Early 20th Century Folk Art

DRAMATIC, CIRCULAR FLAG FAN OF UNCOMMONLY HUGE SIZE, WITH UNUSUAL CONSTRUCTION, MADE IN THE WWI ERA (1917-18), CAREFULLY CONSERVED AND PRESENTED IN A DEEP, CUSTOM-MADE SHADOWBOX Thi...

EXCEPTIONAL RED CROSS BANNER WITH WHIMSICAL LETTERING AND A TERRIFIC SLOGAN, WWI (U.S. INVOLVEMENT 1917-18), ONE OF APPROXIMATELY THREE EXAMPLES PRESENTLY IDENTIFIED EXCEPTIONAL RED CROSS BANNER WITH WHIMSICAL LETTERING AND A TERRIFIC SLOGAN, WWI (U.S. INVOLVEMENT 1917-18), ONE OF APPROXIMATELY THREE EXAMPLES PRESENTLY IDENTIFIED Web ID: pat-742 Available: In Stock Frame Size (H x L): 34.5" x 48.75" Flag Size (H x L): 21.75" x 36" Description: Made during the First World War, this extraordinary banner of the American Red Cross, printed on plain weave cotton, is a gem among surviving textiles commissioned for the organization. Even though it wasn't exactly produced as such, the banner is a fantastic piece of American folk art, with the combination of words, and visual impact forcing it soundly into this category. Some years ago, I acquired one of the very same type. At that point in time, I had not before seen its equal. Bowled over by the exceptional graphics in its varied styles of lettering—more like what you see during the 19th century than the 20th, I could find nothing of similar quality in my associated research. In fact, there was barely anything vintage or antique with imagery much beyond the generic scarlet cross on a white ground. The verbiage is undeniably great: "The Red Cross Needs You; Join Now; Be Patriotic--Be Humane." Today I know of one other, in addition to this example and the one I sold previously, for a total of three. I have also seen a variation on the basic design, not as dynamic but similar, reproduced for the television series “Gilded Age.” Displayed behind the actress who plays Clara Barton, founder of the Red Cross, it has the same text at the top and in the middle, though the fonts are not quite as strong, but along the bottom, the slogan “Be Patriotic--Be Humane” is replaced by “Answer the Call.” The first example of this banner that I acquired a fine, blue, hand-sewn binding around the perimeter, and 4 sets of long, red, cotton ties, hand-sewn to the top edge and distributed along it. Because these were so incredibly graphic in their own right, and what they collectively added to the presentation of a banner that looks way more like 19th century printed advertising than something from the 20th, I elected to up the ante, if you will, seeking out red and blue, antique cotton...

RARE & BOLDLY GRAPHIC AMERICAN SUFFRAGETTE POSTER, COMMISSIONED BY THE EMPIRE STATE CAMPAIGN COMMITTEE, CARRIE CHAPMAN CATT’S GROUP, circa 1915 Extremely rare and boldly graphic Suf...

COLORADO STATE FLAG OF EXCEPTIONAL QUALITY, MADE OF SILK, CIRCA 1911-1920’s, EXTRAORDINARILY RARE IN THIS PERIOD AND THE EARLIEST EXAMPLE THAT I HAVE EVER ENCOUNTERED Early state flags are few and far between. While I am asked for them constantly, most states did not actually have official flags until the 20th century. On May 6th, 1911, Colorado became among the last to adopt a design. The project of doing so was spearheaded by the Denver Chapter of the Daughters of the American Revolution. The bill was introduced by Senator W.H. Sharply and adopted by the Eighteenth General Assembly. The artwork was the product of A.C. [Andrew Carlisle] Carson, President of the Ohio Society of Colorado. The meanings behind the elements in the design are as follows: The large letter "C" stands for Colorado and simultaneously for the Centennial State (Colorado entered the Union in 1876, the year in which our nation celebrated its 100th anniversary of independence), as well as the Columbine State (reflecting the state flower). The red color is included due to the fact that the word Colorado translates to scarlet or red in Spanish. The circle represents the sun, while the gold color symbolizes all-the-year sunshine, Colorado’s status as the greatest gold state, and one Columbine color. It was also included so that the Colorado state flag would have one more color than the U.S. flag. The color white reflects Colorado’s status as the greatest silver state, its eternal mountain snow, and one Columbine color. Lastly, the shade of Yale blue symbolizes all-the-year blue sky and one Columbine Color. Members of the D.A.R. were proud to note that this was also their color. Made sometime between the initial year of the adoption of this design and the 1920’s, this particular flag is the earliest Colorado example that I have ever encountered. The blue and white bars, red “C,” and golden circle are a’’ made of silk taffeta. This was a costly fabric, reserved for the best material a flag-maker produced. The flag is constructed in the manner of a battle flag, to be carried on foot. Squarish in its overall profile, silk was the fabric of choice for flags employed in this function, due to the fact that it was light weight, and thus practical for hand-carrying, while simultaneously formal in appearance, appropriate for the sort of ceremonial use that military presentation often demands. The style of the hoist is also typical for field or parade use. Here the fabric was rolled over to form an open sleeve, through which a wooden staff could be inserted. The sleeve is lined on the interior with black cotton. Leather tabs, at the top and bottom, fit over metal posts on the staff, designed to accept them, to fix the flag in its proper position. The bars were pieced and joined with lineal machine stitching. The hoist and fly ends were finished and hemmed by the same method. The devices are double-appliquéd (applied to both sides) with a machine buttonhole / blanket stitch. Though machines that produced buttonholes were, remarkably, available alongside the earliest standard machines, in the 1850’s and 60’s, the use of this sort of stitch in a running format, for appliqué work, remained highly unusual, even as late as the first half of the twentieth century, probably because it used a ton of thread when compared to the zigzag or satin stitch. It could be expected to appear more often in the hands of a maker of very fine flags, that employed embroidery machines and commissioned custom, fancy work of all sorts. Though unsigned—in no way uncommon in early examples, which were seldom signed—that is precisely the sort of firm that produced the Colorado flag...

American Suffrage movement pennant, with a standard, triangular taper. Made of yellow felt, with tapered letters that read simply: "Votes for Women," bo...

Rare & Beautiful American Parade Flag With Images Of Teddy Roosevelt And His Great White Fleet, 1907-1909, Ex-richard Pierce Collection: 46 star parade ...

IRONSTONE PLATE WITH "VOTES FOR WOMEN" TEXT, MADE JOHN MADDOCK & SONS FOR SUFFRAGIST ALVA BELMONT FOR MARBLE HOUSE, HER FAMOUS ESTATE IN NEWPORT, RHODE ISLAND, CIRCA 1914: Porcelain objects related to the Suffrage movement are extremely scarce. The most celebrated of all American suffrage dinnerware consists of a service of white ironstone, commissioned by Alva Belmont,* prominent Newport, Rhode Island, socialite. Belmont was the founder of a pro-suffrage group called the Political Equality Association. According to Suffrage memorabilia expert Ken Folley, "There are at least eight different examples known in this design, including a cup and saucer, a lunch or dinner plate, a salad or bread plate, a berry bowl, a soup bowl, a celery dish...