Plywood Lounge Chairs

Móveis Cimo, lounge chair, laminated wood, Brazil, 1940s Well-sculpted Brazilian lounge chair that deserves a prominent place in one's interior. The construction is based on rounded...

Iconic Lounge Chair by Gerald Summers, Design from 1934 - Reedition from 2024 This new edition of Gerald Summers' iconic lounge chair reintroduces the celebrated design from 1933-34...

1970s, Scandinavian design. Lounge chair in original very good condition: no smells, no stains, stable construction. Brown leather, canvas, bent plywood. Manufactured by Norwegian or...

Osvaldo Borsani, Valeria Borsani, and Marco Fantoni for Tecno, 'Canada' lounge chair, model 'T110', fabric, lacquered plywood, Italy, 1966 The Canada series was developed from some ...

Pair of easy chairs having a sleek, streamlined design of beautifully clever simplicity made for the modern British home, circa 1960. In bent plywood featuring continuous one piece a...

Afra & Tobia Scarpa "925" easy chairs for Cassina, plywood and hazelnut leather, Italy, 1966, set of two. In 1966 Afra & Tobia Scarpa designed the "925" chair, realized in walnut an...

Early 4801 Lounge Chair by Joe Colombo in very good condition Number 42 This chair is formed from 3 pieces of plywood which lock together without a...

Armchair designed by Jaime Hayon in 2010. Manufactured by BD in Spain. It has an elegance carried throughout the series, the comfort that this typology requires in an armchair an...

A sculptural birch plywood lounge chair designed by Hans Peter Weidmann for Artek, Finland, 1990. This distinctive piece, sometimes referred to as the Nandin chair, reflects Artek’s ...

The famous Paimio lounge chair model 41, designed by Alvar Aalto for the Paimion Parantola. Manufactured by Artek in the 1960s, stamped "Artek, Aal...

Armchair structure base in cast aluminium. Footstool structure base in tubular steel and painted. Seat, backrest and footstool are in plywood with exteriors in walnut nature effect ...

The Isokon Chaise Longue was originally created by Marcel Breuer during the late 1930s from his refuge in England, for the British firm Isokon. It was later produced under license by...

This is an Eames LCW Lounge Chair in Calico Ash Plwood, initially designed by Ray and Charles Eames in 1946. This example dates to ca. 1948. The chair measures 25 inches long, 22 ...

The Pasio lounge is well constructed with high-end quality materials and craftsmanship, Very comfortable and the contemporary modern design make this lounge appropriate for residential and commercial use, Please note the price listed is for a Pair "Two chairs" Specifications: Upholstery: Multiple densities of polyurethane foam and polyester fiber on seat, back and arms Fabric: 100% Polyester, Color Beige Khaki and Brown Solid maple legs dark mahogany finish with non-adjustable glides Frame: Plywood tab construction Model: Pasio Lounge # 263 Designed by: Edgar Reuter...

Post modern lounge chair brown leather bentwood Beech plywood frame made in Germany. Beautiful chair with bent plywood blonde frame and dark brown leather cushions lounge chair. Mini...

Low chair GROPIUS CS1 by Noom Model : Category Savoy FR - Cobalt H741 Designer: Kateryna Sokolova Dimensions: Height: 71 cm / 27,95 in Wid...

A pair of 1950s "Linden" armchairs by British designer G A Jenkins for Packet Furniture. The bentply frames are veneered in warm teak. They have been reupholstered with beautifully ...

Low Chair Hello Designer: Denys Sokolov Materials: wood, plywood, foam rubber, injection-molded soft foam, metal, textile Dimensions: Height: 73 cm Width: 78 cm Depth: 85 cm Seat height: 43 cm The HELLO chair...

The Lounge Chair and Ottoman is an iconic furniture design created by Charles and Ray Eames. It is widely regarded as one of the most significant and enduring pieces of modern furnit...

Lounge chair made of a combination of plywood and beech wood. Walnut veneer is used for the seat and backrest. Designed in 1947 by Peter Hvidt & Orla Mølgaard-Nielsen, the mileston...

