Cast Figurative Sculptures

A powerful and expressive limited-edition bronze sculpture titled “By the Sea” by renowned Mexican sculptor Victor Salmones, celebrated for his dynamic figurative works that merge mo...

An Italian Grand Tour bronze tripod brazier, after the ancient Roman original excavated from Pompeii, Neapolitan late 19th century The brazier modeled after one that was used to hea...

Vintage or antique cast iron door stop features a bouquet of blue, white, and pink flowers. Carefully painted, highly detailed flowers are juxtaposed by the monochromatic light blue ...

Bold and monumental, this remarkable depiction of a nude Prometheus, kneeling and with his arms chained to the rock, was sculpted by Pierre-Alfred-Noël Cazaubon in the 1930s, probabl...

A powerful and emotive bronze sculpture portraying a tender yet sensual moment between a young man and young woman, their bodies intimately entwined. The male figure gently embraces ...

A fine patinated bronze sculpture of a Native American warrior on horseback by the celebrated French artist and sculptor, Èdouard Drouot (1859-1945). Signed E. Drouot to base with f...

This is a composite sculpture by Austin Productions depicting a native American Acoma tribe woman. It was cast in 1989.

Hermes abstract sculpture concrete cement cast grey by Paolo Giordano Hermes is concrete sculpture. It's part of a large work that is also photographic: 'Digital Journey into the C...

An Exceptionally Fine Museum Quality Example of a Well Cast Parian (unglazed porcelain) Figure depicting Jesus Christ nailed to a plain black marble standing Cross of impressive prop...

Unique and highly decorative wall coat rack with at least ten hooks. One of the main reasons for people wanting to own antiques is for their decorative appeal and this hand-crafted work-of-art wall rack certainly fits that bill. This good condition wall coat-rack with the finest quality cast iron wall hooks...

A striking bronze sculpture by Mexican artist Victor Salmones (1937–1989), mounted on a polished black marble base and signed along the lower edge. Marked Prueba de Artista (Artist P...

This exceptional 1920s Hubley cast iron doorstop, “Charleston Dancers,” No. 270, was designed by the celebrated British-born artist Anne Harriet Fish (later Anne Sefton) and captures the exuberant, lighthearted spirit of the Roaring Twenties. The sculptural doorstop depicts a dancing couple in close embrace, joyfully moving across the floor as they dance the Charleston late into the night, an iconic image of Jazz Age energy and modernity. Anne Harriet Fish was born in Bristol, England, and trained as a painter working in both oils and watercolors. After relocating to New York City, she became a prominent illustrator for Vanity Fair and Vogue, including the celebrated April 1917 Vanity Fair cover. During World War I, German-made porcelain doll heads became unavailable in the United States, prompting Fulper Pottery of Flemington, New Jersey, originally founded in 1909 as a stoneware pottery, to establish a new line of porcelain doll heads. When the postwar market for these products collapsed, Fulper pivoted to producing ceramic novelties, hiring Anne Fish in the early 1920s to contribute her distinctive, expressive designs. Fish’s success in ceramic design led to her collaboration with Hubley Manufacturing Company, for whom she designed seven iconic cast iron doorstops, now among the most desirable in the field of American folk and decorative arts: No. 269 – The Tiger No. 249 – The Messenger Boy No. 268 – The Parlor Maid No. 250 – Bathing Girls No. 270 – Charleston Dancers No. 222 – Small Footmen No. 248 – Large Footmen Anne Fish’s Hubley doorstops are characteristically numbered on the back and bear a copyright mark, with her name “FISH” painted on the front base, often in black. Likely influenced by her background in ceramics, her designs were finished with a distinctive high-gloss surface, a feature that has worn away on many surviving examples. This example is in beautiful antique condition, having been gently cleaned with minor professional paint restoration. It retains excellent surface presence and sculptural detail, with a richness and charm that exemplify Fish’s playful yet sophisticated approach to design. A highly collectible example of Hubley cast iron, Anne Fish doorstops...

Napoleon III Patinated Bronze & Ormolu Crown, France, Circa 1870 A rare and unusual Napoleon III patinated bronze and ormolu crown from France, circa 1870. This distinctive work fea...

The Rattlesnake, a cast bronze sculpture after American artist Frederic Remington on marble base. Filled with a tremendous dramatic tension, this bronze sculpture depicts a scene fro...

