Bronze Figurative Sculptures

"Nuit d’été", dated 1894 and signed by Louis-Auguste MOREAU Famous French sculptor, 1855-1919 A superb French parcel gilt patinated bronze group depicting a semi-clad maiden on n...

This is a Girl with Wheat bronze sculpture by Hippolyte F. Moreau. He is famous for his bronze statues of young women. He is also the son of another renown French sculptor named Jean Baptiste Moreau. It depicts a young lady with long curly hair who is dressed with a see-through robe. She is holding a basket of wheat with one arm and some branches of them with the other one. She appears to be in the countryside and is observing a pair of doves that are on the ground. The bronze sculpture is standing over two...

Finely modeled and cast antique (19th century) patinated bronze sculpture depicting Pauline Bonaparte as Venus Victrix after the original model by the Italian master, Antonio Canova....

Large silver-plated and patinated bronze sculpture representing a dancer balancing on a ball, and juggling with balls. These balls are made of hard stones: amethyst, rose quartz and...

This Orientalist bronze was done by Franz Bergman and does bear his signature. Meticulously cold painted and highly detailed make this one of his best examples. The camel and the boy...

Silvered bronze around 1925 on a marble base. s Signed on the marble P Philippe. In a perfect state Total height: 64.5 cm 25.39 in Depth: 15cm 5.9in Width: 20cm. 7.87in Bas...

Art Deco Silvered Bronze Bust Sculpture of a Woman / France, 1930 Art deco silvered bronze sculpture of a stylized human head, mounted on a black oval marble base. The head is tilted...

An attractive early 20th Century Art Deco cold painted silver bronze figure of a young energetic beauty in a stretched pose, raised on a decorative black and green onyx base and sign...

Au But, Antique bronze sculpture of 3 nude runners by Alfred Boucher with the Siot founders' signature. Patinated bronze on red marble base. France, circa...

Maitland-Smith bronze sculpture depicting the Goddess of Peace, Aurora, after Jules Felix Coutan. The winged figure is adorned with a helmet and holding a sword, mounted on a marble ...

This beautiful sculpture entitled "Lolita" by Francoise Abraham reflects an original and unique perspective on the human form in movement. Born in 19...

A bronze statue of a ballerina A beautiful abstract statue of a ballerina made in bronze on a rectangular base. The bronze ballerina in a beautiful pose of a dancing jump, mounted...

This wonderful, whimsical, and naughty bronze by the Bergman Foundry is a real joy. Highly detailed casting and meticulously painted bronze has the added feature of a toy, you can p...

“Angel"—Bronze by Frederick Hart, 1992, #76/350 "Angel" by Frederick Hart, created in 1992, is one of the most sought-after sculptures by this renowned American artist. This limited...

A Thai bronze head of the Buddha. Sukothai period, late 16th-early 17th century. His face with serene expression, arched eyebrows above incised eyes a...

After Francois Rude (French, 1784-1855) "The Education of Achilles by the Centaur Chiron" Patinated Bronze Sculpture, late 19th century, unsigned, elements missing. 17" H x 17.5" W x...

Antique "Vaclaw Bernard Szczeblewski" French Bronze of Boy "The Whistler". Circa Late 19th Century. Measurements: 16" H x 6" W x 5 1/2" D.

A beautiful patinated Art Nouveau bronze study of a young Art Nouveau beauty sat upon a wall wearing chains with excellent variegated rich brown patina and excellent hand chased surf...

Art Deco bronze sculpture oriental dancer Henry Fugère. Bronze sculpture, patinated. Portor Marble base. France 1925. Literature: Art Deco and other figures by Brian Catley Antique ...

At the base of a staircase, or in front of a fireplace, the silhouettes of this pair has a lifelike quality. Pharaohs light the way from atop their geometric base. The bronze Egyptian-style statues will dominate the entryway and the conversation. The silhouettes are stunning, on or turned off. The Art Deco style parcel verdigris bronze figural floor lamps...

Diminutive Chinese bronze metal Buddha sculpture depicted sitting. Beautifully crafted in the Ming style with intricate details. The bronze has a rich pat...

