Nam Greb

An Art Deco era bronze statue of a lion with a great marble base of three tones inlaid in geometric shapes. The lion is powerfully rendered, its expression and musculature well defined. Throughout history, the Lion has been known as the “king of the jungle” but has also served as symbol of protection for a home or public building. The task of scaring off the “demons” and keeping away intruders is the reason you can find sculptures of lions guarding structures from the ancient Ishtar Gates...

This is an original piece by Raffaello Romanelli executed in 2011 after being commissioned by a private collector to the Galleria. The rhinoceros was modeled with clay looking at different pictures and the clay mold...

This bronze sculpture is an original piece created in 2004 by Raffaello Romanelli, whose aim was to represent a moment of internal reflection thanks to the position of the body. For the piece, Raffaello Romanelli used a live model...

Signed stoneware sculpture by the French sculptor Isabell Vigo. Raw , unglazed stoneware.

Classic and well-modelled sculpture of a dancing faun.

This bronze head sculpture signed by artist O. Ramsburg can be displayed as an elegant table top art piece.

A wonderful 1950s abstract fibreglass sculpture by Ron Hitchins in Verdigris finish, mounted on wooden stand with carved initials "RH" This piece was from...

African Benin Bronze Sculpture, Africa, circa mid 20th Century. Beautiful casting with wonderful attention to detail. Solid, heavyweight...

Beautiful bronze sculpture by the Portuguese artist Gloria Morena from 1977. Very good conservation and general condition for this bronze representing ...

A carved and painted wood 'TURKOMANIA' sculpture of an ottoman soldier French or Dutch Turkomania, early 19th century Depicted in standing position, with a sword in one hand and a club in the raised other, with a fur hat, long moustache and long coat, on a square base. Measures: H. 58 cm Note: During the Dutch War of Independence from 1568 till 1648, the Dutch and Turks were allies against Roman Catholic Spain and the slogan of the Dutch was “liever Turks dan Paaps” (rather Muslim than Roman Catholic). In 1612 the first Dutch ambassador arrived in Istanbul. Nevertheless, in Holland, there was also the image of the cruel and heretic Turk stemming from the frequent violent clashes between Dutch ships and the pirates from Algiers, usually called the “Turkish pirates”. When the Ottoman armies advanced against Vienna, in the eyes of many Europeans the Islam bent on destroying Christianity. Later in the early 19th century, although the Turkish threat to Europe was long gone, the image of the Turks deteriorated again because of the Greek uprising. The Sultan Mahmud II understood that Turkey had to modernize along West European lines and among other things in 1808 he replaced the “picturesque” oriental clothing...

We are delighted to offer for sale this stunning original Circa 1900 Austrian Vienna cold paint bronze Statue / Watch holder by the wonder that is Franz Bergman. Fully stamped to ...

Presented is a 20th century bronze sculpture, after Jules Moigniez, of an eagle on a rocky perch. The dignified eagle has its wings tucked and his head turned to the side, showcasing exquisite craftsmanship. Textured feathers, a rugged base, and sharp talons show Moigniez’s artistry at the lost wax process. The bronze sculpture sits atop a marble base. Jules Moigniez (1835-1894) was a French sculptor widely known for his highly detailed bronze works depicting dynamic wildlife. After studying under Paul Cromolera, Moigniez made a name for himself at his first exhibition in 1855 at the Paris Exposition Universelle. From 1859 to 1892, he showed regularly at the annual Saloons, with a total of 30 recorded works exhibited. A successful sculptor in France, Moignez increased his British and American collector base by exhibiting at the London International Exhibition of 1862. Intensely dedicated to the process of casting, Jules and his father decided to establish their own foundry in 1857, solely for the purpose of having complete control at every step, as well as the freedom to experiment. They created bronzes with unusually and unique finishes, experimenting in gilded, silver, and multi-color chemical patinas. Most of his works were cast using the lost-wax patina and were always chiseled and chased with great skill and care. While many bronze artists at the time focused solely on the subject, Moigniez incorporated highly detailed bases to accommodate his various animals. After Jules Moigniez’s tragic death in 1894, his father continued to cast his son’s bronzes from the Moigniez foundry. Just before Moigniez’s father also passed away, he sold the foundry and his casts to Auguste Gouge, a family friend who once cast bronzes for Jules' teacher Paul Cromolera. Gouge continued to produce Moigniez’s bronze sculptures until WWI. Eagle sculptures, such as this, gained such popularity in America because of the symbolic and historical meanings associated with the elegant bird. The eagle motif has been widely used throughout American history, most notably as part of our Great Seal. The founders of the United States were fond of comparing their new republic with the Roman Republic, in which eagle imagery was prominent. Since then, the eagle motif has appeared in allegorical engravings...