Mid-20th Century Folk Art

Navajo Indian weaving large bolster leather / suede backing.This big pillow is down & feather fill.

Early 20th century double sided metal boot makers trade sign. A highly decorative double sided hand painted metal French boot makers trade sign, Still attached to its original hin...

Antique Chinese large cork diorama depicting temple and garden scene.

Alain Magne Large XXL stoneware ceramic pitcher Signed by Alain Magne Circa 1970 original perfect condition height 35 cm Large 33 cm.

This is Central Anatolian Antique Kilim from the Sivas region with a rare and beautiful color composition. Sivas In the third century, Sivas was a Roman city known as Sebastea, the capital of Armenia Minor. Flourishing under Byzantine rule, Sivas reached a peak of prosperity under the Seljuks, only to be plundered in the fourteenth century by Tamerlane, as it was an important venue on the Persian and Iraqi trade routes. The Sivas region is inhabited by Turkish and Kurdish people, and until the genocide wrought by the Turks early this century, many Armenians dwelt there as well. Sivas gained certain fame as the site for the Sivas Congress of September 1919, convened by Mustafa Kemal...

Small rope shaped pocket watch barometer Audoux Minet, circa 1960.   

This large vintage Malagasy sculpture from the 1950s-1960s is a stunning hand-carved piece made of solid rosewood (palissandre). Featuring a striking and detailed representation, thi...

Ancient Cubist Kuba Dance Mask Black Patina, Cone Shaped Eyes, from the Congo, Africa. It is in good condition with wear, polish and erosion from traditional use, appropriate for it...

Albert Chubac (1925-20008), Composition, Spray paint and stencils, Workshop stamp lower right, Framed, circa 1960, France. Measures : Width 50 cm, Height 65 cm. Albert Chubac was born in Geneva in 1920. After studying decorative art, then at the Beaux-Arts in Geneva, he obtained grants to travel to Italy, Algeria, Spain, Egypt and Greece, stages which will mark his work. He settled in 1964 on the Côte d ‘Azur in Aspremont in a very Spartan house, attracted by the light, the sun and the colors of nature. The year 1967 is the year of the establishment of the School of Nice. He will work and exhibit alongside Aman, César, Tinguely, Gilli, Ben, Rayse, etc ... In 1990, it was the consecration with the opening of MAMAC in Nice. Albert Chubac then becomes accessible to the general public. He will use solid primary colors, will develop modifiable structures and then develop the collages in three dimensions. Gradually, he broke away from his classical training and figuration to move towards abstraction through the encounters and influences of contemporary artists. Always in search of simplicity, He will radically limit the plastic means with a reduced palette, geometric shapes and simple gestures to concentrate on minimum conditions of possibility. His work, which lies between constructivism and geometric abstraction, is playful and imbued with the artist's joie de vivre. In 2004, following the major retrospective at the Museum of Modern and Contemporary Art in Nice, he donated around one hundred works to the City of Nice. Albert Chubac died in 2008 in Tourrette-Levens, near Aspremont. Bibliography: - Albert Chubac, MAMAC Nice, Cultures Nice Editions, 2004. - Albert Chubac: exhibition, Nice, Museum of Modern and Contemporary Art, January 29 - May 16, 2004. - Albert Chubac, Galerie Harter, 2013. - Albert Chubac, a lifetime of artist, Patrick Boussu and Cynthia Lemesle, South Art éditions, 2021. During the workshop auctions in Nice and Marseille, the Harter Gallery acquired the largest part of his work. Personal exhibitions: - 1950: Personal exhibition in Athens at the Zappéion museum. - 1954: Exhibition at the Arman Gallery in Geneva. - 1956: Exhibition at the Galerie Connaître in Geneva. - 1957: Exhibition at the Galerie La Palette in Zurich. - 1958: Exhibition at the Galerie L’Entracte in Lausanne. - 1960: Exhibition at the World House Gallery in New York. - 1967: Exhibition at the Galerie Loo in Geneva, at the Salon Comparaison in Paris, Aspects in Chexbres in Switzerland. - 1968: “Paintings” exhibitions from March 30 to May 11 at the Galerie Alexandre de la Salle. - 1970: Exhibition at the Maison des Jeunes et de la Culture de Magnan in Nice, at the Maison de la Culture Le Corbusier in Firminy entitled "Chubac recent works" and at the Galerie Royal Luxembourg in Nice. - 1971: Exhibition at the Galerie Germain in Paris and at the Fernand Léger School in Malakoff. - 1972: Exhibition on the village square of Aspremont, at the Galerie Royal Luxembourg in Nice. - 1973: Exhibition at the Galerie Ferrero in Nice. - 1974: Exhibition at Art-club in Antibes. - 1975: Exhibition at the Galerie Jacques Boudin rue de Dijon in Nice. - 1978: Exhibition at the Galerie Anne Roger in Nice. - 1980: Exhibition at the Galerie de la Salle in Saint-Paul de Vence from August 8 to September 9. - 1981: Exhibition at Lieu 5 in Nice from February 13 to March 20. - 1983: Exhibition at the Galerie d'Art Contemporain in Nice, at Anne Roger. - 1984: Exhibition "Lille Nice" at the Galerie GodArt in Lille from April 14 to May 17 and at the Galerie Luisella d´Alessandro in Turin. - 1985: Exhibition in Thonon les Bains at the Galerie Galise. - 1988: Exhibitions at Galerie Argéco in Nice and Galerie Triade in Barbizon - 1989: Exhibitions at the Galerie de la Salle, at Lola Gassin's in Nice, in galleries in Nice - 1990: he made four mobiles for the MAMAC in Nice, Exhibitions at the Galerie François Moulin in Lyon and Golden Gallery, ArtJunction in Nice. - 1991: Exhibition at the Galerie de la Salle in Saint-Paul. - 1992: Exhibitions at the Espace du consulat suisse in Nice, Besançon and opening of the Espace Chubac in Tourrette-Levens. - 1993: Exhibition at the Maison Comoni in Revest-les-Eaux, at the Galerie François Moulin in Lyon. - 1994: Exhibition at the Espace Caravadossi in Aspremont. - 1996: Exhibition at the Espace Dellile in Nice. - 1997: Exhibition at the Galerie de la Salle in Saint-Paul. - 1998: Last personal exhibition at the Galerie de la Salle in Saint-Paul. - 2000: Exhibition at Lympia college in Nice. - 2001: Exhibition at the Espace Chubac in Tourette-Levens. - 2002: Exhibition at the Galerie Scholtès in Nice and in Carcès in the Var entitled "Albert Chubac-Couleurs mobiles". - 2004: Great Albert Chubac retrospective at MAMAC in Nice. - 2011: Permanent exhibition at the Galerie Harter in Nice. - 2012: Exhibition at the Olympia Show in London at the Christopher Jones Gallery and at the Serge Castella Interiors Gallery in Bascara, Spain. - 2013: Exhibition at the Municipal Contemporary Art Gallery of Pochettes in Nice. - 2019/2021: Exhibition of works belonging to the permanent collection of MAMAC in Nice and exhibition "Geometry according to Albert Chubac" at the Galerie Harter in Nice. - 2021/2021: Permanent exhibition at Galerie Atelier 55...