Bronze statue in the style of Guillaume Marly. The horses of Marly were commissioned by Louis XV to sculptor Guillaume Coustou to decorate the entrance of the park of Marly castle. ...

Vintage Jose Dunach Bronze Lady Golf Figure. A very nice French Art Deco style sculpture of a lady golfer mounted on a round naturalistic base, the golfer ...

Charles Korschann Czechoslovakian Art Nouveau Gilt-Bronze Figural Bud Vase. Cast from a model by Charles (Karl) Korschann, circa 1899, of urn form, with a handle in the form of a...

Outstanding Benin Oba and his Queen, Lost Wax 'Bronze' Sculptures from the late 20th century Superbly cast and highly decorative contemporary pieces, not historical The centuries ol...

A Large Bronze Torso A Bronze cast after original marble 4th Century BC Greek sculpture of Lysippian type, possibly depicting Agias. Including pedestal. Provenance: Private Austral...

'Bohemienne' An Art Nouveau bronze sculpture by Emmanuel Villanis (1858-1914), depicting an elegant young woman holding a lyre with her other arm raised behind her head with robes fl...

This is a fine antique pair of French Grand Tour patinated-bronze sculptures of the Marly Horses, Circa 1850 in date and signed to one base. The original Marly Horses were commissi...

Antique bronze sculpture with beautiful patina, mounted on a black marble base, portraying the seated figure of a young woman in pastoral garb with flowers in her lap, designed by A....

Art Deco bronze sculpture male bust by Ugo Cipriani. Patinated bronze. Belgian black marble base. France 1930. Literatuur: “Art Deco sculpture” Alastair Duncan.

A Monumental Museum Quality Pair of French 19th Century Figural Gilt and Patinated Bronze Rosso Granite Marble Flambeaux Urns, each depicting a pair of standing allegorical and whims...

A large and fine pair of 19th century Italian male nudes depicting the Greek boxers Creugas and Damoxenos. These bronzes have a wonderful old patina...

A delightful Thai Rattanakosin Period lacquered and gilt cast bronze figure of the Buddha in royal attire, mid 19th century, Thailand. The charming figure depicts the Buddha in dhyanasana, the gesture of meditation. The Buddha sits serenely in half lotus position, his hands resting comfortably upon his lap, one on top of the other. The Buddha is dressed in elaborate robes, cast with floral and foliate designs in high relief. Over his robe, he wears the regalia of Thai kings, with a heavy cape...

Green patinated bronze sculpture of an archer by Michel Decoux (1837-1924). This petite Art Deco sculpture beautifully captures the elegant formal language of the period. Crafted in ...

JEAN-DIDIER DEBUT 
French, 1824-1893 

French Orientalist Model of a Janissaire Warrior 

Polychromed and patinated bronze signed "E. Debut", sealed with editeur cachet "Bronze Ga...

Rare and artistic pair of gilt bronze picture frames. If you are an antiques enthousiast and you also enjoy looking at the most majestic beast in the animal kingdom then you will lo...

Jean Jacques Pradier (1790-1852) Bronze Napoleon Bonaparte James Pradier (born Jean-Jacques Pradier, 1790–1852) was a Genevan-born French sculptor best known for his work in the neoclassical style, one of the primary artists of Napoleon's tomb, Les Invalides.  This exceptional 19th-century French bronze full-length portrait of a standing Napoleon Bonaparte bronze...

Miguel Ortiz Berrocal Sculpture Omaggio Ad Arcimboldo 827/1000, 1976-1979 Offered for sale is a puzzle sculpture by Spanish artist Miguel Ortiz Berrocal (1933-2006). This three-dim...

