21st Century and Contemporary Folk Art

MAM Collection Place of origin: Department of Huehuetenango, Guatemala Collection of jars made of red clay. They have traditionally been used to c...

The essential design of our Gea round tray made with waterproof and scratch calf skin leather with non-slip base meet Pinetti leisure collection reinventing one of the oldest board g...

Wishful Thinking, 2019 by Alex Hodge Carved porcelain 12 H in x 7 W in x 0.5 D in Unique Her poetic porcelain plates examine and reimagine the history of art in a way that values wo...

Curled Girl, 2019 by Alex Hodge Carved porcelain 11.5 H in x 7 W in x 0.5 D in Unique Her poetic porcelain plates examine and reimagine the history of art in a way that values women...

Rattling Cages, 2019 by Alex Hodge Carved porcelain 10 H in x 10 W in x 0.5 D in Unique Her poetic porcelain plates examine and reimagine the history of art in a way that values wom...

Heights to Reach, 2019 by Alex Hodge Carved porcelain 11.5 H in x 7 W in x .05 D in Unique Her poetic porcelain plates examine and reimagine the history of art in a way that values ...

This rug’s design is composed of diamond and flower rows pattern, filling the field elegantly. These kinds of rugs have often been described as wagirehs or samplers and were said to ...

Madonna with the Long Neck, 2019 by Alex Hodge Carved porcelain Height: 7 in x Width: 7 in x Depth: 0.5 in Unique Her poetic porcelain plates examine and reimagine the history of a...

Earnest Eve, 2019 by Alex Hodge Carved porcelain Height: 12 in x Width: 8 in x Depth: 0.5 in Unique Her poetic porcelain plates examine and reimagine the history of art in a way th...

Mountain of a Woman, 2019 by Alex Hodge Carved porcelain 8.5 H in x 3.5 W in x 0.5 D in Unique Her poetic porcelain plates examine and reimagine the history of art in a way that val...

Wishing Wanders Carved porcelain 9.5 inches x 13.5 inches x 0.75 inch Unique Her poetic porcelain plates examine and reimagine the history of art in a way that values women, not on...

Rain or Shine, 2019 by Alex Hodge Carved porcelain Height: 9 in x Width: 13 in x Depth: 0.5 in Unique Her poetic porcelain plates examine and reimagine the history of art in a way ...

Reach Out, 2019 by Alex Hodge Carved porcelain Height: 8 in x Width: 12 in x Depth: 0.5 in Unique Her poetic porcelain plates examine and reimagine the history of art in a way that...

The famous Artemis is the sister of Apollo and Dionysus; It is integrated with abundance in Anatolia. Considered one of the seven wonders of the ancient world, the temple of Artemis in Ephesus was destroyed many times; but each time it was built again. Artemis, who, like Cybele, is the embodiment of nourishment rather than fertility, can be found in every region in every age. Sculptures, busts, columns and reliefs, the originals of which are in various museums, are made with the technique of casting under vacuum with marble powder...

Mountain of a Woman, 2019 by Alex Hodge Carved porcelain Height: 15 in x Width: 9 in x Depth: 0.5 in Unique Her poetic porcelain plates examine and reimagine the history of art in ...

Room in a Room, 2019 by Alex Hodge Carved porcelain Height: 9 in x Width: 13 in x Depth: 0.5 in Unique Her poetic porcelain plates examine and reimagine the history of art in a way...

Optional Omniscience, 2019 by Alex Hodge Carved porcelain Height: 10 in x Width: 10 in x Depth: 0.5 in Unique Her poetic porcelain plates examine and reimagine the history of art i...

These rugs are made entirely by hand in North England. They are made using the off cuts or Selvedge from large runs of material. These off cuts would have been simply sent to landfil...

The chair itself is French, However; The Mac is a visual artist from California. His primary medium is painting, he also works in sculpture, jewelry making, and mixed media work. The...

The "Island" fine art print, shown here, is by UK artist Jan Erika. Unlike her exuberantly colored abstracts, this image reveals a more subtle approach to color and form. The Gicle...