Low chair GROPIUS CS1 by Noom Model : Category Savoy FR - Garden 509 Designer: Kateryna Sokolova Dimensions: Height: 71 cm / 27,95 in Width: 75 cm / 29,53 in Depth: 75 cm / 29,53 in...

Rare Kone lounge chairs, designed by Australian industrial designer Roger McLay. The seat is formed from a single sheet of plywood, bent into a sleek cone ...

A sculptural double-sided bench designed for both functionality and aesthetics. Crafted from 18mm plywood and reinforced with metal rods, its fluid, dynamic form allows seating from ...

Alvar Aalto model 31 chair of moulded birch plywood, cantilevered one-piece seat and back suspended from bent supports painted black. Designed in...

Very beautiful and special lounge chair attributed to Brazil 1970. The chair is made of curved brown plywood and has a cow leather seat supported by a firm back and with brown leather pillow...

Very rare GREY leather lounge chair with black lacquered plywood and canvas by Ingmar Relling for Westnova, Norway 1960s If you're looking...

Armchair with ottoman, plywood, canvas, Czech Republic, 1950s. This wavy, elegant armchair with a high back is executed in a bent beech frame. The lounge chair and ottoman are uphol...

Afra & Tobia Scarpa "925" easy chair for Cassina, plywood and black leather, Italy, 1966. In 1966 Afra & Tobia Scarpa designed the "925" chair, realized in walnut and leather. The armchair is inspired by a sketch made in 1943...

The celebrated portfolio of Charles and Ray Eames continues to inspire designers to this day. Early in their mission to create furniture for the masses, the Eameses explored innovati...

A 1960's molded plywood lounge chair and ottoman by George Mulhauser. The chair features stylish wing-like arms, tufted cream uber soft colored vinyl, and a swivel base. The chair wa...

Iconic Charles & Ray Eames LCW lounge chair in Birch plywood. Early Herman Miller production from the fifties (5-2-4 screw configuration), just after Herman Miller took over producti...

The celebrated portfolio of Charles and Ray Eames continues to inspire designers to this day. Early in their mission to create furniture for the masses, the Eameses explored innovati...

Fabulous pair of Joel blue swivel lounge chairs by Walter Knoll. The modern beauty and smart design of the Joel lounge chair is a new take o...

Iconic Lounge Chair by Gerald Summers, Design from 1934 - Reedition from 2024 This new edition of Gerald Summers' iconic lounge chair reintroduces the celebrated design from 1933-34...

A stunning pair of F551 'Big Tulip" lounge chairs by French designer Pierre Paulin for Dutch manufacturer Artifort This is the second series of F551 chair to be recognized by the ...

Very rare pair of the first edition of the "Big Tulip" chair, model F551 Just Married! Designed by French designer Pierre Paulin in 1959 for Artifort, The Netherlands Reuph...

Modernist bent ottoman with velvet cushion, designed by architect Leandre Poisson. The ottoman is comprised of a curved plywood base finished with two charming handles. We added a loose round...

Danish modern design adjustable recliner chair with ottoman by Thomasville. the ottoman is 20x20x19.

Jacob Müller's simple but inspired and light armchair, frame in ashwood, seat in plywood, produced by Wohnhilfe Switzerland 1950. This exemplar has a high back. The seat can easily b...

Only a handful of tectaform chairs showed up on auctions the last 10 years, but this version with arms is quite unknown. We own the only before known chair...... It´s a very rare ver...

Iconic "Kleinhans" armchairs, designed by Charles Eames and Eero Saarinen, early chair, collaboration of two modern masters, designed for the Mary Seaton room at Kleinhans music hall...

Pepino chair by Owl Dimensions: L 112 x W 70 x H 60 cm Materials: Plywood base, upholstered La Pepino is a collection of only seating, which consist...

Original Condition

Bentwood Pulkka Lounge Chair by Ilmari Laippainen for Asko, Finland from the 1960s. Ilmari Laippainen (1922-2004) was a renowned Finnish architect and designer known for his funct...

Iconic Penguin lounge chair, made by Kofod - Larsen, distributed by Selig. The chair features a wrought iron frame, newly upholstered pad seat ( Boucle ) and a sculpted plywood backr...