Solid wood mortar produced in Africa in the 1950s. With its raw shape and organic hue, it will be perfect in a natural, refined and delicate decoration. We simply imagine it plac...

Superb Marcel Marti (1925–2010) attributed abstract patinated bronze sculpture that is unique from every angle. This is a striking postwar piece of art fr...

A vintage Turkish gallery rug with a central medallion on a pink field. accents in white and brown Measures: 6'3'' x 11'9''.

This is an Eastern Anatolian Vintage Kilim from the Kars region with a rare and beautiful color composition. The old sector and newer southern districts of Kars are joined by a br...

Worn and weathered Tsogho short bench carved from a single piece of wood, with faces and figures, from Gabon, Africa. Blocky bench with roughly carved out openings, flanked on one s...

Fabulous large brass Brutalist patchwork stallion horse with blown black glass eyes. Fantastic artistic piece by Luciano Bustamante of Mexico c1965. In excellent vintage condition wi...

All wood good original condition fully functional no damages in nice patina.

3-1029 Embroidered Folk Art wall hanging applied to wood board. A home in the wilderness signed by the maker.

A wonderful, absolute gem of a piece by famed American California studio ceramist Beatrice Wood featuring her highly desired gorgeous iridescent luster volcanic (crater) lava glaze. ...

Female Senufo carved wood maternity figure seated on stool with baby in lap reaching up to feed. Represents the Mother feeding the community. Figure ...

This is an Eastern Anatolian vintage old Cecim ( Cicim or Jijim) Kilim from the Gaziantep region with a rare and beautiful color composition. This town lies in south-eastern Turkey,...

Pair of iron flat spatulate currency pieces, made by the Chamba or Mambila peoples of Cameroon or Nigeria. Mid 20th century or older. 10 1/2 inches high for larger currency. Pair ...

This 1950 edition of Germinal, Émile Zola’s powerful novel of labor struggles and social justice, is presented in two softcover volumes published by Bibliothèque Charpentier Fasquell...

Signed hand carved cowboy from a private folk art collection.The condition is very good.

A small Kütahya style polychrome hand painted and handcrafted glazed ceramic decorative vase with an Ottoman scene. This is an intricately, hand painted vase that was made in Marmara, Turkey: Kütahya is famous for its kiln products, such as tiles and pottery, which are glazed and multicolored. It has a beautifully hand painted scene with Ottomans princes enjoying the outdoors, surrounded by flowers in burgundy, turquoise, light and dark blue and green foliage. An Islamic ceramic...

