16th Century Sculptures

Early 16c English oak panel with applied carved head of a Tudor lady size 38 cms x 29cms deep and 3cms deep

Angel. Carved and polychrome wood. Century XVI. Polychrome wood carving showing an angel, with the face facing the viewer and the body in pr...

Jean Boulogne bronze sculpture "Abduction of the Sabine Women" a verdigris patinated bronze figured group on a circular stylized. Base signe "Jean Bologne".

These are a truly special piece of early Religious art. These are a pair of 16th century carved wooden bishops from the Picardy region in France. T...

A stunning pair of 16th century stylophore lions, cast and gilt bronze figurative sculptures from Germany, Nuremberg. The Stylophore Lions were figurative sculpture used in the Re...

Beautiful Renaissance polychrome plaster, with original painting, applied to a wooden panel. The plaster depicts the Deposition of Christ, clearly visible in the center, with the dyi...

Agnolo di Polo (Firenze 1470 - Arezzo 1528) Saint Nicholas of Tolentino Around 1510-1520 Painted and gilded terracotta 55.5 x 24 x 16.5 cm San Nicholas de Tolentino is represe...

Lion of Forge, Spain, 16th century In forging, measurements: 10 x 17 x 5 cm Good condition Spanish private collection.

Hand carved Santos in original condition. Beautiful old patina.

A petite Chinese Ming dynasty green glazed terracotta court official figurine from the 15th or 16th century, with original polychromy. Attracting our eye with its vibrant polychromy,...

Base of a carved wooden candelabrum, polychrome and gilded; cross painted on both sides. Umbria or Tuscany, 16th century 136 x 43,5 x 30 cm (The cross and the base of the candelabrum were later assembled) The base of the candelabrum is intricately carved and adorned with polychrome and gilded finishes. The shafts take on the shape of balusters reminiscent of ancient columns, feature ornate foliage decorations, garlands and winged cherub faces. The feet are crafted in the likeness of lion paws. The base is further embellished with depictions of four saint martyrs, among them Saint Barbara and Saint Catherine of Alexandria. The plasticity of the figures, outlined with strong contour lines, the clear and vibrant colors, are stylistic elements linked to the Umbrian tradition of the sixteenth century.The precisely defined and elegant drawing, along with the clear color palette applied with refined chiaroscuro modulations, became the signature of a style that would leave a lasting mark on the era to come. This is exemplified by a preference for vibrant, multicolored images, accentuated in this case by the use of red and pink in the saint's attire. A notable addition, introduced later, is a polylobed cross painted on both sides. On one side, the Crucifixion is vividly portrayed:The treatment of the corpus itself is in line with High Medieval practice, emphasizing pathos by showing Jesus dead, his arms sagging from the weight of the body. The upper section displaying a pelican pecks at her breast to feed her young with her own blood; a symbol of the sacrifice of Christ on the cross whose body and blood similarly nourishes the celebrant during Mass. The lower part depicts Golgotha. On the reverse side, the Resurrection is artistically presented in a Renaissance iconography, reminiscent of the renowned composition painted by Piero della Francesca, now housed in the Civic Museum of Sansepolcro. In terms of composition, with the frontal depiction of Christ holding the banner, this motif became particularly widespread in central Italy, spanning from Tuscany to Umbria throughout the 16th century.. The double-sided construction suggests that it may also have been carried in liturgical processions. In Umbria from the 14th century, the use of portable crosses painted on both sides had become a widespread practice, aimed at satisfying the monastic clientele that had significantly increased following the establishment of new religious communities. The earliest surviving Tuscan painted crucifix represent Christ as Christus Triumphans, or the “Triumphant Christ” with his head up and eyes open. This form was supplanted in the 13th century with the Christus Patiens, or “Suffering Christ” type who is shown often with his head fallen on his shoulder and his eyes closed, as In our cross. The iconography of the suffering Christ appears to have developed out of a new interest in Christ’s human nature, the development of the feast of Corpus Christi and with increased importance given to the Eucharist. The process of humanizing the figure of Christ reaches its peak with the abandonment of all the previous expressive conventions in favor of more realistic details we can observe in this Crucifix, such as the swollen belly, the arms stretched to the limit of muscle tearing, the body falling heavily forward, the abundant blood on the wounds, and the cross firmly embedded in the rock of Calvary. It's worth noting that Renaissance candelabra...