A plaster pendant in a smooth, undulating shell shape, with scalloped edges. A newer take on Francis Elkins's 1940's plaster plafonnier. Hanging by ...

Set Porcelain Plates Collection, 2019 Carved Porcelain Wall Sculpture Set Overall size: 39.5 H x 28 W x 1 D in. Individual size: 1. Stairway to Now...

'Victor' quilt by British artist-maker, Emily Campbell. Emily’s knowledge of sewing combines with the formal and visual principles she learned as a two-dimensional designer to re-imagine the patchwork quilt. She has interpreted traditional patchwork geometry, dispensing with floral prints in favour of bold combinations of solid colour. Emily quilts all her designs for us by hand. Bespoke sizes are therefore possible. An accomplished undergraduate dress and costume maker, Emily progressed from an English degree to a diploma in Clothing Technology and became a pattern maker for the fashion designer Jean Muir. After completing her Master of Fine Arts at Yale School of Art she practised as a graphic designer at Pentagram in New York before embarking on a series of national and international programme director roles in the arts, design and education. In 2012, a quilt made from old denim and canvas work clothes featured in an exhibition about Gee’s Bend (the famed quilting community in Alabama). This prompted Emily to up-cycle the family’s old jeans into her first patchwork quilt. She studied rhythm, rule and variation in Anni Albers’ pattern drawings. She took inspiration from Gustav Klimt, Victor Pasmore and Ellsworth Kelly, and many more artists besides. Emily is the founder of Pemberton Qwilts. This takes its name from Sheila Frances Hayes, née Pemberton, who first taught Emily to sew. Three of Emily’s ‘TV Quilts’ were commissioned by Anya Hindmarch for her concept store at London Fashion Week 2023. These bear a single word of personal significance (see images). Emily was also among the textile artists selected for a group show at David Parr House, Cambridge that year.  Helen Chislett...

'Fragments' quilt in Blues colourway by British artist-maker, Emily Campbell. Emily’s knowledge of sewing combines with the formal and visual principles she learned as a two-dimensional designer to re-imagine the patchwork quilt. She has interpreted traditional patchwork geometry, dispensing with floral prints in favour of bold combinations of solid colour. Emily quilts all her designs for us by hand. Bespoke sizes are therefore possible. An accomplished undergraduate dress and costume maker, Emily progressed from an English degree to a diploma in Clothing Technology and became a pattern maker for the fashion designer Jean Muir. After completing her Master of Fine Arts at Yale School of Art she practised as a graphic designer at Pentagram in New York before embarking on a series of national and international programme director roles in the arts, design and education. In 2012, a quilt made from old denim and canvas work clothes featured in an exhibition about Gee’s Bend (the famed quilting community in Alabama). This prompted Emily to up-cycle the family’s old jeans into her first patchwork quilt. She studied rhythm, rule and variation in Anni Albers’ pattern drawings. She took inspiration from Gustav Klimt, Victor Pasmore and Ellsworth Kelly, and many more artists besides. Emily is the founder of Pemberton Qwilts. This takes its name from Sheila Frances Hayes, née Pemberton, who first taught Emily to sew. Three of Emily’s ‘TV Quilts’ were commissioned by Anya Hindmarch for her concept store at London Fashion Week 2023. These bear a single word of personal significance (see images). Emily was also among the textile artists selected for a group show at David Parr House, Cambridge that year.  Helen...