'Cavalier Arabe'  (Arab Huntsman on Horseback) After Alfred Barye  Alfred Barye (1839–1882) A magnificent 20th-century posthumous casting of "Cavalier Arabe" (Arab Huntsman on Horseb...

This grand tour bronze sculpture depicts the version of Venus so important to the history of art and literature in the U.S. that the original was temporarily loaned to the National Gallery of Art from the Capital Museums in Rome in 2011. Mark Twain visited Rome and upon his return home in 1867 he published "The Capitoline Venus" and he described the work as the “most illustrious work of ancient art the world can boast of". (with credit to the National Gallery of Art catalog...

Ornate cast bronze bookend depicting Indian Chief in full headdress. It was made in the US or continental Europe circa 1930-60. Measurements: H: 14.5 cm, W: 12 cm, Dept: 8 cm.

Extraordinarily rare -- perhaps unique -- this powerful bronze by Brenda Putnam depicts a male nude figure, his head down and thoughtful, and his right hand grasping his left arm in ...

Large, bold and provocative, this very rare bronze sculpture depicts a powerful, muscled nude male figure endeavoring to lift an enormous rock, his legs splayed and his body tensed t...

This dramatic, highly streamlined bronze with a nude male figure angled toward the sky illustrates a genre of Art Deco sculpture that was pioneered by Frederic Focht (this example is...

This very rare rendition and unique small edition of the vintage Robert Indiana love paperweight sculpture is captivating. This rarely seen version i...

Unique and antique bronze sculpture, bust of a Satyr (“Satan”) by Jef Lambeaux.. A striking and expressive life-size bronze bust by the celebrated Belgian sculptor Jef Lambeaux, dat...

Large 19th-century Grand Tour Venus de Milo Marble Column  France, circa 1880  A magnificent 19th-century Grand Tour Venus de Milo marble column from...

Introducing our stunning Nude Male Sculpture in Solid Lucite, Circa 1970's. This one-of-a-kind piece of furniture is a true masterpiece, expertly craft...

Well-loved and richly worn, this petite bronze traveling shrine from North India depicts the Hindu god Ganesha. Attributed to 17th century or later, the palm-sized icon reveals its a...

This is a dynamic female nude sculpture by Auguste Rodin. This suggestive sculpture is beautifully executed in the impressionist style. This museum restrike stands on a black marble ...

At the base of a staircase, or in front of a fireplace, the silhouettes of this pair has a lifelike quality. Pharaohs light the way from atop their geometric base. The bronze Egyptian-style statues will dominate the entryway and the conversation. The silhouettes are stunning, on or turned off. The Art Deco style parcel verdigris bronze figural floor lamps...

Bronco Buster, a cast bronze sculpture after American artist Frederic Remington on marble base. Filled with a tremendous dramatic tension, this bronze sculpture depicts a scene from ...

PRESENTING AN ABSOLUTELY STUNNING Large ‘Huntsman/Valet with his Hounds’ Bronze Sculpture by PJ Mene – 1869. This is a LARGE sculpture, weighing over 175 lbs....

Stylish and whimsy, this sculptural wall mirror will add style and fun to your décor. Ideal for that unique touch of style in those unexpected areas of your home. Bohemian and glamou...

Late 19th century Vienna Secession cold-painted bronze small sculpture of two men playing chess by Franz Bergmann/Nam Greb, Austria By: Franz Bergmann, Nam Greb Material: bronze, co...

Concorde Model Scale 1/36 sculpture, in resin fiber, on aluminium polished base. From Air France Agency. On base: height 110cm.

This expressive vintage bronze sculpture was created by Mexican artist Jesús Tellosa and is signed and dated 1999. The work depicts a stylized winged figure rendered in Tellosa’s distinctive figurative language—abstracted yet deeply emotive, with softened anatomical features, closed eyes, and compact proportions that evoke introspection, spirituality, and quiet strength. Cast in solid bronze, the sculpture displays a richly developed surface with natural patina, visible tool marks, and subtle tonal variations that emphasize the artist’s hand and process. The wings, integrated seamlessly into the figure’s form, suggest themes of transcendence, protection, and inner transformation—recurring motifs within contemporary Mexican sculpture of the late 20th century. Jesús Tellosa is recognized for his contribution to modern Mexican figurative art, working primarily in bronze and other traditional materials while embracing simplified forms and symbolic narratives. His work reflects the broader Mexican artistic movement that sought to bridge pre-Hispanic symbolism, spiritual introspection, and modernist abstraction, positioning the human figure as a vessel for cultural memory and emotional resonance. A compelling and collectible example of late-20th-century Mexican bronze sculpture...

