Vases

Large scavo, or acid washed, vase in Amethyst by Seguso, Murano Italy, for Karl Springer. Signed on the bottom.

Collection of Seven Post-Modern "Kombi" Vases, Margareta Hennix for Gustavsberg. Six vases in white glazed stoneware and one in black satin glaze, made by the Swedish artist Margare...

Pair of Jerome Massier French Majolica figural vases which feature a pair of chickens - a cockerel and a hen, stood in front of wheatsheaf receptacles. Colouration: yellow, teal blue...

Glass vase in orange shades with silver animals decoration. Beautiful piece made by Ettore Sottsass forEgizia. Italy, 1980 The vase has its original label.

Beautiful post-modern minimalist style cylindrical vase designed by Mexican designer, Victor Carranza, and manufactured in Japan by Mikasa. This vase h...

Very large blue translucent Mid Century Modern Murano glass vase. Attributed to Simone Cenedese, Murano, Italy, 1980s. The blue Murano glass is thick and heavy. The Murano glass is f...

Rare, elegant and highly decorative studio pottery ceramic vase. No 07. Designed and made by famous German studio ceramic artist Ilse Ludwig-Korbel, Tittmoning, Germany, 1980s. Date...

Rare, elegant and highly decorative studio pottery ceramic vase. No 06. Designed and made by famous German studio ceramic artist Ilse Ludwig-Korbel, Tittmoning, Germany, 1980s. Arti...

Rare, elegant and highly decorative studio pottery ceramic vase. No 04. Designed and made by famous German studio ceramic artist Ilse Ludwig-Korbel, Tittmoning, Germany. Production ...

vase, Josef Hoffmann, Johann Loetz Witwe, Weiss Opal außen Schwarz decoration, glass, mould-blown, etched, ca. 1911 Hoffmann's vase designs from the 1910s are characterized above al...

Liberty vase in transparent glass and pewter carved with ladies, made in the early 20th century Ø cm 16 h cm 28 Art Nouveau is an international style of art, architecture, and appl...

Sculptural Organic Modern vase has minimal cylindrical shape with free-flowing, abstract geometrical pattern of fused glass taking center stage in the design. Light green glass gather with brick red and light blue glass inclusions is encased in layer of clear glass in sommerso technique, adding depth and definition to the colors. The vase is signed and dated by the artist on the bottom. Kurt Carlson is an established glass artist with over 30 years of experience. He's working out of Middlesex, NY, where he and Lynda Pownall-Carlson run Carlson Glassworks...

Large Toots Zynsky Vase 'Folto' for Venini 1988 A large vase of the 'Folto' series in green glass with black rim and ondulating decoration of a black glass thread. Designed by Toots...

A rare and impressive pair of large vases from Bitossi’s short-lived “Archaeological Series”, produced in the early 1980s. These pieces feature the distinctive scavo finish, expertly...

Here we have an unique Italian Murano Art Studio glass vase , hand blown glass with multiple techniques involved and glass in tones of orange black and yellow colors melting in an ...

A unique blown deconstructed creation by Vistosi in Memphis Group style worked with an unusual and rare technique, the decor in the crystal clear Murano glass organic body consists o...

Gallé Nancy Art Nouveau finest vase made in France (Nancy, Lorraine) made circa 1919-1920 Specifications: Stunningly manufactured casing glass (colorless glass with various lay...

Fulvio Bianconi is one of the most prolifdic post-war artists to work in collaboration with the Venini glassware company, a giant of 20th century glassmaking. His works are featured...

Vintage Porcelain floral pattern vase. Ouragan - Ulysse Paris. Floral decor using 24 k gold, with a stamp and signature on the vase. ...

A beautiful glass vase with a frill inlet designed by a Murano Glassworker in Venice Italy in the 1980s. A vase made by hand with green glass with details made of blue glass. The col...

Simple and elegant art glass vase by Vicke Lindstrand for Kosta Boda. In excellent condition. Signed and labeled. Cased Glass.

Shown at Exposition Universelle de Bruxelles, 1910. PIERRE-ADRIEN DALPAYRAT (1844-1910) After working nearly half his life as an itinerant faience painter and directing production ...

Important piece of Swedish art glass history. A Triton vase in vaguely blue tinted clear, multi-faceted, beveled and polished crystal glass. Designed in 1916 by Sculptor Simon Gate (...