'Drunkard's Path' quilt in Kuba colourway by British artist-maker, Emily Campbell. Emily’s knowledge of sewing combines with the formal and visual principles she learned as a two-dimensional designer to re-imagine the patchwork quilt. She has interpreted traditional patchwork geometry, dispensing with floral prints in favour of bold combinations of solid colour. Emily quilts all her designs for us by hand. Bespoke sizes are therefore possible. An accomplished undergraduate dress and costume maker, Emily progressed from an English degree to a diploma in Clothing Technology and became a pattern maker for the fashion designer Jean Muir. After completing her Master of Fine Arts at Yale School of Art she practised as a graphic designer at Pentagram in New York before embarking on a series of national and international programme director roles in the arts, design and education. In 2012, a quilt made from old denim and canvas work clothes featured in an exhibition about Gee’s Bend (the famed quilting community in Alabama). This prompted Emily to up-cycle the family’s old jeans into her first patchwork quilt. She studied rhythm, rule and variation in Anni Albers’ pattern drawings. She took inspiration from Gustav Klimt, Victor Pasmore and Ellsworth Kelly, and many more artists besides. Emily is the founder of Pemberton Qwilts. This takes its name from Sheila Frances Hayes, née Pemberton, who first taught Emily to sew. Three of Emily’s ‘TV Quilts’ were commissioned by Anya Hindmarch for her concept store at London Fashion Week 2023. These bear a single word of personal significance (see images). Emily was also among the textile artists selected for a group show at David Parr House, Cambridge that year.  Helen...

'Meander' quilt by British artist-maker, Emily Campbell. Emily’s knowledge of sewing combines with the formal and visual principles she learned as a two-dimensional designer to re-imagine the patchwork quilt. She has interpreted traditional patchwork geometry, dispensing with floral prints in favour of bold combinations of solid colour. Emily quilts all her designs for us by hand. Bespoke sizes are therefore possible. An accomplished undergraduate dress and costume maker, Emily progressed from an English degree to a diploma in Clothing Technology and became a pattern maker for the fashion designer Jean Muir. After completing her Master of Fine Arts at Yale School of Art she practised as a graphic designer at Pentagram in New York before embarking on a series of national and international programme director roles in the arts, design and education. In 2012, a quilt made from old denim and canvas work clothes featured in an exhibition about Gee’s Bend (the famed quilting community in Alabama). This prompted Emily to up-cycle the family’s old jeans into her first patchwork quilt. She studied rhythm, rule and variation in Anni Albers’ pattern drawings. She took inspiration from Gustav Klimt, Victor Pasmore and Ellsworth Kelly, and many more artists besides. Emily is the founder of Pemberton Qwilts. This takes its name from Sheila Frances Hayes, née Pemberton, who first taught Emily to sew. Three of Emily’s ‘TV Quilts’ were commissioned by Anya Hindmarch for her concept store at London Fashion Week 2023. These bear a single word of personal significance (see images). Emily was also among the textile artists selected for a group show at David Parr House, Cambridge that year. Helen Chislett...

'Shoeman's Puzzle' quilt in Carnival colourway by British artist-maker, Emily Campbell. Emily’s knowledge of sewing combines with the formal and visual principles she learned as a two-dimensional designer to re-imagine the patchwork quilt. She has interpreted traditional patchwork geometry, dispensing with floral prints in favour of bold combinations of solid colour. Emily quilts all her designs for us by hand. Bespoke sizes are therefore possible. An accomplished undergraduate dress and costume maker, Emily progressed from an English degree to a diploma in Clothing Technology and became a pattern maker for the fashion designer Jean Muir. After completing her Master of Fine Arts at Yale School of Art she practised as a graphic designer at Pentagram in New York before embarking on a series of national and international programme director roles in the arts, design and education. In 2012, a quilt made from old denim and canvas work clothes featured in an exhibition about Gee’s Bend (the famed quilting community in Alabama). This prompted Emily to up-cycle the family’s old jeans into her first patchwork quilt. She studied rhythm, rule and variation in Anni Albers’ pattern drawings. She took inspiration from Gustav Klimt, Victor Pasmore and Ellsworth Kelly, and many more artists besides. Emily is the founder of Pemberton Qwilts. This takes its name from Sheila Frances Hayes, née Pemberton, who first taught Emily to sew. Three of Emily’s ‘TV Quilts’ were commissioned by Anya Hindmarch for her concept store at London Fashion Week 2023. These bear a single word of personal significance (see images). Emily was also among the textile artists selected for a group show at David Parr House, Cambridge that year.  Helen...