A large and impressive late 19th Century bronze study of the famous Venus de Milo sculpture of antiquity with excellent rich brown patina and good hand finished surface detail, inscribed F.Barbedienne foundry ADDITIONAL INFORMATION Height: 95 cm Width: 28 cm Depth: 28 cm Condition: Excellent Original Condition Circa: 1890 Materials: Bronze Foundry: F.Barbedienne SKU: 7741 ABOUT The Barbedienne Foundry is a famous 19th century bronze foundry, whose statues and art objects became rapidly very renowned. This bronze studio co-worked with other trades, and put his name to a great variety of works, such as furnishing in particular. Attending every World's Fair of its time, the Barbedienne Foundry was regularly awarded, notably at the World's Fair of 1855 where it was awarded the Great Medal of Honor. A Parisian bronze maker and caster, Ferdinand Barbedienne (1810-1892) creates a firm in 1839 in collaboration with Achille Collas, the inventor of the mechanical method to obtain copies of sculptures at a smaller scale. With this groundbreaking proceed, they facilitated an unprecedented production. Under the “Collas et Barbedienne” name, they specialized in Antiquity copies and perfected new chemical methods for the color and patina finish of their bronzes. As a true Romantic, Ferdinand Barbedienne is committed to democratization of arts, he thus realizes numerous Antiquity copies and stimulates his contemporaries’ works broadcasting. A great deal of famous sculptures are hence cast by the Barbedienne Foundry. All his life, Barbedienne co-worked with the greatest artists, sculptors or designers of his time, such as Edouard Lievre, Ferdinand Levillain, Attarge, Aizelin, Barye or Fremiet. Statues aside, he products a great deal of decorative artifacts, such as clocks, vases, mirrors, etc. Since 1855, Ferdinand Barbedienne collaborates with the famous decoration designer Louis-Constant Sévin (1821-1888). Joining the firm as a sculptor-designer, he stays loyal to it his life long, always finding more new designs for daily objects, which hence become true art works. Sevin’s creations, specialized in the “Neo-Greek” style, were particularly appreciated for antiquity reference in decorative arts, just like the great mirror preserved by the Orsay Museum. He also teams up with enamelers including Alfred Serre, and develops a set of “cloisonnés” enamels that made the headlines at the World's Fair of 1862 in London, which was the very beginning of the art of enamel’s return. In collaboration with Serre, Barbedienne realized between 1878 and 1889 the Monumental Clock in Renaissance style, decorated with enamels, which is preserved in the Paris City Hall. Venus de Milo Facts about Venus de Milo sculpture. For much of the world, the mystery of the Venus de Milo lies in her missing arms. But there’s much more to this iconic statue than a couple of absent appendages. 1. Venus de Milo‘s title is a bit misleading. It’s popularly believed that this Grecian statue depicts the Greek Goddess of love and beauty, who was often rendered half-naked. However, the Greeks would have called this deity Aphrodite. Nonetheless, the Roman-inspired Venus de Milo caught on. 2. She’s named in part for where she was discovered. On April 8, 1820, a farmer named Yorgos Kentrotas came across the statue in pieces within the ruins of an ancient city on the island of Milos (formerly known as Melos). 3. Alexandros of Antioch is credited with her creation. A sculptor of the Hellenistic period, Alexandros is believed to have carved this masterpiece between 130 and 100 BCE. The inscription on the plinth—the slab on which the statue rested—that identified him as Venus de Milo‘s creator was lost nearly 200 years ago. 4. She might not be Venus. Some have suggested the sculpture is not Aphrodite/Venus, but Amphitrite, the sea goddess who was particularly adored on Milos. Still others have proposed she’s Victory, or perhaps a prostitute. With her arms long missing, would-be context clues have been lost for centuries. A spear could have meant one thing, a spool of thread another. If she held an apple—as some reports claim—it could mean she was Aphrodite, holding the award given to her by Paris before the Trojan War began. To this day, it’s a matter of passionate debate. 5. She became a gift to the King of France. When Kentrotas called upon a French naval officer to help him unearth the spectacular sculpture, he began a chain of events that would eventually lead to the Marquis de Rivière presenting Venus de Milo to Louis XVIII. In turn, the ruler gave the statue to the Louvre, where it is on display to this very day. 6. The loss of her limbs is the fault of the French. Kentrotas did find fragments of an arm and a hand when he uncovered the statue in the ruins, but as Venus de Milo was being reassembled, those arms were discarded for having a “rougher” appearance. Modern art historians believe that the variation of finish does not mean those arms did not belong to Venus, but both the arms and the original plinth have been lost since the piece moved to Paris in 1820. 7. The original plinth was ditched on purpose. Sight unseen, early 19th century art historians decided the newly discovered Venus must have been the work of Greek artist Praxiteles, and publicized the work as such. This attribution would have placed the piece in the Classical period (5th through 4th centuries BCE), which was more respected artistically than the Hellenistic period. To save face and better promote Venus de Milo—even at the cost of misinforming the public—the plinth was removed before it was presented to the King. 8. Venus de Milo was meant to make up for a national embarrassment. During his conquests, Napoleon Bonaparte had plundered one of the finest examples of Greek sculpture, Venus de’ Medici, from Italy. In 1815, the French government returned that beloved sculpture, but in 1820, France embraced the chance to fill the hole its absence left in the French culture and national pride. As such, Venus de Milo was promoted as being even greater than Venus de’ Medici upon her Louvre debut. The ploy worked, and the piece was met with almost universal praise from artists and critics. 9. Renoir was not impressed. Perhaps the most famous of Venus de Milo‘s detractors, the celebrated Impressionist painter dismissed this delicate depiction of grace and female beauty as “a big gendarme.” 10. She went into hiding during World War II. By the autumn of 1939, war threatened to descend on Paris, so Venus de Milo along with some other priceless pieces, such as Winged Victory of Samothrace and Michelangelo’s Slaves, were whisked away for safekeeping at various châteaux in the French countryside. 11. She’s been robbed! Venus is missing more than just her arms. She was originally draped in jewellery including a bracelet, earrings and a headband. These flourishes are long lost, but the holes for fixing them to the piece remain in the marble, giving clues to the missing accessories. 12. She lost her colour. While it’s easy for today’s art admirers to think of Greek statues as white, the marble was often painted in the style of polychromy. However, no trace of the original paint scheme remains on Venus de Milo today. 13. She’s taller than most people. Even with her slight slouch, Venus de Milo stands at 6 feet 8 inches tall. 14. She could be a copy. Art historians have noted that Venus de Milo bears a striking resemblance to Aphrodite of Capua, which is a Roman era copy of a possibly late 4th century BCE bronze Greek original. That would be at least 170 years before Alexandros carved his goddess, leading some to speculate that both statues are actually replicas of an older statue...