An early Ernest Race 'Neptune' chair. Beech plywood with the early brass fittings and webbing. Folds to an incredible 12cm Structurally sound with a lovely patina

This item is part of the private collection of Casey Godrie and is situated in his private house. Ask him for competitive shipping quotes. His incredible Dune Villa, Amsterdam Beach...

Iconic "Kleinhans" armchair, designed by Charles Eames and Eero Saarinen, early chair, collaboration of two modern masters, designed for the Mary Seaton room at Kleinhans music hall...

Armchairs with ottomans, plywood, canvas, Czech Republic, 1950s. This wavy, elegant armchair with a high back is executed in a bent beech framework. The lounge chair and ottoman are...

Two Rare Organic Modernist Sculptures that also function as lounge chairs and attributed to the European-American artist, sculptor and designer, Frederick Kiesler (born in Ukraine, 1890-1965). The pieces are hand crafted and composed of thick, layered and molded oak plywood and then hand lacquered. The works are important and signify the development of post-war design into abstract biomorphic sculptural forms. They occupy a curving, organic space and their negative space conveys transparency, lightness and airiness.They represent the continuity between art and life, movement and sculpture. The artist, Frederick Kiesler designed variant sculptural "Multi-Use Chairs" for Robert Motherwell's home in Provincetown circa 1947. The pieces are priced and sold individually but can also be purchased as a pair. An accompanying sculptural, organic form bench...

Rare and unique sculptural low chair in black designed by French designer Alain Gaubert. The chair can be used in 3 different positions; to sit on the chair normally as a low chair,...

Bentwood Pulkka Lounge Chairs by Ilmari Laippainen for Asko, Finland from the 1960s. Ilmari Laippainen (1922-2004) was a renowned Finnish architect and designer known for his functi...

Afra & Tobia Scarpa "925" easy chairs for Cassina, plywood and black leather, Italy, 1966, set of two. In 1966 Afra & Tobia Scarpa designed the "925" chair, realized in walnut and l...

Pair of very nice Mid-Century Modern chrome bases, white lacquer shell body, ribbed upholstery lounge chairs.

Dordrecht Chairs by Wim van Gelderen for 't Spectrum, the Netherlands. Naive, modernist, vintage armchairs in a light-colored oak. They pair beautifully with the "elephant grey" textured fabric. It's rare to find a pair of these Dutch modernist plywood chairs that were produced in the early 1950s. The design of these chairs is very elegant and does not show that they are a design of the 50s, since they look a lot more modern than they really are. The perfect neutral, yet sculptural chair for any kind of vintage, modernist of contemporary project. In excellent original condition. Newly upholstered by a professional craftsman in high-quality, textured velours fabric. Check out our Daddy Deco...