France / 1550 / statue Saint Eligius / Antique / reliques Religious statue of Saint Eligius from the 16th century in full wood found in France. This very rare find has a beautiful patina due to its old age. The hand and staff are missing. A true treasure and historical piece. The intricate carvings on the robe showcase the artisan's talent, with every fold. The natural wood grain adds a touch of warmth and authenticity to this unique piece of relic art...

This majestic sculpture of the Virgin Mary, created in the 16 th century, is a unique piece of sacred art that stands out for its impressive detail and the beauty of its form. Crafte...

This sculpture represents Santa Ana (Saint Anne) with the infant Mary. Verge.    

Ananda is portrayed in a typical fashion, as a youthful monk with a shaved head and dressed in simple robes. He stands upon a double lotus pedestal with hands clasped in front of him...

A pair of Chinese Ming Dynasty (1368-1644) sancai-glazed ridge tiles modelled as horse and rider. Both tiles are glazed in rich green and amber, the horses ...

A wonderful Gothic period hand carved stone statue of Saint Nicholas from the Avignon area of France. The now headless Saint Nicholas holds his staff an...

Early 16th Century Spanish carved-wood and polychromed panel of The Betrothal and Love of Joseph and Mary mounted on a Lucite panel and framed with a walnut wood hand-finished frame.

A small Thai cast seated bronze figure of the historical Buddha Shakyamuni, Northern Thailand, Ayutthaya period, 16th century. This sculpture captures the m...

Fine, hand-carved, Carrara marble, robed figure from central Italy modeled in the Classical, contrapposto pose. The inscription fragment on the base reads "..under the auspices of...".

Early 16th Century Spanish gold gilded and polychromed carved wood sculpture of John The Baptist.

The monk is depicted with an oval face, marked with high and strong cheekbones, sunken cheeks, strong jawbones and a cleft chin. His almond shaped eyes are opened under very strong a...

A striking pair of large Chinese glazed and painted pottery figures, Ming Dynasty (1368 to 1644), circa 16th century, China. The impressive and realistically modeled figures each portrayed standing upright upon a sancai (three color) glazed pedestal of kang table form. The man is dressed in a short black surcoat over a long robe and pants, a smart cap upon his head. His face is warm and welcoming, with wide eyes and a slight smile on his lips. He holds his hands out in front of him, palms up, almost as if shrugging, though presumably originally holding an object or offering, now lost. The woman of slightly smaller stature, and dressed in a longer surcoat over a long robe and skirt. She wears a fitted cap upon her head. Her hands also held out in front, grasping long lost objects. Her face is slightly more severe, with a somewhat pinched look, and slight frown upon her lips. The size of these figures is remarkable, as is the realism and attention to detail, almost as if they were modeled after real people, as opposed to the more common and generic Ming Dynasty pottery...

Hand-carved in the 1500s, these Italian lion supports are the work of a master-level craftsman. It is possible that they were originally legs for a High Renaissance cassone. A fresh ...

From the esteemed former collection of Baron Nathaniel de Rothschild, this exquisite early 16th-century polychromed carved wood figure of St. Florian stands as a rare example of late...

16th C. Hand Carved Capital Stone Base Architectural Element Sculpture Pedestal. Very rare 16th Century Renaissance corner Capital . Hand carved limestone Chapiteau Capital from a Cloister in France . From an ornamental point of view , it is the coronation , the upper part of a post or a column or pilaster pillar . A beautiful Architectural element garden ornament . It can used as a Base for a coffee glass table , or as a side table for drinks or to mount books. A stunning Fragments to be used as stand for a sculpture . Use it as a pedestal or as a mounted decorative object. In an entryway a bathroom a living room , in an office , it will create an incredible focal point . It can make a beautiful base for a floor lamp by a leather reading chair...

An important bas-relief in carved wood with traces of gilding, in an architectural frame with two cherubs in the spandrels, representing Saint Roch. He is considered to be the patro...