Gallery size antique Persian Balouch pictorial rug from the 1940s. Ivory field with apricot and teal accents Size: 4'10” x 10'8”.

A gorgeous floral or leaf pattern decorated bowl by California master ceramist Rupert Deese who worked closely with pottery legend Harrison Mcintosh. Signed with Deese's cipher/ stamp and sticker on the base. Would be a great addition to any Mid-Century Modern ceramics and pottery collection or a very eye-catching stand-alone accent piece in about any setting. Deese's work can be found in numerous collections and museums including: Museum of Fine Arts, Boston, Boston Everson Museum, Syracuse, New York Henry Art Gallery, University of Washington, Seattle Long Beach Museum of Art, Long Beach, California Los Angeles County Museum of Art, Los Angeles Maloof Foundation, Alta Loma, California Millard Sheets Collection, Gualala, California Mingei International Museum, San Diego Nora Eccles Harrison Museum of Art, Logan, Utah Renwick Gallery, Smithsonian Institution, Washington, DC Richard & Alice Petterson Museum, Claremont, California Roger Corsaw...

Spanish 'Hachero' Traditional Stained Wood Candleholder – Circa 1930, Made in Spain, By Unknown Manufacturer This traditional Spanish Hachero candleholder, dating back to circa 1930...

This is the first issue of Le Journal de France, published on April 15, 1969, by Editions Historia Tallandier in Paris. Richly illustrated in color, this historical magazine captures...

This is an East Anatolian vintage old Cecim ( Cicim or Jijim) Kilim from the Malatya region with a rare and beautiful color composition. This highly collectible vintage kilim has wo...

Signed William Sheldon Horton impressionist landscape painting. This "Plein Air" artist has majestically captured the purple desert canyons of California. This substantial canvas is ...

This is a Western Anatolian Vintage Chuval Kilim from the Bergama ( Pergamon ) region with wool threads and a rare, beautiful color composition. This highly collectible old cuval ki...

This is a Vintage & Unique Sarkoy ( Sharkoy or Şarköy ) Kilim rug from Western Turkey with a rare and beautiful color composition. Sarkoy kilims are very finely woven in slitweave i...

A very remarkable collection of Folk Art caricatures made of Dutch ration 'food stamps.'  First caricature portrays a fat Hermann Go¨ring holding a cerem...

“Where thers muck thers money” Early 20th century English scratch built toleware horse and cart model A wonderful example of a unique Folk Art scratch-built horse and cart model. This item is made from metal sheets, toleware and old enamel advertising signs. It would likely have been placed on a shop counter to obtain donations from customers. The carts cover...

Great Italian painting from the mid-20th century. Framework oil on canvas depicting countryside landscape with farmyard animals of good pictorial quality. Painting of great measure a...

One of a kind mid-20th century highly decorative caliber Pictorial Persian Nain rug with a baby blue background. rug no. j1010 size 2' 6" x 3' 4" (76 x 102 cm)

This large vintage Navajo area rug, handwoven in the 1930s by a skilled Diné (Navajo) weaver, originates from the historic Hubbell Trading Post in...

A wonderfully designed and blue lava crater glazed studio pottery plate in the style of Mid-Century California master potters Beatrice Wood, Glen Lukens, and Otto and Gertrud Natzler. The sumptuous glaze is quite something - especially on the verso of the plate. From a Los Angeles ceramics...

Vintage Clam Bake Sign, circa 1960s, a hand painted wooden trade sign for Clam Bakes. A classic and time-honored New England tradition and favorite for natives and tourists alike, al...

This mid-20th century hand-woven basket originates from the Dayak tribe of Borneo crafted with rattan fibres and an iron wood frame. These baskets were used to carry leaves, fruit, g...

Signed lower right. An impressive hulking ship with a green hull dominates the scene at a dock, perhaps for repair. The partial view of a steamship is in the right background. Sigh...

A vintage trade sign from the esteemed Thomas Walker & Sons Ltd, renowned makers of ship’s logs and chronometers in Southampton, UK. The sign is be...

A fine pair of Baule figurative sling shots / catapults. Nicely Carved with figurative detail. Hard wood with matured patina. Period: mid-20th century C...

This is an old vintage kilim from the Kars region in northeastern Anatolia. This old kilim has a wonderful chic color scheme and a mature softness. If you look at the precise beauty...

A 1950’s tin noise maker made by Kirchhof of Newark, NJ. The tinplate is colorfully painted by chromolithography to depict dancing couples in costumes on ...

Vintage outsider painting on plywood by American Folk artist Black Joe Jackson (US 1922-1997). The painting is titled "Gon Ta Zkol" and it depicts a woman and a little girl waiting ...

