a decade later. The El Escorial tabernacle likewise encountered problems and was aborted but Jacopo successfully sold it shortly thereafter to the Carthusians of Padula. An etched date, 30 May 1572, along the base of the Padula tabernacle indicates its framework was already cast by then. A 1573 summary of the tabernacle also describes the original format for the door and relief panels, intended to be square in dimension. However, a last minute decision to heighten them was abruptly made during Jacopo’s negotiations to sell the tabernacle to King Phillip II of Spain. Shortly thereafter the commission was aborted. Philippe Malgouyres notes that the Padula tabernacle’s final state is a mixed product of the original design intended for Spain’s El Escorial, recycling various parts that had already been cast and adding new quickly finished elements for its sale to Padula, explaining its unusually discordant quality, particularly as concerns the crudeness of the door and relief panels which were clearly made later (by January 1574). Apart from his own admission in letters to Spain, it is apparent, however, that Jacopo relied upon his deceased master’s designs while hastily realizing the Padula panels. If Michelangelo had already earlier conceived a crucifix model, and Jacopo had access to that model, its logical he could have hastily employed it for incorporation on the door panel to the tabernacle. It is worth noting some modifications he made to the model, extending Christ’s arms further up in order to fit them into the scale of the panel and further lowering his chin to his chest in order to instill physiognomic congruence. A crude panel of the Deposition also follows after Michelangelo’s late sketches and is likewise known by examples thought to be modifications by Jacopo based upon Michelangelo’s initial sculptural conception (see Malgouyres: La Deposition du Christ de Jacopo del Duca, chef-d’oeuvre posthume de Michel-Ange). Jacopo’s appropriation of an original model by Michelangelo for more than one relief on the Padula tabernacle adds further indication that the crucifix was not an object unique to Jacopo’s hand, as few scholars have posited, but rather belongs to Michelangelo’s original...

Impressive Bronze Sculpture - "Imperial French Cuirassier 1804" mid 19th Century. A beautifully detailed bronze sculpture of a soldier mounted on his horse bearing the insignia of Napoleon with silver and gold gilt and polychrome patina. On an onyx base (some small losses and chips). Plate mentioning "Corazziere Imperiale Francia 1804 64/200". This piece is a limited edition and numbered 64 out of 200 made. The phrase "Corazziere Imperiale Francia 1804" appears to be Italian. It translates to "Imperial French Cuirassier 1804" in English. Cuirassiers were heavy cavalry units in European armies, and "Imperial French Cuirassier" refers to a specific type of cavalryman serving in the French Imperial Army during the Napoleonic era, particularly around the year 1804 when Napoleon Bonaparte was crowned Emperor of the French. The Imperial Guard...

Austrian Jugendstil bronze centerpiece with country girl figure, circa 1900. Step into the poetic world of late 19th-century Austria with this captivating bronze jardinière, an exqu...

Bronze sculpture of a Gaulish chief, signed FREMIET. Bronze sculpture signed FREMIET, representing a Gaulish chief, 19th century, Napoleon III period. H: 37cm, W: 26cm, D: 8,5cm

Patinated bronze statue of a falconer after the original model by Adolphe Martial Thabard (1831-1905). A winner of multiple medals at the Paris Salon, this particular model won the ...

Beautifully handcrafted and meaningful religious plaque. This heavy and high quality bronze wall plaque depicts Christ with a realistic crown of thorns and a stylized Art Deco halo ...

A remarkably fine example of Archaic sculpture.  A figure of a discophoros, or discus bearer, standing with his right leg forward, gripping a discus in his right hand, the left arm raised with an open palm. Described with admiration in Münzen und Medaillen's 1961 auction, "The figure is a masterpiece and illustrates with rare vividness the essence of good Etruscan sculpture...

A beautiful patinated Art Nouveau bronze study of a young Art Nouveau beauty sat upon a wall wearing chains with excellent variegated rich brown patina and excellent hand chased surf...

Bronze sculpture of man sitting

Au But, Antique bronze sculpture of 3 nude runners by Alfred Boucher with the Siot founders' signature. Patinated bronze on red marble base. France, circa...

This Vienna bronze clearly shows off the quality of the Bergmann Foundry. The detailing is top grade and the cold painting is exceptional. Please note how carefully the man's clothi...