Very impressive jug from the Art Deco period, made around 1915 by the Amphora company from the Czech Republic. The object can be viewed from several sides. On the main display page you can see an impressively designed horse-drawn carriage including a driver in classicist robe and helmet. On the back are geometric flowers. The object is covered all over with art deco motifs in different colors. The handle at the top is very unusually designed. There is a glaze error on the upper side - which is due to production. The object bears the Amphora brand on the underside. Measurements approx.: height 39 cm - 15,35 in, diameter 6,69 in - 17 cm Impressively designed jug...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the default quote does not include packing and insurance. 1stDibs shipping provides a level of value, protection, and care that aligns with our commitment to safeguarding historic artworks and providing excellent client service. “A Robineau vase is a true work of art, unique in conception and perfect in execution, for every piece that left this studio was a labor of love.” – Ethel Brand Wise, The American Magazine of Art, 1929 Adelaide Alsop Robineau was a pioneer in American studio ceramics and excelled as an innovator in pottery both technically and aesthetically. As a young woman of high society in the late Victorian era, she gained early accolades as a skilled watercolorist and china painter and taught for a time at St. Mary’s Hall in Minnesota. In 1899, she married Samuel E. Robineau, a French gentleman and collector of Chinese ceramics. He was deeply intrigued by her talent and steadfastly supported and encouraged her throughout her career. The couple collaborated to produce a popular and influential monthly journal together, Keramic Studio, and went on to build a studio on their property in Syracuse, New York, which they named Four Winds. Robineau would also go on to teach for many years at Syracuse University while creating her own work and raising three children. Early in her career, she studied at Alfred University under Charles Binns, who is widely considered to be the progenitor of contemporary studio ceramics in America. His program established a shift in the craft of ceramics as an academic pursuit, rather than one of apprenticeship. Pottery throwers and the artists who decorated the wares traditionally inhabited separate roles in ceramic manufacture, a practice common in Europe. Binns’ philosophy merged the two, such that the potter had total agency of the final product. This marked a historic divergence in the creation of art pottery – one that Adelaide Robineau...

This beautiful Murano glass vase is a perfect expression of Venetian glass art. Its harmonious spherical shape is enhanced by rich and detailed workmanship, in which the millefiori t...

This 2 Handles Lézards vase is very particular in R.Lalique large inventory of Lalique's vases . The white glass body has been adorned with 2 hand blown applications in which the de...

Wonderful intense handcrafted tall stoneware vessel or vase. Good size, just over a foot tall. Heavy. No chips, no cracks.

A gorgeous Italian glass bowl by Lino Tagliapietra for Effetre International, Murano, 1986. The bowl still has an Effetre International label on it. It is also graven at the bottom with Lino Tagliapietra, Effetre International and 1987 the year of creation. Clear glass with a black or sepia colored thin net like pattern called 'zanfirico' (Italian): A type of polychrome cane made by assembling a bundle of rods of different colors, and heating it until it is soft. The bundle is then attached to two pontils and elongated by drawing. At the same time, the bundle is twisted to produce a spiral pattern. Zanfirico, which is a synonym for vetro a retorti, takes its name from the Venetian dealer Antonio Sanquirico, who, in the 1830s, encouraged the revival on Murano of this and other traditional techniques. About Lino Tagliapietra: Master glassblower Lino Tagliapietra is one of the world’s most prominent glass artists. Trained in traditional Venetian techniques, Tagliapietra is a key influence on the American studio glass movement. In 1955, at the age of 21, Tagliapietra received the title of maestro. He established himself with vividly colored sculptures...

Louis Lourioux (1874 - 1930) was at the forefront of ceramic art in the first half of the 20th century. Lourioux, a contemporary of both Emile Gallé and René Lalique, is known for hi...

A porcelain vase made by ‘Thomas Bavaria’, decorated with a multi-coloured floral design that includes bright shades of orange, blue, purple and green. The piece is topped with a gol...

Vase decorated in a technique using a colored slurry of clay as the paint. This vase is a very fine, early, example of the production at Upsala-Ekeby, Sweden.

Slender baluster vase, colorless glass with white and yellow, in the lower area with meadow green powder inclusions, arched, flush base with green-turquoise color inclusions, as well...