'Trianni' quilt in Kuba colourway by British artist-maker, Emily Campbell. Emily’s knowledge of sewing combines with the formal and visual principles she learned as a two-dimensional designer to re-imagine the patchwork quilt. She has interpreted traditional patchwork geometry, dispensing with floral prints in favour of bold combinations of solid colour. Emily quilts all her designs for us by hand. Bespoke sizes are therefore possible. An accomplished undergraduate dress and costume maker, Emily progressed from an English degree to a diploma in Clothing Technology and became a pattern maker for the fashion designer Jean Muir. After completing her Master of Fine Arts at Yale School of Art she practised as a graphic designer at Pentagram in New York before embarking on a series of national and international programme director roles in the arts, design and education. In 2012, a quilt made from old denim and canvas work clothes featured in an exhibition about Gee’s Bend (the famed quilting community in Alabama). This prompted Emily to up-cycle the family’s old jeans into her first patchwork quilt. She studied rhythm, rule and variation in Anni Albers’ pattern drawings. She took inspiration from Gustav Klimt, Victor Pasmore and Ellsworth Kelly, and many more artists besides. Emily is the founder of Pemberton Qwilts. This takes its name from Sheila Frances Hayes, née Pemberton, who first taught Emily to sew. Three of Emily’s ‘TV Quilts’ were commissioned by Anya Hindmarch for her concept store at London Fashion Week 2023. These bear a single word of personal significance (see images). Emily was also among the textile artists selected for a group show at David Parr House, Cambridge that year.  Helen...

The “Andy” ceramic collection VG presents a collection of Classic sculptures which revisits the techniques of pop art. The original work is taken apart; a few details are then remove...

At Casa Ocampo conscious of Mexico's cultural wealth and the vulnerable state of the artisans, we look to enhance and market the ethnical commerce of contemporary design, produced un...

The source of the rug comes from the book Tapis du Caucase - Rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, nr.90 and Oriental R...

Brown glazed stoneware sculpture by Simone Couderc. Artist signature under the base. Circa 1990-2000. H : 9.2’ x 12.9’ x 4.3’ inches.

'Vortex' quilt in Red colourway by British artist-maker, Emily Campbell. Emily’s knowledge of sewing combines with the formal and visual principles she learned as a two-dimensional designer to re-imagine the patchwork quilt. She has interpreted traditional patchwork geometry, dispensing with floral prints in favour of bold combinations of solid colour. Emily quilts all her designs for us by hand. Bespoke sizes are therefore possible. An accomplished undergraduate dress and costume maker, Emily progressed from an English degree to a diploma in Clothing Technology and became a pattern maker for the fashion designer Jean Muir. After completing her Master of Fine Arts at Yale School of Art she practised as a graphic designer at Pentagram in New York before embarking on a series of national and international programme director roles in the arts, design and education. In 2012, a quilt made from old denim and canvas work clothes featured in an exhibition about Gee’s Bend (the famed quilting community in Alabama). This prompted Emily to up-cycle the family’s old jeans into her first patchwork quilt. She studied rhythm, rule and variation in Anni Albers’ pattern drawings. She took inspiration from Gustav Klimt, Victor Pasmore and Ellsworth Kelly, and many more artists besides. Emily is the founder of Pemberton Qwilts. This takes its name from Sheila Frances Hayes, née Pemberton, who first taught Emily to sew. Three of Emily’s ‘TV Quilts’ were commissioned by Anya Hindmarch for her concept store at London Fashion Week 2023. These bear a single word of personal significance (see images). Emily was also among the textile artists selected for a group show at David Parr House, Cambridge that year.  Helen...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy. This white hydrangea is handmade in biscuit porcelain, with han...

To Chicago-based artist Patrick Fitzgerald, his sculptures are a means of traveling through time. Working from found materials, Fitzgerald constructs miniature soap box cars and the ...

We offer this primitive petite stool made in solid wood. Made in Mexico hand carved using machete. Ready to use as stool or side table.

W48 H38.5 Acrylic on canvas. Signed by artist

Part of Penelope's collections, this laundry basket is designed and crafted exclusively by Pinetti. The elegant and practical round silhouette is beautifully finished with an ecru...