IMPORTANT WOOD SCULPTURE REPRESENTING SAINT BARBARA ORIGIN : NORTHERN FRANCE OR FLANDERS PERIOD : 16th CENTURY Height: 103 cm Length: 40 cm Depth: 30 cm Oak wood Good condition Saint Barbara was the daughter of Dioscorus who imprisonned her in a tower to prevent her from being corrupted by Christianity. Despite this, she was taught and baptisted by a local priest. According to legend, she proved her faith by carving a third window into the tower, symbolic of the Trinity. Once her father learned this, he threatened her with his sword. She managed to escape and hide, not before being revealed by a sheperd. She was thrown in jail and tortured, refusing to denounce her faith. Her father forced her up to the mountain’s summit and decapitated her, afterwhich God struck him down by lightning. Saint Barbara`s following was popularized in the Occident in the 13th century because of the Golden Legend...

400 - 600 year old Burmese carved sandstone sculpture. Calf standing under the mother. From Buddha temple or Hindu temple in Burma. Untouche...

A beautiful pair of 16th century Stone Markers in circular shape from the Navarra region of Spain. Wonderful accent pieces for the interior of garde...

A chinese porcelain table screen from the Ming period, 16/17th century. Decorated in High Relief With Shoulou on his crane and the Eight Immorta...

A Chinese Fahua glazed pottery figure of Songzi Guanyin with child. A rare yellow, turquoise and green glazed statue of Guanyin with downward gaze h...

Oak sculpture of Saint Anne, 16th century. Large oak sculpture of Saint Anne. Work from the Upper Rhine, Basel region. First third of the 16th century. An arm is missing from the i...

SAINT CATHERINE OF ALEXANDRIA ORIGIN : SWABIA, ULM REGION PERIOD : ca. 1510-1520 Height : 118 cm Length : 39 cm Depth : 17 cm Limewood...

16th Century Spanish gold gilded and polychromed Carved-wood sculpture of Our Lady of Mount Carmel. She depicts the Blessed Virgin Mary in her...

c. 16th/17th century or earlier L24 x W10 cm

400 - 600 Year old charming and artistic sandstone relief. Dragon "mythical beast" which is a symbol of wisdom. From Buddha temple in Arakan, Burma....

1600-1700th century sculpture of female head carved in sandstone. Mounted on a base of light sandstone. From pagoda / temple in Burma. Charming expression with good patina. M...

A decorative pair of 16th century carved oak corbels. Each intricately hand carved to showcase the head of a man with fine details of flowing locks and thick beards. Backed onto oa...

A Chinese Ming Dynasty period stucco head of a court lady from the 15th or 16th century, mounted on a wooden stand. Crafted in China during the Ming Dynasty, this stucco head is moun...

SAINT AFRE OF AUGSBURG ORIGIN : SOUTHERN GERMANY PERIOD : 16th CENTURY Height : 119 cm Width : 50 cm Depth : 28 cm Limewood Good state of conservation Patron Saint of the city and the diocese of Augsburg, the oldest traces of her worship date back to the 6th century. There are several versions of his legend. She is sometimes identified as the daughter of a king of Cyprus whose violent and unexpected death forced her and her mother, Hilaria, to flee. They went to Augsburg via Rome. Others see her origins in Africa instead, her name meaning African in Latin. Settled in Augsburg, they became the owners of a notorious inn where they traded in their charms. Bishop Narcissus of Girona, accompanied by his deacon Felix, found refuge there one day, fleeing the persecution of Emperor Diocletian. As the two men prayed devoutly, Afre was touched by grace and asked to be baptized. She then left her old life and embraced the Christian faith. When the Roman authorities learned of his new vocation, they exhorted her to worship the old gods and to deny the Christian faith. She refused to renounce her faith and was sentenced to be burned alive. Her sentence was applied immediately and she suffered her mart...

Crucifixion of Jesus is an original wood sculpture realized at the end of the XVI century. Rare sculpture in lacquered and painted wood (lacque...

Calzetta Da Ravenna (Attivo Tra IL 1496 E IL 1543 circa) Severo. Circle of. Candlestick depicting a kneeling satyr. The model of the present bronze is the ""kneeling satyr"" attributed to Severo Calzetta da Ravenna, one of the main Paduan bronze sculptors of the first half of the 16th century, whose figure was rediscovered by Planiscig in 1935 (L. Planiscig, ""Severo da Ravenna...