American bronze cowboy sculpture resting on oval molded marble base depicting cowboys on horses coming in to town from cattle drive. Bronze sc...

Book Ends Wooden style acrylic Sculptures A Set Of 2 Decorative Figurines of Human Book Holder Beautifully stylized a set of figurines with a great ba...

Vienna Cold Painted Bronze Ten Piece Devil Orchestra, Attributed Franz Bergman Austria, circa 1925, attributed to Franz Bergman, unmarked Embark on a whimsical journey with this rare and delightful Vienna Cold Painted Bronze Ten Piece Devil Orchestra, made circa 1925 and attributed to the renowned Franz Bergman, though unmarked. This charming ensemble features ten individually cast and hand-painted bronze figures, each devil bearing its own instrument and unique action. From the authoritative Conductor Devil to the playful Flute Devil, every character in this orchestra exudes personality and mischief. The ensemble includes the Piano Devil, Cello Devil, Drum Devil, Heraldic Trumpet...

Late 19th-century Belle Époque bronze fisherman sculpture by the author Vincenzo Gemito, Italy By: Vincenzo Gemito Material: bronze, copper, tin, metal Technique: cast, molded, pati...

This whimsical and sexy bronze (titled Treasure Seeker) was done by the noted Austrian Sculptor of many unusual and sexy and erotic bronzes, Carl Kauba. Signed on the base, and hav...

This wonderful, whimsical, and naughty bronze by the Bergman Foundry is a real joy. Highly detailed casting and meticulously painted bronze has the added feature of a toy, you can p...

This solid brass tortoise is a finely crafted decorative object that celebrates patience, longevity, and enduring craftsmanship. Cast entirely in brass, the piece features a rich, da...

A vintage Hubley cast iron doorstop showing a bouquet of yellow and pink roses along with blue and pink colored phlox, held by a pink, handled...

Sculpture Stormtrooper Blue Helmet Butterflies with original blue Stormtrooper helmet in matte blue resin ornamented with Morphos butterflies (no cites required for this butterfly). ...

19th C. Italian Bronze Grand Tour Sculpture Nude Discuss Athlete, in Repose Attributed to the Naples Foundry, mid-19th century or older casting A 19th-century Italian Grand Tour ...

Beautiful mermaid statue with long flowing hair and a large tail, perfect by a pool or ocean view. The mermaid can also be used as a interior table base with a glass top inside of yo...

Extraordinarily powerful, and very rare, this large bronze sculpture of a nude male figure by Arthur Dupagne shows him stretching and straining upwards,...

Outstanding Benin Oba and his Queen, Lost Wax 'Bronze' Sculptures from the late 20th century Superbly cast and highly decorative contemporary pieces, not historical The centuries ol...

Art Deco Signed Bronze by Ary Bitter , French Sculptor ( 1883-1973 ) born in Marseille , passed away in Paris . salon des artistes Français Gold medal in 1924 . Two monumental Sculp...

