21st Century and Contemporary Folk Art

Modernist bespoke Cerused oak and brass coffee /cocktail table designed and bench made by John Tracey, Rochester NY artist, amazing architectural Bauhaus d...

2016 Walnut on a Koa base Measures: 14.25 x 5 in / 36 x 13 cm.

Walnut on an African mahogany base 2021 Measures: 17.5 x 15.75 x 7 in. / 44 x 40 x 18.

Join us on this visual journey with our enchanting hand-knotted rug, akin to a harmonious blend of tradition and modernity ! Like a sunlit desert landscape, the ground color in capti...

Have you ever marveled at the beauty found within imperfections? This contemporary rug celebrates the allure of errors, embracing nature's hand in interrupting mechanical precision t...

Cosmos I vase by Jean François Reboul made out of enameled ceramic using Raku technique. A“Certificate of Authenticity” is provided by the gallery. Jean-François Reboul, born in 19...

Dark Gray L2 Lines 300 Rectangular Rug in Hand-Loomed Viscose by Mohebban Dimensions: W 300 x L 200 cm Materials: Viscose A succession of hand-carved, vertical lines in relief is in...

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Outsider art painting using paper cutouts on masonite board titled Running and Jumping, 9-22-12 RRD. Assemblage measures 33.25" wide, 2.25" deep and 7.25" high. We had the painting ...

CH44 Highland 425 Hand-Knotted Wool Rectangular Rug in Plaid Pattern by Mohebban Dimensions: W 425 x L 305 cm Materials: Wool. The charm of tartan lies in its extraordinary traditio...

Intricate as a poem, enduring as a monument - This exquisite hand-knotted rug, crafted from pure silk, transcends mere floor covering - it's a captivating tapestry woven with the ess...

Immerse yourself in the profound heritage of the Indian Subcontinent with the Sakya rug. Designed by the esteemed AD100 designer Pavitra Rajaram, this exquisite piece draws inspirati...

This hand knotted rug from our Chaos Theory By Kavi collection is a stunning blend of contemporary design and traditional craftsmanship. This rug features a gorgeous pattern in shade...

Rita Alaoui seeks to explore and rethink our relationship with the wild world and to imagine connections with the extraordinary. Fascinated by the power of nature and concerned about...

Shift your focus away from the chase and embrace the sheer joy of nature with Bahaar, a standout from the Majnun Collection designed by Pavitra Rajaram. Departing from the convention...

Neutral Light Gray L16 Patchwork 240 Hand-woven Rectangular Rug by Mohebban Dimensions: W 240 x L 170 cm Materials: Wool. Old Anatolian carpets, aged between 20 and 50 years, are bl...

Neutral Light Gray L16 Patchwork 300 Hand-woven Rectangular Rug by Mohebban Dimensions: W 300 x L 200 cm Materials: Wool. Old Anatolian carpets, aged between 20 and 50 years, are bl...

Step into the contemporary elegance of this rug from our Genesis collection. This handmade rug displays a pattern that resonates with a contemporary vibe, where shades of medium gray...

Are you looking for a rug that transcends the ordinary, a masterpiece that breathes life into your living space? Behold this Hand-Knotted Rug, a creation of exquisite artistry . Carv...

Vase "Cosmos I" by Jean François Reboul (1952): Vase made out of enameled ceramic using Raku technique. "Certificate of Authenticity" provided by the gallery. Measures: 15 cm D x 48...

Portello Terrazze Rectangular Rug in Hand-knotted Wool with Fringe by Mohebban Dimensions: W 340 x L 230 cm Materials: Wool. With Terrazze, the collaboration between Mohebban and El...

Known as Jamu in Bolkdjam, Northern Territory, Australia, the camp dog was woven Pandanus fibers and painted with earth pigment and ochre. The ears and legs are from found wood and s...

Aboriginal fiber art camp dog, known as Jamu. Artist: Yolanda Rostron. Year of birth: 1979. Nationality: Australian. Region: South Central Arnhem Land. Language group: Rembarrng...

Nestled within the gentle embrace of its intricate threads lies this mesmerizing rug design from our Entropy collection. Picture yourself stepping onto the plush surface of this carp...

Simpatico Tower I, 2022 Glazed stoneware Measures: 93 x 25 x 25 in.

Hand-Knotted Ivory Wool Rug – Low Pile Berber, Rectangular 425 by Mohebban Dimensions: W 425 x L 305 cm Materials: Wool. The Berber collection is inspired by the tradition of Morocc...

Murella Torres Rug by HENZEL STUDIO Dimensions: W 139.7 x L 220.98 cm. Materials: Silk, Wool. Calle Henzel stands as a trailblazer in the realm of organic, free-form shaped rugs, wi...

Have you ever yearned to tread upon a realm of unparalleled beauty? This hand-knotted rug, intricately carved with ornate designs and patterns, beckons you to experience the ethereal...

The FLAPJACK tile from MAKHNO Product is a truly innovative and versatile piece of design that offers both functionality and beauty. This multifunctional wall tile is a true master...

Large oil on canvas painting by M J MYERS... depicting bar scene,, Amazing use of color ,space and texture,,, Born in Buffalo, NY and raised in the city of Tonawanda, MJ Myers attended the State University at New Paltz where he received a Bachelors of Fine Arts with a concentration in Drawing and Painting and a minor in Art History. Deeply embedded in the Buffalo art world, Myers works as an art handler for the Albright-Knox Art Gallery, UB Anderson Gallery, and Frank Lloyd Wright's Darwin D.Martin house. His work has been shown at multiple galleries as well as in many performances by the Buffalo, NY performance troupe Torn Space Theater. In 2014, MJ performed his first wedding painting...