16th century Chinese Ming Dynasty two gold painted plates from a shipwreck. Beautiful natural patina from being submerged under water for hundreds of years. Stands measure 5" wide x ...

This carved oak woodwork was probably placed on the facade of the house, close to the roofing framework of a Norman house. The sculptor had depicted the salamender frontview in a sty...

Large Virgin and Child Statue in Majesty, seated, holding Christ in her left hand. Sixteenth century Mosan(?) work. Oak wood, hollowed out at the back. No traces of original gilt no...

In the heart of ancient China, within the resplendent Ming dynasty, a masterpiece was cast in bronze, a testament to a culture steeped in mysticism and spirituality. This Taoist bron...

This extraordinary pair of Late Renaissance/Early Baroque Genovese Italian wood cherubs is a testament to the exceptional craftsmanship and artistic f...

Prologue: An Ancient Mastery the Wooden Sculpture We begin our journey through Gothic art by presenting a magnificent Late Gothic Female Wooden Sculpture from the Flemish 500s. This ...

"Polychrome carved wooden sculpture of Saint Sebastian, late 16th century. JUAN DE JUNI" Attributed to: Circle of Juan de Juni (Valladolid School) Date: Circa 1580-1600 Material: Carved wood and gilded polychrome (estofado) Dimensions: 73 x 33 x 21 cm Origin: Spain Description: A powerful late Renaissance depiction of Saint Sebastian, masterfully carved in wood and richly polychromed and gilded (estofado technique). This Spanish sculpture, probably from the late 16th century, displays expressive anatomy, emotional tension, and dramatic movement—stylistic traits strongly associated with the school of Juan de Juni, a leading figure in Castilian sculpture of the period. Sebastian is depicted half-naked, tied to a tree trunk, with traces of blood and arrows, symbols of his martyrdom. The sculpture demonstrates a high level of craftsmanship, particularly in the modeling of the torso, the twisted posture, and the naturalistic treatment of the face and hair. The piece retains much of its original polychromy and gilding, with some expected age-related losses. It has undergone preventive conservation treatment to ensure its structural stability while preserving its historical authenticity. Condition: Generally good condition considering its age. Some loss of polychromy and gilding is visible, particularly on the torso and base, but the sculpture retains a remarkable degree of originality. A professional restoration was carried out to strengthen and preserve the structure. Provenance: Private collection, Spain. Juan de Juni (circa 1507-1577) was a renowned sculptor and architect of French origin, probably born in Joigny, Burgundy, France. Although born in France, he spent most of his career in Spain, where he became one of the major figures of 16th-century Spanish religious sculpture...

A rare and unusual Chinese Ming Dynasty bronze figure of the Buddha as an infant. The young Prince Siddhartha, who would grow up to become the Buddha, is portrayed standing, one hand pointing to the sky, the other to the ground. He is naked, save for a baby apron...

Santi Buglioni (Florence, 1494 - 1576) Glazed polychrome terracotta roundel depicting "St. Andrew within a wreath of fruits and flowers," 70 cm diameter

Saint Anthony with the Child Jesus. Wood. Mechelen School, 16th century. Sculpture in carved wood worked, as was usual in that center, on the front because it was designed to be pla...

lovely pair of Saint Mark in walnut from the 16th century - Venice Very beautiful pair finely carved representing Saint Mark with a book in his hand a lion at his side This is a pen...

This Ming Dynasty iron-standing Guanyin sculpture from China in the 16th century is a masterpiece of cast iron with a rustic patina wear and a faded washed gold leaf finish. Perfect ...

his exquisite marble bust represents Diana, the Roman goddess of the hunt, the moon, and nature, and is a remarkable example of Italian Renaissance sculpture from the 16th century. C...

Late 16th century Italian school oil on a wood panel painting of The Madonna with Christ Child and the infant St. John the Baptist. Mount Vesuvius is erupting in the background. This painting was part of the collection of Fred B...

C1600 wood carving of a cardinal with good original polychrome decoration

Antique Oval Marble Relief of a Male. 17th Century Carved Oval Marble Relief. A relief of a male head and shoulders, carved in statutory marble and displayed on a custom stand. This ...

Torso sacred polychrome wooden sculpture of Christ - Late 16th century Umbro-Tuscan: A masterpiece of intense spirituality and high school A work of the highest sculptural class T...