'Bohemienne' An Art Nouveau bronze sculpture by Emmanuel Villanis (1858-1914), depicting an elegant young woman holding a lyre with her other arm raised behind her head with robes fl...

A charming early 20th Century Art Deco cold painted bronze figure of a young girl in period attire standing holding a hoop behind her back , raised on a shaped marble plinth and sign...

A wonderful, highly erotic, rather fascinating, and somewhat unique large pair of Indian (India) Kama Sutra bronze sculptural figures (The Kama Sutra is an ancient Indian Sanskrit text on sexuality, eroticism, and emotional fulfillment in life.) Nicely detailed with a gorgeous patina that is only acquired over time. From an estate of a world traveler art and artifacts collector. The sculpture is relatively heavy. Would be a great addition to any Indian/ South East Asian art...

This is a Girl with Wheat bronze sculpture by Hippolyte F. Moreau. He is famous for his bronze statues of young women. He is also the son of another renown French sculptor named Jean Baptiste Moreau. It depicts a young lady with long curly hair who is dressed with a see-through robe. She is holding a basket of wheat with one arm and some branches of them with the other one. She appears to be in the countryside and is observing a pair of doves that are on the ground. The bronze sculpture is standing over two...

This exquisite brass snail sculpture captures the beauty of nature with remarkable craftsmanship and elegant form. The spiraled shell is adorned with delicate, swirling etchings that...

This beautifully patinated bronze figure of Yoga Narasimha, the fourth incarnation of Vishnu as a man-lion is from Kashmir in North India. Nara means man and simha means lion. He is ...

Edouard Drouot (French, 1859-1945) "Daphne" Patinated Bronze Sculpture, late 19th century, the standing nymph clad in reeds with flowing hair and upholding branch, on conforming base...

“Angel"—Bronze by Frederick Hart, 1992, #76/350 "Angel" by Frederick Hart, created in 1992, is one of the most sought-after sculptures by this renowned American artist. This limited...

Beautiful and exceptionally rare pair of bronze sculptures with a magnificent gilding, France early 20th century. Signature on the base of each sculpture "G. Flamand". By the artis...

Franz Bergman - Vienna Egyptian Bronze Female Nude in Sarcophagus Erotic Ca1900 A patinated and gilt bronze metamorphic figure of a 'Nuremberg Iron Ma...

Large Italian Grand Tour Bronze Sculpture "Dying Galata"/Dying Gaul, C. 1875, Attributed to Naples Foundry  A remarkable large Italian Grand Tour bronze sculpture titled "Dying Galata" or "Dying Gaul," dating circa 1875 and attributed to the renowned Naples Foundry. This exquisite piece, an expertly cast bronze, retains its original black-brown patina and boasts a substantial size, standing 12 inches high, 26.5 inches wide, and 13.5 inches deep. It is a distinguished example of the iconic Grand Tour sculptures, which were popular souvenirs for affluent travelers during the 19th century. The sculpture is a faithful rendition of the ancient Roman marble statue "The Dying Gaul," also known as "The Dying Galatian" or "The Dying Gladiator." The original marble, now housed in the Capitoline Museums in Rome, is a Roman copy of a lost Greek bronze sculpture...

A fine and rare Neapolitan Grand Tour bronze of the Venus Callipyge, after the original in National Archeological Museum of Naples. Signed Sommer, Napoli. An erotic bronze, the name ...

Although America's sculptors interested in African American life and Black subjects, including Elizabeth Catlett, Richmond Barthé, Sargent Johnson and ...

Stylized Art Deco standing sculpture of Jesus Christ (may be influenced by Christ the Redeemer "Cristo" in Rio de Janeiro, Brazil) by Austrian desig...

A fine antique Egyptian Revival bronze sculpture. In the form of a male lion. Mounted atop a mottled rouge marble plinth. Simply a lovely Egyptian Revival bronze! Date: ...

Representing the mythical figure of a foo dog, this incredibly ornate figure packs detail and beauty in a compact form. Beautifully patinated piece from the 1940s. Four character sea...

This is a large French Grand Tour bronze sculpture of Pan the Roman fertility God of the forest issued by the "Musee de Naple" , circa 1870 in date. The sculpture features Pan danc...