These handmade decorative accessories combine the traditional Portuguese ceramic and glazing techniques in a modern approach of shapes and color, as they bring such brightness and jo...

This Traditional Chinese Classic Flowers Ink Hand Painting is a nice art for decoration or gift to others. The pony flower is Chinese country flower re...

Pair of handmade lampshades with goat fur. Typical light grey fur color with a black line. Inside with gold. Rimmed by hand with a beige grosgrain. Iron angels...

Artisan Greige Pure 300 Rectangular Rug in Hand-loomed Bamboo Silk by Mohebban Dimensions: W 300 x L 200 cm Materials: Bamboo Silk The Pure collection is made of fine hand-spun and ...

Monforte Terrazze Rug by Mohebban Dimensions: W 300 x L 230 cm Materials: Wool. With Terrazze, the collaboration between Mohebban and Elena Caponi, which began with the Nomadismi co...

Vista Oakshire Warbler Edit Rug by HENZEL STUDIO Dimensions: W 139.7 x L 220.98 cm. Materials: Wool, Mohair & Silk. Calle Henzel stands as a trailblazer in the realm of organic, fre...

Artisan Blush Touch 360 Rectangular Rug in Hand-Loomed Viscose by Mohebban Dimensions: W 360 x L 270 cm Materials: Viscose The rugs of the Touch collection are elegant monochromatic...

CF GATTACA by Caturegli Formica Dimensions: W 360 x L 290 cm Materials: Wool Produced by Elio Palmisano in 1989-90 for the collection/exhibition Tappeti e Arazzi Biographic...

Wonderful, hand-painted screen door, fantasy-like, Depicting Buffalo, New York Central Terminal, train station, complete with Deco terminal, building, ai...

Porcelain sculpture entitled "Solstice" . Unique piece. Signed under the base. 2022.

Sandy Neutral PL104 Plano Rectangular 400 Rug in Hand - Knotted Wool by Mohebban Dimensions: W 400 x L 300 cm Materials: Wool. Milan is a city with a secret and hidden life inside m...

This Mexican ceramic hen is an egg basket, perfect to keep eggs fresh -- a utilitarian kitchen piece by artist Manuel Reyes. Made with clay from Oaxaca and Zacatecas, painted with ox...

Hand-Knotted Ivory Wool Rug – Low Pile Berber, Rectangular 275 by Mohebban Dimensions: W 275 x L 185 cm Materials: Wool. The Berber collection is inspired by the tradition of Morocc...

Black Puzzle Wooland Rectangular 240 Rug in Hand-Knotted Wool by Mohebban Dimensions: W 240 x L 170 cm Materials: Wool. In the Wooland collection, designed by Elena Caponi's studio,...

Earthy Tone Terre Nomadismi Rectangular 240 Hand-made Rug by Mohebban Dimensions: W 240 x L 170 cm Materials: Wool. Made with old overdyed hemp fabrics, the Nomadismi collection des...

Sandy Neutral PL104 Plano Rectangular 250 Rug in Hand - Knotted Wool by Mohebban Dimensions: W 250 x L 200 cm Materials: Wool. Milan is a city with a secret and hidden life inside m...

Sandy Neutral PL104 Plano Rectangular 300 Rug in Hand - Knotted Wool by Mohebban Dimensions: W 300 x L 250 cm Materials: Wool. Milan is a city with a secret and hidden life inside m...

With its elegant and delicate design, the FISH is not just a mere wall decoration, but a work of art that elevates any space it is installed in. The tile's intricately detailed patte...

Artisan Hand-woven Off-White 300 Round Rug by Mohebban Dimensions: D 300 cm Materials: Wool. The Feel collection is made of precious hand-woven banana silk and worked with a cut-loo...

Hand-Knotted Denim Blue Wool Rug – High Pile Berber, Rectangular 360 by Mohebban Dimensions: W 360 x L 270 cm Materials: Wool. The Berber collection is inspired by the tradition of ...

Luxury Round Blue Oceano D250 Hand-Tufted Wool Rug by Mohebban Dimensions: D 250 cm Materials: Wool. The Sombra collection, designed by Miguel Reguero, celebrates the encounter betw...

Blue Tactile 300 Rug by Mohebban Dimensions: D 300 cm Materials: Wool, bamboo silk. The individual, in the exploration of reality, merges perceptual data coming from the visual func...

Engelholm Nobu Dusky Orchid Edit Rug by HENZEL STUDIO Dimensions: W 170.18 x L 238.76 cm. Materials: Silk, Wool. Calle Henzel stands as a trailblazer in the realm of organic, free-f...

Dark Gray L2 Lines 360 Rectangular Rug in Hand-Loomed Viscose by Mohebban Dimensions: W 360 x L 270 cm Materials: Viscose A succession of hand-carved, vertical lines in relief is in...

Immerse your space in the warm embrace of this heirloom-quality handknotted rug , meticulously crafted from high-quality wool. The ground color, a rich spice brown, intertwines seaml...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2007. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

This handcrafted piece from our Far East collection is a stunning testament to the fusion of traditional craftsmanship and contemporary aesthetics. With its blooming design and exqui...

Black Puzzle Wooland Rectangular 400 Rug in Hand-Knotted Wool by Mohebban Dimensions: W 400 x L 300 cm Materials: Wool. In the Wooland collection, designed by Elena Caponi's studio,...