Vase “Six Figurines” made in cleat glass with sepia patina by René Lalique in 1912. Engraved signature signature on bottom and molded signature near the feet of one maid. Perfect ...

In the 1960s, Murano glass reached new heights of experimentation and refinement, thanks to the work of master glassmakers such as Seguso, a name that for centuries has embodied the ...

Refreshing vase from the 'Century New Wave' series in porcelain. Designed by Tapio Wirkkala and Dorothy Hafner. Made by Rosenthal from 1985. The vase is an exemplary piece from...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Vintage Japanese-style ceramic vase with lugs by Janet Leach (1981). Encompasses the beautiful simplicity of Zen and translated to a piece of pottery. The ...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

A pair of traditional gold copper Cloisonné vases made in China in the 1980's, each designed all around depicting floral motifs and butterflies, ...

This stunning and graphic Art Nouveau vase was realized in Austria circa 1910. It features a circular base with a gourd form body that ascends into a slender undulating neck and a sc...

🌟 Introducing a Vintage Gem: 1980's Post Modern, Abstract California Pottery Vase! 🌟 Dive into the retro vibes with this stunning 1980's abstract California pottery vase in captiv...

Vase in purple and transparent italian art glass sommerso blown by hand. Attributed to seguso, murano Italy, 1970s. This colorful vase has a beautiful design. Use it as a de...

"Toute petite étrangeté" cocoon vase by Philippe Starck for Daum, France, 1980s. Signed.

Hand-decorated ceramic with gilt reflections, monogrammed, signed and with inventory paper labels, by André Methey (1871-1920). France, CIRCA 1910.

Modern Pair of Italian Venetian Blown Murano Glass Vases Red & Green Steaks, 80s. Entirely manufactured in the Italian Venetian Murano Island, during 19...

Modern porcelain vase with blue decor designed by the danish ceramist Ivan Weiss and manufactured by Royal Copenhagen during the 1980s. Fully ...

Hand blown glass vase made in Murano Italy by Seguso Vetri d'Arte in 1980 with the scavo technique. The vase has a light and translucent look, signed on the bottom. Seguso Vetri d'A...

Designed and manufactured by the Baldelli Family of Italy, this saucer like vase has a Postmodern design over a blue gray finish, circa 1980s.

Centerplace, WMF, German We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the...

Archimede Seguso Italy Scavo Bianco white & mint green Art Glass Murano Flower vase, vessel, decanter Mid-Century Modern made by Seguso Vetri d'Arte...

This commanding studio pottery vase is the work of Virginia artist Marlene Jack, a nationally recognized ceramicist whose practice merges Eastern aesthetic philosophy with American s...

Danish studio ceramicist. Ceramic vase with glaze in light tones. Unglazed at the bottom of the vase. Circa 1980s. Natural crazing from production. Signed with artist signature and D...

Italian Venetian, Handcrafted Vase, Blown Murano Glass, Red & Gold finish, 1980s This is a unique and gorgeous vase, having a special irregular shape, entirely handcrafted in blown M...

Small ceramic hand made earthenware vase, signed by the potter. Painted in drip glaze and geometric shapes of cream, and tones of blue.

Vintage extra large Murano glass style hand blown vase! A beautiful white on frosted white monochromatic swirl pattern. It does have some bubbles here and there and the rounded rib a...

Red Venini Italian art glass vase signed and dated 1981. 8.5" tall x 8" in diameter.

Four fine quality "Nippon" AUTHENTIC vases from the Meiji dynasty; Japan, Circa 1910. They are all hand painted with moriage accents to three of them; indicative and representative ...

Three fine quality "Nippon" AUTHENTIC vases from the Meiji dynasty; Japan, Circa 1910. All are in excellent and all original condition with no repairs and no restoration, chips, or touch up of any kind. They are all hand painted with moriage accents to two of them; indicative and representative of the prime era of fine quality Japanese porcelain makers during the turn of the 19th century, say 1891 through 1921. Colors are crisp and not faded. The stein or mug is particularly difficult to come by. Measurements of each are below: 1) Hand painted Nippon...

Postmodern Cream Lacquered Ceramic Floor Vase—sleek, sculptural design with 1980s Miami glam, perfect for vintage-inspired interiors.​ We sell items as acquired, without restoring...