A unique Anne Van Kleeck bronze, table top sculpture of abstracted figures, dancers perhaps. From the artist's estate. A note about the artist: Anne Van Kleeck was primarily known for her works in cast bronze and ceramics. She attended Ohio Wesleyan University (B.A.) and Ohio State University (M.A.) and spent several years as a professor of art in Ohio and Florida. In 1957, Anne traveled to Venice, Italy to study bronze and lost wax casting, beaten iron and mosaic techniques. During that stay she employed an Italian foundry expert and together they established a small foundry on the island of Murano where they cast bronzes for her one woman show in Venice. Van Kleecks work has won multiple awards and is owned worldwide by private collectors and museums, including the Metropolitan Museum and MOMA in New York. She was contemporaries of and exhibited with Ruth Asawa, Gary Knox Bennett...

Antique "Vaclaw Bernard Szczeblewski" French Bronze of Boy "The Whistler". Circa Late 19th Century. Measurements: 16" H x 6" W x 5 1/2" D.

Mid-Century Modern Figurative Nude Bronze Sculpture. This small bronze depicts a surrealistic version of two nude figures in dance movement. It was probably created as a study for a...

Beautiful quality, turn of the century craftsmanship pendant light. This stunning bronze chandelier of practical size is in excellent condition. The top quality workmanship is unlik...

Henry Moore (British, 1898-1986) "Reclining Figure: Stiff Leg" Patinated Bronze Sculpture, 1977, signed "Moore" and numbered edition "3/9". 5.5" H x 10.5" W x 7.25" D. Provenance: P...

Eleanora & M. Magdalena Dei Medici Wax Portraits on Slate Measures: 4.5" DA 18th Century or Earlier Wax Portraits of Eleonora de' Medici and Maria Magdalena de' Medici in Ormolu F...

19th century diana the huntress bronze bas relief wall plaque. Diana with raised bow and hunting dog near her side. We have specialized in the sale of...

Exquisite hand crafted Greek bronze full size display helmet mode. This was made in the 1950's and probably from Italy. Wonderfull details and patina. Great design and form. No signa...

Antique Charles Georges Ferville-Suan (1847-1925) French Art Nouveau Gold Gilt Patinated Bronze Sculpture Vase. Item features a gold gilt bronze figure of a woman musician, birds, br...

***Reduced In-House Delivery Rates - Click on “Ask Seller” to Request a Quote*** Antique Roman Grand Tour Bronze Sculpture “Narcissus” 19thC. 24 1/2" x 12 1/2" x 12 1/2". ...

Stylish and quite rare heavy gauge silvered chisel Cast Iron Victorian Door Stop of exceptional quality, last half of the Nineteenth Century of English origin. Depicting a standing pose of an Irishman the Duke of Wellington in full uniform attire, holding a sword and standing on a magnificent, stepped platform with a ball foot at each corner. Condition: Good overall condition, with no restoration anywhere, professionally re-silvered by our restorers in London. Doorstop is constructed by bolting together in three areas, see image. Casting is exceptional, study face area. Height: (entire as per image one) 14.75" (37.5cm). Width: (at base area). 6.5" (16.5cm). Depth: (at base) 3.25” (8.25cm). Location: Dublin City, Ireland. Affordable fixed charge Worldwide Store to door shipping offered by Seller. Arthur Wellesley 1st Duke of Wellington is today more famous as a soldier than as a politician. In fact, as the Prime Minister, he was known for his measures to repress reform, and his popularity sank a little during his time in office. The Duke of Wellington was born in Dublin to the Earl and Countess of Mornington. A leading political and military figure of the 19th century, the Duke of Wellington is best remembered for his defeat of Napoleon Bonaparte at Waterloo in 1815. As a general, he was renowned for his stunning defensive skills. His battle plans...

Large bronze sculpture by Auguste Moreau, 19th century, Napoleon III period. Bronze sculpture of a young woman with a bird by Auguste Moreau, red marble base, Napoleon III period, 1...

Original 19th century French bronze, " Jeune Femme a la Mandoline", sculpture of a young girl seated with a mandolin resting on her lap by Auguste Moreau (1834-1917) France and retai...

Bronze sculpture of the god Mercury Representation of the god Mercury standing on Aeolus, the god of the wind (after Gianbologna) Origin France Circa 1900 Base of green Alpine marble...

Auguste-Joseph Carrier (French, 1800-1875) "Musicians" Pair of Patinated Bronze Figures, late 19th century, depicted as male and female traveling musicians, signed to base of male fi...