JOSE ZANINE DE CALDAS (1919-2001). Pair of armchairs model “H.” Manufactured by Moveis Artísticos Z. Brazil, 1949. Marine plywood, fabric upholstery. Measuremenents 58 cm x 50 cm x 80 H cm. Literature: Habitat, nº9, Sao Paulo 1952. José Zanine Caldas (Belmonte, Bahia, 1918 - Vitória, Espírito Santo, 2001) was an architect and designer. Caldas stands out on the national architecture in Brazil for his exploration of the constructive qualities of Brazilian woods, defining his work with a warm rustic ambience, working on both high-end residential projects and also popular constructions. Never actually training as an architect, he starting working in the 1940s as a designer at Severo & Villares and as a member of the National Artistic Historical Heritage Service (Sphan). He opens a maquet studio in Rio de Janeiro, where he worked between 1941 and 1948, and, at the suggestion of Oswaldo Bratke (1907-1997), moved the studio to São Paulo, from 1949 to 1955. The studio served important modern architects of the two cities, and was responsible for most of the models presented in the book Modern Architecture in Brazil, 1956, by Henrique E. Mindlin (1911-1971).. During the 1940s, he also began developing and researching at the Institute of Technological Research of the University of São Paulo (IPT/USP), and was first introduced to plywood. In 1949, he founded the Fábrica Móveis Artísticos Z, with the objective of producing large-scale industrialized furniture, good quaility and afforable, the furniture was to be materialized using plywood sheets. This method minimized material waste and the need for artisan skills, as the parts were mechanically produced and the use of labor was only needed for the assembling of the furniture. His time at Móveis Artísticos Z, in 1953 was rather short lived and left the company in 1953 and instead worked on landscape projects until 1958 in São Paulo, when he moved to Brasília, where he built his first house, also in 1958, and coordinated the construction of others until 1964. Appointed by Rocha Miranda to Darcy Ribeiro (1922-1997), he joined the University of Brasília (UnB) in 1962 and taught modeling classes until 1964, when he lost his position due to the military coup. He set off and travelled through Latin America and Africa, an experience that had a remarkable effect on his work. On return to Brazil he built his second house, the first of a series of projects in the Joatinga region of Rio de Janeiro. In 1968, he moved to Nova Viçosa, Bahia, and opened a workshop, which ran up until 1980. His experience in the Bahian city was shaped by his renewed love and contact with nature, and he began working closely with environmentalists. In one of these collaborations, he participated in the project of an environmental reserve with the artist Frans Krajcberg (1921-2017) for whom he also designed a studio in 1971. The furniture he designed during this period, is reflective of his ecological sensitivity, his works were constructed with crude logs of wood, whose twisted lines inspire his drawings. It is also in Nova Viçosa that the architect builds the Casa dos Triângulos (1970) and casa da Beira do Rio (1970), in which he adopted a very artisanal construction system with typical woods of the region. According to the historian and architecture critic Roberto Conduru, Caldas' performance was relevant for the diffusion of environmental values in architectural projects: a "taste for the alternative and the rustic was disseminated throughout the Brazilian territory [...], encouraged by environmental preservation campaigns, by the wear and tear of the current models in reinforced concrete and by the re-emergence of the regionalist ideal in the international panorama"1. Between 1970 and 1978, he kept an office in Rio de Janeiro, where he returned in 1982. In 1975, the filmmaker Antonio Carlos da Fontoura made the film Arquitetura de Morar, about the houses of Joatinga, with a soundtrack by Tom Jobim (1927-1993), for whom Caldas designed a house. Two years later, the architect's work was exhibited at the Museum of Modern Art of Rio de Janeiro (MAM/RJ), at the São Paulo Museum of Art Assis Chateaubriand (Masp) in Belo Horizonte, and the following year at Solar do Unhão, in Salvador. Between 1980 and 1982 The Helium House Olga Jr was designed and built in São Paulo. Caldas outlined the plans for the construction sourcing the all the wood, the actual assembly of the house was carried out by the owner. The house, is defined by wooden structure that stands out from the fence walls, the clay tile roof of wide eaves and the demolition materials that give the building the feeling of rusticity, warmth and nostalgia. The house was similar to those built in the 1970s for Eurico Ficher and Pedro Valente, in Joatinga. In 1983, Calders founded the Center for the Development of Applications of The Woods of Brazil (DAM), and gave it to UnB in 1985. During this period, he proposed the creation of the Escola do Fazer, a teaching center focused on the use of wood for the construction of houses, furniture and utilitarian objects for the low-income population. Despite the fact that much of Calders early work was centered around building houses for the elite, in the 1980s the designer dedicates himself the DAM where he rigorously researches popular housing based on artisan construction processes and whereby the users participate in the construction process. At the Brasília unit, he developed prototypes of popular houses with eucalyptus logs as a structure and sealing in soil-cement, betting on an ideal of self-construction already tested at Casa do Nilo, in São Gonçalo, Rio de Janeiro. From that moment on, as occurred with his the furniture designs, Caldas adopts the use of crude wood logs rolled...

Pair of lounge chairs, plywood, fabric, Italy, 1970s Pair of armchairs composed of white lacquered wood. The chairs are build up from a square base with rounded edges and three larg...

This is an important set of five (please inquire if interested, as we may have a sixth) Custom Angular Plywood Chairs, initially conceived by Frank Lloyd Wright to grace the interior...

The shape of this “No. 55” shell chair indicates the design of an architect. Indeed, Arne Hovmand-Olsen was a prolific Danish designer and architect, whose designs centered around th...

Pair of beautiful restored lounge chairs by Artifort The Netherlands produced, circa 1955. These top quality lounge chairs have been fully restored with respect to the original wa...