A fabulous gilded bronze car mascot modelled as a lady golfer and mounted on a marble base. Signed on the base J Dunach; Jose Dunach (1886-1957) was bor...

This is a truly magnificent antique Italian Grand Tour figural golden patinated bronze sculpture depicting a wounded gladiator known as "The Dying Gaul", and signed B Boschetti...

1980s Italian Bronze Riace Warrior Sculpture Statue Signed Pintoneilo Offered for sale is a circa 1980s bronze statue of the older Riace Warrior sculpture. This bronze is extremely ...

This antique sculpture was done by the well known Hans Arnoldt of Germany and dates to the early 20th Century and done in an Art Deco style. The sculpture is composed of cast and pat...

Sculpture is in two parts.

A beautiful Art Deco Revival sculpture of Diana the Huntress with Hounds, after Josef Lorenzl, dating from the 20th Century. The decorative sculpture of silvered cast-bronze features a naked Diana the Huntress, with bow and a pair of hunting dogs, standing on a sloping naturalistic base raised on a rectangular black marble plinth. This high-quality hot cast solid bronze was produced using the traditional "lost wax" process, otherwise known as the "cire perdue" method. This is a splendid bronze sculpture and it will no doubt become the centrepiece of your collection. Condition: In really excellent condition, please see photos for confirmation of condition. Dimensions in cm: Height 30 cm x Width 11 cm x Depth 18.5 cm Weight 3 kg Dimensions in inches: Height 1 foot x Width 4 inches x Depth 7 inches Weight 6.6 lbs Josef Lorenzl (1 September 1892 – 15 August 1950) was an Austrian sculptor and ceramicist of the Art Deco period. While at the Vienna Arsenal, Lorenzl produced many bronze and chryselephantine sculptures, and captivated by the female form he became famed for his shapely dancing girls with long, elegant legs and closed eyes. These pieces of his were signed "Enzl", "Lor", "R. Lor", "Renz" or "Renzl". Occasionally the name "Crejo" appears on his pieces, Crejo having been a painter and one of Lorenzl's friends, and who sometimes applied colour to the pieces. These joint works are sought-after items. The large majority of Lorenzl's figurines were attached to Brazilian green onyx plinths. Lorenzl's talents also extended to being a gifted ceramicist. He produced pieces for Goldscheider, working from a studio on company grounds. As with his chryselephantine pieces, his ceramic works were in great demand and became the embodiment of the Art Déco period. Famous amongst these is "The Butterfly Girl" after the famous dancer Niddy Impekoven...