A rare and very fine bronze corpus of Christ after a model by Michelangelo, cast ca. 1597-1600 by Juan Bautista Franconio and painted in 1600 by Francisco Pacheco in Seville, Spain. The present corpus reproduces a model attributed to Michelangelo. The best known example, lesser in quality, is one on display at the Metropolitan Museum of Art (MET). The association of this corpus with Michelangelo was first brought to light by Manuel Gomez-Moreno (1930-33) who studied the wider circulated casts identified throughout Spain. The attribution to Michelangelo was subsequently followed by John Goldsmith-Phillips (1937) of the MET and again by Michelangelo expert, Charles de Tolnay (1960). While Michelangelo is best known for his monumental works, there are four documented crucifixes he made. The best known example is the large-scale wooden crucifix for the Church of Santa Maria del Santo Spirito in Florence, made in 1492 as a gift for the Prior, Giovanni di Lap Bicchiellini, for allowing him to study the anatomy of corpses at the hospital there. In 1562, Michelangelo wrote two letters to his nephew, Lionardo, indicating his intention to carve a wooden crucifix for him. In 1563 a letter between Lionardo and the Italian sculptor Tiberio Calcagni, mentions this same crucifix (a sketch of a corpus on the verso of a sheet depicting Michelangelo’s designs for St. Peter’s Basillica [Palais des Beaux-Arts in Lille] may reproduce this). That Michelangelo was working on small corpora in the last years of his life is further evidenced by the small (26.5 cm) unfinished wooden crucifix located at the Casa Buonarroti, considered his last known sculptural undertaking. Michelangelo’s contemporary biographer, Giorgio Vasari additionally cites that Michelangelo, in his later years, made a small crucifix for his friend, Menighella, as a gift. Surviving sketches also indicate Michelangelo’s study of this subject throughout his career, most notably during the end of his life but also during the 1530s-40s as he deepened his spiritual roots. The occasional cameo of crucified Christ’s throughout his sketched oeuvre have made it challenging for scholars to link such sketches to any documented commissions of importance. All the while, in consideration that such objects were made as gifts, it is unlikely they should be linked with commissions. Nonetheless, a number of theories concerning Michelangelo’s sketches of Christ crucified have been proposed and some may regard the origin of the present sculpture. It has been suggested that the corpus could have its impetus with Michelangelo’s work on the Medici Chapel, whose exclusive design was given to the master. It is sensible smaller details, like an altar cross, could have fallen under his responsibility (see for example British Museum, Inv. 1859,0625.552). Others have noted the possibility of an unrealized large marble Crucifixion group which never came to fruition but whose marble blocks had been measured according to a sheet at the Casa Buonarroti. A unique suggestion is that Michelangelo could have made the crucifix for Vittoria Colonna, of whom he was exceedingly fond and with whom he exchanged gifts along with mutual spiritual proclivities. In particular, Vittoria had an interest in the life of St. Bridget, whose vision of Christ closely resembles our sculpture, most notably with Christ’s proper-left leg and foot crossed over his right, an iconography that is incredibly scarce for crucifixes. The suggestion could add sense to Benedetto Varchi’s comment that Michelangelo made a sculpted “nude Christ…he gave to the most divine Marchesa of Pescara (Vittoria Colonna).” Of that same period, two sketches can be visually linked to our sculpture. Tolnay relates it to a sketch of a Crucified Christ at the Teylers Museum (Inv. A034) of which Paul Joannides comments on its quality as suggestive of preparations for a sculptural work. Joannides also calls attention to a related drawing attributed to Raffaello da Montelupo copying what is believed to be a lost sketch by Michelangelo. Its relationship with our sculpture is apparent. Montelupo, a pupil of Michelangelo’s, returned to Rome to serve him in 1541, assisting with the continued work on the tomb of Pope Julius II, suggesting again an origin for the corpus ca. 1540. The earliest firm date that can be given to the present corpus is 1574 where it appears as a rather crudely conceived Crucifixion panel, flanked by two mourners in low-relief and integrally cast for use as the bronze tabernacle door to a ciborium now located at the Church of San Lorenzo in Padula. Etched in wax residue on the back of the door is the date, 27 January 1574, indicating the corpus would have at least been available as a model by late 1573. The Padula tabernacle was completed by Michelangelo’s assistant, Jacopo del Duca and likely has its origins with Michelangelo’s uncompleted tabernacle for the Basilica of St. Mary of the Angels in Rome. The impetus for the Padula tabernacle’s Crucifixion panel begins with a series of late Crucifixion sketches by Michelangelo, depicting a scene of Christ crucified and flanked by two mourners (see British Museum Inv. 1895.0915.510; Ashmolean Museum Inv. 1846.89, KP II 343 recto; Windsor Castle RCIN 912761 recto; and Louvre Inv. 700). A faintly traced block possibly intended for sculpting the sketch of the crucified Christ on its recto was discovered by Tolnay on a version of the composition at Windsor Castle. The Windsor sketch and those related to it appear to have served as preparatory designs for what was probably intended to become the Basilica of St. Mary’s tabernacle door. Vasari documents that the project was to be designed by Michelangelo and cast by his assistant, Jacopo del Duca. Michelangelo died before the commission was complete, though on 15 March 1565, Jacopo writes to Michelangelo’s nephew stating, “I have started making the bronze tabernacle, depending on the model of his that was in Rome, already almost half complete.” Various circumstances interrupted the completion of the tabernacle, though its concept is later revitalized by Jacopo during preparations to sell a tabernacle, after Michelangelo’s designs, to Spain for Madrid’s El Escorial almost a decade later. The El Escorial tabernacle likewise encountered problems and was aborted but Jacopo successfully sold it shortly thereafter to the Carthusians of Padula. An etched date, 30 May 1572, along the base of the Padula tabernacle indicates its framework was already cast by then. A 1573 summary of the tabernacle also describes the original format for the door and relief panels, intended to be square in dimension. However, a last minute decision to heighten them was abruptly made during Jacopo’s negotiations to sell the tabernacle to King Phillip II of Spain. Shortly thereafter the commission was aborted. Philippe Malgouyres notes that the Padula tabernacle’s final state is a mixed product of the original design intended for Spain’s El Escorial, recycling various parts that had already been cast and adding new quickly finished elements for its sale to Padula, explaining its unusually discordant quality, particularly as concerns the crudeness of the door and relief panels which were clearly made later (by January 1574). Apart from his own admission in letters to Spain, it is apparent, however, that Jacopo relied upon his deceased master’s designs while hastily realizing the Padula panels. If Michelangelo had already earlier conceived a crucifix model, and Jacopo had access to that model, its logical he could have hastily employed it for incorporation on the door panel to the tabernacle. It is worth noting some modifications he made to the model, extending Christ’s arms further up in order to fit them into the scale of the panel and further lowering his chin to his chest in order to instill physiognomic congruence. A crude panel of the Deposition also follows after Michelangelo’s late sketches and is likewise known by examples thought to be modifications by Jacopo based upon Michelangelo’s initial sculptural conception (see Malgouyres: La Deposition du Christ de Jacopo del Duca, chef-d’oeuvre posthume de Michel-Ange). Jacopo’s appropriation of an original model by Michelangelo for more than one relief on the Padula tabernacle adds further indication that the crucifix was not an object unique to Jacopo’s hand, as few scholars have posited, but rather belongs to Michelangelo’s original...