Part of the Almeria collection this Pinetti hand-woven basket made with eco-friendly washable and resistant material suitable also for outdoor use. Perfect for shoes holders...

Contemporary painting by Frome and the collective. Proveniens: Famous danish collector.

A very sensual, striking and dream-like painting by celebrated Puerto Rican Artist Quetzalcoatl (b. 1971). An otherworldly Woman’s face in Green peers out with a searching gaze wit...

The elegant features of the young Antinous, a favorite of beloved Roman emperor Hadrian, are masterfully captured with exceptional richness in this plaster bust of the ancient Greek hero...

Ditto potters with Antonio Bonamico. The ceramic masks of Seminara are ostentatious and grotesque, with deliberately frightening features to scare away ...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. These sculptures reference traditional American Folk Art barn house models or bird houses. This sculpture works alone on a shelf or table or can be grouped with other house sculptures by the artist. Each house sculpture is unique in design and color. Jim Rose Structure No. 245 repurposed painted steel 6.50h x 8w x 3d in 16.51h x 20.32w x 7.62d cm JR0333 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 06, 2021 found industrial objects 4.25h x 9.50w x 9.50d in 10.79h x 24.13w x 24.13d cm JR0300 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

To Chicago-based artist Patrick Fitzgerald, his sculptures are a means of traveling through time. Working from found materials, Fitzgerald constructs miniature soap box cars and the ...

The source of carpet comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. This rug with the central star was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. It is exhibited at MAK – Museum of Applied Arts, Vienna Austria. The interpreted design is composed of a flower lattice pattern taken from a part of the MAK Museum’s rug...

This is a plaster bust reproducing the Torso Gaddi, the famous fragmentary sculpture displayed in the Uffizi Museums in Florence, which inspired many great artists of the Renaissance...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 05, 2021 found industrial objects 4.50h x 10.75w x 10.75d in 11.43h x 27.30w x 27.30d cm JR0299 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

Made from found industrial objects, this face takes on different looks at every angle. A wedge, sprockets, gears are adhered to a found painted steel plate to complete this "Flatlay Face" Jim Rose Flatlay Face No. 07, 2021 found industrial objects 3.25h x 8.25w x 8.25d in 8.26h x 20.95w x 20.95d cm JR0301 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2017-2018 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