An extraordinary and wonderfully rendered 19th century Italian cast bronze depicting a seated Hermes, the Greek god of messengers, travelers, and merchan...

A Monumental French Silvered and Gilt-Bronze and Glass Centerpiece of "Poseidon", Paris, circa 1895. A very good quality centerpiece depicting "Poseidon and his seahorses", of mon...

Au But, Antique bronze sculpture of 3 nude runners by Alfred Boucher with the Siot founders' signature. Patinated bronze on red marble base. France ca. 18...

Large bronze sculpture by Auguste Moreau, 19th century, Napoleon III period. Bronze sculpture of a young woman with a bird by Auguste Moreau, red marble base, Napoleon III period, 1...

A lovely Thai lacquered and gilt cast bronze figure of the historical Buddha, Shakyamuni, portrayed in Maravijaya, Rattanakosin Period, early to mid 19th century, Thailand. The B...

Auguste-Joseph Carrier (French, 1800-1875) "Musicians" Pair of Patinated Bronze Figures, late 19th century, depicted as male and female traveling musicians, signed to base of male fi...

Hippolyte Francois Moreau (1832 - 1927) French. "Mignon" young girl with mandolin. Rich brown patina. Signed original 19th century Bronze. Br...

A fine antique bronze sculputre. Depicting the Venus de Milo. After the ancient model by Alexandros of Antioch. Bearing an Achille Collas reduction seal and a Barbedienne mark. P...

19th Century Bronze Statuette of Achilles After the Antique This 19th century bronze statuette of Achilles the Greek hero of the Trojan war is pictured in an attack pose with shield...

Early 20th Century bronze male nude sculpture on wood pedestal base.

This striking bronze represents a four-armed warrior in the style of Sardinian Bronze Age figures, known as "bronzetti." Crafted in the 1960s in Italy, the figure exudes a unique pa...

The bronze golf sculpture was created in Paris France and "Made by Susse Fondeurs", circa 1989. Set on a polished rectangular marble base, the sculpture features two hands intricatel...

Sculpture "Nymph and Satyr", made by the author Claude "Clodion" Michel (1738-1814). Made of bronze and patinated in brown. Signed Clodion. France, CIRCA 1780.

Large American western bronze "Ponca Eagle Boy," 1988 mounted on green marble base, by Stan Johnson. Native American Indian on rearing horse with flying eagle showing amazing movemen...

Unique table crucifix and a wonderful work of religious art, dated 1912 and numbered. For us the most powerful statement will always be 'the truth will set you free'. It is what we have learned most from the life of Christ and of His teachings and it is the one thing we always think about whenever we look at a crucifix. Anyone who has tried to break down his/her ego and found a clearer consciousness in the process knows how healing and rewarding that journey can be. After that you can only be grateful for all the good things that are bound to come your way. Good things will come your way, because the universe needs people like you. Whomever created this amazing work of religious art too must have been inspired and motivated by the life of Christ, because how ever could anyone create a piece that is of such quality, so beautiful and so powerful at the same time. Both the beautifully designed bronze cross with the King of the Jews inscription and the amazingly detailed bronze corpus of Christ are of a quality that you will only rarely find on the open market. They are perfectly mounted on a stunning marble base and together they create one of the most impressive table or altar crucifixes...