A classic example of fine, beautifully-crafted Art Deco design, this sculpture depicts a golden, streamlined diver plunging toward a circular pool with stepped-back edges and steps t...

Bronze male sculpture signed. Fonderia Giorgio Sommer Calabritto Napoli Thomas, sculptor, lived and worked in the Naples area, and especially on Capri, from 1889 to 1906. Given this ...

A Beautiful Cast Bronze Cupid Bird Bath in the Manner of Franz Von Stuck The Cupid Holding the Decorated Shell shaped bowl Ideal for outdoors or in

A captivating sculpture after Demetre Chiparus, this striking Art Deco dancer embodies the era’s fascination with movement, theatricality, and opulence. Inspired by the expressive pe...

Art Deco bronze figurine in brown patinated bronze, mounted on a marble base. This Art Deco figurine titled Towards Destiny represents a stylized female figure reclining against a ci...

Early 20th century Art Nouveau bronze sculpture of a nude mythological young woman on a horseshoe 'Fortuna' by Charles Tabora, France By: By: Charles Tabora, Georges Récipon (in the...

Sculpture R2D2 life size model star wars. Set upon a millennium falcon base. sculpted in resin and with accurate lights and sounds. With rotative hea...

This alabaster, bronze and marble figural group was created by highly regarded Italian sculptor Emilio P. Fiaschi (1858 – 1941). The sculpture depicts the Holy Family's Flight into Egypt and has been finished with the skill and sensitivity characteristic of Fiaschi's oeuvre. Joseph walks alongside the Blessed Virgin Mary who is sitting astride a bronze donkey...

An original Art Deco Sculpture / Girl with flowing dress / hair running with two streamlined greyhounds on portoro Marble Base. Signed to the base by well known French Art Deco artis...

A well cast vintage Khmer, Angkor Wat style, bronze head of Shiva, circa 1970's, Thailand. Shiva, the Hindu god of creation, change and destruction, is identified by the third eye in the center of his forehead. His highly stylized face features alluring almond shaped eyes, a flattened nose, and broad mouth. Shiva is adorned with ornate earrings and an elaborate crown. The heavy earrings...

Vintage bronze sculpture depicts an infant girl standing on a cushioned stool, holding her left shoe in her hand while pressing one finger of her right hand to her lips. Beautifully...

Solid bronze figure of a woman reclining on a sofa, “Paolina Bonaparte as Venus Victrix” – a famous motif by A. Canova, from Paris, probably around 1950. Engraved on the plinth “A. C...