Decorative hand-woven bag from Panama, Sac-Bolso by Ethic&Tropic Extraordinary art and decorative items, these masks come from the shamanic beliefs and rituals of indigenous Embera ...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique, interesting items. Here he has taken heavy gauge wire and formed it into a simple dog and placed it upon a salvaged steel cylinder. These repurposed items combine to form this small simple sculpture that will sure to bring a smile to its owner. Jim Rose Objects No. 04 Found and Collected Objects 6.50h x 6w x 10.50d in 16.51h x 15.24w x 26.67d cm JR0291 Jim Rose b. 1966, d. 2023 Bio Born in Indiana, Jim Rose lived in Europe until he returned to the United States to attend college. After one year at Bard College, Jim transferred to the School of the Art Institute in Chicago (SAIC) where he graduated in 1988 with a BFA. His skillful interpretation of the Shaker design is a result of intense research and field study of Shaker furniture, architecture, culture and history. After over two decades of dedicated work, he has mastered the minimalism of the Shaker technique and created his own unique visual vernacular. The quilts of Gee's Bend have become a monumental influence taking this artist's work to new levels of unique interpretation and artistry. His selection of aged steel results in a patina directly related to that of aged wood while his colored strips beautifully mimic worn cloth. Each piece of furniture is masterfully made and intended for daily use. Jim Rose’s steel furniture is featured every year at SOFA Chicago for the past 25 years. Jim Rose b. 1966, Wisconsin Education 1989 B.F.A., Sculpture, The School of the Art Institute of Chicago, IL 1988 Student at Large, Welding Technology, Triton College, Chicago, IL 1985 Undergraduate Photography Bard College, Annandale-on-Hudson, New York Awards 2008 Wisconsin Arts Board Fellowship Award, Madison, WI. 2005 Elizabeth R. Raphael Founder’s Prize, Society for Contemporary Craft, Pittsburgh, PA 2003 Grant Recipient for Shaker Interpretations in Cast Iron, PA Arts Assoc / WI Arts Board 2003 Arts/Industry Residency Program for Visual Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin Solo Exhibitions 2023 Jim Rose CODA, Gallery Victor, Chicago, IL 2020 Unseen, Gallery Victor Armendariz, Chicago, IL 2017 New Work, Tory Folliard Gallery, Milwaukee, WI 2012 Simply Steel, Leigh Yawkey Woodson Art Museum, Wausau, WI 2007 Variation, Ann Nathan Gallery, Chicago, IL 2003 New Work, Ann Nathan Gallery, Chicago, IL 2001 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 2000 Shaker in Steel / New Work, Ann Nathan Gallery, Chicago, IL 1999 Hands and Heart to Steel III, Ann Nathan Gallery, Chicago, IL National Exhibitions 2023 Intersect Palm Springs, Gallery Victor, Palm Springs, CA 2018 SOFA Chicago 2018, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art on Paper, Gallery Victor, Metropolitan Pavilion, New York, NY 2017 - 2019 SOFA Chicago – Gallery Victor Armendariz 2016 - 1995 SOFA Chicago, New York, Palm Beach - Ann Nathan Gallery 2011 - 2002 Art Chicago - Ann Nathan Gallery Group Exhibitions 2017 Coming Attractions: Inaugural Exhibition, Gallery Victor Armendariz, Chicago, IL 2017 Living with Art: The Newman Collection, 108 Contemporary, Tulsa, Oklahoma 2016 Form Follows Function: The Intersection of Art and Craft, The Hardy Gallery, Ephraim, Wi 2015 NEO, Chipstone Foundation, Milwaukee Art Museum, Milwaukee, WI 2015 ICFF, Furniture Society, Javits Convention Center, New York City, NY 2013 Vahki Revisited, The Enduring Spirit of a Craft Collection” Mesa Contemporary Arts, Mesa, AZ 2013 Fearless Furniture, Indiana State Museum and Historic Sites, Indianapolis, IN 2013 Inaugural Exhibition, Museum Wisconsin of Art, West Bend, WI 2012 Sitting Pretty: Furniture from RAM’s Collection, Racine Art Museum, WI 2011 Hiding Places: Memory in the Arts, John Michael Kohler Arts Center, WI 2010 Living with Art, Strohl Art Center, Chautauqua Institution, NY 2009 Summer in Wisconsin, Tory Folliard Gallery, Milwaukee, WI 2009 High Honors, James Watrous Gallery, Madison, WI 2008 Second Lives: Remixing the Ordinary, Museum of Art and Design, NY 2007 Transformation 5: Contemporary Works in Found Materials, Art Association, Jackson, WY 2007 Transformation 5: Contemporary Works in Found Materials, Houston Center for Contemporary Craft, Houston, TX (traveling exhibition) 2006 Show us Your Drawers, Herron School of Art, Indianapolis, IN 2006 Marriage of the Minds...

In Bassano ceramics have been produced for 300 years. In fact, from the 17th century this art has been developed in Veneto thanks to the presence of plastic clay, solder and kaolin i...

This geometric lattice pattern rug has the impression that it is only part of a larger scheme-designed 15th-century rug from the Mamluk era, Cairo region, Eygpt. These designs have o...

Decorative hand-woven mask from Panama, Mascara by Ethic&Tropic Extraordinary art and decorative items, these masks come from the shamanic beliefs and rituals of indigenous Embera t...

Height: 11.8'' (30 cm) / Weight: 4 kg -Produced from pressed marble powder. -Produced from the original molds of the works from the museum. -Can be used indoors and outdoors. Int...

This is a welded steel sculpture made by furniture creator Jim Rose. It is sustainable design created from salvaged and recycled steel panels left over from his larger projects. Thes...

The source of carpet comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. That rug with the central star was designed in the earl...