Omnibus Sectional Sofa Vladimir Kagan

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The sectional sofa with Lucite supporting legs features three units, a right arm section, a middle corner return and an ottoman. Plush cushions and all upholstered body. One of the iconic design by Vladimir Kagan in the 1970s disco era. The sofa has great structure and sofa foam but is in need to re-upholstery to be fabulous again and to your exact taste.
The size of each section is the following: the armed section is 52 W x 32 D x 26 H; the corner unit is 58 W x 58 D x 26 hand the ottoman is 32 W x 32 D x 19 H.


  • Period
  • Materials and Techniques
  • Condition
    Fair. It should be recovered..
  • Wear
    Wear consistent with age and use. Minor fading.
    26 in. H x 110 in. W x 90 in. D
    66 cm H x 279 cm W x 229 cm D
  • Seat Height
    19 in. (48 cm)
  • Seller Location
    North Miami, FL
  • Number of Items
  • Reference Number

About Vladimir Kagan (Designer)

The pioneers of modern furniture design in America in the mid-20th century all had their moments of flamboyance: Charles and Ray Eames produced the startling, biomorphic La Chaise; George Nelson’s firm created the Marshmallow sofa; Edward Wormley had his decadent Listen to Me chaise. But no designer of the day steadily offered works with more verve and dynamism than Vladimir Kagan. While others, it seems, designed with suburban households in mind, Kagan aimed to suit the tastes of young, sophisticated city-dwellers. With signature designs that feature sleekly curved frames and others that have dramatic out-thrust legs, Kagan made furniture sexy.

     Kagan’s father was a Russian master cabinetmaker who took his family first to Germany (where Vladimir was born) and then to New York in 1938. After studying architecture at Columbia University, Kagan opened a design firm at age 22 and immediately made a splash with his long, low and sinuous Serpentine sofa. Furniture lines such as the Tri-symmetric group of glass-topped, three-legged tables and the vivacious Contours chairs soon followed.

     Kagan’s choices of form and materials evolved through subsequent decades, embracing lucite, aluminum and burl-wood veneers. By the late 1960s, Kagan was designing austere, asymmetrical cabinets and his Omnibus group of modular sofas and chairs. For all his aesthetic élan, Kagan said that throughout his career, his touchstone was comfort. “A lot of modern furniture was not comfortable. And so comfort is: form follows function. The function was to make it comfortable,” he once commented. “I created what I called vessels for the human body.”

     A diverse group of bodies have made themselves at home with Kagan designs. Among the famous names who commissioned and collected his designs are Marilyn Monroe, Gary Cooper, Andy Warhol, David Lynch, Angelina Jolie and Brad Pitt, and firms such as Gucci and Giorgio Armani. His work is in numerous museum collections, including those of the Victoria & Albert and the Metropolitan Museum of Art.

     Because of its idiosyncrasy, Kagan’s work did not lend itself to mass-production. Kagan never signed on with any of the major furniture-making corporations, and examples of his designs are relatively rare. As you will see from the offerings on these pages, even decades after their conception, Kagan pieces still command the eye, with their freshness, energy, sensuality and wit.

About the Seller

1stdibs seller since 2010

Typical response time: 1 hour

Located in North Miami, FL

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