Maple wood photo frame signed Giglio Florence Italy Note the assembly technique (photo) Good condition. Thank you

This is an old Soumak ( Sumak, Sumac ) Kilim from the Caucasus region with a rare and beautiful color composition. Of the four countries that make up the Caucasus, Azerbaijan produces the most kilims, and the land has a long history of weaving. The nomadic tribes wove kilims and carpets as well as a wide range of storage bags and sacks, such as saffrash, khurgin and chula, and donkey and horse trappings. Smaller bags for salt, utensils, and other items are also common. Not only are the Azerbaijani weavers prolific, but they also employ many techniques at the loom. These include slitweave- known locally by the word kilim, warp-faced patterning (jajim), supplementary weft (zili), weft wrapping (popularly known as soumak), and extra weft wrapping (verneh). Furthermore, flatweaves are defined by regional names such as palas and shadda, so it is possible to ascribe a variety of weaving names to particular provenances as follows: soumaks are made in Kuba, palas, and kilims in Hajikabul, zili in Khizy, verneh and zili in Kazakh, shadda, verneh and zili in Barda, jajim in Agjabedi, and palas and kilims in Jabrail. Soumak weave is a technique in which weft threads are added to a plain weave fabric, and one or two warp threads are wound from the front to the back. The resulting kilim is denser and firmer, giving it a unique feel and look. This technique is commonly used in the Caucasus region. Soumak has a very beautiful contrast between orange that shines like the sun, deep purple-tinged indigo, and astringent dark red. You can also see the unevenly dyed abrage in this Soumak, which is like a magic carpet with an oriental atmosphere. Features of the Caucasian kilim, such as the unique cosmic geometric floral pattern, are also found in this Soumak which has a bright look, but it also has a faded and textured feel, so it can be used in a good old atmosphere. The woven fabric is particularly solid, so it is recommended for use in a solid living room or under a dining table without moving or twisting. A nice kilim under a long wooden dining table.

Polished steel ships port lantern with red Fresnel lens, protective cage, sturdy carry handle, mounted to a thick wood base with dark rich finish. Lantern...

Wooden bowl handcrafted in Africa in the 1950s. With its raw shape and organic hue, it will be perfect in a natural, refined and delicate decoration. Ideal in a wabi-sabi decoration...

Painted Americana sideboard. Sidboard measures 48" wide, 16.5" deep and 72" high. The top portion is 52" wide. There are 2 shelves inside and one of them is original. Great patin...

The body consisting of a gourd in a beautiful form and decorated with a simple contrasting band of old glass beads of white, red and blue. A piece with a wonderful form that was tra...

Another wonderfully glazed and delicately designed work by famed pottery masters Otto and Gertrud Natzler. This round-shaped, eggshell thin-wa...

This vintage pink ceramic table lamp from the 1940s, featuring a charming floral shade and a dimmer, is a beautiful addition to any decor. Measuring 28.3 inches (72 cm) in height, 5....

Signed B. Donahue and dated 1969 Patriotic Flag painting. On the left side a cemetery honoring fallen heroes in war. To the Right of the flag is a seemi...

Cork & Rope Mirror Audoux Minet circa 1950. Measure: Total height with the rope / 20.5 inches. Diameter of the mirror / 10 inches.

This brightly lithographed tin wind-up toy in colors of red, yellow, and blue, with a driver dressed in appropriate motorcycle clothing, depicts a young man driving a delivery cart with "Speed Boy Delivery" printed on each side of the wagon. The manufacturers logo is clearly marked on both sides of the stake wagon and on the right shoulder of the driver "MAR" with a circle around it and "Made in The United States of America, New York, N.Y." around the circumference (see images). The license plate number is "268", which, along with the red painted inside of the drivers arms (as it should be!) indicates this earlier version and authenticity. Nearly 100 years old, it still operates fine and, upon winding the attached wind-up key a few times and placing the toy on the ground, the motorcycle and driver move across the floor on the way to their deliveries; do not over wind. (see video attached to this listing). The toy is completely original and in very good condition, with no repairs or restorations of any kind and no touch up or repaint. The arms and steering handle bars are also original (sometimes replaced) and they have the appropriate paint and markings. This would make a welcome addition to a collection of pre-war Americana. Dimensions: 9 7/8" long x 5 7/8" wide x 5 3/4" high After 40 plus years of dealing and collecting toys, I am justly qualified to guarantee and present the authenticity of antique and vintage toys...

Folk Art, Primitive sculptural log chair. Carved from a single wood log, with hand tools and with a particular orientation, dimensionality and wonderful hand-feel. Created after the ...

Wood and rope shelf Audoux Minet, circa 1960. 3 shelves.

Early 20thc folky hand made cow trade sign.This full body cow hanging trade sign is double sided and has the original metal chain.The cow is hand carved & painted wood.